Event Comment: A Concert, etc. At the New Wells, Shepherd's Market, May Fair. 6 p.m. (Daily Advertiser)

Event Comment: [See 27 May.] Benefit of a Grammar School Master. Terence's Andria in the original Language, with a New Latin Prologue, and an Occasional English Epilogue. After which will be spoken in English an allegorical Eulogy called Mimus. It is hoped the late disappointment (as it was in all its circumstances unaviodable) will be no detriment to the performance

Event Comment: At Yeates's Great Theatrical Booth opposite the George Inn, West Smithfield, during the short time of the Fair, the Town will be entertained with an Historical Play...To which will be added a new Pantomime Entertainment call'd The Amours of Harlequin; or, The Bottle-Conjurer Outdone. With the Escape of Harlequin into a quart Bottle. Prices: 1s. 6d., 1s., 6d. To begin at twelve o'clock

Event Comment: Afterpiece: In which will be introduc'd (by desire) The Escape of Harlequin into a Quart-Bottlev, also Don Jumpedo will Jump down his own throat, and as a new addition, afterwards Jump up again. Receipts: #134 1s

Event Comment: Comedie du M de Moliere. There was a Riot again at the New Haymarket (Daily Advertiser, 17 Nov.)

Event Comment: At the New Wells, London Spa, Clerkenwell. A concert, etc. For one Night only...By desire...Benefit for Mrs Yeates. Boxes 2s. Pit or Gallery 1s

Event Comment: A New Comic Opera. To begin at six o'clock. Pit and Boxes 1!2 Guinea. Gallery 5s. Gallery open at four; Pit and Boxes at Five (Daily Advertiser). [This information is repeated in each advertisement.

Event Comment: Not acted in 30 years. Principal Characters new Dress'd. Written by Otway (General Advertiser). Mr Woodward did ye part of Malagene in which he took off Mr Foote & would have many of ye Actors but the Audience grew so outragious, that he was forc'd to desist ye 4th & 5th Acts were much hooted, Mr Havard in a part where he says Whir was severely treated, nor could he ever appear after in ye play, but the whole Audience echoed that Word--it was given out again, wch so enrag'd the Audience yt they call'd loudly for Garrick, but as he was not this Night at the House, they pull'd up the Benches, tore down ye King's Arms, & wou'd have done much more mischief had not Mr Lacy qone into the Pit, & talk'd to 'em, what they resented was giving out a piece again after they had damn'd it--the Gallery resented ye Guards being sent in--Mr Lacy was oblig'd to go upon the Stage after & tell 'em I had given out the play again, as ne'er a Manager was present to give other Directions--In his Argument Mr Lacy call'd a Witness in ye pit, saying that Gent: next to ye painter knows I was in ye pit when ye Guards went into the Gallery, so I cou'd not send 'em this painter after ye rout came behind the scenes & was angry for being call'd painter (his name was Hudson) but at length he as well as ye rest was pacified--and we gave out Provok'd Husband (Cross). [See Foote's retaliation in Daily Advertiser, 26 Jan.] Paid Capt. Turber 1!2 year's rent #11 3s. 4d. (Treasurer's Book). Receipts: #140 (Cross); #137 12s. (Treasurer's Book)

Event Comment: No money returned after the curtain is up. No admittance behind scenes. This day is published The Story on which the New Tragedy call'd The Roman Father is founded, with some account of the Author and his writings. Sold by W. Reeves, in Fleet St.; and A. Dodd opposite St Clement's Church in the Strand (General Advertiser). Paid Norton 6 chorus #1 10s. (Treasurer's Book). Receipts: #170 (Cross); #164 6s. (Treasurer's Book)

Event Comment: Paid to Mr Franklin [the printer?] #8 2s.; To Mr Norton 5 chorus 9s. (Treasurer's Book). Those Gentlemen who borrow'd gold laced hats to go to Drury Lane in order to damn the new play are desir'd to return them to the owners, or their names will be publish'd at full length (Winston MS 7, from No 5 of The Midwife). This month was publish'd Corneille's Horace and the Roman Father Compared (Gentleman's Magazine, Register of Books). Receipts: #190 (Cross); #175 5s. 6d. (Treasurer's Book)

Event Comment: Mainpiece: Not acted there before. New Decorations incident to the play (General Advertiser). Advanc'd towards purchasing Mr Smollet's copy of Alceste #100 (Account Book). Handel remov'd to Covent Garden, and entered into some engagements with Rich, the particulars of which are not known, save that in discharge of a debt that he had contracted with him in consequence thereof, he some years after set to music an English opera entitled Alceste, written by Dr Smollet, and for which Rich was at great expense in a set of scenes painted by Servandoni; but it was never performed (Hawkins, General History of Music, V, 324). [For additional information on Alceste, see Deutsch, Handel, pp. 679-81. See also cg 14 Feb. 1749.] Receipts: #155 18s. 6d

Event Comment: Paid Norton 6 Chorus #1 10s. (Treasurer's Book). This Day is Publish'd at 6d. Remarks on the New Tragedy call'd The Roman Father, with a word to the Author. "When authors write such lively strains so sad,@They needs must make the honest Critic mad." By a Spectator. Sold by W. Reeve at Shakespeare's Head in Fleet St.; and A. Dodd at the Peacock opposite St. Clement's Church in the Strand. Receipts: #180 (Cross); #159 7s. (Treasurer's Book)

Event Comment: Benefit for Mrs Clive. Afterpiece [written by Mrs Clive]: A new farce partly singing, part speakg. Went off well (Cross). Music by Dr Boyce. Five rows of Pit &c. [Stage arranged as on 10 March. The framework for financial analysis of receipts appears in Treasurer's Book, but the figures are missing. The parts for The Rehearsal, according to the Larpent MS 86, were: Mrs Hazard, Nelly, Tom, Witling, Mr Cross; Miranda-$Miss Norris; Corydon-$Beard; Marcella, Miss Giggle, Sir Albany Odelove, Miss Sidell, Miss Daudle.] Receipts: #240 (Cross); charges, #60 (Treasurer's Book)

Event Comment: Benefit for Beard. Part of Pit will be rail'd into Boxes, where servants may keep Places and on the Stage. Tickets to be had of Beard at his House in New North St., Red Lion Square, and of Hobson at the stage door. Rec'd front Cash #67 12s., plus #132 13s. in tickets. Total #200 5s. Paid Hobson for 2 suits of cloaths #21; Salary list #203 7s.; Norton for 1 chorus 5s. (Treasurer's Book). Receipts: #205 (Cross); charges, #63 (Treasurer's Book)

Event Comment: A New Opera. To begin at half after six (Daily Advertiser)

Event Comment: MMasque with a Prologue, for ye Benefit of Mrs Foster, Grand Daughter to Milton & his only surviving Descendant (Cross). [For Prologue, see Gentleman's Magazine April 1750.] Rec'd cash #76 6s., plus #71 4s. from tickets. Total #147 4s. 6d. Paid for 1!2 year New River Water #1; Paid 1!2 year's scavanger's tax to Lady Day #3 14s. 6d.; Norton 4 Chorus #1 (Treasurer's Book). Tickets deliver'd for the 4th will be taken. Receipts: #150 (Cross); charges, #63 (Treasurer's Book)

Event Comment: At the New Wells, London Spa. To begin at two o'clock and at five o'clock. [This house managed by Matthews, Dancer, and Yeates. See Daily Advertiser 13 March.

Event Comment: At the New Wells, Shepherd's Market. A Dramatic Farce. To begin at twelve noon (Daily Advertiser)

Event Comment: This day is publish'd a Guide to the Stage; or Select Instructions and Precedents from the best Authorities towards forming a polite Audience; with some account of the Players, &c. Printed and sold by D. Job, at the Spread Eagle in King St. [An ironical post-Addisonian quip at theatrical behavior]: I boldly enter the lists as the first champion for theatric decorum. The next thing to be consider'd is disapprobation, which I think may be sufficiently shewn, by an attention to something else, by loud discourse, profuse laughter, and the like. I cannot help thinking it a little out of character, for a polite audience to distort their features by a hiss: however for the sake of some ambitious youths, who thus love to signalize themselves, I shall leave a new play to their mercy. They then are at liberty to exercise their several talents whether they hiss or groan most successfully, or have a greater genius for the cat-call. If you desire to know when you are to shew your dislike, my answer is, when anything displeases you, or in fine when you will provided you have a strong party to second you; for the best hiss or groan in the universe may be drown'd in a general applause. [Never laugh at what passes on stage save it be an error, blunder, or accident. In tragic scenes avoid being visibly moved by humming a tune, regarding the audience, engaging in conservation, or turning your back to the stage. When a female social rival calls attention to herself and away from the stage, let fall your handkerchief into the pit, or call out to an acquaintance in the opposite box, or burst into loud and unexpected laughter. You'll know when to applaud, for the actors will tell you.] On these occasions Cato looks more than unusually big, Hamlet stares with great emphasis, Othello has a most languishing aspect, Monimia is all sighs and softness, Beatrice will bridle, and pretty Peggy Wildair leers you into a clap. Receipts: #170 (Cross)

Event Comment: [MS note in hand of Colley Cibber (in R. J. Smith, History of the Stage, Vol. IV. BM 11826r)]: December 25, 1750 Sr. Tho' Death has been cooling his his [sic] heels at my door these three weeks, I have not had time to see him. The Dayly conversation of my friends have kept me so agreeably alive, that I have not passed my time better a great while. If you have a mind to make [?] us, I will order Death to come another day--to be serious I long to see you, and hope you will take the first opportunity. And so wish as merry a Christmas, as many New Years as your heart can hope for, I am Your real friend and Serv't C. Cibber Xmas Day

Event Comment: A New Pastoral Opera. Pit and Boxes to be put together, and no Persons to be admitted without Tickets, which will be deliver'd this Day at the said Office, at Half a Guinea each. Gallery Five Shillings. No person whatsoever to be admitted behind the Scenes. To begin at 6 p.m. [Repeated in all bills.