SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Old Toby"/1) | (@(roleclean,performerclean) "Old Toby")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 1672 matches on Performance Comments, 985 matches on Performance Title, 321 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The Third Night. 7 p.m. The Company intends to revive several old pieces, and will perform every Tuesday and Friday during the summer season. Places for the Boxes at Mr Macklin's, Bow Street, Covent Garden. [A letter appeared in Daily Advertiser, 10 July, on the acting of Hamlet.

Performances

Mainpiece Title: Hamlet

Event Comment: Justices of Middlesex stop performances in a field near the Great Road leading to Bow, in Mile End Old Town.--Daily Advertiser

Performances

Event Comment: A serious riot took place this evening occasioned by Fleetwood's continuing raised prices to old entertainments. Manager called for by audience. Not being an actor, he pleaded privilege of being exempted from appearing on stage and sent word by a performer he would confer in his room with any deputation. One was sent from pit, and house waited patiently its return.--Genest, IV, 137. To The Gentlemen of the Town: Gentlemen: From what pass'd last night at Drury Lane Playhouse, I think I may congratulate you on the long-wish'd for Conquest over the Hireling Encouragers of the Pantomime Entertainments. Give me leave, therefore, Gentlemen to hope, that you will not be wanting in your endeavours to quashing future attempts to introduce what is manifestly an encroachment on the Honour and Dignity of the stage, and a glaring Imposition on the town. I am yours, Philo Dramaticus.--Daily Advertiser

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Fortune Tellers

Event Comment: t foot of Bill]: Whenever a Pantomime or Farce shall be advertised, the advanced prices shall be returned to those who do not choose to stay; and on Thursday next will be published the Manager's reasons for his conduct in the present dispute. Winston MS.: Fleetwood, the manager, and servants driven from doors & all rushed in. Genest, IV, 137-38: A country gentleman was taken from an upper box and carried before a magistrate. This step when known by the audience occasioned much mischief. Acting the play not allowed. General Advertiser, 22 Nov.: An Address to the Public, dl Theatre 20 November. As the extraordinary disturbances which have lately happened at this theatre greatly affect the diversions of the publick, as well as the property of the manager, he thinks it incumbent on him to justify his conduct by giving a fair statement of the case....The reasons of complaint assigned, he apprehends, are the exhibition of Pantomimes, Advanced Prices, and Insults on the audience--as to the first, he submits it to be considered that however distasteful such pieces may be to the delicacy of some judgments, yet there are others to whose taste they are suited; as the playhouse may be considered as the general mart of pleasure, it is only from the variety of entertainment, the different tastes of the public can be supplied--of this the receipts of the house are a sufficient evidence, it being notorius, how necessary the addition of such pieces is towards procuring the best play a numerous audience. With regard to the advanced prices, the Manager hoped he should in some measure be justified by the great increase of the charges of the theatre which, notwithstanding any reduction that has been made, are still at least a fourth part greater than usual--but as in this point he has already submitted, he conceives it can no longer remain the subject of their displeasure, especially as by an advertisement handed about the theatre it was said that every objection would cease, when the manager consented to return the advanced prices to those, who did not choose to be tortured with entertainments. As to insults on the audience...last week upon some persons flinging the sconces and candles on the stage a quarrel arose, in the confusion of which a Gentleman was secured, but by whom the Manager knows not, nor ever gave any order, or was any acquainted with the affair till after he was discharged, for the truth of which he refers to the affidavit annexed. As to the accusation of several bruisers (as they are termed) being employed on Saturday night to insult Gentlemen, the Manager declares, that there was none but the Peace Officers, Carpenters, and Scene-men (which on account of the Entertainments are very numerous) and other servants belonging to the theatre; nor did they appear till urged by the tumult, by tearing up benches and threat'ning to come on the stage and demolish the scenes; nor could the Manager apprehend this legal precaution to prevent mischief and defend his property would ever be construed as an infringement on the liberty of an audience, especially when it is considered, what great damages he sustained some years ago on an attempt of the like nature--if any such persons appeared in the pit, the Manager presumes, they must have come in with the multitude, after his doorkeepers were drove from their posts, and the house was open to all; which was evident from several hundred persons more being present at the disturbance than were at the performance that night, who then came to a determination to prevent any performance on the Monday. After this impartial account of his conduct, the manager appeals to the judgment of the publick what foundation he has given for the outrageous disturbance on Monday night; and cannot help thinking, the real injuries he has sustained, too severe a punishment for an imaginary offence, having lost several hundred pounds already, by people being terrified from frequenting the theatre. A total exclusion is now insisted on, the Manager to resign his property, the Publick to be deprived of their diversions and the players of their subsistence; And all this after every concession, becoming one gentleman to ask, or another to make, has been submitted to. [Affidavit of Constable followed. See Genest, IV, 139-40.] The following three pamphlets came out expressing points of view concerning Fleetwood and his policy and management: I. The Disputes between the Director of d.l. and the Pit Potentates, 20 Nov. As a Letter to a Friend it tells the resolution: not to have old Pantomimes (so execrably bad that they were damn'd when new) imposed on them, unless the manager would take no more than common prices; reports how Fleetwood stocked the pit with Men of doughty valor...disguised in the habits of Gentlemen, to throw out all who protested; protests the system of casting employed whereby 2nd rate actors appeared in good parts; discusses hardship cases of certain actors (Mrs Roberts, Mrs Horton, Mrs Mills) and asks why Theophilus Cibber is not on the stage. 2. An Impartial Examen of the Present Contests, by Mr Neitherside, 1744: harks back to Fleetwood's finacial policies of the previous year, deploring his relations with the actors and with manager of cg; scourges him for miscasting his plays around one prominent actor, rather than giving a balanced performance; deplores his paying Mrs Cibber, Mrs Clive so much; revives the 1743 dispute which led to secession; dislikes the casting for 2 Nov. of Love's Last Shift; suggests better casts for many plays; scores the Licensing Act for reducing players to slavery; hopes for resumption of balanced performances. 3. Stage Policy Detected, or some Selcet Pieces of Theatrical Secret History Laid Open, in a Letter to a Certain Manager, 1744: takes apart Fleetwood's Defense, statement by statement, giving him the lie at each point. Suggests the real money from the house comes from Pit and Box, which are protesting his pantomimes; shows full attendance at Rehearsal and Macbeth with no afterpieces. Especially dislikes the hired bruisers, and the cast of the Alchemist for 6 Nov

Performances

Mainpiece Title: The Provoked Wife

Dance: Muilment

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Captain-Oates; Leon-Paget; Cacafogo-Morgan; Duke-Kennedy; Juan-Cushing; Alonzo-Blakey; Sancho-Shephard; Old Woman, Maid-L. Hallam, Julian; Altea-Mrs Bambridge; Margaretta-Mrs Phillips; Estefana-Mrs Hallam.

Afterpiece Title: The Lying Valet

Song: Brett

Dance: As17451028

Event Comment: Benefit Davies, Bookseller (General Advertiser). Tickets to be had of Mr Cummins, Bookseller, under the Royal Exchange; at the Horn Tavern in Fleet St.; at Mr Waller's, Bookseller, over against Fetter Lane End; The Temple Exchange Coffee-House; at Lebeck's Head in the Strand; and at Mr Davies in Old Round Court in the Strand

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Virgin Unmask'd

Song: Beard

Dance: Cooke, Sga Campioni

Event Comment: Benefit Kennedy and Miss Smith. [Prices 3s., 2s., 1s.] Tickets at Kennedy's, No. 2 Lambeth St.; at Miss Smith's, next door but One to the Old Playhouse in Ayliffe St.; King Harry's Head, Red Lyon St., and at the Taphouse of the Wells

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The School Boy

Dance: By Desire,a Hornpipe, Wooden Shoe Dance-Banberry

Event Comment: Benefit Phillips, former Harlequin to the Old House, now a Prisoner. [Theatrical Clippings, Folger Library. Performance not named, but bill says This Day.

Performances

Event Comment: At the Old Theatre, on the Bowling Green. A Concert, etc. Benefit Daniel. 6 p.m. Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Devil to Pay

Dance:

Song:

Event Comment: At the Old Theatre. Benefit Mathews. A concert, etc. By Desire of the United Body of Gentlemen Salesmen. 6 p.m. Prices 2s. 6d., 1s. 6d., 1s

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Lying Valet

Song: WWelsh Song, Monmouth's Glory-Mathews

Event Comment: [This benefit was originally scheduled for the Old Theatre, Bowling Green, Southwark, but after the fiasco and obloquy of 3 Nov. and the newspaper notice of 8 Nov. the promoter changed theatres.

Performances

Mainpiece Title: The Stratagem

Event Comment: A Concert of Musick. 7 p.m. Afterpiece: A Farce taken from The Old Batchelor. Tickets at Mr Walker's, Bookseller, Fleet St. [The adaption from Congreve may have been used as the afterpiece until 11 May 47.

Performances

Mainpiece Title: The Diversions Of The Morning; Or, A Dish Of Chocolate

Afterpiece Title: The Credulous Husband

Event Comment: PPrologue omitted. Garrick ill [Genest, IV, 232). We hear the Celebrated Old Comedy call'd Abumazar [sic] from which Johnson is suppos'd to have taken his Alchymist, is now reviving at Drury Lane Theatre, and will be acted some day next week (General Advertiser). Receipts: #160 (Cross); #146 3s. 6d. (Powel)

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Double Disappointment

Event Comment: (great snow [show?] for ye Agreat snow [show?] for ye Author) (Cross). Benefit for the Author (General Advertiser). There was a new comedy last Saturday, which suceeds, call'd The Foundling. I like the old Conscious Lovers better, and that not much. The story is the same, only the Bevil of the New piece is in more hurry, and consequently more natural. It is extremely well acted by Garrick and Barry, Mrs Cibber and Mrs Woffington [Walpole to Sir Horace Mann, Walpole Letters (ed Cunningham, II, 105).] Receipts: #160 (Cross); house charges #63 (Powel); cash #119 5s. 6d.; tickets #32 (Clay MS)

Performances

Mainpiece Title: The Foundling

Event Comment: [The following letter appeared in the General Advertiser]: To Mr Ryan, Sir: As the Author whom you have judiciously, I think, call'd in to your Assistance on your Benefit Night is little known; his Name not having appeared upon the Stage in our Days; and from whence some may be apt to think it scarce worth while to produce him now;--it was thought advisable by many of your Friends, of which Number I profess myself, to draw up the following Account of him and his Dramatic Works, that such as are Strangers to him may have some further Inducement to favour you with their Company. Mr Thomas Randolph lived in the Reign of King Charles I, was Fellow of Trinity College, Cambridge; but died young. He was a Man of pregnant Wit, gay Humour and of excellent Learning; which gain'd him the Esteem of the Polite Part of the Town, and particularly recommended him to the Favour of Ben Johnson, who adopted him one of his Sons, and held him in equal Esteem with the ingenious Mr Cartwright, another of the Laureat's adopted Sons:--The Plays he wrote were: [he lists 5 plays, commenting from Cokayne and Rich of Christ's Church College, Oxon, and West on the ethical quality of the last one, The Muses' Looking Glass]. In short, Sir, I doubt not but his old nervous Wit will still please, and join'd with the New Masque you have added, excite Curiousity enough to answer your Design; since by your Steadiness it was absoluteley necessary you should hava Novelty, as well as Interest, to procure half so good a House, as we all wish you, and especially, Your Humble Servant, I. M. [See 14 March afterpiece.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Apollo and Daphne

Event Comment: [L$Leveridge announced his benefit for Thursday March 31, The Recruiting Officer, with the following jingle to the tune of Can Love be Controul'd by Advice?]: I@Tho' Fortune is said to be Blind,@'Tis hop'd the fam'd Goddess may hear@Which prompts me to think she'll be Kind,@And to my petition give ear.@Tho' here starts a doubt I must own,@Since Drury her favour has got,@How I shall address the Kind Town@My tickets this time to promote.@II@And yet with great Hope I'm led on@That some generous hearts may be found,@To say-Come let something be done@For him that has ne'er chang'd his ground.@For him take a ticket this time@'Twill give the old stander delight@Who begs us in this humble rhyme@To honour his benefit night.@ Tickets to be had at Leveridge's lodgings at the Twisted Posts in Brownlow St., Drury Lane, and at the Stage Door

Performances

Mainpiece Title: Joshua

Cast
Role: Caleb Actor: Reinhold

Afterpiece Title: New Concerto

Event Comment: Benefit for Mrs Horton. [A "puff" for Leveridge's forthcoming benefit (31 March) in a letter to the General Advertiser, followed by 3 stanzas of verse]: Sir, The Remembrance of the pleasure I have often receiv'd, in a series of years, by hearing Mr Leveridge's Performances on the stage, occasion'd the following Lines: which however artless they are wrote, will I dare say give no offense to the good natur'd part of Mankind. I am your constant reader. T.H.: @I Whilst Garrick justly claims applause,@Old Leveridge humbly sues,@That you'll not quite neglect his cause@Nor now his suit refuse.@Whilst youthful vigor tun'd his voice@With song he rais'd the heart;@To cheer that voice, now chilled with Age@Becomes a noble part.@Then shew that faithful service past@Your thoughts does still employ;@And by your num'rous Presence grac'd@Revive old age with joy.

Performances

Mainpiece Title: The Lady's Last Stake; Or, The Wife's Resentment

Afterpiece Title: Damon and Phillida

Song: n Irish Song %Ellen a Roon-Mrs Storer

Dance: Master Granier, Miss Granier

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Anatomist

Performance Comment: As17480119, and 30 Nov. 1747, but Old Gerald-_.

Dance: III: Peasant Dance-Mas. Shawford, Miss Shawford; V: Comic Dance-Matthews, Mrs Addison

Event Comment: At the Old Theatre, Bowling Green, Southwark. A concert, etc. Benefit for Adams and Daniel. Prices: 2s. 6d., 1s. 6d., 1s., 6d

Performances

Mainpiece Title: The Country Lasses; Or, Custom Of The Manor

Afterpiece Title: Columbine Courtezan

Event Comment: This day is publish'd written by Henry Fielding, Esq. the 4th edn. of An Old Man taught Wisdom; or the Virgin Unmask'd, a Farce, as it is now acting at Drury Lane. With the Music prefix'd to each song. Printed for I. Watts. Receipts: #170 (Cross); #171 12s. (Powel)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Triumph of Peace

Event Comment: Benefit for Dunbar, Warner, Tomlinson, Mrs L'font. Tickets deliver'd out for A New Way to Pay Old Debts will be taken. Receipts: #110 (Cross); charges, #63 (Powel)

Performances

Mainpiece Title: The Busie Body

Afterpiece Title: Lethe

Dance: HHornpipe-the Little Swiss; IV: Savoyards, as17480920

Music: Piece on Flute-the Child

Event Comment: Afterpiece: By Desire. Paid Burton for writing parts 15s.; Mr Hiens for a suit of men's cloaths #10 10s.; Caustin for 3 pieces old lace #1 1s.; Steel for French ribbons 5s. (Treasurer's Book). Receipts: #120 (Cross); #128 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Edward The Black Prince

Afterpiece Title: A Duke and no Duke

Event Comment: At Hickford's Room, Brewer St. Benefit for Mme Cuzzoni. Burney, II, 848-49: [Giardini's] first performance in public was at a benefit concert for Cuzzoni, May the 18th...where, as this was her third arrival in this country, and she was grown old, poor, and almost deprived of voice, by age and infirmities, there was but little company; yet, when Giardini played a solo of Martini of Milan's composition, the applause was so long and loud, that I never remember to have heard such hearty and unequivocal marks of approbation at any other musical performance

Performances

Mainpiece Title: A Concert

Event Comment: Mainpiece: Not acted these two years. [See 4 April 1749.] Miss Jane Cibber play'd Alicia-quite in old style, not lik'd at all, tho' not hiss'd-given out again and great hiss'd & so not done ($Cross). [The Author of the Midwife (No 1, final Page) reported]: Now I am speaking of Miss Cibber, I must do her the justice to observe that she play'd the part much better than cou'd be expected from one of her years and practice; and if a proper regard is paid to her modesty and Merit, I make no doubt she will become an exceeding good player. Receipts: #130 (Cross)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Chaplet

Entertainment: EEpilogue upon Two Prologues-Mrs Clive

Event Comment: Benefit for Ridout and Barrington. On Wednesday 24 April for the Benefit of Leveridge, The City Wives Confederacy: @To all generous Britons I sound this endeavour,@To beg that this season my play you ll promote,@By granting as usual your bountiful favour,@Which by Old Silenus shall ne'er be forgot.@Whilst Life I'm enjoying, and health do inherit,@With grateful Remembrance all thanks I'll renew@Still raising my voice to the Heighth of my Spirit,@Then swan-like will sing out my final adieu. tickets fbr the play, with the Musical note printed on them may had of Leveridge at his Lodging over against the Red Lion in Brownlow St., by Drury Lane, and of Mr Page at the Stage Door. Tickets for the 17th will be taken

Performances

Mainpiece Title: Othello

Afterpiece Title: The Devil to Pay

Dance: As17500926