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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera House in the Hay Market"/1) | (@(roleclean,performerclean) "Opera House in the Hay Market")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5842 results for: Keyword - Opera-House in the Hay-Market
We found 3321 matches on Event Comments, 2723 matches on Performance Title, 342 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

201
05 August 1767 @ Haymarket Theatre

Event Comment: NNeville MS Diary: Went to ye Pit to see ye Beggar's Opera-oblig'd to stand till ye play was over-Read some parts of ye Opera which I borrowed at Davies's, before it began and between the acts. Barry is a good Macheath, but most persons who have seen him when young observe that he has not ye activity and fire he then had. He sings tolerably as does Mrs Dancer; but both are greatest in ye acting part. Mrs D. is ye best Polly I ever saw, having that sensibility which your mere singing Pollys generally want. Mrs Mahon did Lucy with great ease and propriety, and has a good deal of expression in her countenance. Thomson has a force and mellowness of voice very suitable to ye character of Lockit. I do not think Weston excels in Filch. Shuter raised vast applause by adding, after Trapes has said "done under the Surgeon's hand'--"Oh dreadful and in such weather too!" Bannister in Mat added--"Die hard"--and Palmer in Budge--"Die game--" the Fing., of Act 3 a New Hornpipe, and at ye end of ye Opera the H. Peasant by $Miss Froment">Mrs Gardner's pretending to get drunk in Mrs Slam is new. We had at ye end of Act 2 the Fing., of Act 3 a New Hornpipe, and at ye end of ye Opera the H. Peasant by $Miss Froment, with Duke and No Duke-of which I am tired

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: A Duke and no Duke

Dance: II: The Fingalian Dance-; III: New Hornpipe-; End Opera: The Italian Peasants-Miss Froment

202
30 March 1773 @ King's Theatre

Event Comment: A New Serious Pastoral Opera. Music entirely new composed by Pugnani

Performances

Mainpiece Title: Apollo Ed Issea

Dance: I: An Allemande-Slingsby, Mlle Lafond; II: A New Grand Dance proper to the opera Apollo and Venus-Mlle Heinel, Fierville; II: A Grand Ballet with Pas de Cinq-Slingsby, Mlle Grenier, Sga Crispi, Leppy, Mlle Lafond; End Opera: A Grand Serious Dance-Fierville

203
03 March 1778 @ King's Theatre

Event Comment: A new Comic Opera; the Music by Gassmann; under the Direction of Giordani

Performances

Mainpiece Title: Lamore Artigiano

Dance: End I: a Masquerade Dance incident to the opera, in which the-; Minuet de la Cour and Gavot-Simonet, Mlle Baccelli; Provencal-Vallouy@le@cadet; Allemande a la Strasbourgoise-Mons and Mlle Banti; End II: Le Devin du Village, as17771104; End Opera: La Serenade Interrompuee, as17780224

204
28 November 1778 @ King's Theatre

Event Comment: A new Serious Opera [1st time; SER 3, by Pietro Metastasio; a pasticcio]. The Music by Bertoni and other eminent Masters [Myslivecek, Monza, Sarti]. 'Pacchierotti, who on this night made his 1st appearance in London, was] conscious that the chief delight of singing, and his own supreme excellence, lay in touching expression, and exquisite pathos...As an actor, with many disadvantages of person, for he was tall and awkward in his figure, and his features were plain, he was nevertheless forcible and impressive: for he felt warmly, had excellent judgment, and was an enthusiast in his profession. His recitative was inimitably fine, so that even those who did not understand the language could not fail to comprehend, from his countenance, voice, and action, every sentiment he expressed" (Mount-Edgcumbe, pp.24-25)

Performances

Mainpiece Title: Demofoonte

Dance: End II: La Noche Hollandoise, as17781124; End Opera: a New Ballet, connected with the Opera,-Mons Simonet, Mme Simonet, Banti, Sga Tinti

Ballet: End I: Annette et Lubin. As17781124

205
23 February 1779 @ King's Theatre

Event Comment: A new Comic Opera; the Music by the celebrated Gretry

Performances

Mainpiece Title: Zemira E Azore

Dance: II: Ballet connected with the Opera, by Genii of the various Arts- (See17790302 Pedal Harp-Hochbrucher; End II: new Ballet by Fairies of the Court of Azore,-Banti, Sga Tinti, LeDet, Henry, young Miss Simonet, Mlle Baccelli (1st appearance this season); End Opera: new serious Ballet, Le Couronnement de Zemire-Mons and Mme Simonet, Banti, Sg and Sga Zuchelli, Sga Tinti, Slingsby

206
22 January 1780 @ King's Theatre

Event Comment: A new Serious Opera, with Grand Chorusses; the Music entirely new by Bertoni

Performances

Mainpiece Title: Quinto Fabio

Dance: End I: Pastoral Ballet, as17791127; End II:new Ballet, Demi-caractere, La Bergere Coquete; ou, Le Triomphe de L'Amour-Favre Guiardele, Mme Simonet, Sga Tantini, young Miss Simonet, Slingsby; End Opera: Serious Ballet connected with the Opera,-Favre Guiardele, Sg and Sga Zuchelli, Mlle Baccelli (1st appearance this season); in which a Grand Chaconne-

Song: III: song-Mme LeBrun; accompanied on the hautboy-LeBrun

207
14 April 1785 @ King's Theatre

Event Comment: Benefit for Lepicq. Tickets, half a guinea each, to be had of Lepicq, No. 33, Pall-mall. "On machinery at this Theatre the less stress is laid the better. The boat, of which, had it been good, there was too much use, was very far from good. The representation of Lepicq swimming transgressed as little the commandment. And as to the ascent of Lepicq in the bucket, that was so badly managed as to put us in heart-felt trepidation . . . The Rivali Delusi was cut very properly by omitting the under singers' airs; yet the curtain did not drop till midnight" (Public Advertiser, 16 Apr.)

Performances

Mainpiece Title: I Rivali Delusi

Dance: Preceding the Opera an entire new Ballet, composed by Lepicq, the subject taken from a much admired French Opera, Les Amours d'Ete [performers not listed, but Public Advertiser, 16 Apr. makes mention of Lepicq and Mme Rossi]; End of Act I Robin Gray, with the Scotch Reels [performers not listed, but see17850421]; End of Opera Il Convitato di Pietra [performers not listed, but see17850312 in which a Minuet by Lepicq and Mme Rossi

Performance Comment: makes mention of Lepicq and Mme Rossi]; End of Act I Robin Gray, with the Scotch Reels [performers not listed, but see17850421]; End of Opera Il Convitato di Pietra [performers not listed, but see17850312 in which a Minuet by Lepicq and Mme Rossi .

208
27 April 1786 @ King's Theatre

Performances

Mainpiece Title: La Scuola De Gelosi

Dance: End of Act I L'Amour Jardinier, as17860406, but added: With an additional Pas Seul by Mlle Mozon; End of Opera an entirely new Ballet, composed by D'Egville, La Fife Marine, in which La Provencale by Mlle Mozon; also a Pas de Trois to the favourite tune of Bon Andre taken from the French Comic Opera L'Epreuve Villageoise, the music by Gretry, performed by Vestris, Duquesney Jun., Mlle Baccelli; and to conclude with the Pas de SLuatre, so much admired in Paris, in the Opera called Pamrge, and got up here under the direction of Vestris, and performed by Vestris, Mlle Baccelli, Fabiani, Mlle Mozon. [In a review Morning Herald, 1 May, adds: Sequedilla by Miss De Camp and Master D'Egville.]

Performance Comment: , Mlle Baccelli; and to conclude with the Pas de SLuatre, so much admired in Paris, in the Opera called Pamrge, and got up here under the direction of Vestris, and performed by Vestris, Mlle Baccelli, Fabiani, Mlle Mozon. [In a review Morning Herald, 1 May, adds: Sequedilla by Miss De Camp and Master D'Egville.] hathi.
Cast
Role: Thetis Actor: Mlle Mozon.

209
01 March 1787 @ King's Theatre

Event Comment: A Serious Opera in 2 acts; the music entirely by Handel, and selected from the various Operas set by that admirable composer, under the direction of [i.e. arranged and added to by] Dr Arnold. Benefit for Carnevale, deputy manager. No receipts listed. "In order to induce the king to visit the theatre called his own [see 17 Mar.], but which he seldom frequented, the Giulio Cesare of Handel was revived, or rather a medley from his Italian works, for little of the original music was retained, and many of his most favorite songs from other operas were introduced, Verdi prati [from Alcina], Dove sei [from Rodelinda], Rendi sereno il ciglio [from Sosarme], and others. This ancient music was particularly suited to Rubinelli, and was familiar to Mara, both of whom sung it incomparably well" (Mount-Edgcumbe, 61)

Performances

Mainpiece Title: Giulio Cesare In Egitto

Dance: End I: a new ballet, representing The Muses on Mount Parnassus-; End Opera: a new ballet, The Triumph of Julius Caesar-

210
01 March 1794 @ King's Theatre

Event Comment: 1st piece: A Comic Opera in 1 Act [and see 1 Apr.); the music by Cimarosa. 2nd piece: A new Grand Tragi-Comic Opera; the music by Gazzaniga, [with additions by) Federici, Sarti, Guglielmi; under the direction of Federici. In the course of the Opera a Grand Funeral Procession, according to the ancient customs of Spain, consisting of upwards of 100 persons. The music of both dances by Miller. With entire new Dresses, Scenery, and Decorations. [And see 4 Mar.) Loewenberg, 442: Leporello's "Catalogue Song" from Mozart's Don Giovanni was included in this version of the

Performances

Mainpiece Title: Il Capriccio Drammatico

Afterpiece Title: DON GIOVANNI

Dance: End of 1st piece a new Ballet, composed by Noverre, L' Union des Bergeres [performers not listed, but see17940304 In 2nd piece Dances connected with the opera, composed by Noverre, by Aumer, Lahante, Gentili, Favre Guiardele, Mlle Hilligsberg, Mme Del Caro, Mlle Guiardele, Mme Hilligsberg

Opera: [It was sung by Pasquariello.]

211
23 July 1796 @ King's Theatre

Event Comment: Benefit for Viganoni. Tickets to be had of Viganoni, No. 131, Pall-mall. [Opera with a new translation by Lorenzo DaPonte of Marmontel's original libretto (Loewenberg, p. 322).

Performances

Mainpiece Title: Zemira E Azor

Performance Comment: Principal Characters-Rovedino, Morelli, Viganoni, Mme Banti. [Libretto (H. Reynell, 1783) lists the cast: Sandro, Ali, Azor, Zemira, Fatima, Lesbia.]Libretto (H. Reynell, 1783) lists the cast: Sandro, Ali, Azor, Zemira, Fatima, Lesbia.]

Dance: With Dances incidental to the Opera-Didelot, Mlle Parisot, Mme Hilligsberg, Mme Rose; End Opera: Little Peggy's Love, as17960716 Pas de Trois-

212
15 April 1800 @ King's Theatre

Event Comment: A New Grand Serious Opera (1st time in this Country [1st performed at Parma, 1782]); the Music by Sarti [with additions by Federici]. With entirely new Scenes, Machinery and Decorations, designed by Marinari, and executed under his direction; and new Dresses, invented by Sestini. "The Opera...is founded upon the story of Dryden's Alexander's Feast, of which, indeed, it is merely a literal, and, of course, an elegant and tasteful translation into Italian by Count Gaston di Brizzonie [recte Rezzonico]

Performances

Mainpiece Title: Alessandro E Timoteo alexanders Feast From dryden

Dance: End I: A New Bacchanalian Divertisement Ballet, connected with and incidental to the Opera (introduced by a prelude of Chorus), the Music by Sarti, the Action and Dance by D'Egville, and performed-Didelot, Deshayes, Mlle Parisot, Mme Laborie, Mme Hilligsberg; End Opera: La Fille Mal Gardee-Mlle Parisot (will perform part originally represented by Mme Rose Didelot)

213
04 March 1726 @ Haymarket Theatre

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; most of the celebrated Songs in our new Operas-Signor Rochetti; and several others lately brought from Italy. And the Instrumental Parts-best Hands from the Opera

Performance Comment: And the Instrumental Parts-best Hands from the Opera.
Cast
Role: nd the Instrumental Parts Actor: best Hands from the Opera.

214
17 April 1729 @ Lincoln's Inn Fields

Event Comment: Benefit Laguerre and Mrs Laguerre. Mainpiece: Written by the late Sir John Vanbrugh. Afterpiece: [By John Hippisley.] Being the Farce of the Country-Wake, alter'd after the Manner of The Beggar's Opera. N.B. Printed Books...are to be had at the Theatre under the Title of Flora, an Opera. Receipts: money #29 10s. 6d.; tickets #84 9s

Performances

Mainpiece Title: The Mistake

Afterpiece Title: Hobs Opera

Performance Comment: Hob-Laguerre; but edition of 1729 adds: Sir ThomasTesty-Hippisley; Friendly-Walker; Dick-H. Bullock; Old Hob-Hall; Flora-Mrs Chantrell; Betty-Mrs Kilby; Hob's Mother-Mrs Egleton.
Cast
Role: Hob's Mother Actor: Mrs Egleton.

Dance: HHighlander and Mistress-Salle, Mrs Legar; French Sailor-Salle, Mrs Legar

215
17 March 1732 @ Haymarket Theatre

Event Comment: Benefit Pullen and Mrs Pullen. Afterpiece: a Ballad Opera of Three Acts. [Author unknown.] This Opera, relating to the Affair of Father Girard with Miss Cadiere, &c. is entirely new, being a faithful Translation from the French Original, as it was forbid in Paris

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Wanton Jesuit or Innocence Seduced

Performance Comment: Father Girrard-Pullen; Father Sabatier-Giles; Father Cadiere-Jones; Abbe Cadiere-Cross; Father Aubany-Warwell; Mons Chaudon-Cole; Robin-Radnor; Lady d'Aubert-Mrs Ray; Lady Beauslire-Mrs Clark; La Guiol-Miss Morse; L'Almande-Miss Dancey; La Batterele-Miss Radnor; La Robauld-Mrs Dove; La Laguiere-Miss Jones; Miss Cadiere-Mrs Pullen; but edition of 1731 lists: La Batterelle-Mrs Bignal; La Graveiere-Mrs Radnor.
Cast
Role: Father Girrard Actor: Pullen
Role: Father Sabatier Actor: Giles
Role: Father Cadiere Actor: Jones
Role: Father Aubany Actor: Warwell

Dance: HHornpipe-Jones' Scholar

216
07 November 1743 @ Covent Garden

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Cashell; Polly-Mrs Vincent; Lucy-Mrs Dunstall; Peachum-Hippisley; Mrs Peachum-Mrs Martin; Lockit-Dunstall; Mat-Stoppelaer; Ben Budge-Bencraft; Filch-Vaughan; Player-Anderson; Beggar-James; Jenny Diver-Miss Hillyard; With the Usual Dances-proper to the Opera.
Cast
Role: With the Usual Dances Actor: proper to the Opera.

217
21 May 1744 @ Drury Lane Theatre

Event Comment: Benefit Fenn (Stage Door-Keeper), Bishop (Gallery Keeper), Steele, Heath, Kisheir, Hussey. Being the last time of acting the mainpiece this season

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17440216, but with a Hornpipe proper to the Opera-Yates.
Cast
Role: with a Hornpipe proper to the Opera Actor: Yates.

Afterpiece Title: The Anatomist

Dance: I: a Tambourine-Mlle Auguste; V: a Peasant-Muilment

218
29 May 1745 @ Covent Garden

Event Comment: Benefit Raftor and Miss Edwards. Play By Desire. Being the last time of acting this season

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17450328 but Lucy-Mrs Clive, 1st time; Jenny Diver-Miss Allen; Mrs Slammekin-Miss Hippisley; Polly-Miss Edwards, 1st time; Peachum-Macklin; Lockit-Marten; Filch-Raftor; Mrs Peachum-Mrs Macklin; Mrs Coaxer-Mrs Ferguson; With the dances-proper to the opera; particularly a Hornpipe-Vaughan.
Cast
Role: With the dances Actor: proper to the opera

Afterpiece Title: The Virgin Unmaskd

219
30 September 1745 @ Covent Garden

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Beard; Polly-Mrs Vincent; Peachum-Hippisley; Player-Anderson; Beggar-James; Ben Budge-Bencraft; Filch-Vaughan; Mat-Stoppelaer; Mrs Peachum-Mrs Martin; Jenny Diver-Miss Allen; Mrs Slammekin-Miss Hippisley; Lockit-Dunstall; Lucy-Mrs Pritchard; With usual dances-proper to the opera.
Cast
Role: With usual dances Actor: proper to the opera.

Dance: Cooke

220
31 October 1747 @ Covent Garden

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Beard; Polly-Mrs Storer (1st appearance on that stage); Player-Anderson; Beggar-James; Mat@o@Mint-Stoppelaer; Filch-Collins; Ben Budge-Bencraft; Jenny Diver-Miss Allen; Mrs Slammekin-Miss Hippisley; Mrs Coaxer-Miss Ferguson; Peachum-Rosco; Mrs Peachum-Mrs Dunstall; Lockit-Dunstall; Lucy-Mrs Vincent; The opera to conclude with the original Country Dance-; Hornpipe-as usual.
Cast
Role: The opera to conclude with the original Country Actor:

221
26 September 1748 @ Covent Garden

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Lowe 1st appearance on that stage; Peachum-Arthur; Lockit-Dunstall; Mrs Peachum-Mrs Dunstall; Lucy-Miss Young; Player-Anderson; Beggar-Paddick; Mat@o@Mint-Stoppelaer; Ben Budge-Bencraft; Filch-Cushing; Wat Dreary-Smith; Jemmy Twitcher-Paget; Drawer-Bennet; Jenny Diver-Miss Allen; Mrs Coaxer-Miss Ferguson; Dolly Trull-Miss Copen; Sukey Tawdry-Mrs Vallois; Mrs Slammekin-Miss Hippisley; Mrs Vixen-Miss Haughton; Molly Brazen-Miss Morrison; Betty Doxy-Mrs Villeneuve; Polly-Miss Faulkner; With Hornpipe-Oates; a Country Dance-the characters of the opera.
Cast
Role: a Country Dance Actor: the characters of the opera.

222
15 October 1748 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Beard; Peachum-Yates; Lockit-Berry; Filch-Raftor; Mat@o@Mint-Blakes; Player-Bransby; Beggar-Winstone; Lucy-Mrs Clive; Mrs Peachum-Mrs Cross; Diana Trapes-Mrs Havard; Mrs Slammekin-Mrs Green; Sukey Tawdry-Mrs Yates; Jenny Diver-Miss Royer; Molly Brazen-Mrs Vaughan; Polly-Mrs Cibber; In III Hornpipe-Matthews, Vaughan, Shawford, Marr, Roger; Whole to conclude with a Country Dance-the Characters of the Opera.
Cast
Role: In III Hornpipe Actor: Matthews, Vaughan, Shawford, Marr, Roger
Role: Whole to conclude with a Country Dance Actor: the Characters of the Opera.

Dance: I: Savoyards, as17480920

223
26 September 1749 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Beard; Peachum-Yates; Lockit-Berry; Filch-Raftor; Mat@O@Mint-Blakes; Beggar-Winstone; Lucy-Mrs Green; Mrs Peachum-Mrs Pit; Diana Trapes-Mrs Havard; Mrs Slammekin-Mrs Bennet; Sukey Tawdry-Mrs Yates; Mrs Coaxer-Mrs Shawford; Jenny Diver-Miss Royer; Mrs Vixen-Miss Cole; Betty Doxy-Miss Murgetroyd; Polly-Mrs Clive; In III a Hornpipe-Matthews; The whole concluding with a Country Dance-the Characters of the Opera.
Cast
Role: In III a Hornpipe Actor: Matthews
Role: The whole concluding with a Country Dance Actor: the Characters of the Opera.

Afterpiece Title: The King and Miller of Mansfield

224
20 October 1749 @ Covent Garden

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Lowe; Peachum-Arthur; Lockit-Dunstall; Player-Anderson; Beggar-Holtham; Mat-Stoppelaer; Ben Budge-Bencraft; Filch-Cushing; Wat Dreary-Smith; Twitcher-Oates; Drawer-Bennet; Mrs Peachum-Mrs Dunstall; Lucy-Miss Young; Jenny Diver-Miss Allen; Mrs Coaxer-Miss Ferguson; Dolly Trull-Mrs Vallois; Mrs Slammekin-Miss Hippisley; Mrs Vixen-Miss Haughton; Molly Brazen-Miss Morrison; Polly-Miss Falkner; With Hornpipe-Atkins; Country Dance-the Characters of the Opera.
Cast
Role: Country Dance Actor: the Characters of the Opera.

Afterpiece Title: Miss in Her Teens

225
10 May 1750 @ Drury Lane Theatre

Event Comment: Benefit [Wright, Barrisford, Tomlinson, Foley, Costin] for Boxkeepers (Cross). The Play is oblig'd to be changed on account of Mr Havard's Indisposition, and tickets deliver'd out for Comus will be taken to the Beggar's Opera. Tickets sold at the door will not be admitted. Receipts: #160 (Cross)

Performances

Mainpiece Title: The Beggars Opera

Cast
Role: In III a Hornpipe Actor: Matthews
Role: The whole concluding with a Country Dance Actor: the Characters of the Opera.

Afterpiece Title: Miss in Her Teens

Dance: II: Comic Dance, as17500503; III: Black Joke, as17500420