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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera at the Hay Market"/1) | (@(roleclean,performerclean) "Opera at the Hay Market")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4114 results for: Keyword - Opera at the Hay-Market
We found 2535 matches on Performance Title, 1757 matches on Event Comments, 282 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

3276
11 December 1714 @ King's Theatre

Event Comment: By Command. Admission as 26 Oct. Colman's Opera Register: Ye Prince & Princess present, ye House extraordinary full

Performances

Mainpiece Title: Arminius

Dance: As17141204

3277
15 January 1715 @ King's Theatre

Event Comment: By His Royal Highness's Command. Colman's Opera Register: Ye King, Prince & Princess present, & a full House

Performances

Mainpiece Title: Rinaldo

3278
29 January 1715 @ King's Theatre

Event Comment: Colman's Opera Register: a very thin house

Performances

Mainpiece Title: Rinaldo

3279
26 March 1715 @ King's Theatre

Event Comment: By Command; In which twelve Songs will be alter'd. And several new Scenes not seen yet, (design'd for a New Opera) will be shown

Performances

Mainpiece Title: Arminius

Dance:

3280
09 April 1715 @ King's Theatre

Event Comment: Benefit Mrs Robinson. By Command. With the Original Mad-Scenev. Admission as 2 April. Colman's Opera Register: Ye House & ye stage full ye King, Prince, &c. present

Performances

Mainpiece Title: Ernelinda

3281
07 May 1715 @ King's Theatre

Event Comment: By Command. Admission as 23 Oct. 1714. At 6 p.m. Daily Courant 11 May: Whatever Persons paid for Box-Tickets for the Opera of Hydaspes, which was perform'd on Saturday the 7th Instant, by reason of several Persons of Quality (who could not be denyed) coming in without Tickets; those who had taken them, and could not find Room, may send their Tickets to the Theatre-Office...and their Money will be repaid

Performances

Mainpiece Title: Hydaspes

3282
11 May 1715 @ King's Theatre

Event Comment: By Command. Admission as 26 Oct. 1714. Colman's Opera Register: Ye House extraordinary full

Performances

Mainpiece Title: Hydaspes

3283
25 May 1715 @ King's Theatre

Event Comment: [Music by Handel. Text probably by J. J. Heidegger.] By Subscription, with the Pit and Boxes by ticket only (not to exceed 400). Stage Boxes 15s. Gallery 5s. At 6 p.m. And Whereas there is a great many Scenes and Machines to be mov'd in this Opera, which cannot be done if Persons should stand upon the Stage (where they could not be without Danger) it is therefore hop'd no Body, even the Subscribers, will take it Ill that they must be deny'd Entrance on the Stage

Performances

Mainpiece Title: Amadis

Dance:

3284
11 June 1715 @ King's Theatre

Event Comment: By Subscription, as 25 May. According to Colman's Opera Register, 28 May, Mrs Robinson was ill and did not perform again during this season

Performances

Mainpiece Title: Amadis

3285
03 December 1715 @ Lincoln's Inn Fields

Event Comment: Not Acted these Sixteen Years. And all the Original Musick. The Habits, Scenes, Machines, Dances, and all other Decorations proper to the Play, being entirely New. Boxes 6s. Pit 5s. Gallery 2s 6d. Upper Gallery 1s. 6d. And whereas there are a great many Scenes and Machines to be mov'd in this Opera, which cannot be done if Persons should stand on the Stage, (where they could not be without Danger) it is therefore hoped no Person will take it ill that they must be deny'd Entrance on the Stage. Receipts: #198 18s. 6d

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

3286
16 February 1716 @ King's Theatre

Event Comment: With all the New Scenes, Machines, and Cloaths belonging to the Opera. Admission as 1 Feb

Performances

Mainpiece Title: Amadis

3287
21 February 1716 @ King's Theatre

Event Comment: As 16 Feb., but admission as 4 Feb. At 6 p.m. No Person whatever to stand upon the Stage, by reason of the great many Scenes and Machines which are to be moved in this Opera

Performances

Mainpiece Title: Amadis

3288
20 June 1716 @ King's Theatre

Event Comment: Benefit the Instrumental Musick. By Command. With all the Scenes and Cloaths belonging to this Opera, particularly the Fountain Scenev

Performances

Mainpiece Title: Amadis

Music: Two New Symphonies-

3289
30 June 1716 @ King's Theatre

Event Comment: By Command. Being the last Opera that will be perform'd this Season. Admission as 4 Feb. At 6 p.m. [The King present.

Performances

Mainpiece Title: Cleartes

3290
05 January 1717 @ King's Theatre

Event Comment: With all the Original Scenes and Machines belonging to the Opera. Admission: Pit and Boxes 8s. Stage Boxes half a guinea. Gallery 2s. 6d. At 6 p.m

Performances

Mainpiece Title: Rinaldo

3291
23 February 1717 @ King's Theatre

Event Comment: By His Majesty's Command. N.B. This Opera will be performed without Scenes, The Stage being in the same Magnificent Form as it was in the Ball [on 21 Feb.]. Admission as 15 Dec

Performances

Mainpiece Title: Amadis

3292
02 March 1717 @ Lincoln's Inn Fields

Event Comment: At the Desire of several Persons of Quality. N.B. The Opera of Calypso is oblig'd to be deferred by Reason of Mrs Barbier's Indisposition. Receipts: #34 8s. 6d

Performances

Mainpiece Title: The Artful Husband

Dance: Moreau, Thurmond Jr, Kellom's Scholar, Cook, Mrs Bullock, Salle, Mlle Salle

3293
09 March 1717 @ King's Theatre

Event Comment: By Command. With all the Original Scenes, belonging to this Opera. Admission as 15 Dec. 1716

Performances

Mainpiece Title: Rinaldo

3294
14 March 1717 @ King's Theatre

Event Comment: [Author unknown. Apparently not printed.] A new Opera. By Their Royal Highnesses' Command. Admission as 5 Jan. N.B. Servants will be allow'd to keep Places. At 6 p.m

Performances

Mainpiece Title: Wenceslaus

3295
19 March 1717 @ Lincoln's Inn Fields

Event Comment: Receipts: #24 11s. The Opera of Calypso and Telemachus is oblig'd to be deferr'd by Reason of Mrs Barbier's being ill

Performances

Mainpiece Title: The Provok'd Wife

Song: Leveridge, Cook

Dance: As17170125

3296
29 June 1717 @ King's Theatre

Event Comment: By Command. Admission as 15 Dec. 1716. Being the last Opera that will be perform'd

Performances

Mainpiece Title: Titus Manlius

3297
09 September 1717 @ Southwark Fair

Event Comment: At Bullock's and Leigh's Great Theatrical Booth, in Angel-Court, next the King's Bench. Mainpiece: a Dramatick Opera

Performances

Mainpiece Title: The Noble Soldier; Or, Love In Distress

Related Works
Related Work: The Parthian Hero; or, Love in Distress Author(s): Matthew Gardiner

Afterpiece Title: The Comical Adventures of Master Billy Softhead, His Mother, and Sister Sally

Related Works
Related Work: The Disappointment; or, The Mother in Fashion Author(s): Thomas Southerne
Related Work: Mother Shipton Author(s): George Colman, the elder

3298
19 October 1717 @ Drury Lane Theatre

Event Comment: At the Desire of several Persons of Quality. Mainpiece: With an entire Sett of New Scenes from the Opera, never us'd here before, and proper to this Play

Performances

Mainpiece Title: Cato

Afterpiece Title: The Loves of Mars and Venus

3299
26 October 1717 @ Drury Lane Theatre

Event Comment: At the Desire of several Ladies of Quality. Mainpiece: With an entire Set of New Scenes from the Opera never us'd here before, and proper to the Play

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: The Loves of Mars and Venus

3300
14 January 1718 @ Lincoln's Inn Fields

Event Comment: Afterpiece: [Text by Lewis Theobald. Set to Music by John Galliard.] A new Opera of one Act. With Scenes, Machines, Habits, Dances, and all other Decorations proper to the same, entirely new

Performances

Mainpiece Title: The Amorous Widow

Afterpiece Title: Pan and Syrinx

Related Works
Related Work: Pan and Syrinx Author(s): Lewis Theobald