SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre on Wind mill Hill"/1) | (@(roleclean,performerclean) "New Theatre on Wind mill Hill")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5089 matches on Event Comments, 4168 matches on Performance Comments, 3034 matches on Performance Title, 381 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Never Acted before. [by Charles Johnson.] With New Habits. [See Preface for an account of the noisy reception of the play, and Lord Hervey and his Friends, p. 61, for Hervey's amusing account of the first night.

Performances

Mainpiece Title: Medea

Performance Comment: Parts-Mills, Wilks, Wm. Mills, Mrs Porter, Mrs Thurmond, Mrs Horton; but edition of 1731 lists: Aegeus-Mills Jr; Ethra-Mrs Horton; Medea-Mrs Porter; Jason-Wilks; Creon-Mills Sr; Creusa-Mrs Thurmond; Iris-Mrs Vaughan; Therapion-Corey; Eumelus-Hallam; Euriale-Mrs Grace; Prologue-Wilks; Epilogue-.
Event Comment: A new Tragedy. [By Anthony Brown.] A Compleat List (1747), pp. 182-83: With no Success, which the Friends of the Author imputed in a great Measure to Mr Quin's refusing to act a Part in it; whereupon, to shew their Resentment, he did not appear on the Stage for some Nights without being hissed or houted at

Performances

Mainpiece Title: The Fatal Retirement

Performance Comment: Parts-Milward, Mill, Wright, Berry, Ridout, Mrs Giffard, Mrs Butler, Mrs Mills; but edition of 1739 lists (As it was Intended to have been Acted): Artamon-Mills; Lanertes-Milward; Ceron-Berry; Pravamor-Wright; Arcano-Ridout; Semandra-Mrs Giffard; Leonora-Mrs Mills; Sabia-Mrs Butler; Prologue-Wright; Epilogue-Mrs Clive.
Event Comment: The United Company. There is uncertainty concerning this date; it appears on Luttrell's copy (Huntington Library) of the separately printed Prologue and Epilogue, and the date may represent the time of his purchase rather than a date of performance. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 141-45. Downes (Roscius Anglicanus, pp. 39-40): All the preceding Plays, being the chief that were Acted in Dorset-Garden, from November 1671, to the Year 1682; at which time the Patentees of each Company United Patents; and by so Incorporating the Duke's Company were made the King's Company, and immediately remov'd to the Theatre Royal in Drury-Lane. Upon this Union, Mr Hart being the Heart of the Company under Mr Killigrew's Patent never Acted more, by reason of his Malady; being Afflicted with the Stone and Gravel, of which he Dy'd some time after: Having a Sallary of 40 Shillings a Week to the Day of his Death. But the Remnant of that Company; as, Major Mohun, Mr Cartwright, Mr Kynaston, Mr Griffin, Mr Goodman, Mr Duke Watson, Mr Powel, Sr, Mr Wiltshire, Mrs Corey, Mrs Bowtell, Mrs Cook, Mrs Montfort. [Joined the new company]. Note, now Mr Monfort and Mr Carlile, were grown to the Maturity of good Actors. The mixt Company then Reviv'd the several old and Modern Plays, that were the Propriety of Mr Killigrew, as Rule a Wife, and have a Wife: Mr Betterton Acting Michael Perez; Don Leon, Mr Smith, Cacofogo, Mr Cartwright: Margaretta, Mrs Barry: Estiphania, Mrs Cook. Next, @The Scornful Lady.@The Plain Dealer.@The Mock Astrologer.@The Jovial Crew.@The Beggars Bush.@Bartholomew-Fair.@The Moor of Venice.@Rollo.@The Humorous Lieutenant.@The Double Marriage.@ With divers others. George Powell, Preface to The Treacherous Brothers (1690): The Time was, upon the uniting of the Two Theatres, that the Reviveing of the old stock of Plays, so ingrost the study of the House, that the Poets lay dorment; and a new Play cou'd hardly get admittance, amongst the more precious pieces of Antiquity, that then waited to walk the Stage. Cibber, Apology, ed. Lowe, I, 95-96): I shall content myself with telling you that Mohun and Hart now growing old [for, above thirty Years before this Time, they had severally born the King's Commission of Major and Captain in the Civil Wars), and the younger Actors, as Goodman, Clark, and others, being impatient to get into their Parts, and growing intractable, the Audiences too of both Houses then falling off, the Patentees of each, by the King's Advice, which perhaps amounted to a Command, united their Interests and both Companies into one, exclusive of all others in the Year 1682. This Union was, however, so much in favour of the Duke's Company, that Hart left the Stage upon it, and Mohun survived not long after

Performances

Mainpiece Title: Title Unknown

Performance Comment: Prologue To the King and $Queen At the Opening of Their Theatre by Mr Dryden-Mr Batterton; Epilogue by the same Authour-Mr Smith.
Event Comment: [Prologue by George Colman, the elder (Colman, Prose, 10,239).] Afterpiece: Written by the Author of The Son-in-Law [John O'Keeffe]. Places for the Boxes to be taken of Rice at the Theatre. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s.] The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. On 24 May Colman inserted the following in Public Advertiser: The Theatre Royal in the Haymarket will open next Saturday. In order to avoid unnecessary' Repetitions during the Season, the Public are desired, once for all, to take Notice that every Performance at this Theatre will be exhibited to most brilliant, crouded and OVERFLOWING audiences; and received with loud and universal Bursts of most UNBOUNDED and UNCOMMON Applause

Performances

Mainpiece Title: The Suicide

Performance Comment: Principal Characters by Palmer, Edwin, Aickin, Baddeley, R. Palmer, Wewitzer, Gardner, Usher, Massey, Bannister; Mrs Webb, Miss Hale, Mrs Bulkley. [Cast adjusted from playbill of 28 June 1786: Tobine-Palmer; Wingrave-Edwin; Tabby-Aickin; Catchpenny-Baddeley; Squib-R. Palmer; John-Wewitzer; Bounce-Gardner; Dr Truby-Usher; Juggins-Massey; Ranter-Bannister; Mrs Grogram-Mrs Webb; Peggy-Miss Hale; Nancy Lovel-Mrs Bulkley.] New Occasional Prologue spoken by Palmer . New Occasional Prologue spoken by Palmer .

Afterpiece Title: The Agreeable Surprise

Performance Comment: Principal Characters by Bannister, Gaudrey (from the Theatre Royal, Dublin; 1st appearance on that stage), Wood, Massey, Egan, Stevens, Painter, Ledger, Edwin; Mrs Webb, Mrs Wells, Mrs Poussin, Mrs Bannister. [Cast adjusted from Songs (T. Cadell, 1782): Compton-Bannister; Sir Felix Friendly-Gaudrey; Eugene-Wood; Chicane-Massey; John-Egan; Thomas-Stevens; Stump-Painter; Cuddcn-Ledger; Lingo-Edwin; Mrs Cheshire-Mrs Webb; Cowslip-Mrs Wells; Fringe-Mrs Poussin; Laura-Mrs Bannister.] hathi. hathi.

Dance: End of Act III of mainpiece Dance by Mr and Miss Byrn

Song: In Act III of mainpiece [Sing] Old Rose and burn the Bellows, and 'Twas you Sir, 'Twas you Sir, both by Bannister, Wood, Burton, Brett, &c

Event Comment: Benefit Macklin. Stage form'd into Front and Side Boxes. N.B. As Mr Macklin has reason to believe that several of his tickets are counterfeited, and will be offer'd for sale in the streets and passages leading to the theatre, he begs leave to give this publick caution of the fraud; and humbly desires that Gentlemen and Ladies who have taken places, to send for tickets to the Theatre, or to Mr Macklin at his House in Bow Street.--Daily Advertiser. Winston MS.: In 1743 Macklin, Mrs Woffington, and Garrick took house No. 6 Bow St.--a joint establishment

Performances

Mainpiece Title: The Alchemist

Performance Comment: Abel Drugger-Garrick, 1st time; Face-Macklin; Subtle-Mills; Sir Epicure Mammon-Berry; Dol Common-Mrs Macklin; Ananias-Morgan; Tribulation-Taswell; Surly-Cross; Dapper-Leigh; Lovewit-Turbutt; Kastril-Neale; Dame Pliant-Mrs Bennet.

Afterpiece Title: The School Boy

Dance: II: Sicilian Peasant, as17430310 IV: Italian Gardeners, as17421231

Song: III: Beard

Event Comment: MMr Mossop from the theatre in Dublin is engag'd at the Theatre Royal in Drury Lane, and will perform there the latter end of this week. Receipts: #80 (Cross)

Performances

Mainpiece Title: Loves Last Shift Or The Fool In Fashion

Performance Comment: Loveless-Havard; Elder Worthy-Burton; Flareit-Mrs Green; Amanda-Mrs Ward; Sir William-Taswell; Young Worthy-Palmer; Mrs Anne-Mrs Cross; Lawyer-Vaughan; Hillaria-Mrs Mills; Sly-Shuter; Snap-Yates; Sir Novelty-Woodward; Narcissa-Mrs Clive.
Cast
Role: Hillaria Actor: Mrs Mills

Afterpiece Title: The Lying Valet

Song: Master Mattocks

Event Comment: Benefit for Munden. 1st piece: Not acted these 12 years [acted 20 Apr. 1789]. 2nd piece: By Permission of the Proprietors of the Theatre-Royal, Drury-Lane. Never Performed at this Theatre. With the Original Overture, Songs, Trios, Duets and Chorusses. To conclude with a Perspective Representation of a Grand Camp. Morning Chronicle, 1 Apr.: Tickets to be had of Munden, No. 16, Clement's Inn. Receipts: #565 0s. 6d. (202.9.0; 10.10.0; tickets: 352.1.6)

Performances

Mainpiece Title: The Good natured Man

Performance Comment: Lofty-Lewis; Honeywood-Pope; Old Croaker-Munden; The Bailiff-Knight; Leontine-H. Johnston; Sir William Honeywood-Murray; Little Flannagan-Emery; Postboy-Simmons; Jarvis-Thompson; Butler-Abbot; Mrs Croaker-Mrs Mattocks; Olivia-Miss Murray; Garnet-Mrs Mills; Miss Richland-the Late Miss Betterton [i.e. now Mrs Glover].i.e. now Mrs Glover].

Afterpiece Title: The Camp

Performance Comment: William-Incledon; Gage-Munden; O'Daub-Johnstone; Serjeant Drill-Townsend; Sir Harry Bouquet-Betterton; Monsieur Bluard-Farley; Recruits-Emery, Simmons; Nell-Mrs Chapman; Nancy (with the Manual Exercise)-Mrs Mills.

Afterpiece Title: The Hermione

Cast
Role: Orpheus Actor: Hill

Song: End: A Chapter of Fashions (never performed; written by T. Dibdin Jun.)-Munden; The Tight Little Lads of the Ocean (never performed; written by the Author of The Bundle of Proverbs)-Fawcett

Event Comment: Benefit for Hobson. Tickets and places of Hobson at the stage door of the Theatre. Presentment of the Grand Juryv for the County of Middlesex: We the Grand Jury sworn to enquire for our Sovereign Lord The King, and the body of this county, have observed from most of the presentments delivered to us by the Constables of this County, that they have been, as we apprehend and fear, very remiss in their duty, by returning their several districts to be quiet and in good order. Whereas the contrary does most manifestly appear, in many instances as well from the accounts or advertisements we read in the daily Papers, printed and dispersed within the County (inviting and seducing, not only the inhabitants, but also all other persons, to several places kept apart for the encouragement of Luxury, Extravagance, and Idleness, and we fear other wicked, illegal purposes, which by such means go on with impunity, to the destruction of many families) as otherwise to the great Dishonour of the Kingdom...especially at a time when we are engaged in expensive Wars, and so much overburdened with Taxes of all sorts, both Parliamentary and Parochial, that it is much as a prudent man can do, without a taste to extravagant and illegal pleasure to support himself and family according to his degree and station in life under the most regular economy. [If unchecked this bad example will lead to National destruction]. We do accordingly hereby present as places riotous, of great extravagance, luxury, idleness, and ill fame, the several house &c following: [lists two gambling houses, then the Proprietors of the avenues leading to the several playhouses for not preventing wicked loose and disorderly persons from loitering at the front of their several houses on nights of the play to the prejudice of playgoers.] 4. Saddlers Wells, near Islington; 5. New Wells, Goodman's Fields; 6. New Wells, Clerkenwell; 7. The Proprietors of a Place call'd Hallam's New Theatre at Mayfair. Prays that the court will close all listed. N.B. Many people believed that after this presentment, the places mentioned would be shut up or reformed, but they advertise and continue the same diversions as before.-Gentlemen's Magazine (May, 1744), pp. 278-79

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Lying Valet

Cast
Role: Hillyard Actor: Moreland

Song: I, IV: Morland

Dance: III: Mlle Auguste

Event Comment: Benefit for the composer to the theatre. Words of the songs in the pastoral will be printed and given out Gratis at the theatre. Receipts: #160 13s. 6d. plus #33 8s. from tickets. Profits to Dr Arne #129 19s. 6d. (Account Book). Charges: #63 (Account Book)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Florizel and Perdita

Performance Comment: Florizel-Mattocks (with a new song in character); Autolicus (with songs in character)-Shuter; King-Ridout; Shepherd-Sparks; Perdita-Miss Brent (with new songs in character); The Music by Dr Arne. With a New Rural Dance-Poitier Jr, Mlle Capdeville.

Dance: LLes Charboniers, as17601216

Event Comment: A new Comedy [By James Miller.]

Performances

Mainpiece Title: The Mother in law Or The Doctor The Disease

Performance Comment: Parts by Johnson, Cibber, Miller, Harper, Griffin, W. Mills, Milward, Shepard, Oates, Winstone, Mrs Heron, Mrs Butler, Mrs Pritchard, Miss Robinson; but edition of 1734 lists: Sir Credulous Hippish-Griffin; Heartwell-Mills Sr; Beaumont-W. Mills; Dr Mummy-Johnson; Dr Diascordium-Miller; Looby Headpiece-Cibber; Galleypot-Harper; Cranny-Sheppard; Joseph-H. Tench; Poet-Oates; Constable-Hallam Sr; Lady Hippish-Mrs Butler; Belina-Mrs Pritchatd; Agnes-Mrs Robinson; Primrose-Mrs Heron. Prologue spoken by Mills Sr Epilogue spoken by Cibber, Griffin, Mrs Heron .
Related Works
Related Work: The Mother-in-Law; or, The Doctor the Disease Author(s): James Miller
Event Comment: By Command of Her Royal Highness, the Princess Royal. Benefit Mills. Daily Post, 5 March: Colley Cibber...is so ill of a Cold he is not able to Act. Daily Advertiser, 7 March: On Monday Night last a great Disorder happen'd amongst the Footmen at [dl], occasion'd by one of the Orange Women, who meeting with some Affront, as she was passing from the Theatre to the Coffeehouse, drew out her Penknife, and stabb'd a Chairman and two Gentlemen's Servants therewith, before it could be wrench'd from her, and then took Sanctuary in the Coffee-house; but the same was immediately beset, and the People refusing either to produce the Woman, or acquaint the Footmen who she was, they forc'd themselves into the Room, broke all the Glasses and China

Performances

Mainpiece Title: The Careless Husband

Performance Comment: Foppington-Cibber Jr; Morelove-Mills; Sir Charles-Wm. Mills; Lady Betty-Mrs Heron; Lady Easy-Mrs Booth; Lady Graveairs-Mrs Horton;Edging-Miss Raftor.

Afterpiece Title: The Devil to Pay

Dance: Denoyer, Mrs Booth, Essex, Miss Robinson, Haughton, Mrs Walter

Event Comment: Benefit Hill and Mrs Hill, the late Miss Anderson

Performances

Mainpiece Title: The Orphan

Performance Comment: As17281114, but Castalio-Smith; Polydore-Hill; Monimia-_; Serena-_; Page-_; Florella-_.
Cast
Role: Polydore Actor: Hill

Dance:

Event Comment: Benefit Winstone, Hill, Miss Cole. Tickets for Leigh, Peploe, Foxall also taken

Performances

Mainpiece Title: The Man Of Taste

Performance Comment: As17370415 but Harcourt-Winstone; Horatio-Hill; Lady Henpeck-Mrs Hill; Lissetta-Miss Mann, .
Cast
Role: Horatio Actor: Hill
Role: Lady Henpeck Actor: Mrs Hill
Related Works
Related Work: The Man of Taste Author(s): James Miller
Related Work: The Man of Taste; or, The Guardian Author(s): James Miller

Afterpiece Title: The Virgin Unmaskd

Dance: I: English Maggot-Villeneuve, Mrs Walter; III: Two Pierrots-Livier, Pelling; IV: Wooden Shoe Dance-Livier, Villeneuve

Music: Select Pieces-

Event Comment: The Sixth Day...at the Desire of several Ladies of Quality. Daily Advertiser, 2 Oct.: Last Saturday Night the reviv'd Play of Romeo and Juliet...was acted...to a numerous and polite Audience, with Great Applause. There was an extraordinary fine appearance of Ladies in the Boxes; and every one allow'd Miss Jenny Cibber (who has given Proofs of an uncommon Genius) was greatly inprov'd in the character of Juliet. The Quality and Gentry were all safely guarded to the chairs and Coaches by the Lads of St. James's Market. [Hill was the stage name for Johnson.

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17440911, but Fescalus-Charles; Capulet-Paget; Montague-Furnival; Mercutio-Barnard; Paris-Mozeen; Benvolio-Holtom; Tybalt-Naylor; Friar John-Michael; Alguazile-Wright; Apothecary-Richards; Balthazar-Mrs Clark; Page-Miss Charke; Friar Laurence-Hill; Lady Capulet-Mrs George; Nurse-Mrs Hill.
Cast
Role: Friar Laurence Actor: Hill
Role: Nurse Actor: Mrs Hill.

Afterpiece Title: The Mock Doctor

Performance Comment: Mock Doctor-Cibber; Leander-Charles; Hellibore-Paget; James-Holtham; Harry-Hacket; Robert-Naylor; Sir Jasper-Paddick; Davy-Bernard; Charlotte-Miss Chetwood; Dorcas-Mrs Hill; Maid-Mrs Freeman (Daily Post).
Cast
Role: Dorcas Actor: Mrs Hill
Event Comment: Rich's Company. The evidence for this date as the premiere of The Relapse is Jennens' report on 19 Nov. 1696 that Drury Lane expected to produce a new play on this date, coupled with the fact that Lady Morley saw this play on 25 Nov. 1696. The play was advertised in the Post Boy, 26-29 Dec. 1696. Preface, Edition of 1697: One word more about the Bawdy, and I have done. I own the first Night this thing was acted, some indecencies had like to have happen'd, but 'twas not my Fault. The fine Gentleman of the Play, drinking his Mistress's Health in Nants Brandy, from six in the Morning, to the time he wadled upon the Stage in the Evening, had toasted himself up, to such a pitch of Vigor, I confess I once gave Amanda for gone, and am since (with all due Respect to Mrs Rogers) very sorry she scap'd; for I am confident a certain Lady (let no one take it to herself that is handsome) who highly blames the Play, for the barenness of the conclusion, wou'd then have allowed it, a very natural Close. Gildon, English Dramatick Poets, p. 145: This Play was received with mighty applause. Cibber, Apology, I, 216: This Play (the Relapse) from its new and easy Turn of Wit, had great Success, and gave me, as a Comedian, a second Flight of Reputation along with it

Performances

Mainpiece Title: The Relapse Or Virtue In Danger

Performance Comment: Edition of 1697: First Prologue-Mrs Cross; Prologue on the Third Day-Mrs Verbruggen; Epilogue-Lord Foppington; Sir Novelty Fashion-Cibber; Young Fashion-Mrs Kent; Loveless-Verbruggen; Worthy-Powell; Sir Tunbelly Clumsey-Bullock; Sir John Friendly-Mills; Coupler-Johnson; Bull-Simson; Serringe-Haynes; Lory-Dogget; Amanda-Mrs Rogers; Berinthia-Mrs Verbruggen; Hoyden-Mrs Cross; Nurse-Mrs Powell.
Event Comment: Rich's Company. The date of the first production is not known, but A Comparison between the Two Stages (1702) (pp. 21-23) implies that this work preceded Rinaldo and Armida (performed at lif probably in November 1698). The Island Princess was not published until 1699 (the Masque being advertised in the Post Boy, 7-9 Feb. 1698@9, and the Opera in the Flying Post, 7-9 March 1698@9). A Comparison between the Two Stages (1702), pp. 21-22: Sullen: The old House have a Bawble offer'd 'em, made out of Fletcher's Island Princess, sometime after alter'd by Mr Tate, and now erected into an Opera by Motteux: The Actors labour at this like so many Galley Slaves at an Oar, they call in the Fiddle, the Voice, the Painter, and the Carpenter to help 'em; and what neither the Poet nor the Player cou'd do, the Mechanick must do for him:...but as I was saying-the Opera now possesses the Stage, and after a hard struggle, at length it prevail'd, and something more than Charges came in every Night: The Quality, who are always Lovers of good Musick, flock hither, and by almost a total revolt from the other House, give this new Life, and set it in some eminency above the New; this was a sad mortification to the old Stagers in Lincolns-Inn-fields. For a poem, The Confederates; or the first Happy Day of the Island Princess, see Poem on Affairs of State, 1703, II, 248-50

Performances

Mainpiece Title: The Island Princess Or The Generous Portuguese

Performance Comment: The performers are listed in Add. MSS. 15, 318, and in a printed version, The Four Seasons; or, Love in every Age (1699). These two sources are essentially similar, but as they occasionally supplement each other, the following is a composite of the two sources: Prologue-Mr Powell; The Epilogue-Penkethman, Mrs Rogers; Prologue to The Four Seasons-Mr Leveridge; Armusia-Powell; Ruidias-Mills; Piniero-Thomas; King of Tidero-Evans; Governor or Tyrant-Johnson; King of Bokam-Bullock; Prince of Syana-Mrs Kent; Quisara-Mrs Rogers; Panura-Mrs Wilkins; Act II: A Masque The Music by Daniel Purcel. The Words fitted to the Notes by the Author-Leveridge, Freeman, Pate, Miss Campion, Magnus's Boy, Miss Lindsey; Act III: A Song set by Daniel Purcell-; Act IV: A Dialogue between a Clown and his Wife set by Leveridge-Pate, Leveridge; An Incantation set by Mr D. Purcell-Bowen, Freeman, Pate; The Enthusiastick Song Set by Mr Leveridge-Mr Leveridge; Act V: The Four Seasons Set by Mr Jeremy Clarke-Leveridge, Freeman, Miss Campion, Magnus's Boy, Miss Lindsey, Pate, Crossfield.
Event Comment: [By Susanna Centlivre.] Never before Acted. Being the second Part of the Busie Body. With new Dresses and several new Scenes; particularly an intire Sett of a pleasant Woodv, painted by Mr Boul, after the Italian Manner

Performances

Mainpiece Title: Marplot

Performance Comment: Edition of 1711 lists: Don Lopez-Bowen; Don Perriera-Dogget; Colonel Ravelin-Wilks; Charles Gripe-Mills; Marplot-Pack; Lorenzo-Norris; Dona Perriera-Mrs Santlow; Isabinda-Mrs Porter; Mlle Joneton-Mrs Bradshaw; Marton-Mrs Cox; Margaritta-Mrs Willis; Prologue-; Epilogue-Mrs Santlow.
Event Comment: Not Acted these Seven Years. All the Habits being intirely New. [The Prologue was printed in Weekly Journal or British Gazetteer, 24 Nov.

Performances

Mainpiece Title: Tamerlane

Performance Comment: Bajazet-Mills (Chetwood, General History of the Stage, p. 214); With a New Prologue by the Author of the Play-.
Event Comment: Not Acted these Six Years. Taken from the Cid of Mons Corneille. All the Habits being entirely New. With new Scenes and other Decorations

Performances

Mainpiece Title: Ximena Or The Heroick Daughter

Performance Comment: Parts-Wilks, Booth, Cibber, Mills, Mrs Oldfield, Mrs Porter; The original Epilogue-Mrs Oldfield.
Event Comment: [Edward Young.] A new Tragedy. All the persons being new drest

Performances

Mainpiece Title: The Revenge

Performance Comment: Edition of 1721 lists: Don Alonzo-Booth; Don Carlos-Wilks; Don Alvarez-Thurmond; Don Manuel-Williams; Zanga-Mills; Leonora-Mrs Porter; Isabella-Mrs Horton; Prologue-; Epilogue-.
Event Comment: [By Sir Richard Steele.] With new Scenes, and all the Characters new drest. Daily Journal, 8 Nov.: Where a greater Concourse of People was never known to be assembled. [See also Cibber, Apology, II, 206; Dennis, Remarks on a Play call'd The Conscious Lovers; and British Journal, 10 Nov. and 8 Dec.

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Edition of 1723 lists: Sir John Bevil-Mills; Sealand-Williams; Bevil Jr-Booth; Myrtle-Wilks; Cimberton-Griffin; Humphrey-Shepard; Tom-Cibber; Daniel-Theo. Cibber; Mrs Sealand-Mrs Moore; Isabella-Mrs Thurmond; Indiana-Mrs Oldfield; Lucinda-Mrs Booth; Phyllis-Mrs Younger; Prologue by Welsted-Wilks; Epilogue-Mrs Oldfield.
Event Comment: A New Scot's Opera. [By Joseph Mitchell.] All the Habits entirely New. [See a letter by the Author in Daily Advertiser, 20 March.

Performances

Mainpiece Title: The Highland Fair Or Union Of The Clans

Performance Comment: Edition of 1731 lists: Charles-Mills Jr; Donald-Harper; Duncan-Paget; Alaster-Fielding; Davy-Mrs Roberts; Kenneth-Berry; Willy-Johnson; Nanny-Miss Raftor; Jeany-Miss Vaughan; Maggy-Mrs Thurmond.
Event Comment: Benefit Wm. Mills and Mrs Mills. For the Entertainment of the Grand Master, and the Ancient and Honourable Fraternity of Free and Accepted Masons. Mainpiece: As it was alter'd by the late Duke of Buckingham

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Jovial Crew

Performance Comment: See17310405 but A new Prologue-; Epilogue-.
Cast
Role: 7310405 but A new Prologue Actor:

Song: Afterpiece: A Song proper-

Event Comment: We hear the new Pantomime Entertainment that was perform'd last night at Drury Lane was receiv'd with great applause, the Scenes, Deceptions, and Decorations all being in an entire new taste.--Daily Advertiser. [This "puff" worded identically with that appearing the day before in the London Daily Post and General Advertiser.

Performances

Mainpiece Title: Cato

Performance Comment: As17431018, but Juba-Mills; Marcus-Blakes; Decius-Turbutt.

Afterpiece Title: The Amorous Goddess

Event Comment: Benefit Macklin. Mainpiece written by the late Lord Lansdown. With the Original Songs, new set by Mr Arne, and to be sung by Mr Lowe and Mrs Clive. Never acted there before. Afterpiece wirtten by the late Mr Pope, Mr Gay, and Dr Arbuthnot. Servants will be allowed to keep places on the stage; and those ladies who have taken places are humbly desired to send for tickets to prevent mistakes. Tickets to be had of Macklin at his house in Bow St., and of Hobson at the stage door

Performances

Mainpiece Title: The She Gallant Or Once A Lover And Always A Lover

Performance Comment: Sir John Airy-Macklin; Sir Toby Tickle-Yates; Vaunter-Neale; Monsieur-Blakes; Lady Dorimen-Mrs Macklin; Lucinda-Mrs Clive; Constantia with a New occasional Epilogue, in men's Clothes-Mrs Woffington; Miranda-Miss Edwards; Bellamour-Havard; Philabel-Mills; Frederick-Winstone; Courtall-Usher; Mons. Frisure-Blakes; Angelica-Mrs Bennet; Diana-Miss Minors; Melissa-Miss Pitt; Dorinda-Miss Cole; Placket-Mrs Cross; Mrs Japan-Mrs King; Mrs Lawn-Miss Royer.

Afterpiece Title: Three Hours after Marriage

Dance: Muilment, the Mechels