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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera Milan"/1) | (@(roleclean,performerclean) "Opera Milan")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3692 results for: Keyword - Opera, Milan
We found 2385 matches on Performance Title, 1494 matches on Event Comments, 213 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

401
26 January 1796 @ King's Theatre

Event Comment: Opera: Chorusses as 19 Jan

Performances

Mainpiece Title: Alceste

Dance: As17960116

402
29 January 1796 @ King's Theatre

Event Comment: Opera: Chorusses as 19 Jan

Performances

Mainpiece Title: Alceste

Dance: As17960116

403
02 February 1796 @ King's Theatre

Event Comment: Opera: Chorusses as 19 Jan

Performances

Mainpiece Title: Alceste

Dance: WithDancesby Onorati-

404
06 February 1796 @ King's Theatre

Event Comment: Opera: Chorusses as 19 Jan. Piramo e Tisbe [advertised in Morning Chronicle, 5 Feb.] is unavoidably deferred to Tuesday next, on account of the sudden indisposition of one of the performers

Performances

Mainpiece Title: Alceste

Dance: As17960202 [One of these dances was a Hornpipe by Mlle DelCaro, now Mme Bossi (Morning Chronicle, 8 Feb.).

405
07 March 1797 @ King's Theatre

Event Comment: Opera: Instead of Evelina, which is unavoidably deferred on account of the Illness of Rovedino

Performances

Mainpiece Title: La Modista Raggiratrice

Dance: As17970221

406
18 April 1797 @ King's Theatre

Event Comment: Opera: 1st time in this Country [1st performed at Vienna, 1787. In subsequent bills occasionally entitled, as originally, L'Arbore di Diana]. The Music by Martini [i.e. Martin y Soler]

Performances

Mainpiece Title: L'albero Di Diana

Dance: As17970131

407
09 December 1797 @ King's Theatre

Event Comment: "Opera, for first time. Dance of 'Bacchus and Ariadne.' We have advanced to the point of seeing people dance naked" (Windham Diary (9 Dec. 1797), p. 383)

Performances

Mainpiece Title: Nina

Dance: As17971202

Ballet: Ariadne et Bacchus. As17971202

408
19 June 1798 @ King's Theatre

Event Comment: Opera: Not performed these 2 years

Performances

Mainpiece Title: Antigona

Dance: As17980614

Ballet: Le Deserteur. As17980614

409
22 January 1799 @ King's Theatre

Event Comment: Opera: 1st time [in London; 1st performed at Naples, 1794]. The Music entirely new, composed [i.e. revised] here by Bianchi. With new Scenes (painted by Marinari, and under his direction), Dresses and Decorations. "In the second act there is an Air of Madame Banti in a singular style:-she is accompanied by the Hautboys and Tenors only; the Violins are mute. It had a very fine effect" Morning Chronicle, 23 Jan.)

Performances

Mainpiece Title: Ines De Castro

Dance: As17990101

410
02 April 1799 @ King's Theatre

Event Comment: [Opera in place of La Frascatana, advertised in Morning Chronicle, 1 Apr.] The doors to be opened on Tuesday Evening at half after six, and the Performance to begin at half after seven; but on Saturday Evenings the Doors to be opened at quarter past six, and the Performance to begin at quarter past seven [same for rest of season]

Performances

Mainpiece Title: Ines De Castro

Dance: As17990330

411
11 June 1799 @ King's Theatre

Event Comment: [Opera performances in place of Didone, advertised in Morning Chronicle, 10 June.

Performances

Mainpiece Title: The 2nd Act Of Ines De Castro

Afterpiece Title: I Due Svizzeri

Dance: End: A New Divertissement, as17990326End 2nd piece: Tarare- [see17990502]

412
24 February 1724 @ Haymarket Theatre

Performances

Mainpiece Title: The Fall Of Milan

413
10 November 1779 @ Covent Garden

Performances

Mainpiece Title: The Duke Of Milan

Afterpiece Title: The Touchstone

414
12 November 1779 @ Covent Garden

Performances

Mainpiece Title: The Duke Of Milan

Afterpiece Title: William And Nanny

415
15 November 1779 @ Covent Garden

Performances

Mainpiece Title: The Duke Of Milan

Afterpiece Title: William And Nanny

Dance: End: The Dockyard, as17790924, but _Langrish, Ratchford

416
09 May 1711 @ Stationer's Hall

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Performers; particularly, several select Entertainments of the following (English Operas) Operas viz. The Indian Queen, King Arthur, The Fairy Queen, and Dioclesian, the Masque in Timon of Athens, the Pastoral in The Libertin-; with several Songs out of the St. Cecilia's Musick: All by that great Master the late Mr Henry Purcell-

417
13 September 1711 @ Greenwich

Performances

Mainpiece Title: She Wou'd If She Cou'd

Dance: Thurmond Jr; particularly a Spanish Entry that he performed in the Opera at the Hay-Market last Winter with great Applause-Thurmond Jr; As also that excellent and much admired Scaramouch, as it was performed by the famous Monsieur duBrill from the Opera at Brussels-Thurmond Jr

418
14 May 1712 @ Stationer's Hall

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music, in the Opera of Dioclesian, with several Additions composed by the Immortal Henry Purcel, which, for the Beauty of Expression, Excellency of Harmony, and Grandeur of Contrivance, gives a first Place to no Musical Opera in Europe-; Several Entertainments on the Irish Harp-the famous Mr Morphy

419
09 April 1713 @ Hickford's Room

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; performing several Songs out of the newest Operas-; with One and Two Trumpets-; With variety of new Concertos for Flutes, German Flutes, Trumpets, Hautboys, other Instruments; by Mr Corbet-Mr Corbet, others of the best Masters in the Opera

420
25 April 1713 @ Queen's Theatre

Performances

Mainpiece Title: Dorinda (acts I And Ii)

Music: An Entertainment of the choicest Songs out of several Operas-; Also a Piece (never perform'd before)-Signior Cavaliero Valeriano; The Songs out of the Opera will be as follows Convezzo luinghiero, Pria che la doglia-Signora Pilotti; Del fallo ful camin, Ti stringo o miodiletto-Signor Valentini; E vano ognipensiero, To Beauty devoted, Love wou'd invade me-Signora Margaretta; Di se senti, Nume Alata-Mrs Barbier; Solo pieta vi chiedo-; Di luci adourno-Mrs Manina; concluding with the Chorus of Clotilda-; a new piece-Signior Cavaliero Valeriano

421
29 April 1726 @ Haymarket Theatre

Performances

Mainpiece Title: Concert

Music: Vocal Part, consisting of the choicest Songs from the Operas-Mrs Forsyth; Instrumental Music-best Hands from the Opera-House

422
31 May 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Opera Of Operas; Or, Tom Thumb The Great

423
29 October 1733 @ Haymarket Theatre

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Opera of Operas; or, Tom Thumb the Great

Dance: V: Les Amants Constants, as17331025 In Afterpiece: Mock Minuet, as17331027

424
31 October 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Opera of Operas

Dance: V: Les Amants Constants, as17331025 In Afterpiece: Mock Minuet, as17331027

425
01 November 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Opera of Operas

Dance: As17331031