SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre on Wind mill Hill"/1) | (@(roleclean,performerclean) "New Theatre on Wind mill Hill")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5089 matches on Event Comments, 4168 matches on Performance Comments, 3033 matches on Performance Title, 247 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit Mills. Tickets of Bradshaw, &c, and at Mill's House in Nassau St. Tickets deliver'd out for The Lady's Last Stake will be taken. We are obliged to change the Play because of the uncertainty of one of the principal Actors coming to perform. Receipts: #120

Performances

Mainpiece Title: The Careless Husband

Performance Comment: As17420320 but Lady Graveairs-Mrs Roberts; Foppington-Macklin; Lady Betty-Mrs Mills; Edging-Mrs Clive.

Afterpiece Title: The Devil to Pay

Song: I: Let Me Wander not Unseen-Beard; III: Song-Lowe; V: Bumper Squire Jones-Beard

Dance: II: A Dutch Dance-Phillips; IV: The Swiss, as17410926

Event Comment: Benefit Mrs Mills. At the particular desire of several Ladies of Quality. Servants admitted to keep places on the stage. Tickets to be had of Mrs Mills at her House in Nassau Street, near Soho. Stage form'd into side boxes

Performances

Mainpiece Title: The Orphan

Performance Comment: As17421211, but Monimia-Mrs Pritchard (Daily Advertiser lists Mrs Mills).

Afterpiece Title: The Devil To Pay

Song: I: Stella and Flavia-Beard; IV: Bumper Squire Jones-Beard; II: A Cantata (compos'd by Stanley)-Lowe

Music: III: Concerto on German Flute-Burk Thumoth

Dance: V: Grand Serious Ballet, as17421005

Event Comment: Benefit Shepard. For the Entertainment of the Grand Master and the rest of the Fraternity of the Ancient and Honourable Society of Free and Accepted Masons. None to be admitted into the Boxes, or behind the Scenes, but by Box tickets, which are to be had of Shepherd at his house on Mill Bank, and of Hobson at the stage door. Those Brethren who intend to honour the Grand Master to the Play, are desir'd to meet his Lordship, cloth'd, at the Rose Tavern, the Corner of Bridges St. at five o'clock

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Shepard; Lorenzo-Cross; Launcelot-Neale; Portia-Mrs Woffington, 1st time; Merchant-Delane; Bassanio-Havard; Gratiano-Mills; Gobbo-Ray; Marochius-Woodburn; Nerissa-Mrs Bennet; Jessica-Mrs Ridout; Prologue to the Masons-Mills; Epilogue-Mrs Woffington.

Afterpiece Title: The Devil to Pay

Song: The Usual Masons' Songs-

Event Comment: Benefit Mills. For the Entertainment of the Grand Master, and the rest of the Fraternity of the Antient and Honourable Society of Free and Accepted Masons. Three rows of the Pit will be rail'd in for Masons only. Those brethren who intend to accompany the Grand Master to the play, are desir'd to meet his Lordship cloath'd at the Rose Tavern the corner of Bridges street, Covent Garden

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: As17470209, but Prologue to the Masons-Mills; Epilogue (as a Mason's Wife)-Mrs Mills.

Afterpiece Title: The Double Disappointment

Song: I: On on my dear Brethren-Lowe; III: Come let us prepare-; IV: (At the particular desire of the Grand Master,) Song upon the account of Free Masonry-Mr Coustos (who was long confin'd in the Inquisition in Portugal; and with the greatest resolution underwent torture Nine Times without either renouncing his Religion, or having the secret of Free Masonry extorted from him; Daily Advertiser); V: a Duette-Mrs Clive, Mrs Mozeen

Dance: II: A Wooden Shoe Dance-Leviez, Villette

Event Comment: Benefit for Mr Mills and Wife (Cross). Three rows of the Pit will be laid into Boxes. Tickets and places to be had of Mills at Gardyner's Printing Office, in Russel St., Covent Garden; or of Hobson at the stage door. Servants allowed to keep places on the stage. Last time of acting the opera this season. Receipts: #240 (Cross); house charges, #60 (Powel)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17490127, but Player-Mills; Hornpipe-Roger, _Harvey; Filch-_; Mat@o@Mint-_; Beggar-_; Mrs Slammekin-_; Sukey Tawdry-_; Jenny Diver-_; Molly Brazen-_.

Afterpiece Title: Miss in Her Teens

Dance: I: (By Desire) Savoyards, as17480920; II: Dutch Dance, as17481203

Music: Between Play and Afterpiece: a piece of Music-the Child

Event Comment: Benefit for ye Wid. Mills & Mr Matthews (Cross). Tickets and places to be had of Mathews in Fountain Court, Aldermanbury; of Mrs Mills, at Mr Gardiner's a Printer in Little Russel St., Covent Garden and at the Stage Door. Tickets deliver'd for the Way of the World, and for the 18th will be taken, and those for the Fair Penitent the 25th. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: As17510121, but Calista-Mrs Pritchard; Lavinia-Mrs Mills.

Afterpiece Title: Lethe

Dance: I: Hornpipe-the Little Swiss; II: The Savoyard-Mathews, Mad Camargo; III: Running Footman's Dance, as17501020; IV: A Harlequin Dance-the Little Swiss; V: The Scotch Dance-Mathews, Mad Auretti

Event Comment: Benefit for Mrs Mills. Tickets deliver'd out by Taswell, Wilder, Morris, and Mrs Addison will be taken. Tickets to be had of Mrs Mills at Mr Gardyner's, Printer, in Russel St., Covent Garden, and at the Stage Door. Receipts: #130 (Cross)

Performances

Mainpiece Title: The Inconstant

Performance Comment: As17540917, but Lamorce-Mrs Mills.
Related Works
Related Work: Elfrid or, The Fair Inconstant Author(s): Aaron Hill

Afterpiece Title: The King and the Miller of Mansfield

Cast
Role: Miller Actor: Berry

Dance: II: The Running Footmen-Morris, Walker; III: The Minuet, Louvre-Dennison, Mrs Addison; IV: Comic Dance by Three Sabatinis, as17550203

Song: V: Rule Britanniaby Beard, as17550402 concluding with a Hornpipe-Morris

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Cuyler. [Kean is identified on HAY playbill of 26 Aug. 1784.] 1st and 2nd pieces: Both written by George Colman, Esq. 3rd piece: Written by the late David Garrick. Not acted these 12 years. Tickets to be had of Mrs Cuyler, No. 7, St. Alban's-street; at the bar of George's Coffee-house; and of Rice, at the Theatre, where places for the boxes may be taken. Tickets delivered for the 15th will be admitted

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The English Merchant

Performance Comment: Spatter-Williamson; Sir William Douglas-Gardner; La France-Gaudry (all of the Theatre Royal, Hay-market); Lord Falbridge-Smith; Owen-Hunter; Frecport-Calvert (from the Theatre-Royal [Smock Alley], Dublin; 1st appearance in London); Amelia-Mrs Cuyler; Molly-Mrs Lefevre; Lady Alton-Mrs Lloyd (all of the Theatre Royal, Hay-market); Mrs Goodman-Mrs Bolton .
Cast
Role: from the Theatre Actor: Royal

Afterpiece Title: The Lying Valet

Monologue: 1784 03 22 End of 2nd piece Shuter's Post-haste Observations on his Journey to Paris by Dutton

Event Comment: By Permission of the Lord Chamberlain. Mainpiece: Written by the celebrated Mrs Eliza Haywood. Not acted these 6 years. Afterpiece [1st time; F 2 (?)]: Written by a Comedian [unidentified. not in Larpent MS; not published]. The above Pieces have been a long Time in Rehearsal, and as no Expense has been spared in procuring respectable Performers from capital Theatres, there is no doubt (as the Comedies have sterling Merit) of their giving Satisfaction to the Audience. The Doors to be opened at 5:15. To begin at 6:15

Performances

Mainpiece Title: A Wife To Be Lett

Performance Comment: Graspall-Barrett (of hay); Captain Gaylove-Turner; Fairman-Stannard; Sneaksby-Digby; Sir Harry Beaumont-Lyon (from the Theatre Royal, Edinburgh); Shamble-Williams; Courtly-Johnson; Tim-Benson; Toywell-Russell (from the Theatre Royal, Norwich); Mrs Graspall-Mrs Harley (1st appearance); Dogwood-Mrs Gardner; Marilla (with a song)-Miss Green (1st appearance); Celemena-Miss Harrison; Widow Stately-Mrs Russell (from the Theatre Royal, Norwich); Amadea (with songs)-Miss Hemet.

Afterpiece Title: The Sharper's Last Shift

Song: End I: Stand to your Guns-Digby

Entertainment: Monologue. End: Bucks have at ye All-Benson

Event Comment: [In mainpiece the playbill assigns Ferdinand to Johnstone, but "The sudden illness of Johnstone gave much dissatisfaction, though Cubitt did all in his power to supply his place" (Town and Country Magazine, Sept. 1785, p. 451). William Palmer was from the Norwich theatre; Meadows from the HAY.] The Doors to be opened at 5:30. To begin at 6:30 [see 14 Nov.]. Places for the Boxes to be taken of Brandon, at the Stage-Door. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] The Alterations and Improvements in the Theatre this Season are made by Richards, and executed under his Superintendance by Catton and others. [Public Advertiser, 22 Sept., notes that these improvements consisted of the enlargement of the boxes, in which "the seats are formed into recesses which communicate with the other boxes"; all the pillars, "even those of iron in the back boxes [being] capped, cased, fluted and gilt"; the front of the boxes and galleries being newly painted a "warm lilac"; the back of the boxes being wainscotted and painted crimson.] Paid Charewomen for cleaning Theatre #13 0s. 6d. Receipts: #214 2s. 6d. (210/10/0; 3/12/6)

Performances

Mainpiece Title: The Duenna

Performance Comment: Ferdinand-Cubitt; Isaac-Quick; Jerome-Wilson; Antonio-Palmer (1st appearance at this theatre); Lopez-Wewitzer; Father Paul-Booth; Carlos-Meadows (1st appearance on this stage); The Duenna-Mrs Webb; Louisa-Mrs Martyr; Clara-Mrs Bannister .

Afterpiece Title: St

Dance: End of mainpiece The Merry Sailors by Byrn, &c

Event Comment: Gentlemen are particularly entreated to observe that in consequence of the displeasure expressed by the Subscribers, as well as the Public, at the frequent interruption of the business of the Representation, by the pressure of people on the Stage, the Company will hereafter be admitted behind the Scenes, before and after the Opera, and during the intervals between the Opera and Ballets only; but while the Curtain is up, Gentlemen are earnestly entreated to withdraw from the Stage; otherwise the request of the Nobility and Gentry, in conformity also to the public opinion, of shutting entirely the doors between the audience part of the Theatre and the Stage, must at last be compiled with. Those persons entitled to Admissions previous to the year 1789, who may not have an opportunity of sending their Securities to be registered before the opening of the Theatre, are requested to produce them at the Door, as they pass. The Public are entreated to observe that Ladies dressed in Bonnets, and Gentlemen in Boots, cannot be admitted into the Pit of the Opera. Pit 10s. 6d. Gallery 5s. No Money to be returned. The Doors to be opened at 6:30. To begin at 7:30 [same throughout opera season]. The Nobility are entreated to give direction to their Servants to set down and take up at the Theatre with the Horse's head toward Pall Mall. On account of the abuses practised in the names of the Subscribers, it is become necessary to require the production of the Subscription Ticket at the Doors and the Boxes. At the Chair-door in Market-Lane, Subscribers only will be admitted. "Braham sustained his part so well that we trust he will give us an example that shall induce us to chace from an English stage the degrading and distusting form of a Castrato" (Morning Chronicle, 28 Nov.). [The playbill omits Rovedino, but his performance is reviewed in True Briton, 28 Nov. The only other male part in the opera is that of Sandro. And see 14 Feb. 1797.

Performances

Mainpiece Title: Zemire Et Azor

Performance Comment: Azor-Braham (1st appearance at this Theatre); Sandro-Rovedino; Ali-Morelli; Zemire-Mme Banti.

Dance: With Dances [(composed by Didelot) incidental to the Opera,-Didelot, Mlle Parisot, Mme Hilligsberg, Mme Rose; End Opera: Flore et Zephire- (originally composed by Didelot and now obligingly revived by him, in the absence of the Ballet-Master [Gallet], who is not yet arrived)

Event Comment: Benefit Mills. At the Desire of several Persons of Quality

Performances

Mainpiece Title: The True And Ancient History Of King Lear And His Three Daughters

Performance Comment: Lear-Mills.

Song:

Dance:

Event Comment: Benefit Mills

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Performance Comment: Sir Harry-Wilks; Colonel Standard-Mills; Vizard-Husband; Smugler-Johnson; Clincher Sr-Bowen; Clincher Jr-Bullock; Dicky-Norris; Lady Lurewell-Mrs Oldfield; Lady Darling-Mrs Powell; Angelica-Mrs Bradshaw.
Event Comment: Benefit Mills

Performances

Mainpiece Title: The Funeral; Or, Grief A La Mode

Performance Comment: Brumpton-Keene; Hardy-Cibber; Campley-Wilks; Trusty-Mills; Lady Brumpton-Mrs Rogers; Lady Harriet-Mrs Oldfield; Lady Sharlot-Mrs Bradshaw; Madam d'Epingle-Mrs Willis; Puzzle-Estcourt; Sable-Johnson; Trim-Penkethman; Bumkin-Leigh; Gravedigger-Cross; Fardingale-Norris; Kate Matchlock-Bullock.
Event Comment: Benefit Mills. At the Desire of several Ladies of Quality. And at the request of some Persons of Quality, 2 Benches of the Pit will be rail'd into the Boxes at the same Price. [Receipts: possibly #127 2s., according to Baggs.

Performances

Mainpiece Title: The Funeral; Or, Grief A La Mode

Performance Comment: Brumpton-Keene; Hardy-Cibber; Campley-Wilks; Trusty-Mills; Lady Brumpton-Mrs Rogers; Lady Harriet-Mrs Oldfield; Lady Sharlot-Mrs Bradshaw; Madam d'Epingle-Mrs Willis; Puzzle-Estcourt; Sable-Johnson; Trim-Penkethman; Fardingale-Norris; Kate Matchlock-Bullock.
Event Comment: Benefit Mills. At the Desire of several Ladies of Quality. Written by the Immortal Shakespear. [See Tatler, 22 July.

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performance Comment: See17091104, but Hamlet-Wilks; Horatio-Mills; Gravedigger-Dogget.

Song: Hold John E're You Leave Me-Dogget, Leveridge; Several Celebrated Songs taken out of the Operas,-Mr Ramondon , it being the first time of his Singing Italian on the Stage

Event Comment: Benefit Mills. Written by Shakespear

Performances

Mainpiece Title: Julius Caesar

Performance Comment: Julius Caesar-Mills; Antony-Wilks; Brutus-Booth; Cassius-Powell; Caska-Keene; Plebeians-Johnson, Penkethman, Bullock, Norris, Cross, Leigh.
Event Comment: Benefit Mills. By His Royal Highness's Command. Written by Mr Steele

Performances

Mainpiece Title: The Tender Husband; Or, The Accomplis'd Fools

Performance Comment: Biddy-Mrs Oldfield; Humphrey-Penkethman; Clerimont-Mills; Captain Clerimont-Wilks; Tipkin-Norris; Mrs Clerimont-Mrs Bicknell; Fainlove-Mrs Porter; Aunt-Mrs Saunders.

Dance: Dutch Skipper-Wade, Mrs Bicknell; Harlequin-Mrs Santlow; French Peasant-Wade, Mrs Santlow

Event Comment: Benefit William Mills and the Prompter. Mainpiece: As it was alter'd by the late Duke of Buckingham

Performances

Mainpiece Title: The Chances

Performance Comment: As17211013, but Petruchio-W. Mills.

Afterpiece Title: Hob

Dance: Shaw, Mrs Booth, Thurmond Jr, Mrs Bullock, Boval, Mrs Bicknell, Miss Tenoe

Event Comment: Benefit Corey and Will. Mills

Performances

Mainpiece Title: The Committee

Performance Comment: As17231003, but Story-Will Mills; Mrs Day-_.

Dance: Swedish Dale Carle-Shaw, Mrs Tenoe; Venetians-Topham, Mrs Bullock; Whitson Holiday-Boval, Mrs Younger

Event Comment: Benefit Cory and William Mills. At the Desire of several Persons of Quality. Written by Shakespear

Performances

Mainpiece Title: Macbeth

Performance Comment: As17250218, but Malcolm-Will. Mills; Seyton-Cory.

Dance:

Event Comment: Benefit Mills

Performances

Mainpiece Title: The Distrest Mother

Performance Comment: As17270116, but Pylades-W. Mills; And the usual Epilogue-Mrs Oldfield.

Dance: MMyrtillo-Mrs Booth, others

Event Comment: Benefit Mills. At the particular Desire of several Ladies of Quality

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: As17300214, but Mrs Trusty-Mrs Mills.

Dance:

Event Comment: MMiller-Mills-Oates' Booth. [See Grub St. Journal, 26 Aug. for comments on the attractions at bf.

Performances

Mainpiece Title: The Banish'd General; Or, The Distrest Lovers

Performance Comment: Montfort-W. Mills; Rakish-Oates; Jenny-Mrs Roberts; King-Tenoe; Sir Wilful Westford-R. Wetherilt; Colonel Westford-Adam Hallam; Tipple-Bardin; Gudgeon-Young Bencraft; Plausey-Evans; Arbella-Miss Oates; Lady Westford-Mrs Wetherilt; Widow-Mrs Lacy; Genius-Mrs Phillpot; Hobble Wallop-Jo. Miller.
Cast
Role: Genius Actor: Mrs Phillpot

Song: Evans, Miss Williams, Young Bencraft

Dance: Evans, Miss Williams, Young Bencraft

Event Comment: At Miller-Mills-Oates Booth

Performances

Mainpiece Title: The History Of King Henry The Viiith And Anna Bullen; Intermixed With The Diverting Humours Of Squire Numpskull And His Man Lack Brains

Performance Comment: Henry VIII-W. Mills; Numpskull-Miller; Wolsey-Barcock; Northumberland-Tenoe; Piercy-Bardin; Rochford-Cross; Clerimont-Aston; Lack Brains-Young Bencroft; Sir Positive Crab-Jones; Anna Bullen-Mrs Clark; Princess Elizabeth-Miss Ann Oates; Lady Diana-Miss L'Homme; Clarinda-Miss Oates; Jenny-Mrs Rogers; Ticklepitcher-Oates; Lucy-Mrs Charke.

Dance: Davenport, Clark, Hind, Mrs Hind, Miss L'Homme, Miss Price; particularly a Highlander-a Gentleman for his Diversion