SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera House in the Haymarket"/1) | (@(roleclean,performerclean) "Opera House in the Haymarket")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3215 matches on Event Comments, 2570 matches on Performance Title, 280 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Lowe; Peachum-Arthur; Lockit-Marten; Player-Anderson; Beggar-Holtom; Mat-Stoppelaer; Ben Budge-Bencraft; Filch-Cushing; Dreary-C. Smith; Twitcher-Redman; Drawer-Bennet; Mrs Peachum-Mrs Danstall; Lucy-Miss Young; Mrs Coaxer-Miss Ferguson; Mrs Vixen-Mrs Stephens; Jenny Diver-Miss Allen; Sukey Tawdry-Miss Mullart; Molly Brazen-Miss Helm; Betty Doxey-Mrs Vallois; Dolly Trull-Miss Davis; Mrs Slammekin-Mrs Pitt; Polly-Mrs Chambers; Hornpipe-Miles; Country Dance-the characters of the Opera.

Afterpiece Title: A Duke and no Duke

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Beard; Polly-Miss Macklin; Lucy-Mrs Clive; Beggar-Burton; Peachum-Yates; Lockit-Berry; Filch-Raftor; Mat@o@Mint-Blakes; Player-Bransby; Diana Trapes-Mrs Havard; Mrs Peachum-Mrs Cross; In Act III, a Hornpipe-Mathews; To conclude with a Country Dance-the characters of the Opera.

Afterpiece Title: Mercury Harlequin

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Lowe; Peachum-Arthur; Lockit-Dunstall; Player-Anderson; Beggar-Holtom; Mat-Stoppelaer; Ben Budge-Bencraft; Filch-Cushing; Dreary-C. Smith; Twitcher-Redman; Drawer-Bennet; Mrs Peachum-Mrs Dunstall; Lucy-Miss Young; Mrs Coaxer-Miss Ferguson; Mrs Vixen-Mrs Stephens; Jenny-Miss Allen; Sukey Tawdrey-Miss Mullart; Molly Brazen-Miss Helm; Betty-Miss Cockayne; Dolly Trull-Miss Davis; Mrs Slammekin-Mrs Pitt; Polly-Mrs Chambers; With a Hornpipe-Miles; and a Country Dance-the characters of the opera.

Afterpiece Title: A Duke and No Duke

Dance: FFingalian Dance-Lucas, Miss Hilliard

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17581009, but Country Dance-the characters of the Opera; Hornpipe-Miles.

Afterpiece Title: A Duke and no Duke

Dance: As17581016

Event Comment: Benefit for Bransby and Champness. Tickets deliver'd by Mrs Bradshaw, Miss Hippisley, Mrs Smith, and Mrs Rowe will be taken. Tickets sold at the Doors will not be taken. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Peachum-Bransby; Lockit-Champness; Filch-Raftor; Macheath-Beard; Mrs Peachum-Mrs Cross; Lucy-Mrs Clive; Polly-Miss Macklin; Mat@o@Mint-Blakes; Beggar-Burton; Player-Mozeen; Diana Trapes-Mrs Bradshaw; In Act III, a Hornpipe-Mathews; to conclude with a Country Dance-the characters of the opera.

Afterpiece Title: The Apprentice

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Lowe, 1st appearance here in 12 years; Peachum-Yates; Lockit-Bransby; Filch-Fawcett, 1st appearance on this stage; Mat of the Mint-Balkes; Beggar-Burton; Player-Mozeen; Lucy-Mrs Clive; Diana Trapes-Mrs Havard; Mrs Peachum-Mrs Cross; Polly-Mrs Vincent, 1st appearance on any stage; Act III, Hornpipe dance-Miss Dawson, 1st appearance on this stage; To conclude with a Country Dance-the Characters of the Opera.
Event Comment: Mainpiece: By Desire. Mr Ross advanc'd [i.e., received a raise in salary] from 22 Sept. 3s. 4d. per day. Mr Leppy enter'd this day at 8s. 10d. per day; Mrs Leppy enter'd at 5s. per day; Mrs Viviez enter'd at 6s. 8d. per Day. Paid Boys and Girls attendance in the Opera 10s. Memo: Walker enter'd as Constable the 6th instant inclusive in place of Mr Barnes who resign'd (Account Book). [Only #28 5s. 6d. in the Boxes (Account Book). This charge of 10s. for children supers in the Beggar's Opera, occurs regularly throughout the remainder of the season.] Receipts: #114 16s. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Knights

Related Works
Related Work: The Fairy Prince, with the Installation of the Knights of the Garter Author(s): George Colman, the elder

Dance: As17600924; The Pedlar Trick'd, as17601010-Sg and Sga Maranesi

Event Comment: To begin exactly at 6 o'clock. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant, at the Stage-Door of the Theatre. No Money to be return'd after the Curtain is drawn up. [Customary notice each night during the season. Significant changes only will be recorded hereafter.

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Beard; Peachum-Collins; Lockit-Dunstall; Filch-Holtom; Mat@o@Mint-Baker; Player-Hull; Beggar-Bennet; Lucy-Mrs Vernon; Mrs Peachum-Mrs Stephens; Diana Trapes-Mrs Copin; Polly-Miss Brent; With a Hornpipe-Mrs Vernon; Country Dance-the characters in the Opera.

Afterpiece Title: The Mock Doctor or The Dumb Lady Curd

Event Comment: Both pieces By Command. Ladies and Gentlemen who have taken places are desired to send their servants before 3 o'clock. No persons can possibly be admitted behind the scenes or into the Orchestra. Present their Majesties the Duke of York, Prince William Henry, Prince Henry Frederick, and Lady Augusta. [The Winston Theatrical Record lists the customary night's expenses as follows]: @Renters #12 1s.@Barber 5s. 4d.@Music #4 19s. 5d.@Tallow Candles #2 10s.@Wax Candles #1 6s.@Coals 10s.@Lamps #1 12s. 3d.@1 days Billstickers 11s. 6d.@1 days Bills #1 7s.@1 days Advertising 5s.@Wardrobe Bill (a day) #1 7s.@Property Bill (a day) #1 6d.@Extras (for Opera and Rape) #1 6s. 6d.@J. Rich #5 5s.@C. Rich #1@Guards (18) and a Serjeant #1@#36 6s. 5d.@ Extras that night: @Yeomen of His Majesties' guard #1 1s.@Yeomen of Her Majesties' guard #1 1s.@His Majesties' Footmen #1 1s.@Her Majesties' Footmen #1 1s.@Princess of Wales' Attendant #1 1s.@Their Majesties' Coachman 6s.@Total #5 11s.

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Rape of Proserpine

Related Works
Related Work: The Rape of Proserpine: With The Birth and Adventures of Harlequin Author(s): Lewis Theobald

Dance: As17610907

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Beard; Peachum-Collins; Lockit-Dunstall; Filch-Holtom; Mat@o@Mint-Baker; Player-Hull; Beggar-Bennet; Ben-Wignel; Dreary-C. Smith; Twitcher-Redman; Drawer-Perry; Lucy-Miss Poitier; Mrs Peachum-Mrs Stephens; Mrs Coaxer-Mrs Ferguson; Mrs Vixen-Mrs Evans; Jenny Diver-Mrs White; Suky-Miss Sledge; Molly Brazen-Miss Helm; Doxey-Miss Davis; Dolly-Miss Cokayne; Diana Trapes-Mrs Copin; Mrs Slammekin-Mrs Pitt; Polly-Miss Brent; Hornpipe-Miss Poitier; Country Dance-the Characters in the Opera.

Afterpiece Title: The Old Maid

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Beard; Peachum-Shuter; Lockit-Dunstall; Filch-Holtom; Mat@o@Mint-Baker; Player-Anderson; Beggar-Bennet; Lucy-Miss Davies, first time; Mrs Peachum-Mrs Stephens; Diana Trapes-Mrs Copin; Mrs Slammekin-Mrs Green; Polly-Miss Brent; Hornpipe-Miss Daw; Country Dance-characters in the Opera.

Afterpiece Title: Miss in Her Teens

Dance: II: The Sicilian Peasants, as17631005

Event Comment: Benefit for Sga Cremonini & Managers. Miss Wright being very ill Mr Vernon made an Apology & her part in the opera was cut out (Hopkins). Opera for the last time this season. Receipts: #140 4s. (MacMillan); charges: #76 12s. [Profit to Sga Cremonini: #63 12s.

Performances

Mainpiece Title: The Royal Shepherd

Afterpiece Title: Miss in Her Teens

Dance: I: The Sheep Shearers-Lauchery, Miss Baker; II: The Faggot Binders, as17640224; End Opera: A Dance, as17640319

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Beard; Peachum-Shuter; Lockit-Dunstall; Filch-Holtom; Player-Anderson; Beggar-Bennet; Mat@o@Mint-Baker; Lucy-Mrs Baker; Mrs Peachum-Mrs Stephens; Diana Trapes-Mrs Copen; Mrs Slammekin-Mrs Green; Polly-Miss Brent; Hornpipe-Miss Pitt; Country Dance-characters in the opera.

Afterpiece Title: The Apprentice

Dance: II: The Venetian Gardeners, as17650925

Event Comment: Mainpiece: Not acted this season. Benefit for the Increase of a Fund Establish'd by the Performers at the Theatre Royal Covent Garden, for the support of such actors, and their families, who from age or infirmities shall be incapable of their business. Such of the Nobility, Gentry, &c., who are pleased to favour this undertaking, are desir'd to send for places, Box or Pit tickets to Mr Sarjant at the Stage-Door. Charges #65. Profits to the Fund #13617s., plus #22 6s. from tickets (Box 82, Pit 12). Paid Mr Weller as per bills for property and machinery in Faustus #14 13s. (Account Book). Receipts: #201 17s. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Beard; Peachum-Shuter; Lockit-Dunstall; Filch-Holtom; Mat@o@Mint-Baker; Player-Anderson; Beggar-Bennet; Lucy-Mrs Baker; Mrs Peachum-Mrs Stephens; Diana Trapes-Mrs Copin; Mrs Slammekin-Mrs Green; Polly-Mrs Pinto; Hornpipe-Miss Pitt; A Country Dance-the characters of the opera.

Afterpiece Title: The Englishman in Paris

Dance: II: The Village Romps, as17661008

Entertainment: OOccasional Prologue-Ross; The London Cries-Shuter

Event Comment: Benefit for Shuter. Tickets to be had of Shuter at Number 2, in Martlet Court, Bow St. Covent Garden; and of Mr Sarjant, Book-Keeper. Charges: #65 2s. [Profits to Shuter #150 6d., plus #70 11s. from tickets (Box 233; Pit 82).] Paid Miss Elliott the balance of her two nights Jan. 13 and Feb. 18, #90 13s. 6d. and gave her as a present from the managers by deducting the charge of the Farce for her 2nd night, Feb. 18th, #21 (Account Book). Receipts: #215 2s. 6d. (Account Book). About 5 with great difficulty got into the Pit at Covent Garden to see...the benefit for Mr Shuter. Stood all night at the bottom of the Pit in a most disagreeable situation, though I saw very well and heard too, unless when prevented by the noise on occasion of which Shuter very smartly applied the Passage, But if we all speak together, how shall we hear one another," and again when a great noise was made about someone in the Gallery, he cried 'Give him a knock o' the head and make him quiet,' and another bawling Silence," he cried Silence, Silence why don't you be quiet.'At the end of Act II, the Cries of London', with additions by Shuter. In going off he shook his head on hearing it encored, but was oblig'd to comply by repeating the greater part. End of Opera Shuter entertained us with his Serious, Comic Post-Haste Observations in his Journey to Paris, to hear which was a principal reason of my not dining at Holliss's. The Barber in the Upholsterer inimitably played by Woodward (Neville MS Diary)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Upholsterer

Performance Comment: As17661015, but Harriet-Miss Vincent (playbill) [but she remains Mrs Baker in The Public Advertiser].but she remains Mrs Baker in The Public Advertiser].

Dance: TThe Female Archer, as17661215

Event Comment: Paid for Licensing The Oxonian in Town #2 2s. Paid for Licensing the New Prologue #1 1s. (Account Book). Receipts: #138 18s. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Mahoon, 1st appearance this kingdom; Peachum-Shuter; Lockit-Dunstall; Filch-Holtom; Player-Gardner; Beggar-Bennet; Mat@o@Mint-Baker; Lucy-Mrs Baker; Mrs Peachum-Mrs Stephens; Diana Trapes-Mrs Pitt; Mrs Slammekin-Mrs Green; Polly-Mrs Pinto; With Hornpipe-Miss Pitt; a Country Dance-the Characters in the opera.

Afterpiece Title: Harlequin Dr Faustus

Dance: II: The Irish Lilt, as17670921

Event Comment: TThe Distrest Mother oblig'd to be deferr'd because of Indisposition of Mrs Yates. Receipts: #74 1s. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Mahon; Peachum-Shuter; Lockit-Dunstall; Filch-Holtom; Mat@o@Mint-Baker; Lucy-Mrs Baker; Mrs Peachum-Mrs Vincent; Jenny Diver-Miss Ogilvie; Diana Trapes-Mrs Pitt; Mrs Slammekin-Mrs Green; Polly-Mrs Pinto; With Hornpipe-Miss Twist; a Country Dance-the characters of the opera.

Afterpiece Title: The Citizen

Dance: II: A Comic Dance-Arnauld, Miss Capon

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Mattocks; Peachum-Yates; Lockit-Dunstall; Filch-Holtom; Lucy-Mrs Baker; Mrs Peachum-Mrs Vincent; Diana Trapes-Mrs Pitt; Mrs Slammekin-Mrs Green; Jenny Diver-Miss Pearce; Polly-Miss Catley; first time. With a Dance incidental to the Opera-.

Afterpiece Title: Harlequin Skeleton

Cast
Role: The Dance Actor: Aldridge.
Event Comment: By Particular Desire. Being absolutely the last time of performing this opera

Performances

Mainpiece Title: La Buona Figliuola

Dance: I: Ballet-; with Grand Chaconne-Mlle Baccelli; II: Silvie, as17741203; End Opera: La Bal Masquer, as17741213

Event Comment: Mainpiece: A new Comic Opera (in 2 acts); the music by Sacchini. Afterpiece: A serious Opera [1st time; SER I, author unknown; a pasticcio]. The music selected from several eminent Composers [BUC lists only Bertoni]

Performances

Mainpiece Title: La Contadina In Corte

Performance Comment: Principal Characters-Trebbi, Rovedino, Sga Prudom, Sga Bernasconi. [Libretto (E. Cox, 1782) lists the parts: Ruggiero, Berto, Dottor Stoppino, Clarice, Sandrina, Tancia.]Libretto (E. Cox, 1782) lists the parts: Ruggiero, Berto, Dottor Stoppino, Clarice, Sandrina, Tancia.]

Afterpiece Title: Il Soldano Generoso

Performance Comment: Principal Characters-Pacchierotti, Manzoletto, Sga Pozzi, Mme LeBrun. [Larpent MS 502 lists the parts: Osmano, Ferdinando, Omar, Isabella, Fatima.]Larpent MS 502 lists the parts: Osmano, Ferdinando, Omar, Isabella, Fatima.]

Dance: End I: new Pantomime Dance (composed by Zuchelli) Il Desertore-Sg and Sga Zuchelli, Henry, young Miss Andreas, Miss Simonet; End II: a grand Masquerade Dance-the other partsSg and Sga Zuchelli, Sga Tantini, Henry, Slingsby; in which a Chaconne(in character by the various Masks)-; and which will open with a Minuet-Favre Guiardele, Mme Simonet (1st appearance this season); End afterpiece: new Grand Balletconnected with the Opera-Favre Guiardele, Mme Simonet, Sga Tantini, Slingsby

Event Comment: A Serious Opera [1st time; SER 3, author unknown; a pasticcio]. The Music by several celebrated Composers, and conducted [i.e. arranged] by Bianchi. Public Advertiser, 4 Dec.: Roncaglia was welcomed with merited and very flattering Applause, yet he seemed hurt at sharing with Ansani those marks of public Favour. We exhort them both to remember that Persons of their superior Talents ought to lay aside every petty Prejudice and personal Animosity. "[Ansani] had a finely toned, full, and commanding voice, was a spirited actor, and in the first opera, called Ricimero, sustained the most prominent and important part. But he was unfortunately of a most peevish, quarrelsome temper; Roncaglia was saucy and conceited, and neither could brook the superiority claimed by the other. Their mutual jealousy, and the importance assumed by the tenor soon produced an irreconcilable breach, Ansani threw up his engagement, and the season went on heavily to its close for want of him"(Mount-Edgcumbe, p. 29)

Performances

Mainpiece Title: Ricimero

Performance Comment: [Principal Characters by Roncaglia, Ansani 1st appearance in England], Manzoletto, Micheli, Mrs Barthelemon, Mme LeBrun. [Morning Chronicle, 4 Dec. assigns Vitige-Roncaglia; [Public Advertiser, 4 Dec. Rodoaldo-Ansani. [Edition of 1755 (G. Woodfall) lists the other parts: Ricimero, Edelberto, Eduige, Ernelinda.Edition of 1755 (G. Woodfall) lists the other parts: Ricimero, Edelberto, Eduige, Ernelinda.

Dance: End I: new ballet (composed by Zuchelli) The Squire Outwitted-Sg and Sga Zuchelli, Henry, Sga Crespi; End II: The Fortunate Escape, as17801125, but Henry; End Opera: +The Country Gallant, as17801125

Event Comment: A revived Serious Opera, in 2 acts; the Music composed, with Improvements, by Sacchini. Public Advertiser, 25 June: On Saturday last was revived at the King's Theatre the Serious Opera of Creso [see 8 Nov. 1777], under the new title of Euriso

Performances

Mainpiece Title: Euriso

Dance: End I: Grand Serious Ballet, as17810515; Grand Chaconne, as17810515

Ballet: End Opera: Ninette a la Cour. As17810222

Cast
Role: Mayor of the Town Actor: Delpini
Event Comment: A Serious Opera in 3 acts (1st time [in London; 1st performed at Turin, 1762]); the Music entirely new, composed by Bertoni; with Grand Chorusses. [The playbill also lists, at the end of Act II, the New Dance, as 7 May, but "As for the dances, Le Picq being confined to his bed, we were deprived of that part of the entertainment which we had been given to expect" (Morning Herald, 27 May).]

Performances

Mainpiece Title: Ifigenia In Aulide

Dance: End of Act I Divertisement Dana, as17811117, but omitted: Gardel, Mlle Baccelli; End of Opera Mirsa, as17820516

Event Comment: A Serious Opera [1st time; ser 3, by Giovanni de Gamerra; a pasticcio, with music by Anfossi, Gluck, Alessandri, Martini, Sarti, Giordani]; the Music under the Direction of Anfossi. With new Scenes, painted by Novosielski, new Dresses and Decorations, both for the Opera and Dances. By their Majesties Command, no Person can be admitted behind the Scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:00. To begin exactly at 7:00 [same throughout season]. The Subscribers' Tickets are ready to be delivered at the Office in Unionstreet. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their Horses Heads towards Pall-Mall. The Door in Market-lane for Chairs only

Performances

Mainpiece Title: Silla

Dance: End of Act II Divertisement, with a Passe-a-caille by Lepicq, a Pas Seul by Henry, a Pas Seul by Mme Simonet; End of Opera Hew Divertisement, in which a Pas Seul by Henry, and to conclude with a Caledonian Reel, being part of the ballet of Auld Robin Gray, which for want of time could not be completed, by Lepicq, Slingsby, Mme Rossi

Event Comment: A Serious Opera in 2 Acts; the Music entirely new by Anfossi; interspersed with Grand Chorusses and Dances incidental to the Opera.

Performances

Mainpiece Title: Il Trionfo Darianna

Dance: End of Act I Friendship leads to Love, as17840103; End of Act II an entirely new dance, connected with the Opera, composed by D'Auberval, The Slaves of Conquering Bacchus, with a Pas de Trots by Mme Rossi, Slingsby, Mme Simonet; a Pas de Deux by Vestris [Jun.], Mme Theodore; by Blake, Henry; [by] Zuchelli, Monetti. The Music by Barthelemon

Performance Comment: ], Mme Theodore; by Blake, Henry; [by] Zuchelli, Monetti. The Music by Barthelemon .