SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "New Theatre on Wind mill Hill"/1) | (@(roleclean,performerclean) "New Theatre on Wind mill Hill")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5090 matches on Event Comments, 4168 matches on Performance Comments, 3034 matches on Performance Title, 381 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: A Comedy by Mrs E. Griffith, acted for first time. New Scenes, Dresses, Decorations, etc. Neville MS Diary: While I stood at the Pit door of Drury Lane Playhouse, took occasion to say that now they (meaning the present venal House of Commons) had expelled Mr Wilkes they would proceed to do everything that is bad. For which one present (I suppose a friend of the Court) said they would proceed to send me to Newgate if it should come to their ears

Performances

Mainpiece Title: The School For Rakes

Afterpiece Title: The Devil to Pay

Dance: I: The Wake, as17680929

Performances

Mainpiece Title: Tom Jones

Afterpiece Title: Harlequin Skeleton

Performance Comment: As17690204, but Rural Swain-_; Nymph-_; to conclude with the Masquerade Scene-with Additions and a; New Character-.
Cast
Role: New Character Actor: .
Event Comment: The Third Act entirely new; music by Buranello

Performances

Mainpiece Title: Il Philosofo De Campagna

Event Comment: Mainpiece: A New Comedy [by Charlotte Lennox]. Never Performed. Prologue by Colman. Epilogue by Goldsmith. Treated so badly by the audience this first night that Mrs Lennox withdrew it. Burgoyne's The Heiress [dl, 14 Jan. 1784] draws upon it (Genest, V, 242). Receipts: #234 5s. (Account Book)

Performances

Mainpiece Title: The Sister

Afterpiece Title: Damon and Phillida

Cast
Role: Phillida Actor: Mrs Baker.

Dance: I: The Reel, as17681212

Event Comment: A new comic Opera. Music by Alessandri. Benefit for Lovattini

Performances

Mainpiece Title: Il Re Alla Caccia

Event Comment: N.B. On Saturday Next, 11 March, for the Benefit of Woodward will be presented Cymbeline...and a New Tragedy in Two Acts, call'd The Rival Favourites; or, The Death of Bucephalus the Great: Alexander-$Woodward; Philip-$Shuter; Statira-$Mrs Green. With a Triumphal Entry. The Funeral Procession of Bucephalus to the Monument of the Houyhnhnms and a Solemn Dirge [See Comment 7, 9, 11 March.] Receipts: #208 7s. 6d. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Skeleton

Event Comment: Benefit for the Author of the Mianpiece. Garrick to Bath apparently to recover from an illness (Winston MS 10). From the Public Advertiser: To Mrs Barry, upon her acting the part of Rivine in the new Tragedy [The Fatal Discovery]: Grosvenor-Square, March 8

Performances

Mainpiece Title: The Fatal Discovery

Afterpiece Title: The Padlock

Performances

Mainpiece Title: Orestes

Performance Comment: Characters-Smith, Bensley, Clarke, Perry, Mrs Ward, Mrs Bulkley, Mrs Yates; With a New Epilogue-Mrs Yates.

Afterpiece Title: Catherine and Petruchio

Dance: End: The Garland, as17681028

Event Comment: The last night of the Subscription. A new comic Opera; Music-Fischietti [and V. Pallavicino; text by Goldoni (Loewenberg, Annals of Opera, p. 116), first performance in England.

Performances

Mainpiece Title: Lo Speziale

Event Comment: Benefit for Wignell and Barnshaw. As the Indisposition of the vocal performers renders it impossible to perform the Jovial Crew, Messrs Wignell and Barnshaw, hope their Friends will honour them with their company to the above Comedy, to which, tickets delivered for the Jovial Crew, will be taken. Charges #64 10s. Deficit to actors #25 2s. covered by income form tickets: Wignell #85 (Box 69; Pit 347; Gallery 157); Barnshaw #96 1s. (Box 88; Pit 381; Gallery 169) (Account Book). Mrs Paddick paid up her 1!2 value of tickets for the 6th Inst. Paid Kirkman for a new Harpsichord and tuning the old one #62 3s. (Account Book). Receipts: #39 8s. (Account Book)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Thomasand Sally

Dance: End: The Merry Sailors, as17680920

Event Comment: A new comic Opera; Music by Traetta

Performances

Mainpiece Title: Le Serve Rivali

Event Comment: Account Book: @Receiv'd of Vincent for Music Forfeits this season #21 11s. 10d.@Rece'v'd for stage forfeits this season #14 4s. 2d.@Receiv'd of Mrs Carne for ends of Candles & Oyl #70 6s. 7d.@Receiv'd of Proprietors of Public Advertiser #50@Receiv'd of Proprietors of Daily Gazetteer #50@Paid Vincent for Music Books #4 5s. 2d.@9 June@Rec'd Assurance on 50 Renter's Old Shares at 4s. 10d. each #12 1s. 8d.@Rec'd Assurance on 50 Renter's New Shares at 2s. 6d. each #6 5s.@15 July@Rec'd of His Majesty by Mr Mathias #40@Rec'd of Madam Schellenbergen by Ditto #9@Total Income 1768-69: #30,759 16s. 2 1!2d.@Total Expense 1768-69: #24,035 8s. 3d.@31 May: Paid Arnold Composer #50 13s.@2 June: Paid Kirkman for tuning #20@

Performances

Mainpiece Title: None

Event Comment: Benefit for Bickerstaffe. Afterpiece: For that night only, a new musical Entertainment by author of The Padlock, never acted before

Performances

Mainpiece Title: The Doctor Last In His Chariot

Afterpiece Title: The Ephesian Matron

Song: As17690825

Dance: As17690814

Event Comment: Mainpiece: A New Comedy of 3 Acts [by George Colman] never performed. [In the Shakespearean Pageant, with figures from seventeen of his plays, the chief effectiveness lay with the Musicians who ushered in each group with appropriate music: Martial Music-The Roman Characters of Coriolanus and Julius Caesar; Soft Music-Antony and Cleopatra; Grand Music, Old English Characters-King John, Richard III, Henry VIII: Magical Music, "above, about, underneath" for Prospero; Macbeth's Music; Fairy Music-Oberon and Titania; Solemn Music for Tragic Muse accompanied by Othello, Hamlet, the Ghost, Mad Ophelia and Lear with Cordelia; Dead March in Saul-Juliet's Bier with attendants; Allegro for the Comic Muse-Falstaff, Touchstone, Launcelot, Malvolio; Andante-Florizel and Perdita, Portia Antonio and Bassanio; Flourish-for Car drawn by the muses carrying Shakespeare's Bust; Final Song by Mrs Mattocks, "Sweetest Bard that Ever Sung, Nature's glory, Fancy's Child--." The Prelude is, in print, entirely favorable to Garrick's effort at Stratford. But it could be rendered in a mercilessly ironical manner if the three participating actors so chose. Mainpiece reviewed in the Freeholder's Magazine, Oct.] Receipts: #224 10s

Performances

Mainpiece Title: Man And Wife Or The Shakespeare Jubilee

Afterpiece Title: Damon and Phillida

Performance Comment: Damon-DuBellamy; Mopsus-Dunstall; Cymon-Hamilton; Corydon-Wignell; Arcas-Davis; Phillida-Mrs Baker.
Cast
Role: Phillida Actor: Mrs Baker.

Entertainment: End II: Pageant exhibiting the characters of Shakespeare-; End III: Representation of the Amphitheatre at Stratford Upon Avon-; with a Masquerade-

Event Comment: Afterpiece: By Desire, Tomorrow The School for Rakes. With a New Entertainment of Singing, Dancing, and Dialogue call'd The Jubilee, with the Pageant as it was intended for Stratford-Upon-Avon

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Padlock

Dance: I: Comic Dance, as17690926

Event Comment: The New Comedy of the Man and Wife is oblig'd to be deferr'd for a few days. Receipts: #106 19s

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Citizen

Dance: II: A Comic Dance, as17690918

Event Comment: Afterpiece: With Alterations and Additions. Not acted these 7 years. [See 23 May 1763.] With New Music, Dresses, Scenes, and Decorations. The First Scene painted by the Late Mr Lambert, the last by Servandoni (playbill). [See 6 Nov. for specification of Scenes.] Receipts: #240 4s. 6d

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Rape of Proserpine With The Birth and Adventures of Harlequin

Event Comment: A new comic Opera. Music by Piccini. Pit and Boxes together and no Persons admitted without Tickets which will be delivered this day at the Office at 10s. 6d. Gallery 5s. Second Gallery 3s. By their Majesties Commands no Persons whatsoever to be admitted behind the Scenes or into the Orchestra. Gallery Pit and Boxes open at Five. To begin precisely at 6:30 p.m. Vivant Rex at Regina. [Repeated.

Performances

Mainpiece Title: Le Contadine Bizzarre

Event Comment: Mainpiece: A New Comedy [by Richard Cumberland] never performed. [Genest, V, 282, reports that Garrick was in the House this night and was agreeably surprised at the complimentary reference to him in the Epilogue: Who but has seen the celebrated strife Where Reynolds calls the Canvass into life: And, 'twixt the Tragic, and the Comic Muse, Courted of both, and dubious where to chuse, Th'immortal Actor stands?' A long retelling of the plot appeared in the Freeholder's Magazine for Dec., concluding: This comedy was received with great applause by the Audience. It is said to be written by Mr Cumberland, who has already oblig'd the Public with a musical piece, called the Summer's Tale. The Performers, particularly Mr Smith, Mr Woodward, Mr Yates, Mrs Green, Mrs Bulkley, and Mrs Yates, did great justice to their characters. The Prologue was spoken by Mr Smith, and the Epilogue, which alluded to the celebrated picture of Sir Joshua Reynolds, where Comedy and Tragedy are contending for Mr Garrick, by Mrs Yates." Receipts: #215 18s

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Contrivances

Event Comment: Afterpiece: A dramatic enterainment by William Whitehead. New Scenes, Dresses, and other Decorations. The Farce receiv'd great applause (Hopkins Diary). [An account of the staging of the afterpiece appeared in the Freeholder's Magazine, Jan., concluding: These are the outlines of the Fable of this singular production, which, excepting the episode of Tom Southerton and Dolly Flack, seemed to give great satisfaction to the audience."

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: A Trip to Scotland

Performance Comment: Parts by Parsons, Palmer, Brereton, Booth, Mas. Cape, Miss Platt, Mrs Bradshaw, Mrs Love, Miss Burton, Miss Pope. The dances-Giorgi, Atkins, Mrs King; Cupid-Mas. Cape; Griskin-Parsons; Miss Griskin-Miss Pope; Jemmy Twinkle-Brereton; Mrs Filagree-Mrs Bradshaw; Young Couples-Palmer; Miss Burton, et al; Landlady-Mrs Love; Chamberlain-Booth; Chambermaid-Miss Platt (Macmillan, p. 335).

Performances

Mainpiece Title: The Brothers

Performance Comment: As17700203, but with a New Epilogue-by the author of the Comedy to be spoken byWoodward in character of Ironsides.

Afterpiece Title: Harlequins Jubilee

Event Comment: LLalauze stated he had been 42 years an inhabitant of this country,--retained by Rich 32 years, who promis'd him an annuity of #50 a year whenever he was incapable of performing. This was not in his Will but the Executors allowed it him 3 years. Having sold the property they discontinued it; The new parties engag'd him last year but they would not this season. So Foote gave him the House of 14 Feb. at Haymarket gratis (Winston MS 10). Paid Henry Williams for performing the Bells 4 nights #1 10s. Paid Wm Gard 4 nights in the Lyon 10s.--and Thos Singleton for same 10s. (Account Book). Receipts: #188 13s

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Harlequins Jubilee

Dance: IV: Dutch Dance, [The Dutch Milk Maid] as17691111

Event Comment: Benefit for Lovattini, who humbly hopes the Nobility and Gentry will honor him with their Protection. Afterpiece: A new Intermezzo; Music by Jomelli

Performances

Mainpiece Title: La Schiava

Afterpiece Title: LUccellatrice

Dance: Gallioti, Sga Guidi

Event Comment: The New Tragedy of Timanthes oblig'd to be deferr'd on Account of Indisposition of Mrs Yates. Paid Hoole Balance of his 1st Night of Timanthes #147 18s. Paid Mr Mackdonald for 5 gross of artifical flowers #1 10s. (Account Book)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Harlequins Jubilee

Event Comment: Bills were put up for a Word to the Wise. As soon as the Curtain was drawn up a great hissing Mr Garrick went on the Stage Several Plays were propos'd to be done but Mr Kelly's Party would have none but a Word to the Wise & the other Party would not Consent, Mr Garrick offer'd to play himself but that would not satisfy them. at Length the House was dismiss'd about Nine O'Clock (Hopkins Diary). A Word to the Wise, Damn'd (Cross Diary). We stayed from 6 to past 10 in which time Garrick came out 6 or 7 times and talked to the audience, tho' often 5 or 6 minutes before he could be heard. Once he said the author was willing to withdraw his play, but then the party for Kelly [opposed by the Wilkesites] said he had no right to do so: they insisted on the play, the other that it should not be, etc.; the same about what play to be given out, one party calling for the new play and the other against it. When King came on, being called to speak the prologue, the hubbub forced him back, and one or two oranges struck him. The people came away in great numbers after ten and we amongst the rest, and had our money returned. Parson Horne [Horne Tooke] there but did not interfere, tho'at the bottom of it (John Baker, Diary, p. 189)

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: A Trip to Scotland