Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera House at Paris"/1) | (@(roleclean,performerclean) "Opera House at Paris")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
6040 results for: Keyword - Opera House at Paris
We found 3135 matches on Event Comments, 3014 matches on Performance Title, 498 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

3751
17 June 1730 @ Haymarket Theatre

Performances

Mainpiece Title: The Author's Farce

Performance Comment: See17300330 but Punch-Reynolds; Joan-Hicks; Opera-Stopler; Orator-Jones; Goddess of Nonsense-Mrs Mullart; Mrs Novel-Mrs Nokes.
Cast
Role: Opera Actor: Stopler

Afterpiece Title: Tom Thumb

3752
01 August 1730 @ Tottenham Court

Event Comment: Mainpiece: A Comical Tragival Farcical Droll. Afterpiece: A celebrated Operatical Puppet-Show. No Wires, all alive. At Reynolds' Booth. [Advertised also on 3, 4, 5, 6, 7, 8, 11, 12 Aug.

Performances

Mainpiece Title: The Rum Duke And The Queer Duke; Or, A Medley Of Mirth And Sorrow

Afterpiece Title: Punch's Oratory; or, The Pleasures of the Town: Containing several diverting Passages,

Performance Comment: ..a very elegant and learned Dispute between Punch and another great Orator: Punch's Family Lectures; or, Joan's Chimes on her Tongue to some Tune. Punch-Reynolds; Joan-Mrs Egleton; from lif; Orator-Jones; Opera-Stoppelaer; Goddess of Nonsense-Mrs Mullart; Mrs Novel-Mrs Nokes.
Cast
Role: Opera Actor: Stoppelaer

Dance: St.Luce

3753
21 October 1730 @ Haymarket Theatre

Performances

Mainpiece Title: The Author's Farce; With The Pleasures Of The Town

Performance Comment: Luckless-Mullart; Whitemore-Havard; Marplay-Raynolds; Sparkish-Stoppelaer; Bookweight-Jones; Scarecrow-Wathen; Harriot-Miss Talbot; Goddess of Nonsense-Mrs Mullart; Tragedio-Ayres; Sir Farsical-Davenport; Opera-Stoppelaer; Orator-Jones; Somebody-Wathen; Nobody-Cross; Mrs Novel-Mrs Nokes; Lady Kingcale-Mrs Clark; Punch-Reynolds; Joan-Hicks; with The Triumphs of the King of Bantam-; With a new Prologue- address'd to the Merchants' 'prentices of Great Britain.
Cast
Role: Opera Actor: Stoppelaer

3754
23 December 1730 @ Haymarket Theatre

Performances

Mainpiece Title: The Author's Farce

Performance Comment: As17301118, but Sparkish-Furnivall; Harriet-Mrs Lacy; Opera-Mrs Nokes; Mrs Novel-_; Lady Kingcale-_.
Cast
Role: Opera Actor: Mrs Nokes

Afterpiece Title: Tom Thumb

Afterpiece Title: The Battle of the Poets

3755
03 February 1731 @ Haymarket Theatre

Performances

Mainpiece Title: The Author's Farce

Performance Comment: See17310113, but Luckless-Mullart; Goddess-Mrs Mullart; Tragedio-Ayres; Farcical-Davenport; Opera-Mrs Nokes; Orator-Jones; Somebody-Wathen; Nobody-Cross; Punch-Reynolds; Joan-Hicks.
Cast
Role: Opera Actor: Mrs Nokes

Afterpiece Title: The Jealous Taylor

3756
05 June 1731 @ Haymarket Theatre

Event Comment: There being a great Demand for the Welch Opera, we are obliged to advertise the Town, that it being now made into a whole Night's Entertainment, intituled, The Grub-Street Opera, now in Rehearsal, it cannot possibly be performed any longer with this Play

Performances

Mainpiece Title: The Fall Of Mortimer

Afterpiece Title: The Jealous Taylor

3757
04 November 1732 @ King's Theatre

Event Comment: A New Opera. [Text by Pietro Metastasio. Done into English by Humphreys. Music presumably by Leonardo Leo.] Pit and Boxes at half a guinea. [Their Majesties, Prince, and three eldest Princesses present.] See also Lord Hervey and his Friends, pp. 145-46. Daily Advertiser, 6 Nov.: There were present a very numerous Audience; and Signora Celeste Gismondi, who lately arriv'd here, perform'd a principal Part in it with universal Applause. We hear that this Opera was not compos'd by Mr Handell, but by some very eminent Master in Italy

Performances

Mainpiece Title: Cato

3758
16 November 1732 @ Haymarket Theatre

Event Comment: A New English Opera. [Text by Thomas Lediard.] Set to Musick after the Italian Manner by Mr John Frederick Lampe. The Scenes and Cloaths are entirely New. With the Representation of a Transparent Theatre. Curiously Illuminated, and adorn'd with a great Number of Emblems, Mottos, Devices, and Inscriptions; and embellish'd with Machines, in a Manner entirely new. N.B. The Illuminations and other Preparations for this Opera are such, that no Person whatever can be admitted to the Stage. Pit and Boxes put together at 6s. Gallery 3s. 6 p.m. [For a discussion of Lediard and this work, see a series of articles by Ifan Kyrle Fletcher, Sybil Rosenfeld, and Richard Southern in Theatre Notebook, II (1948), 42-54.

Performances

Mainpiece Title: Britannia

3759
13 April 1733 @ Goodman's Fields

Event Comment: Benefit Chetwood. Afterpiece: Written by the Author of the Lover's Opera (W. R. Chetwood. Apparently not published.] A Ballad Opera of one Act

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Mock Mason

Music: I: Concerto for German Flute-Burk Thumoth; II: The 5th Concerto of Vivaldi-; III: Trumpet Concerto-; IV: Concerto with Flutes and German Flutes-

Dance: I: Chacone-Mrs Bullock; II: Friendly Lasses-Miss Wherrit, Miss Sandham; In V: The Difference of Nations-

Song: III: Chanson a Boire-Excell

3760
15 June 1733 @ Hickford's Room

Event Comment: DDaily Post, 13 June: The Subscribers to the Opera in which Signior Senesino and Signora Cuzzoni are to perform [the Opera of the Nobility], are desired to meet at Mr Hickford's Great Room in Panton-street, on Friday next by Eleven o'Clock, in order to settle proper Methods for carrying on the Subscription

Performances

3761
29 December 1733 @ Lincoln's Inn Fields

Event Comment: A New Opera. [Ariadne in Naxus is title in edition of 1734. Music by Nicola Porpora. Text by Rolli. This was the opening of the opera company opposing Handel. See comment by Caspar Wilhelm von Brocke in Deutsch, Handel, p. 341.] Pit and Boxes half a guinea. First Gallery 4s. Upper Gallery 2s. 6d. 6 P.M

Performances

Mainpiece Title: Ariadne

3762
19 January 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Author's Farce

Performance Comment: Luckless-Mullart; Witmore-Richardson; Marplay Sr-Stoppelaer; Marplay Jr-Macklin; Bookweight-Jones; Quibble-Raftor; Blotpage-Giles; Dash-Hewson; Scarecrow-Norris; Index-Machen; Mrs Moneywood-Mrs Mullart; Harriet-Mrs Clive; Manager-Turbutt; Charon-Topham; Punch-Hicks; Tragedio-Norris; Opera-Stoppelaer; Sir Farcical-Giles; Mynheer van Treble-Snider; Orator-Jones; Sir John-Machen; Constable-Raftor; Mrs Novel-Mrs Clive; Goddess of Nonsense-Mrs Mullart; Joan-Hallam; Bantamite-Turbutt. With a new Prologue and Epilogue .
Cast
Role: Opera Actor: Stoppelaer

Afterpiece Title: The Harlot's Progress

3763
29 October 1734 @ King's Theatre

Event Comment: A New Opera. [Text by Metastasio. Music by J. A. Hasse and R. Broschi.] Pit and Boxes by Tickets at a half guinea. Gallery 5s. 6 P.M. Daily Advertiser, 30 Oct.: All the Royal Family were at the Opera, when Signior Farinelli perform'd . . . with prodigious Applause. The Theatre was exceedingly crowded

Performances

Mainpiece Title: Artaxerxes

3764
04 November 1734 @ Covent Garden

Event Comment: London Daily Post and General Advertiser, 4 Nov.: We are informed, that when Mr Handel waited on their Majesties with his New Opera of Ariodante, his Majesty . . . was graciously pleased to subscribe 1000/. towards carrying on the Opera [at CG. No confirmation of this point is known]

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Necromancer

3765
01 February 1735 @ King's Theatre

Event Comment: [Text by Paul Rollo. Music by Nicholas Porpora.] A New Opera. London Daily Post and General Advertiser, 3 Feb.: On Saturday Their Majesties ...the Prince of Wales, and the Princesses Amelia and Carolina . . . saw the Opera of Polifemo, which was perform'd to one of the greatest Audiences that hath King's been known this Season

Performances

Mainpiece Title: Polifemo

3766
11 March 1735 @ Covent Garden

Event Comment: Benefit the Author of the opera. Afterpiece: A new Serio-Comi-Farcical-Elysian Ballad Opera of Two Acts. [Author unknown. Apparently not printed.]

Performances

Mainpiece Title: Abra Mule

Afterpiece Title: Macheath 1n the Shades; or, Bayes at Parnassus

Dance: Tambourine by Miss Rogers. Scot's Dance by Glover, Miss Rogers, Le Sac, Miss Baston, Delagarde, Mrs De L'Orme

3767
03 June 1735 @ Drury Lane Theatre

Performances

Mainpiece Title: The Relapse

Afterpiece Title: An Old Man Taught Wisdom

Music: Select Pieces between the Acts composed by Handel, Geminiani, and others. First Musick: A Concerto for two Hautboys composed by Dr Pepusch. Second Musick: The third Concerto of the first Opera of Geminiani. Third Musick: Handel's Overture composed for the Opera of Ariadne

Performance Comment: First Musick: A Concerto for two Hautboys composed by Dr Pepusch. Second Musick: The third Concerto of the first Opera of Geminiani. Third Musick: Handel's Overture composed for the Opera of Ariadne .

Dance: I: Drunken Peasant by Le Brun. II: English Maggot by Villeneuve and Mrs Walter. III: Black Joak by Nivelon and Miss Mann. V: Amorous Swain, as17350327

Song: rv: Mock Italian-English Ballad by Roberts

3768
16 December 1735 @ King's Theatre

Event Comment: Daily Advertiser, 15 Dec: The Opera of Adriano, now performing with great Applause, particularly for some fine Songs in it, compos'd for Signior Farinello, having been thought by the King to be rather too long, M. Veracini has shorten'd it, and his Majesty has declar'd his Intention of being present at it [Tuesday 16]. We hear, that after this Opera has had its run, there will be a new one call'd Mithridates, the Drama of which is wrote in English by Colley Cibber, Esq; Poet Laureat, and translated from thence into Italian

Performances

Mainpiece Title: Adriano

3769
12 May 1736 @ Covent Garden

Event Comment: A New Opera. [Librettist not known. Music by Handel.] London Daily Post and General Advertiser, 13 May: Last Night was perform'd ... Atalanta ...in which was a new Set of Scenes painted in Honour to this Happy Union, which took up the full length of the Stage: The Fore-part of the Scene represented an Avenue to the Temple of Hymen, adorn'd with Figures of several Heathen Deities. Next was a Triumphal Arch on the Top of which were the Arms of their Royal Highnesses, over which was placed a Princely Coronet. Under the Arch was the Figure of Fame, on a Cloud, sounding the Praises of this Happy Pair. The Names Fredericus and Augusta appear'd above in transparent Characters. Thro' the Arch was seen a Pediment supported by four Columns, on which stood two Cupids embracing, and supporting the Feathers, in a Princely Coronet, the Royal Ensign of the Prince of Wales. At the farther End was a View of Hymen's Temple, and the Wings were adorn'd with the Loves and Graces bearing Hymenael Torches, and putting Fire to Incense in Urns, to be ofter'd up upon this Joyful Union. The Opera concluded with a Grand Chorus, during which several beautiful Illuminations were display'd. . . . There were present their Majesties, the Duke, and the Four Princesses

Performances

Mainpiece Title: Atalanta: In Honour Of The Royal Nuptials Of Their Royal Highnesses The Prince And Princess Of Wales

3770
15 December 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Fall of Phaeton

Song: the first time of her performance on that theatre, viz.the first time of her performance on that theatre, viz. In III: An Italian Song beinging Di Lor Mio-Miss Cecilia Young; III: Torna mi Vegbeggiar-Miss Cecelia Young both from the Opera of Alcina

Performance Comment: the first time of her performance on that theatre, viz. In III: An Italian Song beinging Di Lor Mio-Miss Cecilia Young; III: Torna mi Vegbeggiar-Miss Cecelia Young both from the Opera of Alcina.
Cast
Role: Torna mi Vegbeggiar Actor: Miss Cecelia Young both from the Opera of Alcina.

3771
03 January 1738 @ King's Theatre

Event Comment: A New Opera. [Text by Zeno. Music by Handel.] London Daily Post and General Advertiser, 4 Jan.: Last Night the new Opera of Faramondo was perform'd...to a splendid Audience, and met with general Applause. It being the first Time of Mr Handel's Appearance this Season, he was honour'd with extraordinary and repeated Signs of Approbation

Performances

Mainpiece Title: Faramondo

3772
23 May 1738 @ King's Theatre

Event Comment: LLondon Daily Post and General Advertiser, 24 May: May 23, 1738. All Persons that have subscrib'd or are willing to subscribe twenty Guineas for Italian Opera to be perform'd next Season at the King's Theatre...under my Direction, are desired to send ten Guineas to Mr Drummond the Banker....and Whereas I declared I would undertake the Operas provided I can agree with the Performers, and that 200 Subscriptions are procured, and as the greatest Part ob the Subscribers have already paid the 10 Guineas; it is desired that the remaining Subscribers will be pleased to send the Money to Mr Drummond, on or before the 5th of June next....J. J. Heidegger

Performances

Mainpiece Title: La Conquista Del Vello D'oro

3773
08 March 1740 @ Drury Lane Theatre

Event Comment: Mainpiece: Alter'd from Beaumont and Fletcher, by Sir John Vanbrugh and Mr Dryden. Afterpiece: An English Opera, written by the late Mr Addison, and new set to Musick by Mr Arne, reserving two or three Favourite Songs, out of his former Opera

Performances

Mainpiece Title: The Pilgrim

Cast
Role: Master of Madhouse Actor: Taswell

Afterpiece Title: Rosamond

Dance: I: Drunken Peasant-Master Ferg; II: L'Allamande-Mlle Chateauneuf; IV: Punches-Master Ferg, Miss Wright

3774
24 March 1741 @ Drury Lane Theatre

Performances

Mainpiece Title: Rosamond

Performance Comment: King Henry-Lowe; Queen Elinor-Mrs Arne; Rosamond-Mrs Clive; Page-Miss Edwards; Sir Trusty-Savage; Grideline-Mrs Jones; between the Interludes will be performed several Grand Concertos-; end Act I, will be performed the Solemn Invocation@Scene in Oedipus-; with the Chorusses-; And after the Opera the Songs and Chorusses in As You Like It-; In which (By Desire) will be introduced the Song of Sweet Bird in the L'Allegro-Mrs Arne; accompanied on the Violin-Mr Arne.
Cast
Role: And after the Opera the Songs and Chorusses in Actor:

3775
12 December 1741 @ King's Theatre

Event Comment: A new Opera. [Music by Galuppi, text P. Rolli. See Loewenberg, Annals of Opera, I, 198.

Performances

Mainpiece Title: Penelope