SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "New Theatre on Wind mill Hill"/1) | (@(roleclean,performerclean) "New Theatre on Wind mill Hill")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5090 matches on Event Comments, 4168 matches on Performance Comments, 3034 matches on Performance Title, 381 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: In which will be introduced several comic and diverting French Pieces, to be perform'd by Monsieur Morell, lately arriv'd from France. Afterpiece: With New Additional Scenes of Action

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Humours of Harlequin With the Loves of several Deities

Performance Comment: See17290225, but Diana-Mrs Hill; Venus-Mrs Turner; Adonis-Chardin; Graces-Mrs Thomas, Mrs Jones, Mrs Purden; Shepherds-Tench, Ware, Webster; Harlequin-Nott; Miller-Reynolds; Miller's Wife-Miss Mann; Miller's Man-Dove; Countrymen-Gillow, Russel, Wathen; Countrywomen-Mrs Clarke, Mrs Palmer, Mrs Noakes; Aurora-Mrs Mountfort; Sylvans-Ware, Tench, Webster; Nymphs-Mrs Thomas, Mrs Purden, Mrs Jones.
Cast
Role: Diana Actor: Mrs Hill
Role: Miller Actor: Reynolds
Role: Miller's Wife Actor: Miss Mann
Role: Miller's Man Actor: Dove
Event Comment: Mainpiece: A new Tragedy. [By John Hewitt.]

Performances

Mainpiece Title: Fatal Falshood

Performance Comment: Cast not listed, but edition of 1734 lists: Belladine-Bridgwater; Rainford-Marshall; Manlove-Paget; Wilraot-Turbut; Maria-Mrs Horton; Louisa-Miss Holliday; Amanthe-Mrs F.lmy. Prologue written by John Stacie and spoken by Bridgwater. Epilogue written by Aaron Hill and spoken by Mrs Clive .

Afterpiece Title: Cupid and Psyche

Event Comment: Mainpiece: Written by the late J. Hughes, Esq. Afterpiece: a New Dramatick Tale. Written by the Author of the Toy Shop [R. Dodsley]

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: The King and the Miller of Mansfield

Performance Comment: King-Cibber; Miller-Miller; Lord Lurewell-Este; Richard-Berry; Joe-Stoppelaer; Peggy-Mrs Pritchard; Margery-Mrs Bennet; Kate-Mrs Cross; Courtiers-Winstone, Cross, Hill; Foresters-Turbutt, Leigh, Marshall.
Cast
Role: Miller Actor: Miller
Role: Courtiers Actor: Winstone, Cross, Hill

Dance: I: Tambourine-Mlle Roland; III: Muilment; V: Ballet-Denoyer

Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Written by the late Mr Otway. Afterpiece: A new Dramatick Piece of One Act: Being the Sequel to the King and the Miller of Mansfield. [By Robert Dodsley.

Performances

Mainpiece Title: Venice Preservd

Cast
Role: Bedamar Actor: Hill

Afterpiece Title: Sir John Cockle at Court

Performance Comment: Sir John Cockle-Miller; King-Cibber; Sir Timothy Flash-Beard; Greenwood-Hill; French Cooke-Woodward; Miss Kitty-Mrs Clive; Mrs Starch-Miss Tollett; Vintner-Turbutt; Joe-Marshall; Barber-Ray; Taylor-Gray; Attendants-Raftor, Woodburn, Leigh; Edition of 1738 adds: Prologue-Cibber; Epilogue-Mrs Clive.
Cast
Role: Greenwood Actor: Hill

Dance: V: Ballet-Denoyer, Haughton, Miss Thompson

Event Comment: Benefit Chapman [who states that he is in danger of losing vision in one eye. Tickets at Chapman's House, the Corner of Bow Street cg.] London Daily Post and General Advertiser, 27 March: Last Week died, after a most tedious and expensive Illness, at Chelsea, Mrs Laguerre, formerly a celebrated Dancer on the Stage. Daily Post, 29 March: During the Rehearsal [on 27 March], of a new Tragedy, written by Mr Thompson, call'd Edward and Eleonora, (which was to have been acted on this Day) he receiv'd, to his great Surprise, a Message from the Lord Chamberlain, absolutely forbidding the acting of the said Play. No Objection having been made to the Whole or any Part of it, we must conclude it was consider'd as immoral or seditious

Performances

Mainpiece Title: The Country Lasses Or The Custom Of The Manor

Performance Comment: Modely-Chapman; Hartwell-Hale; Freehold-Bridgwater; Sir John-Penkethman; Lurcher-Hill; Vulture-James; Carbuncle-Mullart; Shacklefigure-Neale; Flora-Mrs Bellamy; Aura-Mrs Vincent; Doublejugg-Hippisley.
Cast
Role: Lurcher Actor: Hill

Afterpiece Title: Damon and Phillida

Dance: GGrand Ballet-Glover, Mlle Roland; Two Pierots-Lalauze, Desse; Comic Dance-Villeneuve, Miss Oates

Event Comment: Benefit for Holman. Mainpiece: Acted but once [28 Mar. 1795] these 5 years. In IV a Grand Banquet. Morning Chronicle, 1 Apr.: Tickets to he had of Holman, No. 73, New-street, Hanover-square. Account-Book: Paid George? Papendick for [unspecified] Manuscript Plays of Kotzebue #200. Receipts: #350 2s. (257.6; 6.1; tickets: 86.15)

Performances

Mainpiece Title: Alexander The Great

Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): Newburgh Hamilton
Related Work: Alexander the Great; or, The Conquest of Persia Author(s): Krazinsky Miller

Afterpiece Title: Lock and Key

Song: II: the Grand Truimphal Entry of Alexander into Babylon. Vocal Parts-Johnstone, Incledon, Townsend, Hill, Linton, Street, Lee, Little, Sawyer, Tett, Miss Waters, Mrs Atkins, Mrs Chapman, Miss Mitchell, Miss Wheatley, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follet, Miss Leserve, Mrs Castelle, Mrs Martyr; End: Black Ey'd Susan-Incledon; End I afterpiece: The Death of Admiral Benbow-Incledon

Performance Comment: Vocal Parts-Johnstone, Incledon, Townsend, Hill, Linton, Street, Lee, Little, Sawyer, Tett, Miss Waters, Mrs Atkins, Mrs Chapman, Miss Mitchell, Miss Wheatley, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follet, Miss Leserve, Mrs Castelle, Mrs Martyr; End: Black Ey'd Susan-Incledon; End I afterpiece: The Death of Admiral Benbow-Incledon.
Event Comment: By Authority of the Lord Chamberlain. Benefit for Lacy, formerly of the Theatre Royal, Drury-Lane. Tickets to be had of Fosbrook, at the Box Office of the Drury Lane Theatre, and Rice, at the Box Office of the Theatre-Royal, Haymarket, where Places for the Boxes may be taken. [Address by John Taylor (Monthly Mirror, Dec. 1798, p. 370). On this night the following appeared both at dl and at the hay: Hollingsworth, Caulfield, Bannister Jun., Suett, Miss Pope, Mrs Bland.

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-Lacy; Major Oakly-Wilmot Wells; Charles-Macready; Mrs Oakly-Mrs Abington; And, with Permission of the Proprietors of the Theatre Royal, Drury-Lane: Russet-Hollingsworth; Sir Harry Beagle-R. Palmer; Lord Trinket-Russell; Captain O'Cutter-Caulfield; Paris-Wewitzer; William-Ryder; John-Surmont; Tom-Webb; Lady Freelove-Mrs Sparks; Harriet-Miss Heard; Toilet-Mrs Cuyler.

Afterpiece Title: Between II and III of the aboveSylvester Daggerwood

Afterpiece Title: High Life below Stairs

Performance Comment: Lovel-Dowton; Freeman-Surmont; Philip-Sparks; Tom-Ryder; Duke's Servant-R. Palmer; Sir Harry's Servant-Russell; Kitty-Miss Pope; Cook-Mrs Coates; Cloe-Mrs Mills; Lady Bab's Maid-Miss Tidswell; Lady Charlotte's Maid-Miss Heard.

Dance: In II 3rd piece: A Mock Minuet-R. Palmer, Miss Pope

Song: End I 1st piece: Little Taffline-Mrs Bland

Entertainment: MonologuePrevious 1st piece: Occasional Address-Lacy

Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Event Comment: Mainpiece: Written by Aaron Hill, Esq. And New Scenes and Clothes

Performances

Mainpiece Title: King Henry The Fifth Or The Conquest Of France By The English

Performance Comment: King Henry-Johnson; Dauphin-Giffard; King of France-W. Giffard; Bourbon-Richardson; Orleans-Woodward; Exeter-Rosco; York-Lyon; Scroop-Havard; Cambridge-Hamilton; Sir Thomas-Ray; Princess Catherine-Mrs Giffard; Harriet-Mrs Roberts; Charlotte-Miss Tollett. With a New Prologue, addressed to the City .
Related Works
Related Work: King Henry the Fifth: or, the conquest of France by the English Author(s): Aaron Hill

Afterpiece Title: Pat1e and Peggy or The Fair Foundling

Event Comment: Rich's Company. The date of the first performance is not certain, but the Preface refers to the Long Vacation and a thin house, suggesting a late summer production. As the play was advertised in the Post Boy, 16-18 Nov. 1697, a first performance in October 1697 is probably the latest date for this play, and September seems more likely. Among the songs are several for whom the composer and singer are named: Happy we who free from love, and How calm Eliza are these groves, the music set by Morgan and both sung by Mrs Lindsey. She comes my goddess comes, set by Morgan and sung by Mrs Cibber. Sleep shepherd sleep, the music set by Morgan and sung by Mrs Cross. All four are in A Collection of New Songs, 1697. Preface, Edition of 1698: To serve the wants of a thin Playhouse, and Long Vacation...This hasty Brat...had the Honor of keeping the Stage for five Days Reign. Animadversions on Mr Congreve's late Answer to Mr Collier (1698), pp. 34-35: The mighty Man of Wit [Congreve]...at the Representation of this Play...was seen very gravely with his Hat over his Eyes among his chief Actors, and Actresses, together with the two She Things, call'd Poetesses, which Write for his House, as 'tis nobly call'd; thus seated in State among those and some other of his Ingenious critical Friends, they fell all together upon a full cry of Damnation, but when they found the malicious Hiss would not take, this very generous, obliging Mr Congreve was heard to say, We'll find out a New way for this Spark, take my word there is a way of clapping of a Play down

Performances

Mainpiece Title: Imposture Defeated Or A Trick To Cheat The Devil

Performance Comment: Edition of 1698: Prologue-Mr Powell; Epilogue-Mr Mills [ascending from under the Stage; Duke of Venice-Thomas; Hernando-Powell; Gusman Sr-Ben Johnson; Gusman Jr-Evans; Pedro-Penkethman; Artan-Mills; Alonza-Horden [error for Harland?]; Bonde-Cibber; Delay-Smeaton; Peter-Smith; Senator-Rogers; Marcella-Mrs Temple; Serena-Mrs Andrews; Lucy-Mrs Powel; [In V: Endimion The Man in a Moon- [A Masque.A Masque.
Event Comment: Benefit Corey and Mrs Mills. At the Desire of several Laides of Quality. Wirtten by Sir George Etheridge

Performances

Mainpiece Title: The Comical Revenge Or Love In A Tub

Performance Comment: Sir Frederick-Wilks; Beaufort-Mills; Bruce-Booth; Lovis-Bickerstaffe; Wheadle-Keene; Sir Nicholas-Norris; Palmer-Estcourt; Dufoy-Bowen; Graciana-Mrs Rogers; Aurelia-Mrs Porter; Widow Rich-Mrs Knight; Betty-Mrs Mills; With a new Epilogue-Wilks.
Cast
Role: With a new Epilogue Actor: Wilks.
Event Comment: By the Company of Comedians of his Majesty's Revels. Mainpiece: Written by the late Mr Congreve. All the Characters entirely new drest. With new Scenes and Decorations. [This is the opening of HAY by the dissenting actors under Theophilus Cibber. For a Prologue intended to be spoken on this night, see The Honeysuckle (1734), pp. 113-15.] At Common Prices. 6 P.M

Performances

Mainpiece Title: Love For Love

Performance Comment: Valentine-Mills; Foresight-Johnson; Ben-Miller; Tattle-Cibber Jr; Scandal-W. Mills; Sir Sampson-Shepard; Trapland-Griffin; Jeremy-Oates; Angelica-Mrs Heron; Mrs Frail-Mrs Butler; Mrs Foresight-Mrs Grace; Prue-Miss Robinson .

Afterpiece Title: The Devil to Pay

Dance: By Miss Robinson, Janny, Fisher Tench, Miss Mann

Event Comment: Afterpiece: A New Pantomime Entertainment. [Apparently not published. Author not known.] The Musick, Scenes, Machines, and other Decorations entirely New

Performances

Mainpiece Title: The Unhappy Favourite Or The Earl Of Essex

Performance Comment: Essex-Milward; Queen Elizabeth-Mrs Butler; Southampton-Mills; Burleigh-Havard; Countess of Rutland-Mrs Mills; Countess of Nottingham-Mrs Roberts.

Afterpiece Title: Robin Goodfellow or The Rival Sisters

Event Comment: Never Acted before. [By George Lillo.] Prompter, 18 Feb.: And, indeed, the Pulpit seems the properest Theatre for such Representations, and the Clergy, the properest Actors in the Religious Drama. This then, of itself, sufficiently justified the Town in its Reception of this Piece

Performances

Mainpiece Title: The Christian Hero

Performance Comment: Parts by Quin, Milward, Mills, Cibber, W. Mills, Berry, Winstone, Hewit, Este, Mrs Thurmond, Mrs Butler, Mrs Pritchard; but edition of 1735 lists: Amurath-Quin; Mahomet-W. Mills; Hellena-Mrs Thurmond; Osmyn-Berry; Kister Aga-Hewit; Cleora-Mrs Pritchard; Scanderbeg-Milward; Aranthes-Mills; Althea-Mrs Butler; Amasie-Cibber; Paulinus-Winstone. Prologue spoken by Cibber. Epilogue spoken by Mrs Clive .
Event Comment: Mainpiece Written by the late Mr Congreve. Benefit Mrs Mills. Tickets to be had of Mills at his house in Nassau St., Soho. To the Author of the General Advertiser: It is with great Pleasure I find by the Publick Papers that a tragedy founded on Voltaire's Mahomet is now in rehearsal at Drury Lane Theatre. The Original was by Authority forbid to be played in France on account of the free and noble sentiments with regard to Bigotry and Enthusiasm, which shine through it; and which that Nation found as applicable to itself, as to the bloody propagators of Mahomet's Religion. Indeed the Fable on which it is built demanded such sentiments; the design of it being to shew the dreadful effects of Bigotry and Enthusiasm, even upon minds naturally well inclined when work'd up to such a pitch, as a beautiful concurrence of amazing, yet probable Circumstances hath there carried them to: So that it was equally impossible for the poet, by cutting and mangling his play, to lop it to their standard of Orthodox poetry, as it were for their Inquisitors, by torturing and burning a poor Protestant, to convince him of their Christian love and charity....They foresaw that the most obvious Reflection, that every sensible Spectator could not but make, would be, that he every day saw the same effects produced from two the most different causes, Mahometanism and Christianity; and the consequence must be, either that they were both alike Imposters, or that a crafty, mercenary, and cruel Clergy had dared to add a spirit to Christianity, which Christianity never knew. It is not doubted but these every Sentiments, which in France, prevented the Representation of this piece, will, in England speak loudly in its favor (providdd our English poet is not unequal to his subject) especially since so audacious an attempt has been lately made by the Common Enemy of Europe to establish at once a Civil and Spiritual Tyranny over those injur'd Nations, by the old Mohametan and Roman Arguments of Fire and Sword. I am, &c

Performances

Mainpiece Title: The Double Dealer

Performance Comment: Brisk-Cibber Jun.; Sir Paul Plyant-Yates; Lady Froth-Mrs Mills; Maskwell-Berry; Mellefont-Havard; Careless-Mills; Lord Froth-Neale; Lord Touchwood-Winstone; Lady Plyant-Mrs Roberts; Saygrace-Turbutt; Lady Touchwood-Mrs Cross; Cynthia-Mrs Ridout.

Afterpiece Title: The Jovial Crew

Cast
Role: Hillyard Actor: Moreland

Dance: Muilment, Mrs Auguste

Song: BBritons Strike Home-

Event Comment: Benefit Mrs Mills. Mainpiece at the desire of several Ladies of Quality. [For Mrs Woffington in this role, see 12 Dec. and 18 Feb. 1747.] Tickets to be had of Mrs Mills at her Lodgings at Mr Long's in Bow Street, and at the stage Door of the Theatre

Performances

Mainpiece Title: The Constant Couple

Performance Comment: As17460303 but Sir Harry Wildair-Mrs Woffington last appearance in the character; Lady Lurewell-Mrs Mills; Standard-Mills; Angelina-Mrs Bennet.

Afterpiece Title: The Intriguing Chambermaid

Song: II: Bibby; IV: Colin and Phebe-Bibby, Miss Edwards

Dance: III: Italian Peasants, as17460206

Event Comment: [R$Ross this month wrote to Colman (Harvard Theatre Collection A.L.S.) inquiring about an intended new theatre at Bath, and opened his heart as follows: "My present situation is most irksome to me and must be to any gentleman or man of merit in his profession to have such an ignorant and now ill-bred fellow as Beard? presume to conduct the business of a theatre Royal, of which he is totally ignorant, and oblig'd to apply to the great Gibson, who naturally wishes to lower every man to his own standard, while the other despises every degree of merit that is not compris'd in Sol fa and wishes the theatre only to substitute as an Opera house." Ross wanted to be nominated for the manager's postition in the new theatre at Bath. N.B. He had already acted 23 times this season in his best parts.

Performances

Mainpiece Title: She Woud And She Woud Not Or The Kind Imposter

Afterpiece Title: The Royal Chace

Related Works
Related Work: The Royal Chace; or, Merlin's Cave Author(s): Edward Phillips
Event Comment: Never Acted before. [by Charles Johnson.] With New Habits. [See Preface for an account of the noisy reception of the play, and Lord Hervey and his Friends, p. 61, for Hervey's amusing account of the first night.

Performances

Mainpiece Title: Medea

Performance Comment: Parts-Mills, Wilks, Wm. Mills, Mrs Porter, Mrs Thurmond, Mrs Horton; but edition of 1731 lists: Aegeus-Mills Jr; Ethra-Mrs Horton; Medea-Mrs Porter; Jason-Wilks; Creon-Mills Sr; Creusa-Mrs Thurmond; Iris-Mrs Vaughan; Therapion-Corey; Eumelus-Hallam; Euriale-Mrs Grace; Prologue-Wilks; Epilogue-.
Event Comment: A new Tragedy. [By Anthony Brown.] A Compleat List (1747), pp. 182-83: With no Success, which the Friends of the Author imputed in a great Measure to Mr Quin's refusing to act a Part in it; whereupon, to shew their Resentment, he did not appear on the Stage for some Nights without being hissed or houted at

Performances

Mainpiece Title: The Fatal Retirement

Performance Comment: Parts-Milward, Mill, Wright, Berry, Ridout, Mrs Giffard, Mrs Butler, Mrs Mills; but edition of 1739 lists (As it was Intended to have been Acted): Artamon-Mills; Lanertes-Milward; Ceron-Berry; Pravamor-Wright; Arcano-Ridout; Semandra-Mrs Giffard; Leonora-Mrs Mills; Sabia-Mrs Butler; Prologue-Wright; Epilogue-Mrs Clive.
Event Comment: Mainpiece: Not acted these 7 years. Written by George Duke of Buckingham. With Songs, Dances, New Scenes, Machines, Habits and other proper decorations. The Music New-compos'd by Mr Arne. No After Money will be taken. To prevent any interruption in the movement of the machines, 'tis hoped no Persons will take it ill that they cannot be admitted behind the scenes. Receipts: #90

Performances

Mainpiece Title: Rehearsal

Performance Comment: Bayes-Cibber Jr; Smith-Delane; Johnson-Mills; Other Characters-Johnson, Macklin, Neale, Havard, Ridout, Taswell, Arthur, Turbutt, Winstone, Leigh, Green, Wright, Ray, Woodburn, Miss Woodman, Mrs Cross, Miss Story, Miss Cole; Vocal Parts-Beard, Lowe, Johnson, Ray, Raftor; Particularly the Representation of a Battle of the Two Operatical Generals-Per gli Signori Giovanni and Tomasino detti Beard, Lowe; With the Additional reinforcement of Mr Bayes's New Rais'd Troops-.
Related Works
Related Work: Britons Strike Home; or, The Sailors' Rehearsal Author(s): Edward Phillips

Dance: I: Ballet, as17411015; II: Sailor's Dance, as17411015; III: The Drunken Peasant, as17411029; IV: A Dutch Dance, as17411114; V: The Swiss, as17410926

Event Comment: The Duke's Company. This date marks the opening of the new theatre in Dorset Garden. Downes (Roscius Anglicanus, p. 31): The new Theatre in Dorset-Garden being Finish'd, and our Company after Sir William's Death, being under the Rule and Dominion of his Widow the Lady Davenant, Mr Betterton and Mr Harris, (Mr Charles Davenant her Son Acting for her) they remov'd from Lincolns-Inn-Fields thither. And on the Ninth Day of November 1671, they open'd their new Theatre with Sir Martin Marral, which continu'd Acting 3 Days together, with a full Audience each Day; notwithstanding it had been Acted 30 Days before in Lincolns-Inn-Fields, and above 4 times at court. [This play is also on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 18: Sir Martin.

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

Event Comment: Afterpiece: A New Farce [by a Gentleman from Dublin] never performed. [It was fitted to the stage as an afterpiece, and provided with a Prologue by Colman. Advertisement for the Edition of 1772 indicates that it was "attempted to be acted, "but was damned. Taken principally from Moliere's Marriage Force. See account of damning of Farce, in Town and Country Magazine (Theatre No. XXXIII), before last act was over by a candle being thrown on stage.] Paid one year's ground rent for theatre due Mich. last #100 minus land tax of #16 5s.: Total #83 15s.; Paid ditto for the New Building adjoining the theatre #30, minus Land Tax of #4 17s. 6d.: Total #25 2s. 6d. (Account Book). Receipts: #198 16s. 6d. (Account Book)

Performances

Mainpiece Title: Othello

Performance Comment: As17711221, but Montano-Davis; A New Occasional Prologue-_.

Afterpiece Title: An Hour Before Marriage

Event Comment: By Permission of the Lord Chamberlain. By Desire of the Author's Friends (though unusual for a new piece) the Dramatis Personae is inserted. Mainpiece [1st time; C 4, author unknown]. Afterpiece [1st time; MF 2, author unknown. Authors of Prologues and Epilogue unknown. Not in Larpent MSS; neither piece published]

Performances

Mainpiece Title: The Detection Or A Sketch Of The Times

Performance Comment: Alderman Increase-Beesley (from the Theatre Royal, Norwich); George Increase-Williams; Sprightly-Mason (1st appearance); Landlord Blacklegs, Carmine-Welldon; Brass-Johnstone; Dr M'Drugg, Powell-Swords; Rushlight-Stannard; Marrowbone-Whittaker; Sam. Baldpate-Parker; Putty-Hedges; Snip-Phillips; Flint-Freeman; Tom Blunt-Robinson; Boy-Master Charles; M'Intosh-Brown (from the Theatre Royal, Edinburgh); Sir Petulant Poundage-Barrett; Clara-Miss Frederick (1st time); Gauze-Miss Watkins; Mrs Tripe-Miss Jackson; Mrs Increase-Mrs Baker (from the Theatre Royal, York); With a new Prologue-; Epilogue-.
Cast
Role: Snip Actor: Phillips
Role: With a new Prologue Actor:

Afterpiece Title: The City Association or The National Spirit Rousd

Performance Comment: Captain Constant-Beesley; Serjeant Standfast-Parker; James-Welldon; Paddy O'Flail-Whittaker; Dunk Donald-Brown; Gregory Last-Swords; Dick Hatchet-Robinson; Sam. Slender-Thomas; Nat. Forge-Freeman; Timothy Remnant-Sutton; Mrs Magnum-Mrs Baker; Jenny Magnum-A Young Lady (1st appearance [unidentified]); Miss Fanny Lovewell-Miss Hemet (6th appearance); A new Prologue-Corbett [in the character of one of the City Associators.in the character of one of the City Associators.
Cast
Role: A new Prologue Actor: Corbett

Song: End I: song-Phillips

Entertainment: Monologue.End: (not acted these 10 years) Shuter's comic interlude, Post Haste Observations on his Journey to Paris-Sutton (from the Theatre Royal, Edinburgh)

Performance Comment: End: (not acted these 10 years) Shuter's comic interlude, Post Haste Observations on his Journey to Paris-Sutton (from the Theatre Royal, Edinburgh).
Event Comment: Mainpiece: Not acted this season. Afterpiece: A New Pantomime (2 scenes excepted). Paid one Year's assurance at the Royal Exchange for #3000 to 15 Dec. 1767, #6. Paid Duke of Bedford's half year's ground rent for theatre due Mich. last #50 minus half year's land tax of #8 6s. 8d.; total #41 13s. 4d. Paid ditto for the New Buildings adjoining the theatre #15 minus half year's land tax of #2 10s. Total #12 10s. (Account Book). [The newness of the pantomime seems, according to the Larpent MS 259, to have consisted in three new songs.] Receipts: #191 7s. (Account Book)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: Harlequin Dr Faustus

Performance Comment: Harlequin-Woodward; The Other Characters-Legg, Mrs Baker, Morris, Dibdin, Wignel, Baker, Squibb, DuBellamy, Buck, Weller, Mrs Lampe, Miss Helm, Mrs Mahon, Miss Wilford; The Dances-Arnauld, Miss Valois, Dumai, Petro, Rayner, Hussey, Curtat, King, Miss D. Twist, Miss Daw, Miss Pitt, Miss Barowby, Miss Twist, Miss Hilliard, Fishar, Sga Manesiere. With New Music, Scenes, Habits and Decorations.
Event Comment: Benefit Macklin. Stage form'd into Front and Side Boxes. N.B. As Mr Macklin has reason to believe that several of his tickets are counterfeited, and will be offer'd for sale in the streets and passages leading to the theatre, he begs leave to give this publick caution of the fraud; and humbly desires that Gentlemen and Ladies who have taken places, to send for tickets to the Theatre, or to Mr Macklin at his House in Bow Street.--Daily Advertiser. Winston MS.: In 1743 Macklin, Mrs Woffington, and Garrick took house No. 6 Bow St.--a joint establishment

Performances

Mainpiece Title: The Alchemist

Performance Comment: Abel Drugger-Garrick, 1st time; Face-Macklin; Subtle-Mills; Sir Epicure Mammon-Berry; Dol Common-Mrs Macklin; Ananias-Morgan; Tribulation-Taswell; Surly-Cross; Dapper-Leigh; Lovewit-Turbutt; Kastril-Neale; Dame Pliant-Mrs Bennet.

Afterpiece Title: The School Boy

Dance: II: Sicilian Peasant, as17430310 IV: Italian Gardeners, as17421231

Song: III: Beard