SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "New Theatre on Wind mill Hill"/1) | (@(roleclean,performerclean) "New Theatre on Wind mill Hill")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5090 matches on Event Comments, 4168 matches on Performance Comments, 3034 matches on Performance Title, 381 matches on Author, and 0 matches on Roles/Actors.
Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by his Grace the Duke of Buckingham. With New Habits

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: Britons Strike Home; or, The Sailors' Rehearsal Author(s): Edward Phillips

Afterpiece Title: The Devil to Pay

Dance: TTambourine-Miss Robinson; Scots Dance-Haughton, Mrs Walter; Grand Dance of Moors-Essex, Mrs Booth, Lally Jr, Haughton, Lally, Tench, Mrs Walter, Mrs D'Lorme, Miss Williams, Miss Mears

Event Comment: A New English Opera after the Italian Manner. [Text by Henry Carey. Set to Musick by John Christopher Smith.] Pit and Boxes put together at 5s. First Gallery 3s. Upper Gallery 2s. 6 p.m. Receipts: For Mr Arne

Performances

Mainpiece Title: Teraminta

Event Comment: Mainpiece: A new Tragi-Comedy. Benefit the Author. [Author unknown. Apparently not published.] Boxes 5s. pit 3s. Gallery 2s. There's none Sir Courtly, can my Lord Beau call, He's a bold-Fop, and represents you all

Performances

Mainpiece Title: The Miseries Of Love

Afterpiece Title: Damon and Phillida

Performance Comment: Damon-Boskotin; Phillida-Mrs Pullen.
Cast
Role: Phillida Actor: Mrs Pullen.

Song:

Music:

Event Comment: With New Scenes, Habits, and other Decorations proper to the Play

Performances

Mainpiece Title: Julius Caesar With The Deaths Of Brutus And Cassius

Event Comment: Written by Shakespeare. The Scenes and Decorations entirely New. Receipts: #55 10s

Performances

Mainpiece Title: The True And Antient History Of King Lear And His Three Daughters

Event Comment: Mainpiece: Written by Shakespeare. Afterpiece: a Masque. [Author unknown. Apparently not published.] All the Characters new dress'd

Performances

Mainpiece Title: Henry IV Part I

Afterpiece Title: The Amorous Sportsman or The Death of the Stag

Event Comment: At the Desire of several Persons of Quality. Afterpiece: With new Scenes, Habits, Machines, and other Decorations

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Cephalus and Procris With Harlequin Grand Volgi

Performance Comment: Neptune-Ridout; Cephalus-Stoppelaer; Aurora-Miss Williams; Procris-Miss Raftor; Deities of Pleasure-Essex, Mrs Booth; Amphitrite-Mrs Booth; Sea Gods-Essex, Lally; Noble Venetian-A. Hallam; Colombine (His Sister)-Mrs Walter; Pierrot (His Servant)- Davenport; Harlequin-LeBrun; Italian Bravo-Harper; Miller-Oates.
Cast
Role: Miller Actor: Oates.
Event Comment: With a new Scene representing the Ponti Rialto in Venicev. Receipts: #61 7s

Performances

Mainpiece Title: Othello Moor Of Venice

Event Comment: A New Ballad Opera. [By Henry Potter.

Performances

Mainpiece Title: The Decoy Or The Harlots Progress

Event Comment: At the Desire of several Persons of Quality. Afterpiece: With new Habits, Scenes, Machines, and other Decorations. No Money under the full Price to be taken during the Time of Performance. The Additional Money to be return'd (if desired) to those who go out before the Overture of the Entertainment begins. Admission: 5s., 3s., 2s., 1s

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Judgment of Paris

Event Comment: Benefit the Author. Egmont, Diary, I, 333: to the new play called The Miser, which is well translated from Moliere by Mr Fielding, and well acted

Performances

Mainpiece Title: The Miser

Performances

Mainpiece Title: The Tender Husband

Afterpiece Title: The Mock Doctor

Performance Comment: As17330227, but With a new Prologue on Her Majesty's Birth Day-.

Dance: II: Pierrot and Pierrate-de Vallois, J. DeLagarde; III: Chacone-Mrs Bullock; IV: Friendly Lasses-Miss Wherrit, Miss Sandham; V: Grand Dance of Masqueraders-Thurmond

Event Comment: [T$Their Majesties, Prince, and Three eldest Princesses present.] Daily Advertiser, 5 March: Signora Strada, on Account of whose Indisposition the Run of the new Opera of Orlando was interrupted, continues very ill

Performances

Mainpiece Title: Floridante

Event Comment: A New Tragedy. [By William Havard.] Boxes 3s. Boxes and Balconies on the Stage 4s. Pit 2s. Gallery 1s

Performances

Mainpiece Title: Scanderbeg

Event Comment: Benefit Lampe. Afterpiece: a New Pantomime Entertainment. [Author not known. Apparently not published.] Pit or Boxes 5s. Gallery 2s. 6d. 6:30 p.m

Performances

Mainpiece Title: Dione

Afterpiece Title: Love Runs All Dangers

Dance: Between the Acts: Dancing-Jones Sr, Jones Jr; Concluding With a Grand Dance-

Event Comment: A New Tragedy. [By Lewis Theobald.] Preface, edition of 1735: But such was its Fate then, that, appearing in a Season when the Weather was warm, and the Town in a political Ferment, it was prais'd and forsaken. Receipts: #47 6s

Performances

Mainpiece Title: The Fatal Secret

Event Comment: Benefit Mrs Barbier. The Words by the late Mr Addison. And new set to Musick after the Italian Manner, by Mr Arne Jr

Performances

Mainpiece Title: Rosamond

Performances

Mainpiece Title: The Mock Doctor

Afterpiece Title: The Devil to Pay

Afterpiece Title: Love Runs All Dangers

Performance Comment: See17330326 but A new Prologue, Epilogue addressed to the Honourable Society of Free Masons-.

Dance: End Second Piece: Hornpipe-Jones; End Third Piece: Dutch Skippers-Jones Sr, Jones Jr

Music: End Third Piece: Mr Handel's Water Musick-; Accompany'd by Kettle Drums and Trumpets-

Event Comment: Benefit the Author of the Afterpiece: A new Ballad Opera. [By John Breval.] Receipts: money #60 0s. 6d.; tickets #43 8s

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Rape of Helen

Dance: TTambourine-Miss Rogers; Fingalian-Newhouse, Mrs Ogden; Mock Minuet, as17330511

Event Comment: A new Scene, representing the Ponte Real at Venice. [No receipts in Rich's Register.

Performances

Mainpiece Title: Othello Moor Of Venice

Dance: PPeasant-Nivelon, Mrs Laguerre; Scotch Dance, as17330529

Event Comment: Set to Musick after the Italian Manner. The Habits and Decorations entirely New. [Probably by Eliza Haywood and William Hatchett, with music by Arne.] 7 p.m. 5s., 3s., 2s

Performances

Mainpiece Title: The Opera Of Operas Or Tom Thumb The Great

Event Comment: CCraftsman, 9 June: We hear...that the Rebel Players are not yet reduced to their Obedience, but it is thought that They will soon be obliged to surrender at Discretion. In that mean Time, the Publick waits with Impatience to see the Manifesto of their doubty Chief, Mr Theophilus Cibber, which He hath promised in the News-Papers. It is expected that, in this Manifesto, the young Captain will endeavour to prove that the King's Patent, after a solemn Adjudgment in the Court of Chancery, is of no Validity; and that picking a Gentleman's Pocket of Six Thousand Pounds is perfectly consistent with the Principles of Liberty. In the Daily Post, 11 June, Benjamin Griffin, Comedian, published his Humble Appeal to the Publick.The gist of his statement is: (1) Griffin had been under the management of Rich at Lincoln's Inn Fields, without any intention of leaving him, when, at the beginning of the season of 1721, the managers at Drury Lane sent him messages by Thurmond Sr and Shaw, seeking Griffin to treat with them. Griffin at first refused, but Steede, then the prompter of Drury Lane, prevailed upon him. Wilks immediately offered the same conditions Griffin had under Rich: #4 weekly and a benefit before 15 April, at the certain incident charge of #40. Wilks also offered him articles for three years, with a promise of an advance in salary and better terms at that time. (2) No sooner had Griffin agreed than the masters of both companies entered into a private agreement not to receive any one of the other's company, though discharged, without a private agreement to that purpose. (3) At the end of three years, under date of 12 December 1724, R. Castleman, the treasurer of Drury Lane, sent Griffin a note to the effect that the managers were willing to continue him at 10s. nightly (#3 weekly); as Griffin could not return to Rich, he had to accept the reduction in pay as well as a delay of his benefit to May and a payment of #50 for the charges. (4) He remained so until 1729, losing in salary #147 besides the #10 extra benefits. At Norris' illness and death, the managers returned him to #4 weekly but kept the charges at #50. (5) Under date of 4 June 1733, by the signatures of Mary Wilks, Hester Booth, John Highmore, and John Ellys, Griffin received a discharge from Drury Lane and full Liberty to treat with Rich or any one else. He asserts that he had no previous notice and received no reason for his discharge

Performances

Event Comment: With Scenes and new Decorations proper to the Play. 6:30 p.m

Performances

Mainpiece Title: Sophonisba Or Hannibals Overthrow

Afterpiece Title: The Devil to Pay

Event Comment: A new Comedy. [Author not known. Apparently not published.] Benefit the Author

Performances

Mainpiece Title: The Amorous Lady Or The Biter Bit

Song: III: Mrs Bennet

Performances

Mainpiece Title: The Fancyd Queen

Performance Comment: As17330814 With a New Prologue.

Afterpiece Title: The Stage Mutineers

Related Works
Related Work: The Stage-Mutineers; or, A Playhouse to be Lett Author(s): Edward Phillips

Dance: SScotch Dance-Davenport, Miss Baston; Irish Trot-Bethen