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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera Milan"/1) | (@(roleclean,performerclean) "Opera Milan")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3692 results for: Keyword - Opera, Milan
We found 2385 matches on Performance Title, 1494 matches on Event Comments, 213 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

3276
13 November 1759 @ King's Theatre

Event Comment: A New Opera. [Edition of 1759: Music by several composers directed by Gioacchino Cocchi. Simphony by Jomelli.] With new Decorations, Cloaths, and Dances. Pit and Boxes together, and no persons admitted without tickets, which will be delivered this Day at half a Guinea. Gallery 5s. By His Majesty's Command, no Person to be admitted behind the Scenes. To begin at half an hour after Six precisely. [This notice repeated in the bills.

Performances

Mainpiece Title: Vologeso

Dance: DDancesdirected by Gallini,-Gallini, Mlle Asselin, Maranesi, Signora Provenzale

3277
01 January 1760 @ Drury Lane Theatre

Event Comment: Mainpiece: By Henry Jones. Afterpiece: [See note under cg play this night. During this year appeared An Essay Upon the Present State of the Theatre, in France, England, and Italy, a "work absolutely necessary to be read by every lover of Theatrical Exhibitions," printed for J. Pottinger. It contains twenty-two chapters on tragedy, thirteen on comedy, opera, authors, and the art of acting. Pages 147-51 discuss the obligation of English farces to French ones.] Receipts: #180 (Cross)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: Harlequin's Invasion

3278
15 January 1760 @ King's Theatre

Event Comment: A New Opera, with the Addition of a new Singer. Music by Cocchi

Performances

Mainpiece Title: La Clemenza Di Tito

Dance: Under the direction of Gallini:Mlle Asselin, Maranesi, Sga Provenzale

3279
14 February 1760 @ Covent Garden

Event Comment: Ballad Opera Reviv'd. Never acted before. Receipts: #165 2s. 6d

Performances

Mainpiece Title: The Jovial Crew; Or, The Merry Beggar's

3280
14 February 1760 @ The Great Room, Dean Street, Soho

Performances

Mainpiece Title: Charlottenburg Festegiante

Performance Comment: Vocal Parts-Signora Passerini, Signora Frederick, Signora Tenducci, Signora Magalli (who never sung in public before except at the Opera).

Music: Instrumental parts: First Violin-Passerini;, with viols and the others by the best performers. Between the First and Second Part: a Concerto on the Organ-Sga Frederick

3281
21 February 1760 @ Drury Lane Theatre

Event Comment: Never Acted before. A Tragedy [By John Home]. I went to my Office and then slept [?] in at Drury Lane w here I see Mr and Miss Hayes, Lady Lindores who I see into a coach, I slept in at Covent Garden Gallery before the play, but see nobody I knew so I would not stay, otherwise I would have went out as I had set my mind on the Beggar's Opera for once more, but waived it all & went to my Office (Hailey Brietzcke Diary, Vol. 197, p. 72)

Performances

Mainpiece Title: The Siege Of Aquileia

3282
01 March 1760 @ King's Theatre

Event Comment: A New Opera. Music by Perez (Public Advertiser), by several Masters (edition of 1760)

Performances

Mainpiece Title: Arminio

Dance: Directed by Gallini. Giovanni Gallini, Mlle Asselin, Maranesi, Signora Provenzale

3283
13 March 1760 @ The Great Room, Dean Street, Soho

Event Comment: Benefit for Quilici. An Opera, by Metastasio, with Music by Jomelli. Books of this elegant poetical Composition, with an English translation, will be sold at the Performance

Performances

Mainpiece Title: Isola Disabitata; Or, The Deserted Island

Entertainment: S$Sg Cordoni, virtuoso on the violin, lately arrived from Italy, who never yet appeared in public, will direct the orchestra and perform a solo and Miss Frederick will play a Concerto on the harpsichord, the compsoition of Sg Paradies

3284
29 March 1760 @ King's Theatre

Event Comment: The Operas for the future are to be for the benefit of the actors and actresses, who beg a continuance of that generous protection which they acknowledge to have received from the Subscribers, the Nobility, and gentry of this Kingdom. [The notice subsequently repeated.

Performances

Mainpiece Title: Arminio

3285
14 April 1760 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Yates. Garrick's first appearance in Chamont in 4 years. Mrs Yates in Monimia for first time. Mrs Cibber's illness has oblig'd Mrs Yates to change her Play from Jane Shore to The Orphan. The Afterpiece (for one night only): A Burlesque Opera of two acts

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Galligantus

3286
15 April 1760 @ King's Theatre

Event Comment: Benefit for Signora Frasi. The Managers of the Opera having fixed upon Thursday for the remaining part of the Season, as one of the Season, as one of the nights of performance, Sga Frasi is obliged to take this for her night when tickets delivered out for the 10th and 17th will be admitted

Performances

Mainpiece Title: The Messiah

Music: CConcerto on Organ-Stanley; Solo on Violin-Giardini

3287
17 April 1760 @ King's Theatre

Event Comment: A New Opera. Composed by Giardini. Doors to be open at Five O'clock. To begin at Seven O'clock precisely. [Notice repeated.

Performances

Mainpiece Title: Antigona

Dance: Director of the Ballet: Giovanni Gallini. Dancer: Gallini, Mlle Asselin, Maranesi, Signora Provenzale

3288
26 April 1760 @ King's Theatre

Event Comment: A New Opera. The Music by several Celebrated Composers

Performances

Mainpiece Title: Antigona

3289
29 April 1760 @ Hickford's Room

Event Comment: Benefit for Signora Laura Rosa...having sustainedthe loss of her Salary by the late Failure at the Opera House. At Hickford's Room, Brewer St

Performances

Mainpiece Title: L'isola Dissabitata

Music: First Violin-Sg Cardoni

3290
25 September 1760 @ Covent Garden

Event Comment: BBritish Chronicle, 25 Sept.: Last Wednesday the King, Queen and Royal Family went to Covent Garden to see The Beggar's Opera with a [directive?] of the fitting up of the Box (Winston MS 9)

Performances

3291
21 November 1760 @ Drury Lane Theatre

Event Comment: By Command of his Majesty. The first night the King went to the play, which was civilly on a Friday, not on the opera night, as he used to do, the whole audience sang God Save the King in chorus. For the first act, the press was so great at the door that no ladies could go to the Boxes, and only the servants appeared there, who kept places: at the end of the second act the whole mob broke in and seated themselves; yet all this zeal is not likely to last, though he so well deserves it (Walpole to Montagu, 24 Nov.)

Performances

Mainpiece Title: King Richard Iii

3292
22 November 1760 @ King's Theatre

Event Comment: Libretto by Goldoni; Music by Galuppi. A new comic Opera. To begin at 6:30 p.m. Pit and Boxes Half a Guinea. Gallery 5s. By His Majesty's Command No Persons admitted behind the Scenes [Repeated. The 1760 Libretto of Arianne e Teseo calls for Prologue to be sung by Signora Mattei on this night.

Performances

Mainpiece Title: Il Mondo Nella Luna

Dance: New DancesDirector of Dances-Gherardi; Dancers-Mlle Asselin, Gherardi, Miss Polly Capitani, Tariot

3293
30 December 1760 @ King's Theatre

Event Comment: Being the last time of performing this Opera

Performances

Mainpiece Title: Il Mondo Nella Luna

3294
03 January 1761 @ King's Theatre

Event Comment: On Monday next at Noon there will be a general Practice on the stage of the new comic Opera call'd Il Filosofo di Campagna

Performances

Mainpiece Title: Arianna E Teseo

3295
06 January 1761 @ King's Theatre

Event Comment: A new Comic Opera--Music by Galuppi. [Text--Goldoni. First performance in England. The text notes music originally by Baldassar Galuppi called Buranello, and perfected by Gioacchino Cocchi. Burney (History of Music, II, 860) notes the extreme popularity of this piece, and the success of the Paganinis as singers in it.

Performances

Mainpiece Title: Il Filosofo Di Campagna

Dance: New Dances , as17601216-Gherardi, Mlle Asselin, Polly Capitani, Tariot

3296
31 January 1761 @ King's Theatre

Event Comment: By Particular desire. Last time of performing this Opera

Performances

Mainpiece Title: Arianna E Teseo

3297
07 February 1761 @ King's Theatre

Event Comment: A New Serious Opera. Music by Cocchi

Performances

Mainpiece Title: Tito Manlio

Dance: New dances-Gerhardi (Ballet Master);Mlle Asselin, Giorgi Benety, Sga Anna Benety, Miss Capitani, Mr Tariot

3298
09 March 1761 @ King's Theatre

Event Comment: Benefit for Sg and Signora Paganini. A new Comic Opera. Purely Comic without any serious part in it. To begin at Six, Vivat Rex

Performances

Mainpiece Title: I Tre Gobbi Rivali

Dance: Gerhardi, Mlle Asselin, Giorgio Binety, Anna Binety, Miss Polly Capitani, Mr Tariot

3299
14 March 1761 @ King's Theatre

Event Comment: A New Serious Opera. Music by Perez with New Cloaths and Dances

Performances

Mainpiece Title: La Didone Abbandonata

3300
26 March 1761 @ Drury Lane Theatre

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Afterpiece Title: The Island of Slaves

Performance Comment: Parts by Havard, King, Mrs Clive (with a Comic Opera Song in Character), Packer, Mrs Johnson.

Dance: TThe Cow@Keepers-Grimaldi, Miss Dawson