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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera House at Turin"/1) | (@(roleclean,performerclean) "Opera House at Turin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5443 results for: Keyword - Opera House at Turin
We found 3079 matches on Event Comments, 2569 matches on Performance Title, 271 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

4476
18 April 1788 @ Covent Garden

Event Comment: Benefit for Pope. "Desdemona was happily pourtrayed by Mrs Pope, particularly...her manner of receiving the blow from Othello, by shewing she felt it as for the loss of her husband's affection rather than the indignity offered her sex" (Public Advertiser, 21 Apr.). Public Advertiser, 31 Mar.: Tickets to be had of Pope at his house in Half-Moon Street, Piccadilly. Receipts: #184 9s. 6d. (125.10.0; 3.13.6; tickets: 55.6.0)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Poor Soldier

Dance: As17880301

4477
21 May 1788 @ Drury Lane Theatre

Event Comment: Benefit for Fosbrook, box book and house keeper. Mainpiece: Not acted these 4 years. Receipts: #297 12s. 6d. (37.17.0; 7.17.6; 0.17.0; tickets: 251.1.0) (charge: #109 2s. 6d.)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Deserter

4478
13 September 1788 @ Drury Lane Theatre

Event Comment: Places for the Boxes to be taken of Fosbrook, at the Theatre. The Doors to be opened at 5.30. To begin at 6:30 [see 3 Nov.]. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] Afterpiece: To conclude with a Grand Representation of Regattav. Kemble Mem.: No Manager [i.e. King had resigned as acting manager; but see 23 Sept.]. Ivory Tickets introduced. [These tickets, also called "bones," were for the use of actors and other members of the company in gaining admission for themselves or their friends to the front of the house. They replaced paper orders (World, 18 Oct. 1788).] Receipts: #112 3s. 6d. (75.6.0; 35.10.0; 1.7.6)

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Waterman

4479
16 September 1788 @ Drury Lane Theatre

Event Comment: On Account of the Numerous Complaints which have been made by the Frequenters of the Theatre, of the Interruption given to the Performances by the Persons insisting on having the Doors of the Boxes or the Pit opened after the House is apparently filled, and also to prevent many other Inconveniences to the Audience, the Public are requested to observe that No Money received can be returned at any of the Offices. [Throughout the season the playbills carry the notice: "No money to be returned."] Hamlet [advertised in Public Advertiser, 15 Sept.] is obliged to be deferred on Account of the Indisposition of Kemble. Receipts: #109 18s. 6d. (71.17.0; 37.3.6; 0.18.0)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Lyar

Dance: End: The Conjugal Frolick-the young D'Egvilles, Miss Blanchet, Miss DeCamp

Song: In I: Sheep@shearing Song-Mrs Forster

4480
30 September 1788 @ Haymarket Theatre

Event Comment: By Permission [of the Lord Chamberlain]. 3rd piece: Written by A. Murphy, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had at the Shakespeare, Covent-garden; the Chapter Coffee-house, Paternoster-row; the Horn Tavern, Doctors Commons; the Theatre, where Places for the Boxes may be taken; and at Abbott's Academy, Bridges-street, Westminster

Performances

Mainpiece Title: Miss In Her Teens

Afterpiece Title: Barnaby Brittle; or, A Wife at her Wit's End

Afterpiece Title: The Citizen

Entertainment: Monologue. End 1st piece: Scrubb's Trip to the Jubilee (as altered by the late David Garrick, Esq., in character,)-Death; Vaudeville. End 2nd piece: a new favourite song-Birkett; Dance-the Miss Simonets; A Pantomimical Interlude: Harlequin (with the celebrated Dying Scene)-Follett Jun., Clown- Follett Sen.; +A martial song-Birkett

4481
28 March 1789 @ Covent Garden

Event Comment: Benefit for Mrs Pope. Public Advertiser, 23 Mar.: Tickets to be had of Mrs Pope at her house, Half-moon-street, Piccadilly. Receipts: #267 12s. (178.4.6; 3.13.6; tickets: 85.14.0)

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Maid of the Oaks

Dance: In I afterpiece: Dance-Byrne, Mrs Ratchford, Mrs Goodwin

Entertainment: Monologue. End: Occasional Address-Mrs Pope

4482
31 March 1789 @ Covent Garden

Event Comment: Benefit for Ryder. Public Advertiser, 20 Mar.: Tickets to be had of Ryder at his house, No. 5, Bow-street, Covent-garden. 1st piece: The Overture, Airs, &c. by Dr Arnold. The selected by Handel, Vento, Giordani, Giardini, Bertoni, Dr Arne, Carolan the Irish Bard. 2nd piece: 1st time Here. Translated from the French of La Bonne Mere, by Horatio Edgar? Robson, and at this Time reading with great success and general applause by LeTexier in Lisle-Street [and 1st acted at the hay, 22 Aug. 1788]. 3rd piece [1st time; F 2, by Thomas Ryder, altered from The Man of Parts, by Isaac Jackman; not published]. Receipts: #271 0s. 6d. (191.15.6; 5.7.0; tickets: 73.18.0)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Look before You Leap

Afterpiece Title: Such Things Have Been

Song: End 3rd piece: Paddy's Ramble from Dublin to Londonwritten and to be sung-Ryder

Entertainment: Monologue. In course of Entertainments: Bucks have at Ye All-Ryder

4483
20 April 1789 @ Drury Lane Theatre

Event Comment: Mainpiece [C 5, by the Hon. Henry Seymour Conway, adapted from Les Dehors Trompeurs; ou, L'Homme du Jour, by Louis de Boissy; incidental music by Michael Kelly. Prologue by the author. Epilogue by John Burgoyne (see text)]: 1st time at a public theatre. With new Scenes and Dresses. [This was 1st acted on 31 May 1788 at the private theatre in the town house of the Duke of Richmond, which was situated on what is now Richmond Terrace, Whitehall. It was demolished in 1819.] Diary, 16 June 1789: This Day is published False Appearances (1s. 6d.). Receipts: #138 3s. (114.15.0; 22.5.6; 1.2.6)

Performances

Mainpiece Title: False Appearances

Afterpiece Title: Miss in her Teens

Song: V: song in character-Mrs Crouch. [This was sung, as here assigned, in all subsequent performances.

4484
28 April 1789 @ Covent Garden

Event Comment: Benefit for Aickin. [Meredith is identified in European Magazine, May 1789, p. 410, which also states address was written by a Mr Vardill.] Mainpiece: End of Act II the Grand Triumphal Entry of Alexander into Babylon. Public Advertiser, 24 Apr.: Tickets to be had of Aickin at his house, No. 5, Gower-street, Bedford-square. Receipts: #228 4s. 6d. (155.17.6; 8.2.0; tickets 64.5.0)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: Midas

Dance: As17881010

Entertainment: Monologue. Preceding: Occasional Address-Middleton

4485
02 May 1789 @ Covent Garden

Event Comment: Benefit for Miss Fontenelle. Public Advertiser, 14 Apr.: Tickets to be had of Miss Fontenelle at her house, No. 271, Holbourn. 2nd piece: Compressed into 3 short Acts. "Miss Fontenelle...is the best Romp we ever saw, Mrs Jordan alone excepted...We were sorry to see [her] fall over the groove of the scene; but as practice is more forcible than precept, we hope it will teach her the truth of Friar Lawrence's caution, 'they stumble who run fast'" (Diary, 4 May). Receipts: #219 19s. (133.14.6; 6.8.6; tickets: 79.16.0)

Performances

Mainpiece Title: The Sultan

Afterpiece Title: The Highland Reel

Afterpiece Title: The Romp

Dance: End 2nd piece: The Piping Pedlar-Byrne, Mrs Goodwin

4486
14 May 1789 @ Covent Garden

Event Comment: Benefit for Farren. Public Advertiser, 6 May: Tickets to be had of Farren, No. 73, Gower-street. Account-Book, 16 May: Received Farren's benefit deficiency #33 7s. 6d. [Reckoned as follows: Farren disposed of #209 12s. in tickets; this sum he kept. Money [i.e. tickets sold at the doors of the theatre] amounted to #71 12s. 6d. From this money he was obliged to meet the house charge of #105, and hence owed the treasury the amount stated above.] Receipts: #281 4s. 6d. (69.".0; 2.10.6; tickets: 209.12.0)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Feast of Anacreon

Afterpiece Title: The Intriguing Chambermaid

Entertainment: Monologue. End IV: A Comic Description of the Curiosities in the Tower of London-Edwin

4487
11 June 1789 @ Covent Garden

Event Comment: Benefit for Brandon, box-book and house-keeper. Receipts: #360 4s. 6d. (78.10.6; 5.10.0; tickets: 276.4.0)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Midnight Hour

Dance: As17881021

4488
13 June 1789 @ Drury Lane Theatre

Event Comment: [Extra night] Benefit for Palmer. The Proprietors having liberally granted to Palmer (for One Night) the Use of the Theatre, and his Brethren having kindly consented to perform for him, the Public is most respectfully informed that this Evening will be presented...[as above]. Receipts: #131 11s. 6d. (104.15.0; 25.16.0; 1.0.6; tickets: none listed) (charge: #45 15s. 2d. [Account-Book: House charge given him]). Account-Book, July-Sept.: Paid Renters #20 14s. apiece; 5 Sept.: Paid Duke of Bedford One Yrs. Rent #343 5s. 1d

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Devil to Pay

Dance: End I: The Russian Minuet, as17890519

Song: V: song-Miss Barnes

Entertainment: Monologue. End: A Picture of a Play@house or Bucks have at ye all-Palmer

Performance Comment: End: A Picture of a Play@house or Bucks have at ye all-Palmer.
Cast
Role: A Picture of a Play@house or Bucks have Actor: Palmer.

4489
01 December 1789 @ Covent Garden

Event Comment: Paid 1@2 Years Land and House Tax #106 2s. 7d. Receipts: #187 1s. (182.6.6; 4.14.6)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Rosina

Dance: End I: Divertissement=, as17891002

4490
23 December 1789 @ Drury Lane Theatre

Event Comment: [Mainpiece in place of The Careless Husband, advertised on playbill of 22 Dec.] Paid House & Window tax, 1@2 Yr., #56 13s. 8d. Public Advertiser, 24 Dec.: [Pearce, who was from the Bath theatre, has] a clear bass voice, which he occasionally relieves by a falsetto...His first song was encored though sung much out of tune. Receipts: #113 4s. (77.2; 35.12; 0.10)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Quaker

4491
11 February 1790 @ Covent Garden

Event Comment: Benefit for King. 1st piece: Altered [by MacNamara Morgan] from The Winter's Tale. 2nd piece [1st time; C 3, by Thomas King. Not in Larpent MS; not published]: An Alteration, never yet performed, of Sir John Vanburgh's [sic] Mistake. Public Advertiser, 10 Feb.: Tickets to be had of King, at his house in Gerrard-street. Receipts: #321 2s. 6d. (249.14.0; 4.8:6; tickets: 67.0.0)

Performances

Mainpiece Title: The Sheep Shearing; Or, Florizel And Perdita

Afterpiece Title: Lovers' Quarrels

Afterpiece Title: Bon Ton

Dance: End 1st piece: Tamborine Dance, as17891021

Song: In II 1st piece: Come come my good Shepherds-; and trio, Get you hence!-

Entertainment: Monologue. After dancing: A Paraphrase of Shakespeare's Seven Ages (Written by the late George Alexander Stevens)-King

4492
05 March 1790 @ Covent Garden

Performances

Mainpiece Title: Judas Maccabaeus; Grand Selection 0; Messiah

Performance Comment: As17900226, but End of Part I Bless the True Church and Save the King-Chorus (Athalia), which was encored by the whole House on Wednesday.

Music: As17900224

4493
22 March 1790 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Jordan. Part of the Pit [9 rows (World, 23 Mar.)] to be laid into the Boxes. Afterpiece [1st time; F 2, probably by Isaac Bickerstaffe, but also ascribed to Mrs Jordan and to Richard Ford. Text 1st published (unauthorized), Dublin, 1799]. Kemble Mem.: The Farce is written by Mr Bickerstaffe. World, 29 Apr. 1790: The Spoil'd Child was sent to Mrs Jordan from Bickerstaffe in Italy, where her fame had reached. Public Advertiser, 13 Mar.: Tickets to be had of Mrs Jordan at her house, No. 14, Somerset-street, Portman-square. Receipts: #352 18s. 6d. (137.13.0; 12.4.6; 1.7.0; tickets: 201.14.0) (charge: #111 6s. 11d.)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Spoil'd Child

4494
22 March 1790 @ Covent Garden

Event Comment: Benefit for Mrs Pope. Mainpiece: Not acted these 6 years. [When still Miss Younge Mrs Pope had 1st acted Fatima at the Crow Street Theatre, Dublin, 4 Mar. 1771.] Public Advertiser, 9 Mar.: Tickets to be had of Mrs Pope at her house, Half-moon Street. Receipts: #343 10s. 6d. (230.3.6; 8.3.0; tickets: 105.4.0)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: Cymon

Dance: End: Tamborine Dance- [See17891021]; Afterpiece conclude: Dance-Byrne, Mrs Goodwin

4495
23 March 1790 @ Drury Lane Theatre

Event Comment: Benefit for Wroughton. Public Advertiser, 20 Mar.: Tickets to be had of Wroughton at his house, Sadler's Wells. Receipts: #249 10s. 6d. (133.6.0; 22.7.0; 0.16.6; tickets: 93.1.0) (charge: #115 9s. 7d.)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Romp

Dance: End: The Treble Hornpipe-the young D'Egvilles, Miss Blanchet

Song: End II: Poor Jack; or, the Sweet Little Cherub-Dignum

4496
05 April 1790 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Crouch. 1st piece [1st time]: A Prelude consisting of Song, Dance and Monologue. Gazetteer, 3 Apr.: Tickets to be had of Mrs Crouch at her house, No. 26, Bridges-street. Receipts: #295 2s. 6d. (138.2.0; 16.3.6; 0.19.0; tickets: 139.18.0) (charge: #110 19s. 9d.)

Performances

Mainpiece Title: Easter Pastimes

Afterpiece Title: The Heiress

Afterpiece Title: The Island of St

4497
09 April 1790 @ Drury Lane Theatre

Event Comment: Benefit for Bensley. Gazetteer, 6 Apr.: Tickets to be had of Bensley at his house, No. 21, Charlotte-street, Bedford-square. Receipts: #204 2s. (85.6.0; 13.12.6; 0.13.6; tickets: 104.10.0) (charge: #116 14s. 2d.)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Devil to Pay

4498
12 April 1790 @ Drury Lane Theatre

Event Comment: [Afterpiece, which Public Advertiser erroneously announces as The Farm House, in place of The Romp, advertised on playbill of 10 Apr.] Receipts: #148 9s. 6d. (118.0.0; 26.14.6; 3.15.0)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Humourist

4499
16 April 1790 @ Covent Garden

Event Comment: Benefit for Ryder. Gazetteer, 8 Apr.: Tickets to be had of Ryder at his house, No. 5, Bow-street, Covent Garden. Receipts: #242 19s. (118.8; 13.8; tickets: 111.3)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Padlock

Dance: End: The Wapping Landlady; or, The Sailor in Distress-

Entertainment: Monologue. After Dancing: fable, The Old Man Son and Ass-Ryder; End afterpiece: Bucks have at ye All-Ryder

4500
23 April 1790 @ Drury Lane Theatre

Event Comment: Benefit for Wrighten, prompter. [Afterpiece in place of The Farm-House, advertised on playbill of 22 Apr.] Gazetteer, 21 Apr.: Tickets to be had of Wrighten, No. 25, Bow-street, Covent-Garden. Receipts: #326 19s. (64.7.0; 13.4.6; 2.5.6; tickets: 247.2.0) (charge: #116 12s. 6d.)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Pannel

Dance: As17900308

Entertainment: MonologuePrevious: his being the Anniversary of His Majesty's Happy Recovery, British Loyalty; or, a Squeeze for St. Paul's-Bannister Jun

Song: After which: the Stage being decorated and illuminated in the same Superb Stile which it was for the Reception of his Majesty on Dec. the 16 last, God save the King-Dignum, Sedgwick, Alfred, Danby, Fawcett, Haymes, Hollingsworth, Lyons, Maddocks, Phillimore