SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera House in Paris"/1) | (@(roleclean,performerclean) "Opera House in Paris")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3135 matches on Event Comments, 3014 matches on Performance Title, 498 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The Manager most respectfully informs the Subscribers and the Public that the Operas end this evening at this Theatre, and will open on Tuesday next the 15th at Covent-Garden Theatre, to perform the remainder of the Subscription Nights. At which Theatre the Manager has carefully arranged every Box to accomodate the Subscribers according to the plan of the present Opera season

Performances

Mainpiece Title: La Generosita Dalessandro

Dance: End I: La Bergere des Alpes, as17900525; End Opera: Les Mariages Flamands, as17900227

Event Comment: Rich's Company. There is no certainly as to whether this performance is the premiere. Because the play was not published until 1715, the cast for the first performance is not known. Lady Morley attended this performance. Hotson, Commonwealth and Restoration Stage, p. 377: Lady Morley and one in the Box att Country House 8s

Performances

Mainpiece Title: The Country House

Event Comment: Benefit Stephens. Tickets at Stephen's House, Paternoster Row

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Country House

Dance: TTwo Pierots-Lalauze, Desse; Je ne sai quoi-Villeneuve, Richardson, Miss Oates; Serious Dance-Mlle Roland; Grecian Sailors-Glover

Event Comment: Mainpiece: Not acted these 16 Years. [See 27 Dec. 1746.] Benefit for Shuter. Receipts: #173 16s. 6d. Tickets #150 13s. (boxes 272; pit 551). Charges: #63 (Account Book), [#325 9s. 6d. marks the largest house in money value this season. Shuter advertised his benefit early, then on 28 March inserted this puff in the Public Advertiser: [Mrs Centlivre's Comedies have a vein of pleasantry in them that will always be relish'd. She knew the Genius of this nation, and she wrote up to the spirit of it; her Bold Stroke for a Wife, was a masterpiece that much increased her reputation: it establish'd that of Kit Bullock, a smart sprightly actor. His performance of Col. Feignwell was greatly applauded. Shuter has judiciously chosen to play to at his own benefit, and everyone that knows his powers, knows he will play it at least with drollery and justice equal to him."

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Country House

Dance: SSicilian Peasants, as17571217; Fingalian Dance, as17571013

Entertainment: (BBy Desire,) End of Play: Hippisley's Drunken Man-Shuter; (By Desire,) End of Farce: Cries of London-Shuter

Event Comment: Not acted in 5 years. [See 4 Feb. 1758.] The Drummer was revived at this period at both theatres...to take advantage of the reigning weakness of the people, who went in crowds many days and nights to an Haunted House, by what was called the Cock-Lane Ghost-a delusion set on foot, and very ingeniously carried on by a girl of 12 years of age, daughter of a clerk of St Sepulchre's Church, who resided in Cock Lane near Smithfield. [The Ghost was supposed to be that of one Fanny, a gentleman's mistress buried in the church. By knockings and scratchings she supposedly haunted the girl intimating foul practices concerning her death.] It would be incredible to relate the numbers of persons of distinction that attended this delusion! many of whom treated it as a serious and most important affair...at last the girl's father and three or four others were tried in the King's Bench, found guilty' Pillioried and imprisoned. This most effectively laid the Ghost; and is the best and properest cure for every ghost that may arise hereafter. (Victor, History of the Theatres, III, 18 ff). [The theme exploited again by Garrick in The Farmer's Return from London, dl 20 March.

Performances

Mainpiece Title: The Drummer Or The Haunted House

Afterpiece Title: The Genii

Song: II: Hearts of Oak, as17620115; End: An Occasional Ballad by Way of Epilogue, in the Character of Abigail,-Mrs Clive

Event Comment: Paid half year's Land Tax for theatre due Mich. last: #61 5s.; half year's window lights for ditto: #6 10s. 6d.; half year's land tax for House in Bow Passage: #2 3s. 9d., and window lights for same 15s.; Paid Stubbs (timber merchant) as per bill #50; Paid Evans (sawyer) #9 5s. (Account Book). Receipts: #240 9s. 6d. (Account Book)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: IV: Corsican Sailor's Punch House, as17711011

Event Comment: Paid Messrs. Raban & Kime (coal merchants) #56 15s.; Paid Sarjant half aear's rent for the House in Bow Passage due Mich. last #20 (Account Book). Receipts: #195 3s. 6d. (Account Book)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: III: The Corsican Sailor's Punch House, as17711011; IV: The Lamplighter, as17711016

Event Comment: [In mainpiece the playbill retains Miss Farren, "but on account of the sudden indisposition of Miss Farren her part in the play was read by Mrs Ward, who gave it with great effect, and having studied Miss Farren's manner, was a very tolerable substitute" (Diary, 2 May).] Afterpiece [1st time; C 3, by John Philip Kemble]: Taken from [The Country Lasses; or] The Custom of the Manor [by Charles Johnson]. Diary, 6 May 1789: This Day is published The Farm House (1s.). And see 6 May. Receipts: #165 3s. (125.12.0; 34.18.6; 4.12.6)

Performances

Mainpiece Title: False Appearances

Afterpiece Title: The Farm House

Event Comment: An accurate Edition of The Farm House to be had at the Theatre. Receipts: #98 16s. (55.4.0; 39.19.6; 3.12.6)

Performances

Mainpiece Title: The Revenge

Afterpiece Title: The Farm House

Performances

Mainpiece Title: An Opera

Performance Comment: Evelyn, Diary: I saw an Italian Opera in musique, the first that had been in England of this kind.
Event Comment: After the Italian manner, All sung, being set to Musick by Master Clayton. No Person to be admitted into the Boxes or Pit but by the Subscriber's Tickets. The Boxes on the Stage and the Galleries are for the Benefit of the Actors. [Premiere of the opera.

Performances

Mainpiece Title: Arsinoe Queen Of Cyprus

Dance: l'Abbe, duRuel, Cherrier, Mrs Elford, Mrs duRuel, Mrs Moss

Song: Before and after Opera: Singing in Italian and English-

Event Comment: A Practice of the new Opera in Form; to begin exactly at Six a Clock. [See also 2 March.

Performances

Mainpiece Title: Practice Of An Opera hydaspes

Event Comment: In which there will be seen (for once only) the New Scene design'd for a New Opera. Admission as 26 Oct

Performances

Mainpiece Title: Ernelinda

Dance: Mrs Santlow (Colman's Opera Register)

Event Comment: Receipts. #170 5s. 6d. Probable attendance: boxes, 306 paid and 2 orders; staoe, 46 paid; balcony, 4 paid; pit, 263 paid and 2 orders; slips, 59 paid and 5 orders; first gallery, 417 paid; second gallery, 180 paid. Daily Journal, 12 Feb.: The Beggar's Opera is continued acting...with the greatest Applause, and to an Audience as numerous as ever. And we are informed, That most of the Boxes are taken to the 25th Night. [See also Gay to the Earl of Oxford, 12 Feb., in Correspondence of Pope, II, 473.

Performances

Mainpiece Title: The Beggars Opera

Event Comment: Receipts: #163 18s. 6d. Probable attendance: boxes, 230 paid and 3 orders; stage, 28 paid; balcony, 4 paid; pit, 273 paid and 3 orders; slips, 57 paid; first gallery, 420 paid and 4 orders; second gallery, 195 paid. Daily Journal, 28 Feb.: Whereas Mrs Barbier has advertized that the Beggar's Opera is to be performed, for her Benefit, on the 16th of March next; This is to inform the Publick, That such Advertisement was published without Consent of Mr Rich, and that the same will not be allow'd of

Performances

Mainpiece Title: The Beggars Opera

Event Comment: Receipts: #183 4s. Probable attendance: boxes, 240 paid and 4 orders; stage, 79 paid; pit, 292 paid and 4 orders; slips, 64 paid and 1 order; first gallery, 433 paid; second gallery, 204 paid. Daily Journal, 5 March: Mrs Barbier, in Compliance to the Town, has wav'd her right to the Beggar's Opera and the Tickets delivered out for Saturday the 16th, will be taken on Monday the 18th to Hamlet, Prince of Denmark, for her Benefit

Performances

Mainpiece Title: The Beggars Opera

Event Comment: Benefit Mrs Younger. [There is some confusion concerning this performance. Daily Journal advertises The Fortune Hunters for its second performance, but Rich's Register gives The Beggar's Opera, 33d time; this numbering is recongnized in the bills by 16 March.] Receipts: money #35 2s.; tickets #115 17s. Probable attendance: boxes, 41 by money and 247 by tickets; stage, 12 by money; pit, 59 by money and 203 by tickets; slips, 6 by money; first gallery, 66 by money and 203 by tickets; second gallery, 74 by money. Tickets for Volpone will be taken

Performances

Mainpiece Title: The Beggars Opera

Event Comment: [The Bill calls this the 33d performance; Rich's Register labels it the 34th. See 11 March.] Receipts: #183 3s. Probable attendance: boxes, 246 paid and 5 orders; stage, 73 paid; pit, 292 paid and 4 orders; slips, 65 paid; first gallery, 435 paid and 2 orders; second gallery, 192 paid. Daily Journal, 12 March: N.B. During the Course of the Benefits, this Opera will be performed every Tuesday and Saturday

Performances

Mainpiece Title: The Beggars Opera

Event Comment: (D+Delany, Autobiography, I, 162): An opera is to be rehearsed; I have not heard the fame of it, its name nor author

Performances

Mainpiece Title: An Opera Rehearsed

Event Comment: Receipts: #80 2s. Probable attendance: boxes 70 paid and 12 orders; stage, 2 paid; pit, 227 paid and 20 orders; slips, 19 paid and 3 orders; first gallery, 183 paid and 10 orders; second gallery, 152 paid and 1 order. [For a performance of The Beggar's Opera at sf, with Polly by Miss Ward, see season of 1727-28, under 6 Sept. 1728.

Performances

Mainpiece Title: The Beggars Opera

Event Comment: [By Charles Johnson.] Never Perform'd before. Applebee's, 15 Feb.: The Village Opera was perform'd...with such Hissing and Clapping that the like was never known; for great Numbers of prejudic'd and partial People got together, and fell a Hissing before the Performers utter'd a Word

Performances

Mainpiece Title: The Village Opera

Event Comment: Mainpiece: [By Thomas Odell.] A New Farce. Afterpiece: [By Thomas Odell.] A new Opera

Performances

Mainpiece Title: The Smuglers

Afterpiece Title: The Patron or Statesmans Opera

Event Comment: Benefit Author of The Lover's Opera and a Family under Misfortune. N.B. The Company being employ'd in reviving several Plays, &c. are oblig'd to defer Acting till farther Notice

Performances

Mainpiece Title: The What Dye Call It

Afterpiece Title: The Lovers Opera

Afterpiece Title: Harlequin Doctor Faustus

Event Comment: Benefit the Author of The Lovers Opera

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: The Lovers Opera

Dance: End Act I: Burgomaster's Daughter (a new dance)-Miss Robinson; II: Dutchman and Wife-Roger, Rainton; III: Sultana-Miss Robinson; V: Gondolier-Lally, Miss Brett

Event Comment: With Scenes, Machines, and other Decorations proper to the Opera

Performances

Mainpiece Title: The Fashionable Lady Or Harlequins Opera