SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "New Theatre on Wind mill Hill"/1) | (@(roleclean,performerclean) "New Theatre on Wind mill Hill")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5090 matches on Event Comments, 4168 matches on Performance Comments, 3034 matches on Performance Title, 381 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Prologue and Epilogue by the author (Knapp, 269, 221)]: With new Dresses, &c. Morning Chronicle, 12 Oct. 1795: This Day is published First Love (2s.). Receipts: #266 7s. 6d. (205.4.0; 52.2.0; 9.1.6)

Performances

Mainpiece Title: First Love

Performance Comment: Characters by Wroughton, King, Palmer, Bannister Jun., R. Palmer, Suett, Hollingsworth, Trueman, Phillimore, Webb, Mrs Jordan, Miss Farren, Miss Pope, Miss Tidswell, Mrs Heard. [Cast from text (C. Dilly, 1795): Lord Sensitive-Wroughton; Sir Miles Mowbray-King; Frederick Mowbray-Palmer; David-Bannister Jun.; Mr Wrangle-R. Palmer; Billy Bustler-Suett; Robin-Hollingsworth; Servant to Lady Ruby-Trueman; Servant to Mr Wrangle-Webb; Sabina Rosny-Mrs Jordan; Lady Ruby-Miss Farren; Mrs Wrangle-Miss Pope; Mrs Kate-Miss Tidswell; Waiting Woman to Lady Ruby-Mrs Heard; unassigned-Phillimore; Prologue-Palmer; Epilogue-Mrs Jordan. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: unassigned Actor: Phillimore

Afterpiece Title: The Adopted Child

Cast
Role: Flint Actor: Phillimore
Event Comment: Afterpiece [1st time; BALL. P 1, by James Byrn. Performed in place of Windsor Castle, advertised on playbill of 11 May]: The Overture and new Music composed, and the rest compiled, by W. Parke. "It being thought, by some, intended to treat the Clergy with disrespect, produced much disapprobation. The next night [20 May], when given only as an Interlude, it met with better success" (Oulton, 1796, II, 177). Receipts: #158 12s. (152.8. 6.4)

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: The Tythe Pig

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: My Grandmother

Afterpiece Title: The Sultan

Performance Comment: As17941027, but Ismene (with new songs, one of which will be accompanied on the harp by Meyer Jun.)-Miss Leak.

Song: End 2nd piece: a favourite song-Mrs Ferguson (1st appearance on that stage)

Event Comment: A new Comic Opera [1st time; COM 2], composed here by Martini [i.e. Martin y Soler]; the poetry by DaPonte. [Libretto 1st published by F. Dietrichsen (1801).

Performances

Mainpiece Title: Lisola Del Piacere

Dance: End I: Divertisement, as17941220; End II: Paul et Virginie, as17950411

Event Comment: Benefit for Dignum. Morning Chronicle, 19 May: Tickets to be had of Dignum, No. 23, New North-street, Red Lion-square. Receipts: #667 14s. (127.2.6; 35.17.6; 7.16.0; tickets: 496.18.0) (charge: #222 0s. 8d.)

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Spoild Child

Afterpiece Title: No Song No Supper

Song: End I: Within a mile of Edinburgh-Dignum; End II: I never lov'd any dear Mary but you (composed by Hook)-Dignum; End I 2nd piece: Sally in our Alley-Dignum; End 2nd piece I that once was a Ploughman a Sailor am now (composed by Dibdin)-Dignum

Event Comment: 2nd piece: The Overture, Chorusses and new Musick by Dr Arnold. The Scenery by Rooker

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: The Mountaineers

Afterpiece Title: The Prisoner at Large

Event Comment: Benefit for Mrs Gibbs. Mainpiece: Not acted these 6 years [acted 22 June 1790. Miss Logan is identified in MS list, in hay playbills now at Harvard, of new performers for the 1795 season. Mrs Kemble's 1st recorded appearance as Portia was at Edinburgh, 26 Jan. 1795]

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Citizen

Event Comment: Benefit for Fawcett. Mainpiece: Not acted these 3 years [acted 18 June 1793]. Afterpiece: The new Musick, with a Scottish Medley Overture, by Dr Arnold. Morning Chronicle, 18 Aug.: Tickets to be had of Fawcett at his house, No. 9, Tottenham-court-road

Performances

Mainpiece Title: The Young Quaker

Performance Comment: Young Sadboy-Bannister Jun.; Capt. Ambush-C. Kemble; Chronicle-Suett; Shadrach-Wathen; Spatterdash-Benson; Old Sadboy-Burton; Clod-Fawcett; There was a little woman I've heard tell(, sung in Crotchet Lodge)-Fawcett; Araminta-Mrs Gibbs; Lady Rounceval-Mrs Hopkins; Pink-Miss Logan (2nd appearance on any stage [see17950803]); Mrs Millefleur-Mrs Booth; Judith-Mrs Hale; Dinah Primrose-Mrs Kemble.
Cast
Role: Mrs Millefleur Actor: Mrs Booth

Afterpiece Title: Auld Robin Gray

Song: End: Mock Italian Song from The Irish Mimic; or, Blunders at Brighton-Fawcett

Entertainment: MonologueIn evening: Monsieur Tonson-Fawcett

Event Comment: Benefit for Johnstone. 1st piece: The Overture, and the Musick entirely new, by Reeve. Morning Chronicle, 20 Aug.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-garden

Performances

Mainpiece Title: The Apparition

Afterpiece Title: The London Hermit

Afterpiece Title: The Prize

Entertainment: Monologue.End 2nd piece: Tully's Rambles through London (for that night only)-Johnstone

Event Comment: Benefit for Mrs Kemble. 1st piece: Not acted these 7 years. 2nd piece [1st time; MF 1, by Robert Benson]: The Musick selected, with new Accompaniments and a Scottish Overture, by Dr Arnold. Morning Chronicle, 25 Aug.: Tickets to be had of Mrs Kemble, No. 9, Haymarket,

Performances

Mainpiece Title: Douglas

Afterpiece Title: Love and Money or The Fair Caledonian

Afterpiece Title: The Virgin Unmaskd

Entertainment: Monologue End 2nd piece: Monsieur Tonson-Fawcett

Performances

Mainpiece Title: The Rage

Afterpiece Title: A Divertisement

Performance Comment: Speaking Characters-Johnstone, Incledon, Bernard, Powel, Townsend, Richardson, Mrs Martyr, Mrs Clendining, Mr Rees; [Cast from playbill of 29 Oct. 1794: Capt. Frederick-Johnston; Thicket-Incledon; Flambeau-Bernard; Sir Fidget Fearful-Powel; Gregory-Townsend; Clueline-Richardson; Peggy-Mrs Martyr; Sophia-Mrs Clendining; Whim-Mr Rees.] Dialogue-; to introduce the following favorite Songs selected, written and composed (with new Accompaniments) by Dibdin: The Lamplighter I'm jolly Dick the Lamplighter-Bernard; [Peggy Perkins, Let Bards elate-Townsend; [Irish Drinking Song, Of the Ancients its speaking-Johnstone; The Greenwich Pensioner ['Twas in the good ship Rover]-Richardson; [Comic Song, How much I love thee-Powel; [Taffy and Griddy, Abergavenny is fine-Mrs Martyr; [Hunting Song, To Batchelor's Hall, [Poor Jack, Go patter to lubbers, [The Portrait, Come Painter with thy happiest flight-Incledon; [To conclude with a Rural Masquerade-; [Indian Song, Dear Yanco say and true he say-Mrs Mountain; [Sea Song, A Sailor's life's a life of woe-Mrs Clendining; [The Masquerade, Sure an't the World a Masquerade-Johnstone, Chorus.

Dance: In afterpiece: Ballet-Byrn, Mlle St.Amand

Event Comment: Mainpiece [Altered by John Philip Kemble]: With new Scenes and Dresses. The Scenes painted by Marinari, and the Dresses design'd by Johnston and Miss Rein. [Kemble introduced a tableau of the conspirators being led to their execution, to the sound of tolling bells and muffled drums. This scene held the stage for many years.] Receipts: #269 16s. (208.18.6; 59.10.0; 1.7.6)

Performances

Mainpiece Title: Venice Preservd

Performance Comment: Duke of Venice-Maddocks; Priuli-Aickin; Bedamar-Whitfield; Jaffier-Kemble; Pierre-Bensley; Renault-Packer; Elliot-Caulfield; Spinosa-Benson; Theodore-Cooke; Mezzana-Roffey; Durand-Boimaison; Capt. of the Guard-Phillimore; Officer-Trueman; Belvidera-Mrs Siddons; Attendants-Miss Tidswell, Mrs Jones.
Cast
Role: of the Guard Actor: Phillimore

Afterpiece Title: The Prize

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by the author. Epilogue by Miles Peter Andrews (see text)]: With new Scenes, Dresses, &c. Receipts: #242 4s. (237.16; 4.8)

Performances

Mainpiece Title: Speculation

Afterpiece Title: Rosina

Event Comment: Mainpiece [altered by John Philip Kemble]: With new Scenes, Dresses, Decorations, and Machinery. In Act I, at the opening will be introduced, for the First Time a Battle between the Macedonians and the Persians. In Act IV, the Royal Banquet. [These were included in all subsequent performances.] The Scenes designed and painted by Marinari. The Dresses and Decorations by Johnston and Miss Rein. The Machinery by Cabanel. "[In the last scene] the expiring tone with which [Kemble] pronounces 'Cover me'; his shivering, when wrapt round in the imperial robes; his wan and wasted countenance; the manner of his labouriously drawing his legs together, and their aguish knocking when they meet, surpass all description" (Monthly Mirror, Jan. 1796, p. 180). Receipts: #375 2s. 6d. (306.14.6; 67.3.0; 1.5.0)

Performances

Mainpiece Title: Alexander The Great

Performance Comment: Characters by Kemble, Bensley, Palmer, Barrymore, C. Kemble, Caulfield, Whitfield, Maddocks, Benson, Packer, Trueman, Mrs Hopkins, Mrs Powell, Miss Miller, Mrs Siddons. Cast from text (C. Lowndes, 1795): Alexander-Kemble; Clytus-Bensley; Cassander-Palmer; Lysimachus-Barrymore; Hephestion-C. Kemble; Polyperchon-Caulfield; Perdiccas-Whitfield; Thessalus-Maddocks; Eumenes-Benson; Aristander-Packer; Slave-Trueman; Sysigambis-Mrs Hopkins; Statira-Mrs Powell; Parisatis-Miss Miller; Roxana-Mrs Siddons.
Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): Newburgh Hamilton
Related Work: Alexander the Great; or, The Conquest of Persia Author(s): Krazinsky Miller

Afterpiece Title: My Grandmother

Song: In II: Alexander's Triumphal Entry into Babylon-; The Grand Chorus of Priests Youths Virgins-Bannister, Sedgwick, Dignum, Wathen, Welsh, Wentworth, Trueman, Cooke, Danby, Evans, Fisher, Master Welsh, Master DeCamp, Master Gregson, Mrs Bland, Miss Leak, Miss DeCamp, Miss Arne, Miss Mellon, Mrs Bramwell, Mrs Boimaison, Mrs Maddocks, Miss Menage, Miss Jackson, Miss Granger, Miss Chatterley, Miss Wentworth, Mrs Butler

Event Comment: Ballet: The Machinery in the Storm Scene entirely new. "Hilligsberg's graceful figure, and the naivety of her attitudes gives this little ballet irresistible interest. The young DelCaro does her [Mme Hilligsberg's] sister's part [as Virginie]" (Morning Chronicle, 13 Jan.)

Performances

Mainpiece Title: Semiramide

Dance: End Opera: Paul et Virginie-Mme Hilligsberg (will as usual performed in men's clothes [i.e. as Paul])

Event Comment: Mainpiece: The Overture, Chorusses and new Music by Dr Arnold. Receipts: #310 6s. (230.19; 74.8; 4.19)

Performances

Mainpiece Title: The Mountaineers

Cast
Role: Ali Beg Actor: Phillimore

Afterpiece Title: The Spoild Child

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft. Prologue and Epilogue by the author (Knapp, pp. 119, 309)]: With new Scenes and Dresses. Oracle, 30 Jan. 1796: On Tuesday next [2 Feb.] will be published The Man of Ten Thousand (2s.). Receipts: #540 7s. (538.19.6; 1.7.6)

Performances

Mainpiece Title: The Man Of Ten Thousand

Performance Comment: Principal Characters by Barrymore, Palmer, Kemble, Bannister Jun., Dodd, Suett, R. Palmer, Wewitzer, Aickin, Phillimore, Maddocks, Trueman, Banks, Webb, Fisher, Evans, Mrs Pope, Miss Farren, Mrs Gibbs, Miss Tidswell. Cast from text (G. G. J. and J. Robinson, 1796), and Oracle, 25 Jan.: Sir Pertinax Pitiful-Barrymore; Lord Laroon-Palmer; Dorington-Kemble; Hairbrain-Bannister Jun.; Curfew-Dodd; Consol-Suett; Major Rampart-R. Palmer; Herbert-Wewitzer; Hudson-Aickin; Clerk-Phillimore; Thomas-Maddocks; Robert-Trueman; John-Banks; Thomas[sic]-Webb; William-Fisher; Harry-Evans; Lady Taunton-Miss Pope; Olivia-Miss Farren; Annabel-Mrs Gibbs; Girl-Miss Tidswell; Prologue-Palmer; Epilogue-Miss Farren. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Clerk Actor: Phillimore

Afterpiece Title: Harlequin Captive

Cast
Role: Landlord Actor: Phillimore
Event Comment: Mainpiece [1st time; C 5, by Thomas Morton. Prologue by William Thomas Fitzgerald. Epilogue by Edward Topham ( see text)]: With new Scenery, Dresses, &c. [Oracle, 1 Feb. 1796, recounts the financial transactions relative to this play. Thomas Harris, the cg proprietor, bought the copyright from Morton for #140; he was also to give Morton #100 on each of his benefit nights, i.e. the 3rd, 6th, 9th and 21st of the run of the play. Morton's profit was therefore #540.] Receipts: #281 16s. 6d. (278.9.6; 3.7.0)

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: The Poor Soldier

Event Comment: By Permission of the Lord Chamberlain. Benefit for Wilkinson. Mainpiece [T 3, by John Penn, 1st acted at Richmond, Feb. 1796. Prologue by the author (see text)]: A New Historical Play in 3 Acts (with songs [by John Wall Callcott]). Morning Herald, 11 Apr.: This Day is published The Battle of Eddington, as acted at the Haymarket and at Richmond (1s. 6d.). Tickets to be had of Wilkinson, No. 14, Mary-le-bone-street, Golden-square. The Doors to be opened at 5:30. To begin at 6:30

Performances

Mainpiece Title: The Battle Of Eddington Or British Liberty

Afterpiece Title: Whos the Dupe

Entertainment: Monologue.End: Collins's Ode on the Passions-Wilkinson

Performances

Mainpiece Title: Live Lumber Or Unburied Dead

Afterpiece Title: The Way to Get Un Married

Performance Comment: Characters by Knight, Townsend, Davenport; Miss Mansel, Mrs Martyr (with a new incidental song). Cast from Cross's Parnassian Bagatelles (Bellamy, 1796): Luckless-Knight; John-Townsend; Irritable-Davenport; Tradesmen-Holland, Abbot; Glazier-Wilde; Shoemaker-Blurton; Sweep-Simmons; Amelia-Miss Mansel; Gymp-Mrs Martyr.

Afterpiece Title: Hartford Bridge

Dance: End of 3rd piece: The Lucky Escape, as17951008

Event Comment: Benefit for Mme Banti. A Grand Serious Opera (1st time in this Country [1st performed at Paris, 1779]); the Music by Gluck. Accompanied With Chorusses under the Direction of Kelly. With entirely new Scenes designed by Marinari, and executed under his direction, Dresses and Decorations. Tickets to be had of Mme Banti, No. 7, Hay Market. The Company are respectfully entreated not to come upon the Stage this Night, as the Iphigenia is accompanied with a degree of Spectacle on which the effect of the Performance chiefly depends; besides, the Machinery used in this Opera will make it dangerous for the Company to be upon the Stage during the time of the representation. "We never saw a House more splendid, more crowded, nor more gratified...In spite of the request not to crowd upon the stage, it was quite thronged; and it was impossible to move the complicated and superb scenery with effect. We lament that no means can be devised to save the stage from this perpetual intrusion" (Morning Chronicle, 8 Apr.). "Banti had a crowded house for her benefit, and is said to have netted 1500 guineas" (Monthly Magazine, May 1796 p. 321)

Performances

Mainpiece Title: Ifigenia In Tauride

Dance: As17960315

Event Comment: Benefit for Palmer. Tickets delivered for The Country Girl will be admitted. [Afterpiece in place of The Sultan, advertised on playbill of 11 Apr.] Oracle, 4 Apr.: Tickets to be had of Palmer, No. 12, New Lisle-street, Leicester Fields. Receipts: #346 11s. (158.3.0; 49.11.6; 4.2.6; tickets: 134.14.0). (charge: #241 16s. 6d.)

Performances

Mainpiece Title: Alexander The Great

Performance Comment: As17951123, but Lysimachus-Whitfield; Perdiccas-Benson; Eumenes-Phillimore; Sysigambis-Mrs Maddocks; Slave-_. [The parts are assigned in the playbill.]The parts are assigned in the playbill.]
Cast
Role: Eumenes Actor: Phillimore
Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): Newburgh Hamilton
Related Work: Alexander the Great; or, The Conquest of Persia Author(s): Krazinsky Miller

Afterpiece Title: The Spoild Child

Song: As17951204

Entertainment: End: Monologue. Collins'Ode on the Passions-Palmer

Event Comment: The Publick are most respectfully informed that the New Tragedy of Almeyda [advertised on playbill of 13 Apr.] is obliged to be deferred [see 20 Apr.] on account of the Indisposition of Palmer. Receipts: #205 1s. (145.5.0; 55.5.6; 4.10.6)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Prize

Event Comment: A New Comic Opera; 1st Time [in London; 1st performed at Naples, 1787]. The Music by Paisiello

Performances

Mainpiece Title: La Modista Raggiratrice

Dance: As17960412