SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera Milan"/1) | (@(roleclean,performerclean) "Opera Milan")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2385 matches on Performance Title, 1494 matches on Event Comments, 213 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Kemble Mem., 18 May: On account of Whitsun Eve the Opera was yesterday [at king's]; we acted therefore at Mr Colman's Theatre. Receipts: #73 (64.3; 8.17)

Performances

Mainpiece Title: At Hay The Jealous Wife

Afterpiece Title: The Mariners

Performances

Mainpiece Title: Le Nozze Di Dorina And I Zingari In Fiera

Performance Comment: A Selection, in 2 acts of the most favourite Scenes from these Comic Operas. Principal Characters-Morelli, Rovedino, Kelly, Sga Storace.

Dance: As17930622

Ballet: Iphiginia in Aulide. As17930622

Event Comment: ["The story of The Poor Soldier was, last night, told on the stage in a very pretty dance, the action of which is accompanied by the favourite airs from the opera itself" (Morning Herald, 19 Oct.).] Receipts: #218 12s. 6d. (191.14.6; 26.18.0)

Performances

Mainpiece Title: The Dramatist; Or, Stop Him Who Can

Afterpiece Title: The Deserter

Ballet: End: Dermot and Kathlane; or, The Irish Wedding (1st time; composed by Byrn). Dermot-Byrn; Darby-West; Patrick-Holland; Father Luke-Platt; Norah-Mlle St.Amand; Kathlane-Mme Rossi

Event Comment: A new Comic Opera [an alteration by Lorenzo Da Ponte of LE GELOSIE VILLANE (see 15 Apr. 1784)]; the music by Sarti and Paisiello [with additions by Carlo Pozzi]

Performances

Mainpiece Title: I Contadini Bizzarri

Dance: End of Act I Divertisement, as17940111; End of Act II Adelaide, as17940111, but added: Favre Guiardele; omitted: Mme M. L. Hilligsberg Sen

Event Comment: By desire of many of the principal Subscribers to the Opera, the Decorations of the Masquerade will remain this Evening on the Stage. [This Masquerade had taken place the previous evening, 3 Mar.; it had been attended by over 3,000 persons, and had continued from ten o'clock at night until ten the following morning.] The second representation of Don Juan is unavoidably deferred on account of replacing the Machinery after the Masquerade to Saturday next, when it will be given with some alterations. And, on that night, positively no person will be admitted behind the scenes, it being impossible to conduct the machinery, and make the necessary changes whilst the stage is crowded with gentlemen, as was the case last Saturday evening

Performances

Mainpiece Title: I Contadini Bizzarri

Dance: End of Act I Divertisement, as17940111; End of Act II L'Union des Bergeres (performers as in Dances, 1 Mar.]

Event Comment: 2nd piece: A Comic Opera; the music by Guglielmi. First time at this Theatre [1st performed at Naples, 1789, and in London at the Pantheon, 1 Mar. 1791]; reduced to I act

Performances

Mainpiece Title: Il Capriccio Drammatico

Afterpiece Title: LA BELLA PESCATRICE

Dance: As17940311hroughout

Event Comment: Powell: Kemble being indisposed from a violent Bruise in his Arm (during the several times of his playing the Part of Macbeth) so as to render him incapable of attending the Theatre this evening, an Apology was made by Wroughton, and the Prologue was omitted. [The playbill retains Miss Menage in afterpiece, but she] being at the Italian Opera this Evening, Master Chatterley play'd her part in the Children in the Wood. Henry VIII rehearsed at 10 (for Banks and Dignum; Packer ill); The Jew at 12 (for Miss Farren and Miss Tidswell). Receipts: #322 5s. 6d. (248/0/0; 67/15/0; 6/14/6; tickets not come in: 0/6/0)

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Afterpiece Title: THE CHILDREN IN THE WOOD

Event Comment: A new Comic Opera; the music by Martin [y Soler], under the direction of Federici

Performances

Mainpiece Title: Il Burbero Di Buoncuore

Dance: As17940426 throughout

Event Comment: [In afterpiece the playbill retains Miss Menage, but she "being at the Italian Opera this Evening, Master Chatterley play'd her part" (Powell).] Receipts: #361 1s. 6d. (298/8/6; 55/12/0; 7/1/0)

Performances

Mainpiece Title: The Jew

Afterpiece Title: THE CHILDREN IN THE WOOD

Event Comment: By Particular Desire of the Mirza, Prince of Broach. 2nd piece [1st time; M. INT 1, by Charles Dibdin; music by the author. MS: Larpent 1030; not published]: The Words of the Songs, &c. will be given at the different Doors of the Theatre. Tickets delivered for THE BEGGAR'S OPERA [Account-Book: by Heathcote, Bayzand, Egan, Pitt, Masters, Dick, Hall (carpenter), Doe, Goodwin] will be admitted. Receipts: #238 14s. 6d. (26/4/0; 3/17/6; tickets: 208/13/0)

Performances

Mainpiece Title: The World In A Village

Afterpiece Title: A LOYAL EFFUSION

Afterpiece Title: THE HIGHLAND REEL

Dance: In 2nd piece Hornpipe by Bayzand

Song: 2nd piece: To conclude with a Song and Chorus [Come ye who from your souls (BUC, 281)], in Honor of His Majesty's Birth-Day

Event Comment: "Spectas, et tu Spectabere is the inscription over the curtain in the Little Haymarket Theatre. I was there on 29th [sic] July 1794: they gave a National opera, N. B. a piece in Scottish costumes. The men were dressed in flesh-coloured breeches, with white and red ribbons twisted round their stockings, a short, brightly-coloured, striped masons' apron, brown coat and waistcoat, over the coat a large, broad ensign's sash in the same style as the apron, and black cap shaped like a shoe and trimmed with ribbons. The women all in white muslin, brightly coloured ribbons in their hair, very broad bands in the same style round their bodies, also for their hats. They perform the same abominable trash as at Sadlers Wells. A fellow yelled an aria so horribly and with such exaggerated grimaces that I began to sweat all over. N. B. He had to repeat the aria. 0 che bestie!" (Haydn, pp. 294-95)

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: AULD ROBIN GRAY

Event Comment: Account-Book: Paid Mrs Phillimore on Account of moving the Wardrobe to and from the Opera House #4 4s. Powell, 22 Sept.: Henry V rehearsed at 10; No Song No Supper at 12; 23 Sept.: No Song No Supper rehearsed at 10 (for Bannister and Mrs Bland); Provoked Husband a 11. Receipts: #308 2s. 6d. (218.11.0; 88.15.0; 0.16.6)

Performances

Mainpiece Title: King Henry The Fifth; Or, The Conquest Of France

Afterpiece Title: No Song No Supper

Event Comment: A new Serious Opera (1st time [in London; 1st performed at Venice, 1790]); the music by Anfossi, with 2 additional songs in the 2nd act by Mme Banti, the 1st composed by Piccinni, the last by Naumann. With entire new Scenes, Dresses and Decorations

Performances

Mainpiece Title: Zenobia In Palmira

Dance: End I: Divertisement-[See17941206]; End II: a new Petit Ballet by Onorati L'Espiegle Soubrette[; ou, Le Tableau Mouvant-Gentili, Lahante, Aumer, Mlle Rosine, Mme DelCaro, Mme Hilligsberg

Event Comment: A Comic Opera; the music by Paisiello. With entire new Scenes, Dresses and Decorations

Performances

Mainpiece Title: I Zingari In Fiera

Dance: End I: Divertisement, as17941220; End II: L'Espiegle Soubrette, as17941220, but Mme Derlotti

Event Comment: The Serious Opera [Zenobia in Palmira, advertised in Morning Chronicle, 23 Jan.] is unavoidably postponed

Performances

Mainpiece Title: I Zingari In Fiera

Dance: End I: L'Espiegle Soubrette- see17941220; End II: L'Amant Retrouve- see17950120

Event Comment: A New Comic Opera [1st time; COM 2], the music entirely new composed here by Martini [i.e. Martin y Soler], who will himself preside at the harpsichord. The Poetry by Lorenzo? DaPonte

Performances

Mainpiece Title: La Scola Dei Maritati

Dance: End I: Divertisement, as17941220; End II: L'Espiegle Soubrette, as17950124

Performances

Mainpiece Title: None

Performance Comment: [The Subscribers and the Public are most respectfully informed that on account of the sudden indisposition of Mme Morichelli the representation of the Opera La Scola dei Maritati] is deferred to Saturday next [but it was not again performed until 21 Feb.].
Event Comment: Powell: Beggar's Opera rehearsed at 10; New Ballet at 12 [and for afterpiece same note as on 3 Feb.]. Receipts: #170 9s. (120.19.6; 37.9.0; 12.0.6)

Performances

Mainpiece Title: The Jew

Afterpiece Title: Lodoiska

Event Comment: Powell: [In afterpiece] Sir John Buck Cooke, Phillimore Ill; Classic Benson, Packer Ill. Beggar's Opera rehearsed at 10; New Ballet at 10 and at 12. Receipts: #148 3s. 6d. (103.5.0; 40.6.6; 4.12.0)

Performances

Mainpiece Title: The Cherokee

Afterpiece Title: The Englishman in Paris

Event Comment: The Subscribers and the Public are most respectfully informed that several of the Performers of this Theatre, both Singers and Dancers, being confined with severe illnesses at present so prevalent, the performance of the Opera is unavoidably postponed to Saturday next (Morning Chronicle, 9 Feb.)

Performances

Mainpiece Title: None

Event Comment: On account of the Engagements of some of the principal Performers at the Opera House it is absolutely impossible to give Alexander the Great this Evening; the third night will be on Monday next, and every Accomodations is making for an Arrangement that will prevent any future interruption of this Representation. Powell: New Comedy [The Wheel of Fortune] read at 12. Receipts: #143 19s. 6d. (87.5.6; 48.16.6; 7.17.6)

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Prize

Event Comment: [In mainpiece the playbill retains Barrymore as Careless, but "Barrymore came too late to play Careless, in consequence of which Dignum did the part and sang Sedgwick's song, who came in time to the theatre [Powell's italics, see 7 Feb.], but begged to be excused going on from the violent pain he was in, occasioned by a swelling upon his finger. Dignum not in time to be discovered at Lady Sneerwell's rout, but came on after the Scene opened. Fisher, one of the waiters in the above Scene, was absent. Caulfield absent from the scene with Charles, and Kelly Jr. not being in time to be discovered With the rest, walked on after the Scene opened." [In afterpiece] the playbill retains Aumer as Hephestion, "Hephestion C. Kemble, Aumer at the Opera House" (Powell).] Receipts: #349 7s. (264.16; 81.10; 3.1)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Alexander the Great

Song: [omitted from playbill]As17950128

Event Comment: [In mainpiece "English Herald [omitted from playbill] Trueman; Cooke Ill." In afterpiece the playbill retains Aumer as Hephestion, but "Hephestion C. Kemble, Aumer at the Opera House. Miss Redhead, Miss Leak absent, Ill" (Powell).] Powell, 13 Mar.: King John rehearsed at 10; Edwy and Elgiva at 12; Jack of Newbury read at 2; 14 Mar.: Jack of Newbury rehearsed at 11. Receipts: #255 3s. (204.14.0; 48.8.6; 2.0.6)

Performances

Mainpiece Title: King John

Afterpiece Title: Alexander the Great

Event Comment: A New Opera (1st time [in London; 1st performed at Venice, 1792]), accompanied with Chorusses; the music entirely new, composed [i.e. revised] here by Bianchi. With entirely new Scenes, designed by Hamilton and executed by Walmsley, Dresses and Decorations

Performances

Mainpiece Title: Aci E Galatea

Dance: As17950228

Event Comment: Mainpiece [1st time; CO 3, by James Hook Jun. Larpent MS 1065; not published; synopsis of plot in Pocket Magazine, May 1795, p. 334]: The Musick composed by Hook? Sen. The Scenes, Dresses, Decorations and Machinery are entirely new. The Scenery of the Opera designed and painted by Greenwood and Capon. The Masque and Decorations by Marinari. The Machinery by Cabanel and Jacobs.The Dresses by Johnston and Miss Rein. Books of the Songs to be had in the Theatre. [Afterpiece in place of The Adopted Child, advertised on playbill of 5 May.] Receipts: #269 8s. (213.0.6; 53.16.0; 2.11.6)

Performances

Mainpiece Title: Jack Of Newbury

Afterpiece Title: The Triumph of Hymen

Afterpiece Title: Tit for Tat