SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera House in the Haymarket"/1) | (@(roleclean,performerclean) "Opera House in the Haymarket")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3215 matches on Event Comments, 2570 matches on Performance Title, 280 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The Duke's Company. Pepys, Diary: So resolved to take my wife to a play at court to-night, and the rather because it is my birthday....While my wife dressed herself, Creed and I walked out to see what play was acted to-day, and we find it The Slighted Mayde. But, Lord! to see that though I did know myself to be out of danger, yet I durst not go through the street, but round by the garden into Tower Street. By and by took coach, and to the Duke's house, where we saw it well acted, thought the play hath little good in it, being most pleased to see the little girl [Moll Davis] dance in boy's apparel, she having very fine legs, only bends in the hams, as I perceive all women do

Performances

Mainpiece Title: The Slighted Maid

Performance Comment: Edition of 1663: Salerno-Harris; Iberio-Betterton; Filomarini-Metborn; Lugo-Smith; Arviedo-Cadiman; Corbulo-Young; Peralta-Underhill; Gioseppe-the Elder Noke; Vindex-Sandford; Decio-Mrs Gibbs; Pyramena-Mrs Betterton; Diacelia-Mrs Long; Leandra-Mrs Williams; Menanthe-the Younger Noke; Joan-Turner; Instrumental Vocal and Recitative Musick by Mr John? Banister-; the Prologue to the King-; the Prologue to the House-; the Epilogue-The Slighted Maid; Epilogue to the King-.
Event Comment: Benefit Lacy. Afterpiece: A new Satyrical, Allegorical, Political, Philosophical Farce, [Apparently by Lacy.] Daily Advertiser, 30 April: Yesterday I accidentally call'd in at the Theatre in the Hay-Market, and saw the Rehearsal of a new Farce call'd Fame...Which is to be acted there on Wednesday next...for the Benefit of Mr Lacy the Author. As I am neither acquainted with him, nor the Master of the Playhouse, I cannot be accus'd of Partiality, in affirming, that I think this the best Farce this Age has produc'd. It seems to be writ in Imitation of Shakespear, and entirely calculated for the present Taste. The Characters are strong, lively, majestic, and just; the incidents natural and moving; the Conduct regular; the Distresses extremely affecting; the Stile sublime; the Sentiments grand, full of Patriotism; and the Catastrophe so masterly wrought up, that, I am persuaded, no Farce whatsoever, now acting, will draw more Tears than this. But what affected me beyond all, was, the Zeal, the exemplary Zeal of a worthy Magistrate, who so strictly adheres to the very Letter of the Law, as to send a rich and honest Merchant, and Freeholder, to the House of Correction, as a sturdy Beggar, or Loiterer. I could enlarg in its Praise, but fear I may do the Author wrong, in raising your Expectations too high. See it, and I am convinc'd you will entertain the same Sentiments of it, as does Your Humble Servant, James Lacy. Alias Fustian, alias Sour-Wit, alias--But hold:--If I should be arraign'd for the Murder of this Farce, so many Alias's will half condemn me before I am heard

Performances

Mainpiece Title: Pasquin

Afterpiece Title: Fame; or, Queen Elizabeth's Trumpets; or, Never plead's Hopes of being a Lord Chancellor; or, The Lover turn'd Philosopher; or, The Miser's Resolve upon the Lowering of Interest

Performance Comment: The Characters are, Sir Hardheart Pelf, an Usurer, and Justice of the Peace-; Counsellor Pleadwell, a Man of Honour-; in love with Charlotte, the Miser's Daughter-; Counsellor Neverplead, of Brick-Court in the Temple, an Original-; Fustian turn'd Auctioneer, preparatory to a Presbyterian Parson-; Mr Jamaica, an honest Merchant, sent as a Vagrant to the House of Correction-; Mr Quidnunc, a very deep-headed Man-; a Pack of fashionable Ladies and Beaux-; Famine, the Usurer's Servant-; George, Counsellor Neverplead's chief Clerk-.
Event Comment: 1st piece [1st time; PREL 1, by George Colman, ynger. Larpent MS 951; synopsis of plot in Diary, 16 June. This piece is stated to have been published in 1792]. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. Places for the Boxes to be had of Rice, at the Theatre. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. In 1st piece "Parsons was highly entertaining in affecting to speak in an under tone scarcely audible, that the feebleness of his voice might correspond with the smallness of the House, compared with the enormous [new] Theatre over the way; and his broken, unintelligible mode of announcing the Performance to the Audience as a specimen, was truly whimsical" (Morning Herald, 16 June)

Performances

Mainpiece Title: Poor Old Hay-market; Or, Two Sides Of The Gutter

Performance Comment: !! Characters by R. Palmer, Cubitt, Wrighten, Wewitzer, Bannister Jun., Parsons, Evatt, Wilson, Mrs Edwin, Mrs Powell, Mrs Gaudry, Miss Hale, Mrs Webb. Cast from European Magazine, June 1792, p. 474: Scene Carpenters-R. Palmer, Cubitt; Prompter-Wrighten; Project-Bannister Jun.; Parsons-Parsons; Mrs Edwin-Mrs Edwin; Mrs Powell-Mrs Powell; Mrs Gaudry-Mrs Gaudry; Miss Hale-Miss Hale; Mrs Webb-Mrs Webb (these last 6 in their own persons); unassigned-Wewitzer, Evatt, Wilson; Other parts listed in Larpent MS: Messenger-; Man in the Pit-; Short Lady-; Actresses-.
Cast
Role: Man in the Pit Actor:
Related Works
Related Work: Poor Old Haymarket; or, Two Sides of the Gutter!!! Author(s): George Colman, the younger

Afterpiece Title: The Young Quaker

Performance Comment: Old Sadboy-Barrett; Chronicle-Baddeley; Captain Ambush-Williamson; Young Sadboy-Bannister Jun.; Shadrach-Wewitzer; Spatterdash-R. Palmer; Clod-Parsons; Twig-Farley; Malachi-Burton; Lounge-Lyons; Waiter-Farley [i.e. doubled Twig]; Coachman-Ledger; Goliah-Miss Standen; Araminta-Mrs Bland; Dinah Primrose-Mrs Brooks; Pink-Miss Fontenelle (Their 1st appearance in those characters); Lady Rounceval-Mrs Webb.

Afterpiece Title: The Son-in-Law

Performance Comment: Cranky-Wilson; Vinegar-Baddeley; Bouquet-Davies; Bowkitt-Bannister Jun.; Arionelli-Bannister; Idle-R. Palmer; Mum-Barrett; John-Ledger; Man of the House-Burton; Negro Boy-Miss Standen; Cecilia-Mrs Bannister; Dolce-Miss Palmer.
Cast
Role: Man of the House Actor: Burton
Event Comment: The date of the premiere is not known, but the fact that the opera was advertized in the Post Man, 14-16 Jan. 1696@7, suggests that it was first acted not later than December 1696. As the title page indicates, the work had been intended for presentation before the Court, but the death of Queen Mary prevented its appearance at Court. A Comparison Between the Two Stages (1702), p. 19: Sullen: But to go on, Cynthia and Endymion. Ramble: What a Pox is that? I never heard on't. Sullen: I believe not; 'tis one of Durfey's Toys. Ramble: Durfey's? what again? 'twas just now we parted with him. Sullen: Ay but Sir, you must know this is an Opera--and as he tells us in the Title-page, design'd t be perform'd at court before the late Queen--there's for you; Durfey in his Altitudes--but notwithstanding the vain and conceited Title-page, 'tis good for nothing within: He's the very Antipodes to all the Poets, Antient and Modern: Other Poets treat the Deities civilly, but Mr Durfey makes the Gods Bullies, and Jilts of the chastest Goddesses. Ramble: So, I suppose that was mawl'd, notwithstanding the Honour which he says the Queen intended it. Sullen: 'Twas well for Durfey her late Majesty never saw it; Gad if she had, People wou'd ha' said, it had first been the cause of her Illness, and then of her Death; for 'tis a mortifying Piece o' my Word; Yes, yes,--it was Damn'd

Performances

Mainpiece Title: Cinthia And Endimion; Or, The Loves Of The Deities

Performance Comment: Edition of 1697: Prologue to Cinthia and Endimion-; Epilogue to the Opera-. Mr Dogget, dress'd like Collin, rises from under the Stage as frighted. No actors' or singers' names.
Event Comment: By particular Desire of several Persons of Distinction. Set to Musick after the Italian Manner. The Habits and Decorations entirely New. 5s., 3s., 2s. 7 p.m. [The Duke and the Princess Amelia present.

Performances

Mainpiece Title: Opera Of Operas

Entertainment: TThe Crowing of the Cock-a Gentleman for his Diversion

Dance: new dance (by Dew dance (by Desire)-Jones to the 5th Concerto of Vivaldi, which he accompanies himself upon the Violin, the first time of his performing it in public

Performances

Mainpiece Title: Opera Of Operas

Dance: As17330604

Event Comment: As 4 June. [The two youngest Princesses present.

Performances

Mainpiece Title: Opera Of Operas

Dance: As17330604

Event Comment: By particular Desire of several Persons of Distinction. Set to Musick after the Italian Manner. [The Conde de Montijo, the Spanish Ambassador, present.

Performances

Mainpiece Title: Opera Of Operas

Dance: Jones

Event Comment: Set to Musick after the Italian Manner

Performances

Mainpiece Title: Opera Of Operas

Dance: Jones

Performances

Mainpiece Title: Opera Of Operas

Dance: Jones

Performances

Mainpiece Title: Opera Of Operas

Dance: Jones

Performances

Mainpiece Title: Opera Of Operas

Dance: As17330615

Event Comment: The Tenth Day. As 13 June

Performances

Mainpiece Title: Opera Of Operas

Dance: As17330615

Performances

Mainpiece Title: Opera Of Operas

Dance: As17330615

Event Comment: Ladies send servants by 3 o'clock. A Comic Opera, Never Perform'd [by Isaac Bickerstaffe]. The Scenes, Dresses and Dances entirely new (playbill). [The playbill does not assign parts. Assignment from Genest and Winston who both identify the Young Gentlewoman as Miss Brickler. The Music compiled from Favourite airs of the most celebrated composers." See note for 27 May relative to dances in this opera.] Receipts: #245 14s. (Account Book)

Performances

Mainpiece Title: Love In The City

Performance Comment: Wagg-Shuter; Old Cockney-Gibson; Barnackle-Dunstall; Young Cockney-Dibdin; Sightly-DuBellamy; Spruce-Mattocks; Miss LaBlond-Miss Poitier; Miss Molly Cockney-Mrs Green; Penelope-A Young Gentlewoman [Miss Brickler]; Priscilla-Mrs Mattocks; With Dances [adapted to the opera-Fishar, LaRiviere, Arnauld, Sga Manesiere, Miss Wilford, Miss Valois. (Edition of 1767) .
Event Comment: A New Serious Opera. The Music by several eminent composers under the direction of Giordani. Dances under the direction of Lany. New Scenes by Colomba, with magnificent Dresses and Decorations for the Opera and Dances. Tickets Pit and Boxes put together at Half a Guinea. Gallery 5s. Second Gallery 3s. By Command of their Majesties no person whatsoever to be admitted behind the scenes or into the Orchestra. Doors to be opened at 6, to begin at 7:00 p.m. Vivant Rex et Regina. In order to prevent inconveniencies to the ladies in getting to and from their carriages, they are requested to order their coachmen to set down with their horses heads towards Pall Mall, and to take up with their heads towards Picadilly. The door in Market Lane and the King's door for Chairs only

Performances

Mainpiece Title: Armida

Dance: I: Grand Ballet Pirhame et Thisbe-Simonin Vallouis, Mad. Niel Vallouis, Lany, Mlle Bacelli; in which will be introduced a Grand Chaconne-Simonin Vallouis; III: A Grand Dance of Furies-incident to the Opera

Performance Comment: Niel Vallouis, Lany, Mlle Bacelli; in which will be introduced a Grand Chaconne-Simonin Vallouis; III: A Grand Dance of Furies-incident to the Opera.

Ballet: II: A Grand Ballet Le Baillet de Fleur. La Rose-Mlle Bacelli; Le Zephir-Lany; Boree-Fay; with an Entree-Simonin Vallouis, Mad. Vallouis

Event Comment: At the Desire of several Ladies of Quality. Benefit Mrs Giffard. Tragedy not acted for 7 years. The Ballad Opera, by Mendez, never performed before. Servants admitted to keep places. Tickets at Mr Giffard's (No 11) in Craven Buildings, Drury Lane; and places for the boxes of Hobson, at the stage door

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Performance Comment: Antony-Delane; Ventidias-Giffard; Cleopatra-Mrs Giffard 1st time; Octavia-Miss Budgell; Dolabella-Havard; Alexas-Blakes; Serapion-Winstone; With an Epilogue in the character of a Female Volunteer-Mrs Woffington.
Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

Afterpiece Title: The Double Disappointment

Performance Comment: Marquis-Blakes; Phelim-Barrington; Loveless-Lowe; Gripe-Collins; Jeremy-Neale; Isabel-Miss Edwards; With a New Prologue to the Opera-Mrs Clive. [From first edition.]From first edition.]

Song: II: Lowe; III: Polly Willis-Mrs Clive

Dance: IV: Muilment

Event Comment: A Dramatic Opera [by Betterton altered from Beaumont and Fletcher; music by Purcell. Not acted these 30 years. New Cloaths, Scenes, and other Decorations incident to the Opera. Nothing under full prices will be taken. To prevent any obstruction either in the Music or Decorations, no persons can be admitted behind the scenes. [Notices repeated for this play this season.] Receipts: #190 18s. (Account Book)

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

Performance Comment: Diocles-Ross; Charinus-Sparks; Maximinian-Smith; Cosroe-Clarke; Aper-Gibson; Niger-Ridout; Camurius-Anderson; Persian Ambassador-White; Suitors-Collins, Costollo, Stoppelaer; Countrymen-Dunstall, Barrington; Geta-Shuter; Aurelia-Mrs Vincent; Cassana-Mrs Stephens; Drusilla-Miss Condill; Delphia-Mrs Hamilton; With the Original Dances-Gallini, Granier, Lucas, Miles, Leppie, Desse, Rochford, Gosley, Mlle Capdeville, Miss Hilliard, Mrs Granier, Mrs Viviez, Mrs Leppie, Mrs Jansolet, Miss Dawson, Miss Viviez, Mrs Guerin; With several New Songs adapted to the Opera, set to music by Arne. The Vocal Parts-Lowe, Mattocks, Howard, Legg, Baker, Mrs Lampe, Mrs Chambers, Miss Younge, others.
Event Comment: A new serious Opera [a pasticcio]. Music by different Masters. To begin at 6 p.m. on account of the Prologue. [Note: The 1760 Libretto at Library of Congress designates the "Musical Prologue sung by Signora Mattei" on 22 Nov. The prologue consists of recitative and a brief air of two quatrains.

Performances

Mainpiece Title: Arianna E Teseo

Performance Comment: Minos-Gaetano Quilici; Ariadne-Signora Colomba Mattei; Theseus-Filipo Elisi; Tauris-Pietro Sorbelloni; Laodice-Signora Angiola Calori; Alcestes-Signora Teresa Eberardi; Director-Giocchino Cocchi; New Musical Prologue before the Opera begins-Signora Mattei--1760 Libretto; Director of Dancers-Gherardi; Dancers-Gherardi, Mlle Asselin, Polly Capitani, Tariot (Larpent MS).
Event Comment: The Music by Handel, Boyce, Arne, Howard, Baildon, Festing, Geminiani, Galluppi, Giardini, Paradies, Agus, Abos &c. The Overture composed by Abel. Books of the Opera to be sold at the theatre

Performances

Mainpiece Title: Love In A Village

Performance Comment: Principal parts-Beard, Shuter, Mattocks, Dyer, Bennet, Dunstall, Miss Brent, Miss Hallam, Mrs Walker, Miss Davies, Barrington, Holtom, Mrs Stephens, Miss Miller; Dances incident to the opera-Granier, Miss Twist. [See17621208.]See17621208.]

Dance: II: The Sicilian Peasants, as17631005

Event Comment: Books of the Opera to be sold at the Theatre

Performances

Mainpiece Title: Love In A Village

Performance Comment: Hawthorn-Beard; Woodcock-Shuter; Sir Wm Meadows-Bennet; Young Meadows-Mattocks; Eustace-Dyer; Hodge-Dunstall; Margery-Mrs Stephens; Deborah-Mrs Walker; Lucinda-Miss Miller, 1st time; Rosetta-Miss Brent; Servants at the Statute-Barrington; Holtom, Gardner, Mrs White; Dances incident to the Opera-Leppie, Miss Twist.

Dance: II: La Femme Maitresse, as17641004

Event Comment: New Scenes and Habits. Ladies send servants by 3 o'clock. The Music compiled from Favourite Airs of the most celebrated Composers. Books of the opera to be had at the Theatre. [See note 16 Oct. 1764. Edition of 1765 states music by Samuel Arnold.

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Principal parts by: Beard, Mattocks, Shuter, Gibson, Dibdin, Baker, Mrs Pitt, Miss Poitier, Miss Hallam, Miss Brent. Giles-Beard; Lord Aimworth-Mattocks; Sir Harry Sycamore-Shuter; Fairfield-Gibson; Ralph-Dibdin; Mervin-Baker; Lady Sycamore-Mrs Pitt; Fanny-Miss Poitier; Theodosia-Miss Hallam; Patty-Miss Brent (Edition of 1765); Dances incidental to the opera-Fichar, Duquesney, Sga Manesiere, Miss Wilford, Miss Valois.
Event Comment: A New Serious Opera. The Music antirely new composed by Corri. [Libretto by Mestastasio.

Performances

Mainpiece Title: Allesandro Nell'india

Dance: I: New Pastoral Ballet, as17741119; Pas Deux is omitted II: Grand Ballet, Silvie ou les Nymphes de Diane-S. Vallouis, Mlle Vallouis; End Opera: New Ballet-; in which will be introduced a Grand Chaconne-Mlle Bacelli

Performance Comment: Vallouis, Mlle Vallouis; End Opera: New Ballet-; in which will be introduced a Grand Chaconne-Mlle Bacelli.
Event Comment: A new Serious Opera [1st time; SER 3, author unknown]. The Music entirely new composed by Sacchini. With entire new Scenes, new Dresses and Decorations both for the Opera and Dances

Performances

Mainpiece Title: Mitridate

Dance: End I: The Pert Country Maid, as17810113; End II: a new serious Ballet (composed by Simonet) The Nymphs of Diana-Vestris? Jun., Mlle Baccelli, Sg and Sga Zuchelli, Henry, Sga Crespi, Miss Simonet, Mme Simonet; End Opera: a new grand Ballet half-character (composed by Simonet) The Rural Sports-Vestris? Jun., Mlle Baccelli, Henry, Sga Crespi, Traffieri, Slingsby, Sga Tantini

Performance Comment: Jun., Mlle Baccelli, Sg and Sga Zuchelli, Henry, Sga Crespi, Miss Simonet, Mme Simonet; End Opera: a new grand Ballet half-character (composed by Simonet) The Rural Sports-Vestris? Jun., Mlle Baccelli, Henry, Sga Crespi, Traffieri, Slingsby, Sga Tantini.
Event Comment: A new Comic Opera; composed by Paisiello, under the direction of Mazzinghi. [The full name of this opera is L'Amore Contrastato; ossia, La Molinarella (see king's, 6 Dec. 1794).

Performances

Mainpiece Title: La Molinarella

Dance: End I: the new Divertissement-[i.e. Le Triomphe de la Folie, as17910503]; End Opera: La Fille Mal Gardee, as17910430

Performance Comment: e. Le Triomphe de la Folie, as17910503]; End Opera: La Fille Mal Gardee, as17910430.