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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera House in the Hay Market"/1) | (@(roleclean,performerclean) "Opera House in the Hay Market")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5842 results for: Keyword - Opera-House in the Hay-Market
We found 3321 matches on Event Comments, 2723 matches on Performance Title, 341 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

5326
25 February 1738 @ King's Theatre

Event Comment: A new Opera. [Text possibly by Zeno. Music, a Handel pasticcio.

Performances

Mainpiece Title: Alessandro Severo

5327
14 March 1738 @ King's Theatre

Event Comment: A New Opera. [Music by Francis Veracini.

Performances

Mainpiece Title: Partenio

5328
14 April 1738 @ Drury Lane Theatre

Event Comment: Benefit Harper. Mainpiece: Written by Dryden. Afterpiece: Written by Mr Gay, Author of the Beggar's Opera

Performances

Mainpiece Title: The Spanish Fryar

Cast
Role: Queen Actor: Mrs Roberts, the first time of her appearing on that stage these six years.

Afterpiece Title: The What D'ye Call It

Dance: I: Tambourine-Master Ferg, Miss Wright; III: French Peasants-Master Ferg, Miss Wright; V: Drunken Peasant-Philips

5329
15 April 1738 @ King's Theatre

Event Comment: A New Opera. [Music by Handel.

Performances

Mainpiece Title: Xerxes

5330
12 October 1738 @ Haymarket Theatre

Event Comment: See Daily Post, 12 Oct., for an attack on the French comedians as well as one on the luxury of opera

Performances

5331
19 January 1739 @ Covent Garden

Event Comment: Benefit the Author of The Parracide. Afterpiece: Written by Mr Gay, Author of the Beggar's Opera. [A letter to the Daily Post, 19 Jan., by the author of The Parracide states that after his play was damned on 17 Jan. he was offered a benefit; at first he chose his own play, then decided to offer The Way of the World.

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The What D'ye Call It

Song: Roberts

Dance: As17390115

5332
10 March 1739 @ Covent Garden

Event Comment: A Pastoral Opera. [Composed by John Baptist Pescetti.] Pit and Boxes at half a guinea. First Gallery 5s. Upper Gallery 2s. 6d. 7 p.m

Performances

Mainpiece Title: Angelica And Medoro

5333
13 March 1739 @ Covent Garden

Event Comment: Benefit Delane. Afterpiece: Written by Mr Gay, Author of the Beggar's Opera. [Tickets at Delane's Lodgings, the Golden Ball in Exeter-Court, the Strand.

Performances

Mainpiece Title: Mariamne

Afterpiece Title: The What D'ye Call It

Dance: II: Comic Dance-Villeneuve, Miss Oates; V: Grand Ballet-Glover, Mlle Roland

5334
26 December 1739 @ Drury Lane Theatre

Event Comment: Mainpiece: With Songs, Dances, Scenes, Machines, and other Decorations proper to the Opera

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Performance Comment: Prospero-Berry; Ferdinand-Ridout; Trincalo-Macklin; Hippolito-Mrs Mills; Stephano-Shepard; Mustacho-Woodward; Ventoso-Ray; Antonio-Winstone; Alvarez-Turbutt; Gonsalez-Woodburn; Caliban-Johnson; Ariel-Miss Cole; Miranda-Mrs Walter; Dorinda-Mrs Clive; (with the song of) Dear Pretty Youth-Mrs Clive.

Afterpiece Title: The Harlot's Progress

Cast
Role: Mother Midnight Actor: Hough
Related Works
Related Work: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty Author(s): Theophilus Cibber

Song: The Vocal Parts-Reinhold, Rainton, Mrs Clive, Miss Jones, Miss Karver, Miss Thynne

Dance: In II: Comic Dance of Winds-; In III: Comic Dance of Fantastical Spirits in Grotesque Characters-; In IV: Dance of Devils-; In V: Dance of Watermen-

5335
10 May 1740 @ Haymarket Theatre

Event Comment: A new Opera. Edition of 1740 Composed by Signor Pescetti. A new Scene by M delaCour. By His Majesty's Command

Performances

Mainpiece Title: Busiri, Overo Il Trionfo D'amore

Dance: As17400408

5336
10 January 1741 @ Lincoln's Inn Fields

Event Comment: A New Opera, [Text by Rolli. Music by Handel.] Boxes a half guinea. Pit 5s. First Gallery 3s. Second Gallery 2s. 6:30 P.M

Performances

Mainpiece Title: Deidamia

5337
07 February 1741 @ Lincoln's Inn Fields

Performances

Mainpiece Title: L'allegro, Il Penseroso, Ed Il Moderato

Performance Comment: Music, As17410131 [For a letter concerning Handel's operas, see Deutsch, Handel, p. 511.]
Cast
Role: With several New Additions and Concertos on the Or Actor:

5338
19 February 1741 @ Goodman's Fields

Event Comment: With all the Scenes, Machines, and other Decorations proper to the Opera, particularly, An exact Representation of Merlin's Cavev, as in the Royal Gardens at Richmond

Performances

Mainpiece Title: King Arthur; Or, Merlin The British Enchanter

Performance Comment: King Arthur-Marshall; Oswald-Giffard; Merlin-Paget; Osmond-Crisp; Grimbald-Yates; Conon-Blakes; Aurelius-Crofts; Albanact-Dunstall; Guillamar-Naylor; Philidel-Mrs Dunstall; Emmeline-Mrs Giffard; Matilda-Miss Hippisley; In which will be performed the Original Musick by the late ingenious Mr Henry Purcel-Paget, Touchbury, Hemings, Hemskirk, Mrs Jones, Miss Medina; Venus-Mrs Dunstall; Cupid-Master Nanfan; with the dances-Shawford, Olbediston, Vaughan, Marr, Mrs Bullock, Mrs Yates, Mrs Vallois, Miss Hippisley.
Cast
Role: with the dances Actor: Shawford, Olbediston, Vaughan, Marr, Mrs Bullock, Mrs Yates, Mrs Vallois, Miss Hippisley.

5339
25 February 1741 @ Drury Lane Theatre

Event Comment: Bedefit Mr and Mrs Arne. Written by the late Mr Addison, and set to Musick by Mr Arne

Performances

Mainpiece Title: Rosamond

Performance Comment: End Act I will be introduced (by way of Interlude) the Solemn Invocation Scene in Oedipus-; with the Choruses-; After the Opera, the Songs and Choruses in As You Like It written by Shakespear, and by Mr Arne as intended originally to be performed-.
Cast
Role: the Solemn Invocation Scene in Oedipus Actor:
Role: with the Choruses Actor:

5340
16 April 1741 @ Haymarket Theatre

Event Comment: A New English Opera. [By Lewis Theobald.] Set to Musick by Mr Galliard. Boxes 8s. Pit 5s. Gallery 3s. We are oblig'd to being exactly at Six, some of the Performers being afterwards wanted at the other Theatres

Performances

Mainpiece Title: The Happy Captive; With An Interlude In Two Comic Scenes, Between signor Capoccio, A Director From The canary Islands, And signora Dorinna, A Virtuosa

Related Works
Related Work: The Happy Captive Author(s): Lewis Theobald
Related Work: The Temple of Dulness; with the Humours of Sg Capochio and Sga Dorinna Author(s): Lewis Theobald

5341
22 August 1741 @ Bartholomew Fair

Event Comment: HHallam from the Theatre-Royal in Covent-Garden, Over-against the Hospital Gate. Afterpiece: A new Ballad Opera. 1 p.m. to 11 p.m

Performances

Mainpiece Title: The True And Ancient History Of Fair Rosamond, Representing Her Amours With King Henry, And Her Being Poisoned By Queen Eleanor In Woodstock Bower

Afterpiece Title: The Modern Pimp; or, The Doctor Deceiv'd

Dance: TThe Miller and his Wife, The Jealous Savoyard-two Masters Granier, Miss Granier

Ballet: TThe Triumph of Britannia Over the Four Parts of the World. Britannia-Mlle Duval; Europe-Granier; Asia-Pelling; Africa-Miles; America-Olbeldiston; Women-Mrs Vallois, Mrs Phillips, Mrs Love, Mlle Glasson

5342
01 December 1741 @ King's Theatre

Event Comment: HHeidegger gets a new leave and license to perform operas at Haymarket Theatre from 8 Dec. 41 to 30 Oct. 45.-Deutsch, Handel, p. 526, from public Record Office L. C. 5@161, p. 97

Performances

Mainpiece Title: Alexander In Persia

5343
19 January 1742 @ King's Theatre

Event Comment: A new Opera [A pasticcio. See Burney, History of Music, IV, 447.]With Dances, and other Decorations entirely new. Dedication by librettist Francesco Vanneschi

Performances

Mainpiece Title: Polidoro

Performance Comment: libretto lists: Polimnestor-Amorevoli; Ilione-Signora Visconti; Polidore-Monticelli; Electra-Signora Panichi; Deiphilus-Andreoni; Alethes-Signora Tedeschi.
Cast
Role: Alethes Actor: Signora Tedeschi.

5344
11 May 1742 @ King's Theatre

Event Comment: Whereas after this Night's Performance fifty Representations of Opera will have been fully exhibited, according to the Proposals made to the Subscribers, this is to give Notice, that no Silver Tickets will be admitted any more this Season

Performances

Mainpiece Title: Meraspe O L'olimpiade

5345
18 May 1742 @ King's Theatre

Event Comment: A new Opera. [Not identified, No edition known. Probably a pasticcio.

Performances

Mainpiece Title: Ceffalo E Procri

5346
01 June 1742 @ King's Theatre

Event Comment: Last Performance of Opera this Season

Performances

Mainpiece Title: Scipione In Cartagine

5347
16 June 1742 @ Haymarket Theatre

Event Comment: By Authority...will be presented a new Ballad-Opera [author unknown], 6:30 p.m. Boxes 5s. Pit 3s. Gallery 2s. Tickets to be had of Mrs Boyd, a Pamphlet Shop, in Leicester St. by Swallow St, opposite the Crooked Billet; at Mrs Gearing's@Toyshop near the Theatre; and at the Doors of the Theatre

Performances

Mainpiece Title: The Rover

Music: A Preamble on the Kettle@Drums, concluding with Handel's Water@Musick-Job Baker

5348
04 December 1742 @ King's Theatre

Event Comment: A New Opera, etc. [Really Gluck's Artaserse, Metastasio's text, a pastiche.] Music by Brivio (from libretto)

Performances

Mainpiece Title: Mandane

5349
22 February 1743 @ King's Theatre

Event Comment: A new Opera. With Dances and other Decorations entirely new. [Rest of description as before on first nights. Not listed as a new piece in the Larpent MS. Text by Zeno; Music by Porpora (Burney, History of Music, IV, 450).

Performances

Mainpiece Title: Temistocle

Performance Comment: Xerxes-Monticello; Themistocles-Amorevoli; Aspasia-Signora Visconti; Roxana-Signora Frasi; Lisimachus-Signora Galli; Sebastes-Signora Contini [from libretto at British Museum].from libretto at British Museum].
Cast
Role: Themistocles Actor: Amorevoli

5350
23 February 1743 @ Covent Garden

Event Comment: HHorace Walpole to Horace Mann, 24 Feb.: Handel has set up an Oratorio against the Operas and succeeds. He has hired all the goddesses from farces [i.e., Kitty Clive] and the singers of Roast Beef [i.e., Lowe] from between the acts at both theatres, with a man with one note in his voice [i.e., Beard] and a girl without ever a one [i.e., Mrs Cibber]; and so they sing.-Horace Walpole's Correspondence with Sir Horace Mann, II, 180

Performances

Mainpiece Title: Sampson