Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera Milan"/1) | (@(roleclean,performerclean) "Opera Milan")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
3692 results for: Keyword - Opera, Milan
We found 2385 matches on Performance Title, 1494 matches on Event Comments, 213 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

226
30 May 1778 @ King's Theatre

Event Comment: A new Serious Opera [1st time; SER 3, by Pietro Metastasio]; the Music entirely new by Tommaso Giordani

Performances

Mainpiece Title: Il Re Pastore

Dance: End I: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303Provencal, as17780303Allemande a la Strasbourgoise, as17780303End Opera: Les Amans unis par l'Hymen, as17780404

Ballet: End II: La Surprize de Daphnis et Cephise. As17780331

227
25 March 1779 @ King's Theatre

Event Comment: A New Serious Opera [1st time; SER 3, ascribed to Giovanni Gualberto Bottarelli]. The Music entirely new, composed by Sacchini. 2nd dance: The Music entirely new, composed by Charles Stamitz

Performances

Mainpiece Title: Enea E Lavinia

Dance: End I: a new Ballet, Hippomene et Atalante. Hippomene-Simonet, Atalante- Mlle Baccelli, Sg and Sga Zuchelli, Mlle Vidini, Slingsby; End II: a new Ballet, connected with the Opera, +Les Forges de Vulcain. Venus-Mme Simonet, the 3 Graces- Sga Zuchelli, Sga Tinti, Miss Rose, +Cupid- young Miss Simonet, +the 3 Cyclopes- Banti, Zuchelli, LeDet, +Vulcain- Slingsby; With a grand Chorus of the Cyclopes by $Sacchini-

Performance Comment: Hippomene-Simonet, Atalante- Mlle Baccelli, Sg and Sga Zuchelli, Mlle Vidini, Slingsby; End II: a new Ballet, connected with the Opera, +Les Forges de Vulcain. Venus-Mme Simonet, the 3 Graces- Sga Zuchelli, Sga Tinti, Miss Rose, +Cupid- young Miss Simonet, +the 3 Cyclopes- Banti, Zuchelli, LeDet, +Vulcain- Slingsby; With a grand Chorus of the Cyclopes by $Sacchini-.

Ballet: End Opera: a new Serious Ballet, La Fete du Ciel. Apollo-Mme Simonet; Flora-Sga Tinti; Zephir-Banti; Iris-Mlle Baccelli; To conclude with a grand Chaconne, in which-Mme Simonet will dance in a Man's Dress

228
13 May 1779 @ King's Theatre

Event Comment: Benefit for Sacchini. Tickets to be had of Sacchini, No. 5, Whitcomb-street, Leicester Fields. Opera: With some Alterations

Performances

Mainpiece Title: L'avaro Deluso

Dance: End I: Les Oiseleurs, as17790123; End II: Ballet by Fairies, as17790302End Opera: New Ballet, as17790227

229
13 April 1780 @ King's Theatre

Event Comment: Benefit for Sga Bernasconi. Tickets to be had of Sga Bernasconi, No. 5, Dover-street, Piccadilly. Opera: As originally composed by Piccinni

Performances

Mainpiece Title: La Schiava

Dance: End I: Il Desertore, as17791214; End II: New Pastoral Ballet, as17800215, but _Slingsby, Sg and Sga _Zuchelli; End Opera: Grand Serious Ballet, as17800208

Song: II: song-Sga Pozzi; with obligato on the flute-; End Opera: an Italian Canzonetta-Sga Bernasconi; accompanied on the guitar-Noferi, giving thanks to the Audience

230
25 May 1780 @ King's Theatre

Event Comment: Benefit for Sga Sestini. Opera: The Music by Piccinni. [Sga Sestini's name is in the playbill, but she did not sing. On 29 May she circulated a card (Public Advertiser, etc.) in regard to her Benefit, saying that she "is exceedingly mortified at the Disappointment which prevented her from being able to perform her Part."] Tickets to be had of Sga Sestini, No. 18, Sherrard-street, Golden-square

Performances

Mainpiece Title: La Buona Figliuola

Dance: End I: Pastoral Ballet, as17800408; End II: New Ballet-Guiardele, Mme Simonet, Sga Tantini; End Opera: Serious Ballet, as17800122; Grand Chaconne, as17800122

231
08 June 1780 @ Haymarket Theatre

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: [The playbill for 7 June announces The Beggar's Opera, but on this night the theatre was dark- perhaps because of the riots referred to above.]

232
01 July 1780 @ King's Theatre

Event Comment: The last Opera this season

Performances

Mainpiece Title: Quinto Fabio

Dance: End I: The Rural Sports, as17800527; End II: Il Filosofo, as17800509; To conclude with: New Allemande-; End Opera: New Serious Ballet, as17800516

Song: As 22 Jan

233
25 November 1780 @ King's Theatre

Event Comment: A new Comic Opera; the Music by several celebrated Composers [chiefly Scolari], and conducted Ii.e. arranged] by Bianchi. With new Scenes, new Dresses and Decorations. Public Advertiser, 27 Nov.: L'Arcifanfano was performed for the first time on Saturday, and universally disapproved of. It will not be repeated Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. By Their Majesties' Command, no Person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season, except for L'Omaggio (see 5 June 1781)]. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their Horses' Heads towards Pall-mall. The Door in Market Lane for Chairs only

Performances

Mainpiece Title: L'arcifanfano

Dance: End I: New Ballet-Sg and Sga Zuchelli, Sga Crespi; End II: new ballet, composed by Simonet, The Fortunate Escape-Slingsby, Sga Tantini, Sga Crespi, Mme Simonet; End Opera: new ballet, composed by Simonet, The Country Gallant-, in which Mme Simonet, will dance in Men's Cloaths with Sga Tantini, Sga Crespi, Sg and Sga Zuchelli

234
19 December 1780 @ King's Theatre

Event Comment: A Comic Opera; the Music by Traetta, and conducted by Bianchi. [And see 20 May 1777.

Performances

Mainpiece Title: Le Serve Rivali

Dance: End I: The Fortunate Escape, as17801216; End II: Grand Serious Ballet, as17801216; Grand Chaconne, as17801216; End Opera: Les Amans Surpris, as17801216, but Mme Simonet

235
08 March 1781 @ King's Theatre

Event Comment: Benefit for Roncaglia. Opera: The Music composed by Gretry. Tickets to be had of Roncaglia, No. 2, Hay-market

Performances

Mainpiece Title: Zemira And Azor

Dance: End I: The Pert Country Maid, as17810113; End II: The Fortunate Escape, as17801216; End Opera: Les Amans Surpris, as17801216

236
05 April 1781 @ King's Theatre

Event Comment: Benefit for Sga Sestini. Gherardi, though very ill, yet being unwilling to disappoint the Nobility, Gentry and Public who intend honouring Sga Sestini with their presence at her Benefit this Evening, has undertaken to perform in the best manner he is able, and hopes for the indulgence of the Audience. Opera: The music composed by Paisiello

Performances

Mainpiece Title: La Fraschetana

Dance: End I: The Fortunate Escape, as17801216; End II: Grand Serious Ballet, as17810315Pas@Solo, as17810315Pas de Deux, as17810315Grand Chaconne, as17810315End Opera: Les Amans Surpris, as17801216

Song: Act II: the favourite song in Il Barone di Torre Forte-Sga Sestini

237
16 October 1781 @ Covent Garden

Event Comment: Mainpiece: Now 1st performed under the title of The Lady's Opera, with a new Introduction. [Miss Catley had acted Macheath at the Smock Alley Theatre, Dublin, in the season 1764-65. MS of Introduction (consisting of a dialogue between A and B): Larpent MS 572.] Receipts: #171 18s. 6d. (170/9/0; 1/9/6)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Apprentice

Dance: End of Act III of mainpiece Hornpipe by Miss Besford

238
14 November 1782 @ King's Theatre

Event Comment: A new Serious Opera [1st time; ser 2, by Giovanni de Gamerra]: the Music selected from the most eminent Composers [Sarti, Anfossi, Bertoni, Bianchi], under the direction of Bertoni. "The airs which Pacchierotti has chosen for himself have served to disclose in that excellent performer such powers as we had not yet discovered, uniting into one the delicate Soprano to the more majestic and manly strains of the most accomplished Contralto" (Public Advertiser, 23 Nov.)

Performances

Mainpiece Title: Medonte

Dance: End of Act I New Divertisement, as17821102, but Sga Crespi in place of Sga Sala, and added: Passacaille, as17821109; End of Opera Apelles and Campaspe, as17821102, but added: Sga Crespi

239
30 November 1782 @ King's Theatre

Event Comment: [Me Rossi was from the Opera, Naples.] "Her very first step proclaimed her a perfect mistress in the art of pantomime. Her dress was a manteau a la reine, lately imported by our travelling milliners. The body, bones and trimming are puce, the sleeves and lower part of the garment a white gawze. Her partner, Lepicq, dressed in the same uniform, discovered such profusion of talents, if we may be allowed the expression, as 'beggar all praise'" (Public Advertiser, 3 Dec)

Performances

Mainpiece Title: Medonte

Dance: End of Act I Apelles and Campaspe, as17821102; End of Opera New Divertisement, as17821102, but Sga Crespi in place of Sga Sala, and added: Pas de Deux by Lepicq and Mme Rossi (1st appearance in this country)

240
13 March 1783 @ King's Theatre

Event Comment: Benefit for Lepicq. Tickets to be had of Lepicq, No. 9, facing the Opera-house, Hay-market. [Public Advertiser, 14 Mar.: La Bigueule composed by Lepicq; music by Borghi.]

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I an entirely new Divertissement, composed by Lepicq, li Riposo del Campo; or, The Recreations of the Camp, in which a Pas de Deux, La Recrue par Force; or, The Kidnappers, by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore; End of Opera a new Ballet (1st time), founded on the Fairy Tale by Voltaire, La Begueule; or, She Wou'd and She Wou'd Not, in which a Minuet by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Degville Jun., Sga Crespi, Mlle Theodore, Mme Simonet

241
10 April 1783 @ King's Theatre

Event Comment: Benefit for Mme Rossi. Tickets to be had of Mme Rossi, No. 80, near the Opera-house, Hay-market

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II Le Tuteur Trompe, as17830128, but added: Mme Simonet, and in which the following Novelties: Sequedilla by Lepicq and Mme Rossi; Fandango by Mme Rossi alone; Pas de Deux by Mme Rossi, in Man's Cloaths, and Mlle Baccelli; End of Opera an entire new Ballet, composed by Lepicq, The Amours of Alexander and Roxana (the music entirely new composed by Barthelemon), by Mlle Baccelli (with 2 Pas Seals), Slingsby, Lepicq, Henry, Zuchelli, Sga Crespi, Miss Simonet, Mlle Theodore

Song: New set of Airs, as17830306athi

242
16 December 1783 @ King's Theatre

Event Comment: A New Comic Opera in 2 acts; The Music [by Lodovico Caruso] under the direction of Anfossi

Performances

Mainpiece Title: L'albergatrice Vivace

Dance: End of Act I The Pastimes of Terpsycore, as17831206; End of Opera a New Divertisement, in which a Pas de Deux by Vestris [fun.] and Mme Theodore, and a Pas de Trots by Lepicq, Slingsby, Mme Rossi

243
15 April 1784 @ King's Theatre

Event Comment: An entirely new Comic Opera in 2 Acts [1st performed at Venice, 1776; and see 1 Feb. 1794]. The Music by Sarti; under the direction of Rauzzini. With new Scenes and Decorations, designed and painted by Novosielski

Performances

Mainpiece Title: Le Gelosie Villane

Dance: End of Act I Le Reveil du Bonheur, as17840203; End of Opera Divertissement, in which a Pas de Deux, as17831216, and to conclude with the favourite Caledonian Pas de Trois, as17831129

244
30 April 1784 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Delpini. The Band from the Opera-house. Play: In 3 acts [i.e. reduced from the original 5]. The Doors to be opened at 5:30. To begin at 6:30

Performances

Mainpiece Title: The Spanish Fryar

Dance: End of Act I a new pantomimical, operatical, farcical interlude, The Peasant Metamorphosed; or, Delpini's Voyage from Dublin in an Air Balloon, in which Delpini will introduce a specimen of singing in French, Italian and English, and which will conclude with a new Hornpipe by the celebrated Blake (by permission of the Managers of the Opera-house; his 1st appearance on that stage); End of Act II a comic pantomime dance, The Country Squabble, by Delpini, Mrs Dagville, Miss Parish, Duquesney Jun.; End of play a new pantomimical dance, The Rival Clowns, by Delpini, Blake, &c, in which the famous rondo of Orpheo, in Italian, by Delpini, and to conclude with an Allemande in a new comic stile

Song: End of Acts II and III, by a Young Gentlewoman (1st appearance on any stage [unidentified])

245
10 June 1784 @ King's Theatre

Event Comment: Benefit for Sga Rachele Dorta. Boxes to be had by applying to No. 80, near the Opera-house, Hay-market. Tickets, half a guinea each, to be had of Sga Rachele Dorta, No. 72, west side of the Hay-market

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840513; End of Opera Le Deserteur, as17840608

246
12 June 1784 @ King's Theatre

Event Comment: An entirely new Comic Opera, in 2 acts [by Girolamo Tonioli]; the Music entirely new, by Anfossi

Performances

Mainpiece Title: Le Gemelle

Dance: End of Act I New Divertissement, as17840424; End of Opera Le Deserteur, as17840608

247
01 January 1785 @ King's Theatre

Event Comment: On account of the sudden Indisposition of Sga Ferrarese the new Serious Opera [Demetrio, announced in Public Advertiser, 31 Dec. 1784] is unavoidably postponed [see 8 Jan.]. 2nd dance: With several new Airs composed by Barthelemon

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I Divertissement, as17841218; End of Opera Le Tuteur Trompe, with the Fandango, by Lepicq, Mme Rossi, Frederic, Zuchelli, Mme Bithmer, Henry, Nivelon, Mlle Dorival

248
26 February 1785 @ King's Theatre

Event Comment: A new Serious Opera (1st time [in London; 1st performed at Venice, 1780]); the Music by Anfossi

Performances

Mainpiece Title: Nitteti

Dance: End of Act I Le Jugement de Paris, as17850212, but omitted: Mme Rossi; End of Opera The Deserter, as17850111, but omitted: Nivelon, Mlle Dorival

249
28 May 1785 @ King's Theatre

Event Comment: A Comic Opera, with Alterations and entirely new Airs composed by Anfossi

Performances

Mainpiece Title: I Viaggiatori Felici

Performance Comment: Principal Characters by Babbini (1st appearance in the Comic), Morigi, Schinotti, Tasca; Sga Schinotti, Sga Catenacci, Sga Pollone, Sga Ferrarese (1st appearance in the Comic). [Cast from libretto Q. Jarvis, 1785): Giannetto-Babbini; Patterio-Morigi; Pasquino-Schinotti; Don Gastone-Tasca; Isabella-Sga Schinotti; Lauretta-Sga Pollone; Bettina-Sga Ferrarese. The listing of Sga Catenacci appears to be a misprint; in this opera there are only 3 female parts. And see17850614]. in this opera there are only 3 female parts. And see17850614].

Dance: End of Act i Divertissement, as17850224; End of Opera Don Juan, as17850407

250
18 June 1785 @ King's Theatre

Event Comment: The Subscription being at an end for this Season [see 14 June] those Subscribers who wish to retain the use of their Boxes for the following Nights may have them kept by sending their Commands on Tuesdays and Saturdays in the Forenoon to P. MacMahon, No. 77, next door to the Opera House, Haymarket, where Orders (in Writing) for the ensuing Season will be received

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I an entirely New Divertissement (1st time; composed by Simonet) by Lepicq, Mme Rossi, Sg and Sga Angiolini, Zuchelli, Mme Bithmer, Duquesney, Miss Harvey, Frederic, Nivelon, Mlle Dorival; End of Opera The Deserter, as17850614