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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera Milan"/1) | (@(roleclean,performerclean) "Opera Milan")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3692 results for: Keyword - Opera, Milan
We found 2385 matches on Performance Title, 1494 matches on Event Comments, 213 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

2826
24 January 1713 @ Queen's Theatre

Event Comment: The Opera of Theseus composed by Mr Hendel will be represented in its Perfection, that is to say with all the Scenes, Decorations, Flights, and Machines. The Performers are much concerned that they did not give the Nobility and Gentry all the Satisfaction they could have wished, when they represented it on Wednesday last, having been hindered by some unforeseen Accidents at that time insurmountable

Performances

Mainpiece Title: Theseus

2827
14 March 1713 @ Queen's Theatre

Event Comment: By Subscription. Colman's Opera Register: The House was very full all these Nights [28 Feb.-14 March]

Performances

Mainpiece Title: Ernelinda

2828
28 March 1713 @ Queen's Theatre

Event Comment: Benefit Signora Pelotti. Admission as 21 March. Colman's Opera Register: Ye House was very full this Night

Performances

Mainpiece Title: Ernelinda

2829
15 April 1713 @ Queen's Theatre

Event Comment: Colman's Opera Register: Theseus, was design'd to be perform'd, but finding they could not get Company sufficient, it was put off until the 18th

Performances

Mainpiece Title: Theseus

2830
18 April 1713 @ Queen's Theatre

Event Comment: With all the Scenes, Decorations, Flights, and Machines. Boxes 8s. Pit 5s. Gallery 2s. 6d. Stage Boxes half a guinea. Colman's Opera Register: A thin House

Performances

Mainpiece Title: Theseus

2831
30 May 1713 @ Queen's Theatre

Event Comment: It being the last Opera this Season. Boxes 8s. Pit 5s. Gallery 2s. 6d. Stage Boxes 15s

Performances

Mainpiece Title: Ernelinda

2832
27 January 1714 @ Queen's Theatre

Event Comment: [Dedication signed by N. Haym.]. A new Opera. Pit and Boxes put together and admission by ticket only at half a guinea. Stage Boxes 15s. Gallery 4s

Performances

Mainpiece Title: Croesus

Music: As17140123

2833
04 March 1714 @ Queen's Theatre

Event Comment: [Dedication by John James Heidegger.] By Subscription. Stage Boxes 15s. Gallery 5s. Colman's Opera Register: By subscription for six times at ye usuall rate of 10 Guin for 3 Tickets

Performances

Mainpiece Title: Arminius

2834
20 November 1714 @ King's Theatre

Event Comment: Admission as 26 Oct. Colman's Opera Register: ye Prince & Princess of Wales present, ye House not near full. Ye New Singers...meet with little applause as yet Mrs Robinson not singing

Performances

Mainpiece Title: Ernelinda

2835
11 December 1714 @ King's Theatre

Event Comment: By Command. Admission as 26 Oct. Colman's Opera Register: Ye Prince & Princess present, ye House extraordinary full

Performances

Mainpiece Title: Arminius

Dance: As17141204

2836
15 January 1715 @ King's Theatre

Event Comment: By His Royal Highness's Command. Colman's Opera Register: Ye King, Prince & Princess present, & a full House

Performances

Mainpiece Title: Rinaldo

2837
29 January 1715 @ King's Theatre

Event Comment: Colman's Opera Register: a very thin house

Performances

Mainpiece Title: Rinaldo

2838
26 March 1715 @ King's Theatre

Event Comment: By Command; In which twelve Songs will be alter'd. And several new Scenes not seen yet, (design'd for a New Opera) will be shown

Performances

Mainpiece Title: Arminius

Dance:

2839
09 April 1715 @ King's Theatre

Event Comment: Benefit Mrs Robinson. By Command. With the Original Mad-Scenev. Admission as 2 April. Colman's Opera Register: Ye House & ye stage full ye King, Prince, &c. present

Performances

Mainpiece Title: Ernelinda

2840
07 May 1715 @ King's Theatre

Event Comment: By Command. Admission as 23 Oct. 1714. At 6 p.m. Daily Courant 11 May: Whatever Persons paid for Box-Tickets for the Opera of Hydaspes, which was perform'd on Saturday the 7th Instant, by reason of several Persons of Quality (who could not be denyed) coming in without Tickets; those who had taken them, and could not find Room, may send their Tickets to the Theatre-Office...and their Money will be repaid

Performances

Mainpiece Title: Hydaspes

2841
11 May 1715 @ King's Theatre

Event Comment: By Command. Admission as 26 Oct. 1714. Colman's Opera Register: Ye House extraordinary full

Performances

Mainpiece Title: Hydaspes

2842
25 May 1715 @ King's Theatre

Event Comment: [Music by Handel. Text probably by J. J. Heidegger.] By Subscription, with the Pit and Boxes by ticket only (not to exceed 400). Stage Boxes 15s. Gallery 5s. At 6 p.m. And Whereas there is a great many Scenes and Machines to be mov'd in this Opera, which cannot be done if Persons should stand upon the Stage (where they could not be without Danger) it is therefore hop'd no Body, even the Subscribers, will take it Ill that they must be deny'd Entrance on the Stage

Performances

Mainpiece Title: Amadis

Dance:

2843
11 June 1715 @ King's Theatre

Event Comment: By Subscription, as 25 May. According to Colman's Opera Register, 28 May, Mrs Robinson was ill and did not perform again during this season

Performances

Mainpiece Title: Amadis

2844
03 December 1715 @ Lincoln's Inn Fields

Event Comment: Not Acted these Sixteen Years. And all the Original Musick. The Habits, Scenes, Machines, Dances, and all other Decorations proper to the Play, being entirely New. Boxes 6s. Pit 5s. Gallery 2s 6d. Upper Gallery 1s. 6d. And whereas there are a great many Scenes and Machines to be mov'd in this Opera, which cannot be done if Persons should stand on the Stage, (where they could not be without Danger) it is therefore hoped no Person will take it ill that they must be deny'd Entrance on the Stage. Receipts: #198 18s. 6d

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

2845
16 February 1716 @ King's Theatre

Event Comment: With all the New Scenes, Machines, and Cloaths belonging to the Opera. Admission as 1 Feb

Performances

Mainpiece Title: Amadis

2846
21 February 1716 @ King's Theatre

Event Comment: As 16 Feb., but admission as 4 Feb. At 6 p.m. No Person whatever to stand upon the Stage, by reason of the great many Scenes and Machines which are to be moved in this Opera

Performances

Mainpiece Title: Amadis

2847
20 June 1716 @ King's Theatre

Event Comment: Benefit the Instrumental Musick. By Command. With all the Scenes and Cloaths belonging to this Opera, particularly the Fountain Scenev

Performances

Mainpiece Title: Amadis

Music: Two New Symphonies-

2848
30 June 1716 @ King's Theatre

Event Comment: By Command. Being the last Opera that will be perform'd this Season. Admission as 4 Feb. At 6 p.m. [The King present.

Performances

Mainpiece Title: Cleartes

2849
05 January 1717 @ King's Theatre

Event Comment: With all the Original Scenes and Machines belonging to the Opera. Admission: Pit and Boxes 8s. Stage Boxes half a guinea. Gallery 2s. 6d. At 6 p.m

Performances

Mainpiece Title: Rinaldo

2850
23 February 1717 @ King's Theatre

Event Comment: By His Majesty's Command. N.B. This Opera will be performed without Scenes, The Stage being in the same Magnificent Form as it was in the Ball [on 21 Feb.]. Admission as 15 Dec

Performances

Mainpiece Title: Amadis