SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera House in the Haymarket"/1) | (@(roleclean,performerclean) "Opera House in the Haymarket")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3215 matches on Event Comments, 2570 matches on Performance Title, 280 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mme Theodore D'Auberval. Tickets to be had of Mme Theodore D'Auberval, No. 52, Poland-street, Oxford-road. 2nd ballet: With new Decorations painted by Munich [recte Moench], late painter to the Theatre in the Haymarket, and new Machinery by Bernard. The Dresses entirely new, invented and executed by Lupino

Performances

Mainpiece Title: La Bella Pescatrice

Dance: End I: La Fille Mal Gardee, as17910430; End Opera: a new Pantomime Ballet in 3 acts (composed by D'Auberval) Le Siege de Cythere-Didelot, D'Egville, Vigano, Fialon, Mlle Leonore Simonet, Mlle Troche, Mlle Deligny, Mme Vigano, Mme D'Auberval. [For assignment of parts see17910517.

Event Comment: Benefit for Mlle Parisot. Tickets to be had of Mlle Parisot, No. 9, Haymarket

Performances

Mainpiece Title: La Modista Raggiratrice

Dance: End I: L'Amant Statue, as17960423; in which will introduce a new Pas Seul-Mlle Parisot; End Opera: an entire new Ballet by Onorati La Villageoise Enlevee; ou, Les Corsaires-Mme Rose, Mme Bossi, Mme Hilligsberg, Mlle Barre, Didelot, Lahante, Gentili, Fialon, Mlle Parisot

Event Comment: Benefit for Mlle Parisot. Tickets to be had of Mlle Parisot, No. 9, Haymarket. Nina [advertised in True Briton, 24 May] is postponed on account of Mme Banti's indisposition

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: Le Rendez@vous, as17970511; End Opera: an entire new ballet in 2 acts, composed by Barre, Le Triomphe de Cupido,; ou, Les Nymphes Vaincues par l'Amour-Mme Hilligsberg, Mme Rose, Didelot, Gentili, Mlle Parisot

Event Comment: Benefit for Didelot. Tickets to be had of Didelot, No. 8, Haymarket. Didelot takes the liberty to assure the Nobility and Gentry that he is under no engagement in lieu of a Benefit, but entirely relies on the generosity and patronage of the Subscribers and the Public, whose protection he has ever studiously endeavoured to merit

Performances

Mainpiece Title: Elfrida

Related Works
Related Work: Elfrida Author(s): George Colman, the elder

Dance: End I: Peggy's Love, as17980428

Ballet: End Opera: Le Deserteur. composed by Gallet; Morning Chronicle, 18 June: Henry-Didelot; Louisa-Mme Laborie; Jenny-Mme Hilligsberg; Skirmish-Laborie

Event Comment: Benefit for Mrs Rose Didelot. Tickets to be had of Mrs Rose Didelot, No. 8, Haymarket. 2nd ballet: 1st time; composed by J. D'Egville. [In all subsequent performances this was billed as Tarare.] "D'Egville, Laborie, and St.Pierre are excellent dancers and fine manly figures. Laborie possesses more elegance than St. Pierre; but the latter greater animation. D'Egville displays much taste and poetical spirit in the invention of ballets...[which] are far richer in naive situations, and possess a more free poetical spirit than those of Paris" (Goede, 265-66)

Performances

Mainpiece Title: Elfrida

Related Works
Related Work: Elfrida Author(s): George Colman, the elder

Dance: End I: Hylas et Temire, as17990418; End Opera: Tarare et Irza-D'Egville, Didelot, Laborie, St.Pierre, Fialon, Mrs Rose Didelot, Mrs Hilligsberg, Mrs Laborie, Mrs D'Egville, Miss J. Hilligsberg

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As Acted at the Play-House; with all the Songs-Men, Women.
Event Comment: [The opera seems not to have been acted, according to note 14 Dec. "The managers of the opera are extremely concerned for the Disappointment of the house last night by Sg Lovatini's illness. As soon as they were apprised of it they took every precaution by posting bills, etc. and sent word to as many subscribers as time would permit."

Performances

Mainpiece Title: La Buona Figliuola

Dance: I: New Pastoral Ballet, as17741119; Pas Deux, as17741119; II: Silvie, as17741203; End Opera: La Bal Masquer-Lany, M and Mme Valouis, Mlle Bacelli; with a Pas Deux-Henery, Mlle Sophie

Event Comment: Benefit Mrs Lampe and Miss Young. Afterpiece: Set to Musick by Mr Lampe. [Tickets at Lampe's House, Brownlow Street.

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Opera of Operas; or, Tom Thumb the Great

Dance: In Afterpiece: A new dance-the French Boy and Girl; Scotch Dance-Glover, Mlle Roland

Event Comment: Benefit for Mr Mills and Wife (Cross). Three rows of the Pit will be laid into Boxes. Tickets and places to be had of Mills at Gardyner's Printing Office, in Russel St., Covent Garden; or of Hobson at the stage door. Servants allowed to keep places on the stage. Last time of acting the opera this season. Receipts: #240 (Cross); house charges, #60 (Powel)

Performances

Afterpiece Title: Miss in Her Teens

Dance: I: (By Desire) Savoyards, as17480920; II: Dutch Dance, as17481203

Music: Between Play and Afterpiece: a piece of Music-the Child

Event Comment: A Serious Opera, in 2 acts (never performed before [by Pietro Metastasio]); the Music entirely new by Anfossi. With new Scenes and Decorations, designed and painted by Novosielski. Public Advertiser, 10 May: The Event of Saturday night may teach the Managers, if they are not incapable of being taught, how it has happened that their House has for these six Weeks past been almost empty, and now at last was again full. For these six weeks past the Town has been disgusted with bad Music, ill sung; with that wretched Apology for a first rate singer, Rauzzini, and that barbarous dullness which he thinks Music, his Regina di Golconda. On Saturday Night there was the direct Reverse of all this wretched Infamy . . . There have been few finer Operas, and none since Farinelli's time so exquisitely sung

Performances

Mainpiece Title: Issipile

Performance Comment: Principal Characters by Pacchierotti, Uttini, Bartolini, Franchi; Sga Schinotti, Sga Catenacci, Sga Lusini. [Larpent MS 682 lists the parts: Giasone, Toante, Cleonte, Learco; Issipile, Eurinome, Rodope.] hathi.

Dance: End of Act I New Divertissement, as17840424; End of Opera Le Tuteur Trompe, as17840325athi

Event Comment: [Writer of letter to Public Advertiser states that it is not fashionable to attend on Tuesdays. On Tuesday, he continues, there were probably not more than twenty subscribers or a hundred who had paid. But the Upper Gallery never fails to do Honour to Opera. If not more than 20 people of Fashion in the House there are at least 300 in Upper Gallery." His suggestion is that reduction of cost to 2s. 6d. would induce whole musical families to attend and ultimately be beneficial for this form of entertainment.

Performances

Mainpiece Title: Senocrita

Dance: I: The Turkish Coffee House-; II: Le Tamborine-Fischar; and a new Terzetto-Duvall, Berardi, Miss Tetley; III: As17640221

Event Comment: FFlying Post, 1 March: On Thursday Night last, the Village Opera was play'd the Fifth Time, but met with a most unaccountable Reception; however, tis presumed not from any Pique against the Author, but the Resentment of the town upon some later Proceedings. No sooner did poor Colin appear upon the Stage, but his Arrival was usher'd in with a Serenade of Cat Calls, Penny-Trumpets, Clubs, Canes, Hoarse Voices, whistling in Keys, Hells, Fists; and Vollies of whole Oranges; however, the Players went on with uncommon intrepidity, and like the truly great Men, seem'd greater by opposition. The Audience call'd out for any other Play, Farce or Entertainment, but the Peasants seem'd too intent upon what they were about, to give Ear to them. This so exasperated the Spectators, that they mustered up all the Artillery they could possibly lay hold and made such an Uproar, during the whole intended Entertainment, that it was scarce possible to hear a word the Actors said. As every Player came upon the Stage, they call'd upon him by his real, not fictitious Name, and Swore not a Man of them would come to his Benefit. When Mrs T@@@ appeared, they call'd out for a Quartern of Gin, to chear up her Spirits. The Word Constable being first mentioned in the Gallery, it ran round the House like Wild-fire; and immediately the general Cry was, No Constable, no Constable. At the Conclusion of the Play, a Fellow came upon the Stage, to put out the Lights with his long Pole, but a Gentleman broke it in two, and another taking a Candle from one of the Sockets of the Sconces, his Example was immediately followed by several others, who soon clear'd them of their Lights; when a new kind of Shower compos'd of Candles fell think as Hail on the Stage

Performances

Mainpiece Title: The Village Opera

Event Comment: Daily Post, 25 Dec: Last Night there was a Rehearsal of a new Opera at the Prince of Wales's House in the Royal Gardens in Pall-Mall, where was present a great Concourse of the Nobility and Quality of both Sexes: some of the choicest Voices and Hands assisted in the Performance

Performances

Mainpiece Title: Rehearsal Of A New Opera [ariadne

Event Comment: Benefit for Miss Faulkner. Mainpiece: At the Particular Desire of Several Ladies of Quality. Afterpiece: By Desire. Miss Faulkner playing Polly "for the 1st time." Tickets of Page at the stage door in Bow St., Covent Garden; and of Miss Faulkner at her house in Leicester Fields

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mock Doctor

Event Comment: [M$Murphy in caustic comment in the Gray's Inn Journal this date laid out a set of rules for actor decorum for both Managers, but apparently directed it mostly towards Rich]: I. That no player shall during the performance stand with a vacant face, making a tour with his eyes around the House, or ogling the ladies in the Green Boxes, but that he shall to the best of this power, be attentive to the business of the scene in which he is engag'd. II. That no player shall come on imperfect in his part, or take liberties to insert his own jokes and witticisms in the Productions of those Geniuses, for whom he should have the proper respect due to the superiority of their parts. III. That no one shall mistake bawling for Expression; strutting and swaggering for deportment; twisting the body and looking cunning for sprightliness; pinching of hats and standing on tiptoe for graceful attitude; wry faces for Humour, &c., but that each player who cannot arrive at excellence, shall at least pay some regard to decency. IV. That Murder shall always be committed on stage without being comical

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin Sorcerer

Event Comment: Benefit for Morgan, the Oldest Actor in England. Last time of the company's performing this season. Tickets to be had at the Bedford Coffee House and of Mr Crudge at the Stage Door. [This charitable performance included a composite group from Drury Lane and Covent Garden.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The School Boy

Performance Comment: As17561117, but Young Rakish-Cross; Friendly-Walker; Tom-R. Smith; Benedict-Stoppelaer; Lettice-Miss Helme; Major Rackish-Morgan,his 1st appearance here these 10 years.

Dance: I: Country Lass, as17570512; II: Dutch Sailor, as17570525; III: Dutch Peasant, as17570512

Event Comment: I slept [sic. q: step?] in at Drury Lane before the Play began, which was the first time of being in the Play House this season. Miss Allen was there & Pocock with some girls (Hailey, Brietzcke Diary, N & Q, Vol, 199, p. 260)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin Ranger

Performance Comment: Harlequin-Rooker; The Others-Blakes, Vaughan, Johnston, Ackman, Mrs Bennet, Mrs Bradshaw, Mrs Mariet, Atkins; To conclude with a Dance of the Millers-Grimaldi, Miss Baker, Mrs Preston.
Event Comment: Sixth Day. For the Author. Books of the Opera to be had at the Theatre. House charges and candles #64 5s. Balances for Bickerstaffe #120 18s. (Account Book). Receipts: #185 3s. (Account Book)

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: The Englishman in Paris

Dance: End of Opera: The Irish Lilt, as17670921, but Miss Valois, Sga _Manesiere

Event Comment: Benefit for Holtom, Miss Besford, Curtat, and Mrs Naylor. Charges #64 10s. Deficit to beneficiaries #28 11s. 6d. or #7 2s. 10 1!2d. apiece, covered by the value of their tickets: Holtom #32 2s.; Miss Besford #28 1s.; Curtat #33 5s.; Mrs Naylor #24 5s. @Box Pit Gallery Value@Holtom 18 126 87 #32 2s.@Besford 43 58 86 #28 1s.@Curtat 42 89 94 #33 5s.@Naylor 24 71 76 #24 5s.@Money #35 18s. 6d.@Total Value of House #153 11s. 6d.@ Receiv'd of Condell in full for fruit rent this season #20 (Account Book). Receipts: #35 18s. 6d. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17680430 but Macheath-Mattocks; Polly-Miss Groce, being her second appearance on any stage; The Hornpipe-Miss Besford (apprentice to Fishar) 1st time.

Afterpiece Title: The Upholsterer

Ballet: End of Opera: The Wapping Landlady. As17680416

Event Comment: Benefit for Mme Mara. A new Serious Opera. Under the direction of Federici. Tickets to be had of Mme Mara at her house, No. 8, Golden-square

Performances

Mainpiece Title: Andromache [recte andromaca]

Dance: End I: Divertisement, as17900513; End Opera: The Generous Slave-Blake [see17900513], Mlle Hilligsberg

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh. Second Piece: At the Desire of several Persons of Quality. Written by the Author of the Beggar's Opera. Receipts: #64 13s

Performances

Mainpiece Title: The Country House

Afterpiece Title: The What D'ye Call It

Afterpiece Title: The Rape of Proserpine

Related Works
Related Work: The Rape of Proserpine: With The Birth and Adventures of Harlequin Author(s): Lewis Theobald

Music: As17290116

Event Comment: The Opera of Pyramus and Thisbe is oblig'd to be deferr'd till further notice, on account of the Indisposition of one of the performers

Performances

Mainpiece Title: The Drummer; Or, The Haunted House

Afterpiece Title: Orpheus and Eurydice

Event Comment: A new Opera, The Music entirely new, excepting in the three favorite Airs of Signora Mingotti

Performances

Mainpiece Title: Siroe

Dance: I: A Dance called The Turkish Coffee House-; II: A Tyrolese Wedding-; III: A New Dance-for Mr Duberval

Event Comment: A new opera set to Musick by Vento

Performances

Mainpiece Title: Leucippo

Dance: I: The Turkish Coffee House, as17631213; II: A new Dance-Signora Marcucis, just arrived from Italy; III: A New Dance, as17631213; a new Dance Le Matellot Provencalle-Fischar, Miss Auretti call'd Le Matellot Provencalle

Event Comment: Benefit Pardini. At the Great House the Lower End of Spring Garden, Charing Cross

Performances

Mainpiece Title: Concert

Music: The best Hands from the Opera