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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera Milan"/1) | (@(roleclean,performerclean) "Opera Milan")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3692 results for: Keyword - Opera, Milan
We found 2385 matches on Performance Title, 1494 matches on Event Comments, 213 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

3051
29 November 1734 @ York Buildings

Event Comment: London Daily Post and General Advertiser, 30 Nov.: Last Night there was a Rehearsal of a new Opera before his Royal Highness the Prince of Wales at his House in Pall-Mall, in which Farinelli and Senesino each of them perform'd a Part

Performances

Mainpiece Title: Othello, Moor Of Venice

3052
13 December 1734 @ Mercer's Hall

Performances

Mainpiece Title: Concert

Music: Vocal by Miss Cecilia Young and Miss Isabella Young. Instrumental from the Opera, with Violin by Festing, Violoncello by Caporali, Hautboy by Kytch. Water Musick by Handel, with Benj. Baker doing a Preamble on the Kettle Drums

Performance Comment: Instrumental from the Opera, with Violin by Festing, Violoncello by Caporali, Hautboy by Kytch. Water Musick by Handel, with Benj. Baker doing a Preamble on the Kettle Drums .

3053
08 January 1735 @ Covent Garden

Event Comment: A New Opera. [Text by A. Salvi. Music by Handel. King, Queen, Princesses Amelia and Caroline present.]

Performances

Mainpiece Title: Ariodante

3054
08 February 1735 @ King's Theatre

Event Comment: Their Majesties present. London Daily Post and General Advertiser, 11 Feb.: On Saturday Night a Disturbance happen'd at the Opera House . . . occasion'd by the Footmen's coming into the Passages with their lighted Flambeaux, which gave Offence to the Ladies, &c. in the House; whereupon the Footmen were order'd out, but they refus'd to go, and attack'd the Centinels, but a stronger Guard coming to their Assistance, with their Bayonets fix'd, drove them out; in the Fray one of the Footmen was stabb'd in the Groin, and in the Body, and its thought will die of the Wounds

Performances

Mainpiece Title: Polifemo

3055
28 February 1735 @ York Buildings

Event Comment: Benefit Caporali, First Violoncello in Mr Handel's Operas. 7 P.M. 5s

Performances

Mainpiece Title: Concert

Music: Singing by Mrs Young and her Sister. Concertos by Caporali

3056
19 March 1735 @ Covent Garden

Event Comment: As 5 March. old Whig, 20 March: In the flourishing State of this Opera [Artaxerxes], 'tis no Wonder that the other Theatres decline. Handel, whose excellent Compositions have often pleased our Ears, and touched our Hearts, has this Winter sometimes performed to an almost empty Pitt. He has lately reviv'd his fine Oratorio of Esther, in which he has introduced two Concerto's on the Organ that are inimitable. But so strong is the Disgust taken against him, that even this has been far from bringing him crowded Audiences; tho' there were no other publick Entertainments on those Evenings

Performances

Mainpiece Title: Esther

3057
08 April 1735 @ Covent Garden

Event Comment: Benefit Mrs Bullock. Afterpiece: Written by the Author of the Beggar's Opera

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The What D'ye Call It

Dance: Pigmalion by Glover, Lally, Mlle Salle. Scot's Dance, as17350315

3058
08 April 1735 @ King's Theatre

Event Comment: A New Opera. [Text by Angelo Cori. Music by Pietro Sandoni.]

Performances

Mainpiece Title: Issipile

3059
16 April 1735 @ Covent Garden

Event Comment: A New Opera. [Text by A. Marchi. Music by Handel.]

Performances

Mainpiece Title: Alcina

3060
06 May 1735 @ King's Theatre

Event Comment: At 7 P.M. Egmont, Diary, II, 174: I went to the opera called Iphigenia, composed by Porpora, and I think the town does not justice in condemning it

Performances

Mainpiece Title: Iphigenia

3061
02 June 1735 @ York Buildings

Event Comment: Benefit Bond. At the Desire of several Persons of Quality who have universally applauded the same. N.B. Many of the greatest Persons being engaged at the Opera last Saturday desir'd therefore this Delay, in order to crown this Gentleman's Benefit, with their Presence, that after so great an Expence, Reward may not be wanting to the Merit of the Piece

Performances

Mainpiece Title: Zara

3062
30 July 1735 @ Lincoln's Inn Fields

Event Comment: Benefit the Author. Mainpiece: Taken from Moliere. Afterpiece: a New Satiric Farcical Ballad Opera. [Author unknown. Apparently not published.]

Performances

Mainpiece Title: Squire Basinghall

Afterpiece Title: Politicks on Both Sides

3063
20 August 1735 @ King's Theatre

Event Comment: The Royal Bounty of #1,000 went to the Opera of the Nobility. See Calendar of Treasury Papers, 1735-1738, p. 126

Performances

Mainpiece Title:

3064
21 August 1735 @ Haymarket Theatre

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: The Honest Yorkshireman

Music: A New Medley Overture, never yet performed, composed by Arne. A new Set of Act Tunes, never yet performed, composed by Arne

Song: Was ever Nymph like Rosamond, sung by Master Osborne, a Scholar of Carey. Se l'Arco, a French Horn Song out of the Opera of Admetus, sung by Master Osborne

Performance Comment: Se l'Arco, a French Horn Song out of the Opera of Admetus, sung by Master Osborne .

3065
01 October 1735 @ Hampstead

Performances

Mainpiece Title: Concert

Music: Vocal, Instrumental, and Martial...by several of the best Hands from both the Operas

Performance Comment: ..by several of the best Hands from both the Operas .

3066
19 November 1735 @ Covent Garden

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Rape of Proserpine

Dance: I: A new Peasant by Tench and Miss Rogers. II: Dance of Sailors (in Opera o{ orestes) by Glover and others. III: Two Pierrots by Nivelon and Lalauze. 1v: Faithful Shepherd by Glover, Miss Rogers, &c

Performance Comment: II: Dance of Sailors (in Opera o{ orestes) by Glover and others. III: Two Pierrots by Nivelon and Lalauze. 1v: Faithful Shepherd by Glover, Miss Rogers, &c .

3067
24 January 1736 @ King's Theatre

Event Comment: A New Opera. [Music by Nicholas Porpora. Their Majesties, Princesses Amelia and Caroline expected to attend.]

Performances

Mainpiece Title: Mithridates

3068
27 January 1736 @ Drury Lane Theatre

Event Comment: Daily Journal, 27 Jan.: We hear that the Beggar's Opera is soon to be acted at [DL]; the Part of Lucy ... by Mrs Clive . . . Polly by Mr Cibber's Wife, who is to have all the first Parts, having, during the Run of Zara, shewn her natural Genius, by never any one Night varying in either Tone of Voice or Action from the Way she was taught. [See Prompter, 27 Jan., for an essay on the corruption of the stage by pantomime.]

Performances

Mainpiece Title: Zara

Afterpiece Title: Harlequin Restor'd

3069
27 January 1736 @ King's Theatre

Event Comment: [Prince of Wales, Duke, and Princess Amelia present.] Daily Advertiser, 30 Jan.: The Opera oF Mithridates was so full on Tuesday Night, that there were above 440 Ladies and Gentlemen in the Pit and Boxes, besides the Subscribers. Above 50 People were oblig'd to go away for want of Room

Performances

Mainpiece Title: Mithridates

3070
29 January 1736 @ Goodman's Fields

Event Comment: Mainpiece: Never Acted before. [By James Sterling.] Afterpiece: a Ballad Opera. [Author unknown. Apparently not published.]

Performances

Mainpiece Title: The Parracide

Afterpiece Title: The Ch1mney Sweeper

3071
10 February 1736 @ Goodman's Fields

Event Comment: Afterpiece: A New Ballad-Opera. [By Abraham Langford. Airs set by Stanley.]

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Lover His Own Rival

Dance: In V: Scot's Dance by Haughton, Mrs Bullock, &c

3072
02 March 1736 @ King's Theatre

Event Comment: A New Opera

Performances

Mainpiece Title: Orpheus

3073
18 March 1736 @ Covent Garden

Event Comment: Benefit Ryan. Afterpiece: A Ballad Opera (not perform'd these Six Years) reduc'd to two short acts. [Tickets at Ryan's at the Golden Cup, King-street, CG.] Receipts: money #38 1s.; tickets #102 11s

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Sylvia; or, The Country Burial

Dance: As17360316

Song: Dialogue by Leveridge and Mrs Wright

3074
30 March 1736 @ King's Theatre

Event Comment: Whereas the Repetition of the Songs add considerably to the Length of the Opera, and which hath been much complain'd of, it is hoped that no Person will take it ill, if the Singers do not make any Repetition for the future

Performances

Mainpiece Title: Artaxerxes

3075
31 March 1736 @ Lincoln's Inn Fields

Event Comment: Benefit Pritchard. At the Desire of several Persons of Distinction. Afterpiece: A New Ballad Opera. [By Henry Ward.] Plays are like Mirrours, made for Men to see, How bad they are, how good they ought to be

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Happy Lovers; or, The Beau Metamorphos'd

Music: V: Preamble on the Kettle-Drums by J. Woodbridge, and the celebrated Water Musick, composed by Mr Handel, accompanied with Trumpets and French Horns

Dance: Hornpipe by Ferguson. By Cox, a Pewterer of the City of London, who never appeared on any stage before, particularly a Harlequin and a Scaramouch. Two Pierrots by Smith and La Back. End Afterpiece: Drunken Man of Pritchard

Song: By E. Roberts