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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera Milan"/1) | (@(roleclean,performerclean) "Opera Milan")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3692 results for: Keyword - Opera, Milan
We found 2385 matches on Performance Title, 1494 matches on Event Comments, 213 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

2901
19 March 1725 @ Hickford's Room

Event Comment: Benefit Castrucci, first Violin to the Opera. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Several new compositions-; , particularly the Feasts of the Piazza y Spagnia-; , in which you will hear two Trumpets on the Violin-Mr Castrucci

2902
16 April 1725 @ Haymarket Theatre

Event Comment: Benefit Dykes, Boxkeeper to the Opera

Performances

Mainpiece Title: Arlequin Statue, Enfant & Peroquet

Afterpiece Title: La Matrone D'Ephese; ou, Arlequin Diane

Dance: Roger, the Little Scaramouch

2903
18 December 1725 @ King's Theatre

Event Comment: For an essay on music and operas, see Mist's, 18 Dec

Performances

Mainpiece Title: Rodelinda

2904
01 February 1726 @ King's Theatre

Event Comment: UUniversal Mercury, February 1726: Elisa...an Opera of a foreign Growth, and of which they promis'd us Wonders before it was brought over. But when it arriv'd, we soon found to our Cost, that its being far fetch'd and dear bought was the only thing that could recommend it: But even that would not do long, and Audiences grew so thin, that the Royal Academy, for fear of making another Call, was oblig'd to drop it

Performances

Mainpiece Title: Elisa

2905
08 February 1726 @ King's Theatre

Event Comment: TThe King, Prince and Princess of Wales present. Universal Mercury, February 1726: Mr Handel had the Satisfaction of seeing an old Opera of his not only fill the House, which had not been done for a considerable time before, but People crowding so fast to it, that above 300 were turn'd away for want of room

Performances

Mainpiece Title: Otho

2906
21 September 1726 @ King's Theatre

Event Comment: DDaily Journal, 21 Sept.: A Company of Italian Comedians recently arrived here from beyond Sea, and being patronized by the Dukes of Montague and Richmond, 'tis said, that Leave will be given them to perform in the Opera-House in the Hay-Market

Performances

2907
21 October 1726 @ King's Theatre

Event Comment: By His Majesty's Command. N.B. For the better Information of those who do not thoroughly understand the Italian Language, a Book with the Argument and Explanations in English, of what is transacted in every Scenes, may be had...at the usual Places in the Opera-House. Price 6d. [The King, Prince, and Princess present.

Performances

Mainpiece Title: The Enchanted Island Of Arcadia; Or, The Magician Doctor, With Harlequin King Of The Woods; Flights, Decorations And Transformations Of Harlequin, Cupid, Pantalon, Venus, And Brighella, Jupiter, And The Sacrifice Of Harlequin

Dance: Furies, Nymphs, Shepherds, Statues-; , the latter performing the Labours of Hercules-Statues , after the Manner of the Venetian Gondaliers at Venice: The whole full of Variety

2908
26 November 1726 @ Lincoln's Inn Fields

Event Comment: Receipts: #116 10s. Probable attendance: boxes, 191 paid and 12 orders; pit, 262 paid and 5 orders; slips, 25 paid and 2 orders; first gallery, 242 paid and 6 orders; second gallery, 50 paid and 1 order. For an essay on Camilla, see London Journal, 26 Nov. Mrs Pendarves to Anne Granville, 27 Nov.: I was at the opera of Camilla...performed by a Mrs Chambers, Mrs Barbiere, Mrs Fletchere, a Signor Rochetti, Mr Leveridge, Mr Legard. I can't say I was much pleased with it, I liked it for old acquaintance sake, but there is not many of the songs better then ballads.-Mrs Delany@Autobiography, I, 125

Performances

Mainpiece Title: Camilla

2909
13 February 1727 @ Lincoln's Inn Fields

Event Comment: [Written by Lewis Theobald. Set to Music by Galliard.] The Entertainment being entirely new Dress'd: With New Scenes, Machines, and other Decorations. Pit and Boxes laid together at 5s. Receipts: #216 12s. Probable attendance: boxes, 269 paid; stage, 1 paid; balcony, 4 paid; pit, 274 paid and 4 orders; slips, 54 paid and 2 orders; first gallery, 456 paid; second gallery, 195 paid. Mist's, 18 Feb.: It is of the Nature of Pantomimes, partly grotesque, and partly vocal, but far exceeds all ever yet shewn, in the Magnificence and Beauty of the Scenes, the Number and Richness of the Habits, as well as the Fable, which is purely poetical, as the Italian Operas ought to be. [See also London Journal, 18 Feb.

Performances

Mainpiece Title: The Cheats Of Scapin

Afterpiece Title: The Rape of Proserpine; With The Birth and Adventures of Harlequin

2910
25 February 1727 @ King's Theatre

Event Comment: For a letter on opera, see Weekly Journal or British Gazetteer, 25 Feb

Performances

Mainpiece Title: Admetus

2911
04 March 1727 @ King's Theatre

Event Comment: For an essay on opera, see British Journal, 4 March

Performances

Mainpiece Title: Admetus

2912
08 April 1727 @ King's Theatre

Event Comment: Benefit Brighella. By His Majesty's Command. [The opera had to be postponed because of the indisposition of a performer.

Performances

Mainpiece Title: La Dama Demonio, E La Serva Diavolo: Viz, The Mistress Demon By Diana, And The Maid Devil By Argentina: With The Comical Frights Of Pantalon And Harlequin

Dance: Dancing In Serious and Grotesque Characters-

2913
08 November 1727 @ King's Theatre

Event Comment: DDaily Journal, 9 Nov.: Yesterday the new Opera of King Richard I was in Rehearsal...where was a prodigious Concourse of Nobility

Performances

Mainpiece Title: King Richard I

2914
25 November 1727 @ King's Theatre

Event Comment: For difficulties in the opera company, see Delany, Autobiography, I, 149

Performances

Mainpiece Title: Richard The First, King Of England

2915
18 March 1728 @ Lincoln's Inn Fields

Event Comment: Benefit Mrs Barbier. Tickets for The Beggar's Opera taken. Receipts: money #87 19s.; tickets #73 11s. Probable attendance: boxes, 63 by money and 262 by tickets; stage, 26 by money; pit, 158 by money and 49 by tickets; slips, 26 by money; pidgeon holes, 2 by money; first gallery, 271 by money and 7 by tickets; second gallery, 192 by money

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Song: t the Desire of several Persons of Quality Between Acts: four Scotch and English Ballads-Mrs Barbier; as also Tamo Tanto-Mrs Barbier; French Horn Song in Admetus-Mrs Barbier , properly accompanied

Dance: TTwo Pierrots-Nivelon, Poitier

2916
19 March 1728 @ King's Theatre

Event Comment: KKing, Queen, Princesses Amelia and Carolina present. (Delany, Autobiography, I, 165-66): Operas are somewhat mended within this fortnight; they are much fuller than they have been any time this Winter

Performances

Mainpiece Title: Siroe

2917
20 March 1728 @ Lincoln's Inn Fields

Event Comment: For the fortunes of The Beggar's Opera, see Gay to Swift, 20 March, in Correspondence of Pope, II, 478-79

Performances

2918
23 March 1728 @ King's Theatre

Event Comment: For a letter on opera, see London Journal, 23 March

Performances

Mainpiece Title: Siroe

2919
08 May 1728 @ Haymarket Theatre

Event Comment: [By John Mottley.] A New Dramatic Opera

Performances

Mainpiece Title: Penelope

Song:

Dance:

2920
16 May 1728 @ Lincoln's Inn Fields

Event Comment: Benefit Morgan and Chapman, the Poet in The Beggar's Opera. Receipts: money #10 2s.; tickets #134 18s. Probable attendance: boxes, 8 by money and 198 by tickets; stage, 6 by money; pit, 15 by money and 300 by tickets; first gallery, 12 by money and 299 by tickets; second gallery, 21 by money

Performances

Mainpiece Title: The Royal Merchant

Song: GGently Touch the Warbling Lyre, The Merry Month of May-Miss Warren; No Kissing At All-Leveridge, Salway; Dialogue-Salway, Miss Warren

Dance: PPastoral-Glover, Mrs Legare; Fingalian-Newhouse, Mrs Ogden

2921
17 May 1728 @ Drury Lane Theatre

Event Comment: Benefit Chetwood. At the particular Desire of several Persons of Quality. First piece: A Tragi-Comick Pastoral Farce, of Two Acts, written by the Author of The Beggar's Opera, with the Original Ballads

Performances

Mainpiece Title: The What D'ye Call It

Afterpiece Title: Hob

Afterpiece Title: The Strollers

Afterpiece Title: Harlequin Doctor Faustus

Music: C$Corelli's Eighth Concerto-

Dance: PPieraite-Roger, Mrs Brett; Harlequin-Lally, Mrs Brett

2922
31 August 1728 @ King's Theatre

Performances

Mainpiece Title: None

Performance Comment: For an essay on the difficulties of the opera, see Craftsman, 31 Aug.

2923
06 September 1728 @ Haymarket Theatre

Event Comment: N.B. This is not the Company that play'd the Beggar's Opera

Performances

Mainpiece Title: The Spanish Fryar

2924
07 January 1729 @ Drury Lane Theatre

Event Comment: [By Colley Cibber.] Never Acted before. A New Pastoral (of Three Acts). N.B. Printed Books of the Play will be sold at the Theatre. Fog's, 11 Jan. On Tuesday Night last a ridiculous Piece was acted at...Drury-lane, which was neither Comedy, Tragedy, Opera, Pastoral or Farce; however, no Thief or Robber of any Rank was satyriz'd in it, and it could be said to give Offence to none but Persons of Sense and good Taste; yet it met with the Reception it well deserv'd, and was hiss'd off the Stage. See also Cibber, Apology, I, 243-44, 248-49; Victor, History of the Theatres, II, 106-7; Whincop, p. 197

Performances

Mainpiece Title: Love In A Riddle

2925
21 January 1729 @ Bow Street

Event Comment: The Lilliputian Theatre, Under the Direction of Mr Richardson...in Mr Hewetson's Great Room, the Upper End of Bow-Street, Covent-Garden. A New Opera. Price 2s. 6d. Gallery 1s. 6d. At 6 p.m

Performances

Mainpiece Title: The Enchanter