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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera House at Turin"/1) | (@(roleclean,performerclean) "Opera House at Turin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5443 results for: Keyword - Opera House at Turin
We found 3079 matches on Event Comments, 2569 matches on Performance Title, 271 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

5076
01 January 1760 @ Drury Lane Theatre

Event Comment: Mainpiece: By Henry Jones. Afterpiece: [See note under cg play this night. During this year appeared An Essay Upon the Present State of the Theatre, in France, England, and Italy, a "work absolutely necessary to be read by every lover of Theatrical Exhibitions," printed for J. Pottinger. It contains twenty-two chapters on tragedy, thirteen on comedy, opera, authors, and the art of acting. Pages 147-51 discuss the obligation of English farces to French ones.] Receipts: #180 (Cross)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: Harlequin's Invasion

5077
15 January 1760 @ King's Theatre

Event Comment: A New Opera, with the Addition of a new Singer. Music by Cocchi

Performances

Mainpiece Title: La Clemenza Di Tito

Dance: Under the direction of Gallini:Mlle Asselin, Maranesi, Sga Provenzale

5078
14 February 1760 @ Covent Garden

Event Comment: Ballad Opera Reviv'd. Never acted before. Receipts: #165 2s. 6d

Performances

Mainpiece Title: The Jovial Crew; Or, The Merry Beggar's

5079
14 February 1760 @ The Great Room, Dean Street, Soho

Performances

Mainpiece Title: Charlottenburg Festegiante

Performance Comment: Vocal Parts-Signora Passerini, Signora Frederick, Signora Tenducci, Signora Magalli (who never sung in public before except at the Opera).

Music: Instrumental parts: First Violin-Passerini;, with viols and the others by the best performers. Between the First and Second Part: a Concerto on the Organ-Sga Frederick

5080
21 February 1760 @ Drury Lane Theatre

Event Comment: Never Acted before. A Tragedy [By John Home]. I went to my Office and then slept [?] in at Drury Lane w here I see Mr and Miss Hayes, Lady Lindores who I see into a coach, I slept in at Covent Garden Gallery before the play, but see nobody I knew so I would not stay, otherwise I would have went out as I had set my mind on the Beggar's Opera for once more, but waived it all & went to my Office (Hailey Brietzcke Diary, Vol. 197, p. 72)

Performances

Mainpiece Title: The Siege Of Aquileia

5081
01 March 1760 @ King's Theatre

Event Comment: A New Opera. Music by Perez (Public Advertiser), by several Masters (edition of 1760)

Performances

Mainpiece Title: Arminio

Dance: Directed by Gallini. Giovanni Gallini, Mlle Asselin, Maranesi, Signora Provenzale

5082
13 March 1760 @ The Great Room, Dean Street, Soho

Event Comment: Benefit for Quilici. An Opera, by Metastasio, with Music by Jomelli. Books of this elegant poetical Composition, with an English translation, will be sold at the Performance

Performances

Mainpiece Title: Isola Disabitata; Or, The Deserted Island

Entertainment: S$Sg Cordoni, virtuoso on the violin, lately arrived from Italy, who never yet appeared in public, will direct the orchestra and perform a solo and Miss Frederick will play a Concerto on the harpsichord, the compsoition of Sg Paradies

5083
29 March 1760 @ King's Theatre

Event Comment: The Operas for the future are to be for the benefit of the actors and actresses, who beg a continuance of that generous protection which they acknowledge to have received from the Subscribers, the Nobility, and gentry of this Kingdom. [The notice subsequently repeated.

Performances

Mainpiece Title: Arminio

5084
14 April 1760 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Yates. Garrick's first appearance in Chamont in 4 years. Mrs Yates in Monimia for first time. Mrs Cibber's illness has oblig'd Mrs Yates to change her Play from Jane Shore to The Orphan. The Afterpiece (for one night only): A Burlesque Opera of two acts

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Galligantus

5085
15 April 1760 @ King's Theatre

Event Comment: Benefit for Signora Frasi. The Managers of the Opera having fixed upon Thursday for the remaining part of the Season, as one of the Season, as one of the nights of performance, Sga Frasi is obliged to take this for her night when tickets delivered out for the 10th and 17th will be admitted

Performances

Mainpiece Title: The Messiah

Music: CConcerto on Organ-Stanley; Solo on Violin-Giardini

5086
17 April 1760 @ King's Theatre

Event Comment: A New Opera. Composed by Giardini. Doors to be open at Five O'clock. To begin at Seven O'clock precisely. [Notice repeated.

Performances

Mainpiece Title: Antigona

Dance: Director of the Ballet: Giovanni Gallini. Dancer: Gallini, Mlle Asselin, Maranesi, Signora Provenzale

5087
26 April 1760 @ King's Theatre

Event Comment: A New Opera. The Music by several Celebrated Composers

Performances

Mainpiece Title: Antigona

5088
25 September 1760 @ Covent Garden

Event Comment: BBritish Chronicle, 25 Sept.: Last Wednesday the King, Queen and Royal Family went to Covent Garden to see The Beggar's Opera with a [directive?] of the fitting up of the Box (Winston MS 9)

Performances

5089
21 November 1760 @ Drury Lane Theatre

Event Comment: By Command of his Majesty. The first night the King went to the play, which was civilly on a Friday, not on the opera night, as he used to do, the whole audience sang God Save the King in chorus. For the first act, the press was so great at the door that no ladies could go to the Boxes, and only the servants appeared there, who kept places: at the end of the second act the whole mob broke in and seated themselves; yet all this zeal is not likely to last, though he so well deserves it (Walpole to Montagu, 24 Nov.)

Performances

Mainpiece Title: King Richard Iii

5090
22 November 1760 @ King's Theatre

Event Comment: Libretto by Goldoni; Music by Galuppi. A new comic Opera. To begin at 6:30 p.m. Pit and Boxes Half a Guinea. Gallery 5s. By His Majesty's Command No Persons admitted behind the Scenes [Repeated. The 1760 Libretto of Arianne e Teseo calls for Prologue to be sung by Signora Mattei on this night.

Performances

Mainpiece Title: Il Mondo Nella Luna

Dance: New DancesDirector of Dances-Gherardi; Dancers-Mlle Asselin, Gherardi, Miss Polly Capitani, Tariot

5091
30 December 1760 @ King's Theatre

Event Comment: Being the last time of performing this Opera

Performances

Mainpiece Title: Il Mondo Nella Luna

5092
03 January 1761 @ King's Theatre

Event Comment: On Monday next at Noon there will be a general Practice on the stage of the new comic Opera call'd Il Filosofo di Campagna

Performances

Mainpiece Title: Arianna E Teseo

5093
06 January 1761 @ King's Theatre

Event Comment: A new Comic Opera--Music by Galuppi. [Text--Goldoni. First performance in England. The text notes music originally by Baldassar Galuppi called Buranello, and perfected by Gioacchino Cocchi. Burney (History of Music, II, 860) notes the extreme popularity of this piece, and the success of the Paganinis as singers in it.

Performances

Mainpiece Title: Il Filosofo Di Campagna

Dance: New Dances , as17601216-Gherardi, Mlle Asselin, Polly Capitani, Tariot

5094
31 January 1761 @ King's Theatre

Event Comment: By Particular desire. Last time of performing this Opera

Performances

Mainpiece Title: Arianna E Teseo

5095
07 February 1761 @ King's Theatre

Event Comment: A New Serious Opera. Music by Cocchi

Performances

Mainpiece Title: Tito Manlio

Dance: New dances-Gerhardi (Ballet Master);Mlle Asselin, Giorgi Benety, Sga Anna Benety, Miss Capitani, Mr Tariot

5096
09 March 1761 @ King's Theatre

Event Comment: Benefit for Sg and Signora Paganini. A new Comic Opera. Purely Comic without any serious part in it. To begin at Six, Vivat Rex

Performances

Mainpiece Title: I Tre Gobbi Rivali

Dance: Gerhardi, Mlle Asselin, Giorgio Binety, Anna Binety, Miss Polly Capitani, Mr Tariot

5097
14 March 1761 @ King's Theatre

Event Comment: A New Serious Opera. Music by Perez with New Cloaths and Dances

Performances

Mainpiece Title: La Didone Abbandonata

5098
26 March 1761 @ Drury Lane Theatre

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Afterpiece Title: The Island of Slaves

Performance Comment: Parts by Havard, King, Mrs Clive (with a Comic Opera Song in Character), Packer, Mrs Johnson.

Dance: TThe Cow@Keepers-Grimaldi, Miss Dawson

5099
20 April 1761 @ Drury Lane Theatre

Event Comment: Benifit for Blakes. By Particular Desire. Tickets deliver'd for The Beggar's Opera will be taken. Palmer married Miss Pritchard (Genest, IV, 612)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Contrivances

Dance: TThe Italian Gardiners, as17601203

5100
25 April 1761 @ King's Theatre

Event Comment: On Monday next there will be a general practice of the new Comic Opera Le Pescatrici at noon on the Stage (Public Advertiser)

Performances

Mainpiece Title: La Didone Abbandonata