SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre on Wind mill Hill"/1) | (@(roleclean,performerclean) "New Theatre on Wind mill Hill")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5089 matches on Event Comments, 4168 matches on Performance Comments, 3033 matches on Performance Title, 247 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Discovery

Performance Comment: Sir Anthony Branville-Henderson; Lord Medway-Aickin; Colonel Medway-Wroughton; Servants-Helme, Ledger; Sir Harry Flutter-Lewis; Mrs Richley [in subsequent bills called Mrs Knightly]-Mrs Mattocks; Lady Medway-Mrs Hopkins (of DL); Miss Richley-Miss Satchell; Louisa-Miss Morris; Lady Flutter-Mrs Abington (1st appearance at this Theatre). End of Act I an Occasional Address spoken by Mrs Abington .

Afterpiece Title: St

Dance: End of mainpiece a new Dance, Diversion a-la-Mode, by Harris, Burn [i.e. Byrne], Miss Matthews, in which The Devonshire Minuet by Harris and Miss Matthews

Event Comment: [Me Rossi was from the Opera, Naples.] "Her very first step proclaimed her a perfect mistress in the art of pantomime. Her dress was a manteau a la reine, lately imported by our travelling milliners. The body, bones and trimming are puce, the sleeves and lower part of the garment a white gawze. Her partner, Lepicq, dressed in the same uniform, discovered such profusion of talents, if we may be allowed the expression, as 'beggar all praise'" (Public Advertiser, 3 Dec)

Performances

Mainpiece Title: Medonte

Dance: End of Act I Apelles and Campaspe, as17821102; End of Opera New Divertisement, as17821102, but Sga Crespi in place of Sga Sala, and added: Pas de Deux by Lepicq and Mme Rossi (1st appearance in this country)

Performances

Mainpiece Title: Il Convito

Dance: End of Act I Apelles and Campaspe, as17821102; End of Act II New Divertisement, as17821130, and added: a second Pas de Deux by Master Laborie and Miss Simonet (their 1st appearance)

Performances

Mainpiece Title: Il Convito

Dance: End of Act I New Divertisement, probably as17821119; End of Open Apelles and Campaspe, probably as17821102, but added: Henry

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I Apelles and Campaspe, as17821102; End of Opera New Divertisement, as17821102, with Passacaille, as17821109

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I New Divertisement, as17821102, but Sga Crespi in place of Sga Sala; End of Opera Il Ratio delle Sabine, as17821212

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I New Divertisement, as17821130, but omitted: Mlle Theodore; End of Act II Le Tuteur Trompe, as17830111, but omitted: Mlle Theodore, Pas de Basque

Performances

Mainpiece Title: Convito

Cast
Role: Emily Actor: Miss Phillips

Dance: End of Act I New Divertisement, as17830125; End of Act II Le Tuteur Trompe, as17830111, but omitted: Pas de Basque

Performances

Mainpiece Title: Il Convito

Dance: End of Act I New Divertisement, as17821130; End of Act II Le Tuteur Trompe, as17830128

Performances

Mainpiece Title: Ifigenia In Aulide

Performance Comment: Principal Characters by Pacchierotti, Scovelli, Bartolini, Schinotti; Sga Gherardi, Sga Morigi. [Libretto (H. Reynell, 1782) lists the parts: Achille, Agamennone, Ulisse, Arcade; Elisena, Ifigenia.] hathi.

Dance: End of Act II New Divertisement (performers not listed, but see17821130), in which a Pas de Deux by Simonet, &c.; End of Act III Les Epouses Persones, as17830215

Performances

Mainpiece Title: Zemira And Azor

Dance: End of Act I New Divertisement, as17830218; End of Act II Le Tuteur Trompe, as17830128

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II New Divertistment, as17821130, but added: Mme Simonet; End of Act III Le Tuteur Trompe, as17830128

Song: Opera: With a new set of Airs, and an additional Scene, with a song from the celebrated Sarti, by Pacchierotti

Monologue: 1783 03 06 End of Opera an Address in English to the Audience, with a song from Handel, by Pacchierotti

Performances

Mainpiece Title: Zemira And Azor

Dance: End of Act II New Divertisement, as17821130; End of Act III Les Epouses Persanes, as17830215, but added: Degville Sen

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Tom Thumb

Dance: As17821231

Performances

Mainpiece Title: Zemira And Azor

Dance: End of Act II New Divertisement, as17821130; End of Act III Il Riposo del Campo, as17830322athi

Performances

Mainpiece Title: I Vecchi Burlati

Dance: End of Act I New Divertisement, as17821130, but omitted: Slingsby; End of Act II 11 Riposo del Campo, as17830313but Degville Jun. in place of Slingsby

Performances

Mainpiece Title: Il Convito

Dance: End of Act I New Divertisement, as17830327End of Act II Le Teteur Trompe, as17830128, with Sequedilla and Fandango, as17830410

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Tristram Shandy

Dance: In Act III of mainpiece a new Ballet in Demi-character (composed by Mons Lunatiq) La Tarantula; or, The Merry Bedlamites, with a grand Pas de Deux, to conclude with a Fandango in the Spanish stile (performers not listed)

Song: In Act iv of mainpiece The Pigeon, as17830507

Monologue: 1783 05 09 End of mainpiece Joe Haynes's Epilogue spoken by Wilson, riding on an Ass

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Comus

Song: End of Act II of mainpiece Tally Ho!; In afterpiece The Huntsman's sweet Hallo!, both by Mrs Martyr

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act I II Riposo del Campo, as17830603 with a Pas Seul, as17830531; End of Act II Le Tuteur Trompe, as17830614 End of Act III The famous new ballet The Four Nations, performed but twice at the Pantheon [on 17 and 24 June, when it was announced as composed by Lepicq, "representing four different Nations: Mme Simonet the French, Slingsby and Mlle Theodore the English, Zuchelli and Sga Crespi the African, Lepicq and Mme Rossi the Cosaque-Polonois, with several Pas de Deux, each of them suited to the National Characters"]

Performances

Mainpiece Title: Cheapside; Or, All In The City

Performance Comment: Principal Characters by Benson, Johnson (from the Theatre Royal, Dublin), Pressly, Robson, Bailey (from the Theatre Royal, York), Jacobs (from the Theatre Royal, Edinburgh); Miss Hemet, Miss Dudley, Miss Dancer, Mrs Hyam. Cast not known. With a new Prologue and Epilogue .
Related Works
Related Work: Squire Basinghall; or, The Cheapside Beau Author(s): Edward Phillips

Afterpiece Title: The Sailor's Sheet Anchor

Afterpiece Title: A New Way to Keep a Wife at Home

Dance: In 2nd piece The Merry Sailors and The Wapping Landlady (perfomers not listed for either dance)

Monologue: 1783 09 17 End of Act III of 1st piece The Farmer's Blunder by Kenrick

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Tom Thumb

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Ward (from the Theatre-Royal, Edinburgh; 1st appearance on that stage); Mr Strictland-Bensley; Frankly-Palmer; Bellamy-Farren; Jack Meggot-Dodd; Tester-Burton; Buckle-Wright; Ranger's Servant-Phillimore; Jacintha-Mrs Wells; Mrs Strictland-Mrs Brereton; Lucetta-Mrs Hopkins; Clarinda-Miss Farren .

Afterpiece Title: The Gentle Shepherd

Dance: End of Act II of mainpiece a New Dance by Second and Miss M. Stageldoir

Performances

Mainpiece Title: A New Way To Pay Old Debts

Performances

Mainpiece Title: A New Way To Pay Old Debts