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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "New Theatre on Wind mill Hill"/1) | (@(roleclean,performerclean) "New Theatre on Wind mill Hill")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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11093 results for: Keyword - New Theatre on Wind-mill Hill
We found 5090 matches on Event Comments, 4168 matches on Performance Comments, 3034 matches on Performance Title, 381 matches on Author, and 0 matches on Roles/Actors.

9876
22 August 1741 @ New Wells, London Spa, Clerkenwell

Event Comment: During the summer of 1741, at the New Wells, London Spaw, Clerkenwell, the proprietor presented daily programs of pantomime, singing, and dancing. In midsummer, however, he added a single play to his program but did not list the cast. The sequence of plays included: July 9-16: Flora; or, Hob in the Well. July 17-25: Damon and Phillida. July 27-August 10: The Honest Yorkshireman. August 11-17: The Mock Doctor. August 24-September 7: The Generous Free-Mason; or, The Constant Lady; With the Comical Humours of Squire Noodle and his Man Doodle

Performances

9877
22 September 1741 @ Goodman's Fields

Event Comment: A new Comedy call'd Pamela...was rehears'd...founded on the celebrated novel of that name, when several Gentlemen were present, who were extremely pleased with the performance. [see 9 Nov.

Performances

9878
21 October 1741 @ Covent Garden

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Chapman; Johnson-Ryan; Smith-Cashell; First King of Brentford-Roberts; Prince Prettyman-Hale; Gentleman Usher-Hippisley; Second King of Brentford-Harrington; Prince Volscius-Gibson; Physician-Rosco; Drawcansir-Mullart; General-Stephens; Lieut General-Stevens; Lord Mayor-Marten; Tom Thimble-James; Thunder-Bridgwater; Lightening-Mrs Villeneuve; Sun-Bencraft; Moon-Leveridge; Earth-Salway; Amarillis-Miss Burgess; Chloris-Mrs Mullart; Pallas-Woodward; Two Sing@Song Dancing Spirits-Mrs Lampe, Miss Young; Players, Soldiers horse and foot, Cardinals, Judges, Sargeant at Arms-the rest of the comedians; With the Music-; Songs-; Dances-; Scenes, Machines, Habits, other Decoration proper to the play; With the Additional Reinforcements of Mr Bayes's New Rais'd Troops-.
Related Works
Related Work: Britons Strike Home; or, The Sailors' Rehearsal Author(s): Edward Phillips

Afterpiece Title: The Necromancer

Cast
Role: Miller's Wife Actor: Mrs Wright.
Role: Miller Actor: Bencraft

9879
23 October 1741 @ New Wells, Goodman's Fields

Event Comment: [For a performance of a pantomime this day at New Wells, Lemon St., gf]: At the Desire of the Society of Free and Accepted Masons, 10 rows in the Pit will be rail'd in for them.--Daily Advertiser

Performances

9880
09 November 1741 @ Goodman's Fields

Event Comment: Never perform'd before. All the Characters new dressed. [By James Dance, adapted from Richardson's novel.

Performances

Mainpiece Title: Pamela

9881
15 March 1742 @ Goodman's Fields

Event Comment: Benefit Mrs Giffard, at the particular Desire of several Persons of Quality. All the Characters will be new Dress'd. The Stage will be form'd into an Amphitheatre, where Servants will be allow'd to keep places. Tickets at 4s., 2s. 6d., 1s. 6d

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Lethe

Dance: TThe Leek, as17420224; Two Millers and Courtezan-two Masters and Miss Granier

9882
20 April 1742 @ King's Theatre

Event Comment: A New Opera [a pasticcio, Metastasio text altered by Rolli, form Pergolesi's Olimpiade, 1735 (Loewenberg, Annals of Opera, I, 183)]. Music by Pergolesi, Scarlatti, Lampugnani. L. Leo, F. Leo [libretto in L. C.]. Two of the principal Performers being greatly indispos'd, the Dancers are oblig'd to be deferr'd. Thomas Gray to John Chute, 24 May: Our fifth Opera was the Olimpiade, in which they retain'd most of Pergolesi's Songs & yet 'tis gone already, as if it had been a poor thing of Galuppi's. Two nights did I enjoy it all alone, snugg in a Nook in the Gallery, but found no one in those regions had ever heard of Pergolesi, nay, I heard several affirm it was a Composition of Pescetti's.-Gray, Correspondence, I, 203

Performances

Mainpiece Title: Meraspe O Lolimpiade

9883
01 May 1742 @ King's Theatre

Event Comment: With Dances and Decorations entirely new

Performances

Mainpiece Title: Meraspe O Lolimpiade

9884
18 May 1742 @ King's Theatre

Event Comment: A new Opera. [Not identified, No edition known. Probably a pasticcio.

Performances

Mainpiece Title: Ceffalo E Procri

9885
04 October 1742 @ Upper Moorfields

Event Comment: At Yeates, Warner, and Rosoman's Booth in Upper Moorfields. [According to news item in Daily Advertiser, they were to act all of this week during the time of Mile End Fair.

Performances

Mainpiece Title: The Rival Lovers Or An Old Man Taught Wisdom

Afterpiece Title: Harlequin Happy at Last

9886
01 December 1742 @ Drury Lane Theatre

Event Comment: Mainpiece: At the Desire of several persons of Quality. This month was published A Clear Stage and no Favour, or Tragedy and Comedy at War, occasioned by the Emulation of the Two Theatric Heroes David and Goliath, A 12 p. poem setting forth the appeals of Garrick and Quin. [Prophesies that in two years' time Quin will continue to be esteemed more than Garrick, the new favorite.

Performances

Mainpiece Title: The Provoked Wife

Afterpiece Title: Miss Lucy in Town

Dance: II: Grand Comic Dance, as17421130; V: Les Moisoneurs de la Styrie-Checo, Signora Chiaretti

9887
04 December 1742 @ King's Theatre

Event Comment: A New Opera, etc. [Really Gluck's Artaserse, Metastasio's text, a pastiche.] Music by Brivio (from libretto)

Performances

Mainpiece Title: Mandane

9888
17 February 1743 @ Drury Lane Theatre

Event Comment: By Henry Fielding. Never acted before. On 25 Jan. Lady Hertford wrote to her son: Mr Fielding has wrote a comedy which has been refus'd by the Licenser, not as a reflecting one, but on account of its immorality. On 19 Feb. she wrote again: Mr Fielding by suffering the bawd to be carted, tho she is his favorite character in the new play, has obtained a license to have it acted, and it was perform'd on thursday for the first time, but so much dislik'd that it is believ'd that it will be impossible to prevail with a second audience to hear it through.-Hughes, Hertford, p. 242. The Larpent MS. shows many question marks, and deletions of suggestive, passionate, and physiological references

Performances

Mainpiece Title: The Wedding Day

Performance Comment: Millamour-Garrick; Stedfast-Macklin; Heartfort-Delane; Old Mutable-Taswell; Young Mutable-Neale; Brazen-Yates; Clarinda-Mrs Pritchard; Charlotte-Mrs Woffington; Mrs Useful-Mrs Macklin; Lucina-Mrs Bennet; Mrs Plotwell-Mrs Cross; Squeeze Purse-Morgan; Dr Crisis-Turbutt; Prologue writ and-Macklin; Epilogue by a Friend-Mrs Woffington [from edition of 1743].from edition of 1743].
Cast
Role: Millamour Actor: Garrick

9889
21 February 1743 @ Drury Lane Theatre

Event Comment: Benefit the author of this bad new play, which would have sunk the 1st night but for Garrick's acting (Winston MS. from Dyer MS.)

Performances

Mainpiece Title: The Wedding Day

Cast
Role: Millamour Actor: Garrick

9890
02 March 1743 @ Covent Garden

Event Comment: RRoyal family attended.-Deutsch, Handel, p. 561. The new Oratorio...has been performed four Times to more crouded Audiences than ever were seen; more People being turned away for Want of Room each Night than hath been at the Italian Opera.-Quoted by Dean, Handel's Dramatic Oratorios, p. 350, from Faulkner's Dublin Journal, 15 March

Performances

Mainpiece Title: Sampson

Music: Solo on Violin-Dubourg

9891
08 September 1743 @ Southwark Fair

Event Comment: YYeates, Warner, and Rosoman's Great Theatrical New Built Booth, opposite the old Til'd Booth...during the Time of the Fair. [Notices repeated 9, 10 Sept.

Performances

Mainpiece Title: The Plotting Lovers Or The Old One Tricked At Last

Afterpiece Title: Harlequin Triumphant

Dance: Bath Morris Dancers

9892
17 November 1743 @ Covent Garden

Performances

Mainpiece Title: The Miser

Performance Comment: Lappet-Mrs Clive , in which character will be introduc'd a Song call'd The Life of a Beau; Mariana-Mrs Horton; Clermont-Hale; Frederick-Bridgwater; Ramilie-Chapman; Cook-Woodward; Harriet-Mrs Vincent; Wheedle-Mrs Hale; Miser-Hippisley; With a New Prologue by Lockman on the Occasion-Hale ; Prologue by Lockman. Theatrical Clippings, Folger Library. Prologue by Lockman. Theatrical Clippings, Folger Library.

Afterpiece Title: n Old Man Taught Wisdom or The Virgin Unmaskd

9893
07 December 1743 @ Covent Garden

Performances

Mainpiece Title: The Miser

Performance Comment: As17431117, but a New Prologue by Lockman-_.

Afterpiece Title: The Lottery

Dance: LLes Paisans Moisonneurs, as17431026

9894
31 January 1744 @ King's Theatre

Event Comment: A New Opera. [Adapted from As You Like It, by Rolli; music by Veracini (Nicoll, Early Eighteenth Century Drama, p. 398).

Performances

Mainpiece Title: Rosalinda

9895
14 February 1744 @ Covent Garden

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: Orpheus and Eurydice

Performance Comment: Orpheus-Beard; Rhodope-Mrs Clive; Eurydice-Miss Young; Nymphs follower of Eurydice-1, Mlle Domitilla; 2, Mrs Fabres; 3, Mrs LaFont; 4, Mrs LeBrun; 5, Mrs Villeneuve; Pluto-Leveridge; Ascalax-Reinhold; Demons-Picq, Villeneuve, Delagarde; Harlequin-Woodward; Colombine-Mrs Kilby; Pantaloon-Rosco; Squire Gawkey-Bencraft; Mrs Mannerly-Mrs Martin; Goody Gurton-Marten; Drudge-Hippisley; Woman dwarf-Young Ferg; Country Lads-Villeneuve, Delagarde, Dupre, Destrade; Country Lasses-Mrs Fabres, Mrs Villeneuve, Mrs LeBrun, Mrs LaFont; A Rural Swain, Nymph-Cooke, Mlle Bonneval; Villagers-Villeneuve, Delagarde, Dupre, Destrade, Mrs Fabres, Mrs Villeneuve, Mrs LeBrun, Mrs LaFont; Intermix'd with a new Pantomime in Grotesque Characters, call'd the Metamorphoses of Harlequin-.

9896
02 March 1744 @ Haymarket Theatre

Event Comment: Will be acted, by a set of Gentlemen for their own diversion, the tragedy of Othello, being the last time of their performing that play; the character of Othello will be new dress'd, agreeable to the custom of his own Country.-Daily Advertiser, 28 Feb

Performances

Mainpiece Title: Othello

9897
03 March 1744 @ Covent Garden

Event Comment: Never acted there before. With all new Habits. Adapted to the stage, as alter'd from Milton's Masque at Ludlow Castle

Performances

Mainpiece Title: Comus

9898
20 March 1744 @ King's Theatre

Event Comment: A new Oratorio, set to music by Signor Veracini

Performances

Mainpiece Title: Lerrore Di Solomone

9899
21 March 1744 @ Crown and Anchor Tavern

Event Comment: A new English Pastoral Serenata. Set to Musick by William DeFesch. 6 p.m. 5s. At the particular Desire of several Ladies of Quality. Tickets at the Author's Lodgings, at Mrs Misaubain's, on the Pav'd Stones, in St. Martin's Lane

Performances

Mainpiece Title: Love And Friendship

9900
02 April 1744 @ Covent Garden

Performances

Mainpiece Title: Othello

Afterpiece Title: Old Man Taught Wisdom or The Virgin Unmaskd

Performance Comment: As17440104, but Quaver-Beard (in which character will be introduced a new cantata).

Dance: SScotch Dance, as17431124; Dance-Cooke

Song: (BBy Desire) To Arms, Britons Strike Home-Leveridge, Beard, Reinhold, Bencraft; Favourite Duette My Faith and Truth, from oratorio Sampson,-Mrs Clive, Miss Edwards