SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in the Haymarket"/1) | (@(roleclean,performerclean) "New Theatre in the Haymarket")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4951 matches on Event Comments, 2716 matches on Performance Title, 1711 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [Announced on playbill of 2 July, which lists no afterpiece, but not advertised on 3 July. Perhaps not acted; the theatre appears to have been closed until 21 July.

Performances

Mainpiece Title: Venice Preserved

Event Comment: [Henderson's 1st appearance as Richard was at Bath, 20 Oct. 1772. Mrs Massey was from the Norwich theatre.

Performances

Mainpiece Title: K

Afterpiece Title: Miss in Her Teens

Event Comment: Mainpiece [1st time; C 3, by Sarah Gardner. Prologue by the author (London Chronicle, 11 Aug.). Larpent MS 435; not published; synopsis of plot in London Magazine, Aug. 1777, p. 433. For a description of the difficulties attending the reception of this play, from a recently discovered MS by Mrs Gardner, see Theatre Notebook, VII, 76-81]

Performances

Mainpiece Title: The Advertisement; Or, A Bold Stroke For A Husband

Afterpiece Title: The Citizen

Event Comment: [Digges refused to make use of "the too familiar modern manner of speaking blank verse" (London Chronicle, 30 Aug., which also identifies Fotteral, although misspelling his name as "Fotheril").

Performances

Mainpiece Title: King Henry Viii

Performance Comment: Cardinal Wolsey-Digges; Buckingham-Palmer; Cranmer-Younger; Surry-Davies; Cromwell-R. Palmer; Gardiner-Parsons; Lord Sands-Jackson; Lord Chamberlain-Egan; Norfolk-T. Davis; Suffolk-Fearon; King Henry-A Gentleman (from the Theatre Royal, Dublin; 1st appearance in London [Fotteral]); Anne Bullen-Mrs Colles; Patience (with a song)-Miss Twist; Queen Catherine-Mrs Massey (1st appearance in that character).
Cast
Role: Queen Catherine Actor: Mrs Massey

Afterpiece Title: The Portrait

Related Works
Related Work: The Portrait Author(s): George Colman, the elder

Performances

Mainpiece Title: The First Part Of King Henry Iv

Performance Comment: As17770724 but Hotspur-Smith (from the Theatre Royal, Dublin; 1st appearance in London). 1st appearance in London).

Afterpiece Title: The Portrait

Related Works
Related Work: The Portrait Author(s): George Colman, the elder

Dance: As17770728

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for Digges. The Doors to be opened at 5:30. To begin at 6:30. Morning Post, 7 Oct.: Digges, far advanced in the autumn of his life, wanted that fire which is so indispensable to Macheath. His dress was beyond measure ridiculous, and his songs...discordant and tedious. [His 1st appearance as Macheath was at Smock Alley Theatre, Dublin, 10 Oct. 1752.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: A Farce and Entertainments

Event Comment: [Death is identified in Public Advertiser, 9 Oct.; he was from the York theatre. Leoni's song is identified in London Chronicle, 9 Oct.] Receipts: #197 1s. (196.3; 0.18)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Royal Chace

Cast
Role: Colombine Actor: Miss Matthews.

Dance: End III: The Humours of Leixlip-Aldridge, Master Jackson, Miss Besford

Song: II: song [I have lost my Anna]-Leoni

Event Comment: Mainpiece: Not acted these 2 years. [Henderson had 1st acted Shylock at Bath, 21 Dec. 1774; and 1st in London at hay, 11 June 1777.] Paid Printers Bills to the 11th Inst. #32 8s. Receipts: #234 6s. 6d. (209.7.0; 23.19.6; 1.0.0)

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock (1st time [at this theatre])-Henderson; Antonio-Bensley (1st appearance in that character); Gratiano-Dodd; Lorenzo (with songs)-Vernon; Duke-Packer; Launcelot-Parsons; Gobbo-Wrighten; Salanio-Farren; Solerino-Lamash; Tubal-Waldron; Bassanio-Palmer (1st appearance in that character); Jessica (1st time; with a song)-Miss Walpole; Nerissa-Mrs Davies; Portia-Miss Younge (1st appearance in that character).

Afterpiece Title: The Quaker

Dance: End III: Rural Grace, as17771002

Event Comment: Mainpiece: Not acted these 7 years. No joke ever raised such loud and repeated mirth, in the galleries, as Sir John 's labour in getting the body of Hotspur on his back...At length this upper-gallery merriment was done away [with] by the difficulties which Henderson encountered in getting Smith on his shoulders. So much time was consumed in this pick-a-pack business that the spectators grew tired, or rather, disgusted. It was thought best, for the future, that some of Falstaff 's ragamuffins should bear off the dead body" (Davies, I, 273-75). [For Henderson as Falstaff see hay, 24 July 1777.] Receipts: #207 10s. 6d. (185.6.0; 20.7.0; 1.17.6)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Performance Comment: Hotspur-Smith; King Henry-Bensley (1st appearance in that character); Worchester-Aickin; Sir Richard Vernon-Farren; Northumberland-Packer; Sir Walter Blunt-Hurst; Prince John-Lamash; Westmorland-Wrighten; Douglas-Chaplin; Poins-R. Palmer; Carriers-Moody, Parsons; Francis-Waldron; Bardolph-Wright; Sheriff-Griffiths; Gadshill-Holcroft; Peto-Nash; Prince of Wales-Palmer; Falstaff (1st time [at this theatre])-Henderson; Hostess-Mrs Bradshaw; Lady Piercy (1st time)-Mrs Cuyler.

Afterpiece Title: The Quaker

Dance: End II: Comic Dance-the Miss Stageldoirs

Event Comment: Paid Land Tax one-half year on Theatre #52 10s.; Tax on Window Lights #6 12s. 6d. Receipts: #171 11s. 6d. (171.3.6; 0.8.0)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Apprentice

Cast
Role: The Apprentice Actor: Lewis

Dance: Hornpipe, as17771017; End II: As17771008

Event Comment: [Kirkpatrick is identified in Morning Chronicle, 8 Nov. He was from the Crow Street Theatre, Dublin.] Receipts: #132 11s. 6d. (129.19.0; 2.12.6)

Performances

Mainpiece Title: King Richard The Third

Performance Comment: Richard-A Gentleman (1st appearance [Kirkpatrick]); King Henry-Hull; Richmond-Wroughton; Buckingham-Booth; Stanley-Fearon; Tressel-Whitfield; Prince Edward (1st time)-Miss Morris; Duke of York-Master Jones; Norfolk-Bowles; Lieutenant-L'Estrange; Duchess of York-Mrs Poussin; Lady Ann-Mrs Jackson; The Queen-Mrs Hartley (their 1st appearance in those characters).
Cast
Role: The Queen Actor: Mrs Hartley

Afterpiece Title: Comus

Cast
Role: Brothers Actor: Whitfield, Robson
Role: The Lady Actor: Mrs Jackson
Related Works
Related Work: Comus Author(s): George Colman, the elder
Event Comment: Mainpiece: Not acted these 3 years [acted 6 May 1776]. With Accompaniments to the Airs composed by Thomas? Linley Sen?.. Public Advertiser, 10 Nov.: "Jenny Diver forgot her song...and continued inflexibly silent till a Wag behind the Scenes assumed her Voice, and sung the Song for her"; ibid, 15 Nov., identifies this wag as Bannister, who sang "in a feigned voice." [Webster was from the Crow Street Theatre, Dublin.] Receipts: #192 6s. 6d. (167.2.0; 24.16.0; 0.8.6)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: All the World's a Stage

Dance: III: a Hornpipe-Blurton. [This was danced, as here assigned, in all subsequent performances.

Event Comment: Mainpiece: Not acted these 3 years. Afterpiece: With a Grand Procession. [Both the dance and the procession were included in all subsequent performances, except on 23 Apr. 1778. For Henderson as Don John see hay, 19 Aug. 1777.] Receipts: #153 11s. 6d. (125.19.0; 18.0.6; 9.12.0)

Performances

Mainpiece Title: The Chances

Performance Comment: Don John (1st time [at this theatre])-Henderson; Frederick-Brereton; Duke-Packer; Petruchio-Aickin; Antonio-Parsons; Peter-Burton; Antony-Waldron; Francisco-Wright; Surgeon-Wrighten; First Constantia-Miss Hopkins (1st appearance in that character); Mother-Mrs Hopkins; Landlady-Mrs Bradshaw; Nurse-Mrs Love; Second Constantia-Mrs Abington.
Cast
Role: Mother Actor: Mrs Hopkins

Afterpiece Title: A ChristmasTale

Dance: In afterpiece: a Dance of Evil Spirits-

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mr and Mrs Massey. The Doors to be opened at 5:30. To begin at 6:30. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Tickets to be had of Massey, No. 17, Portugal-street, Lincoln's inn fields. Care has been taken to have the House well aired

Performances

Mainpiece Title: Jane Shore

Performance Comment: Gloster-Smith; Dumont-O'Brien Machin (from the Theatre Royal, Crow Street in Dublin); Ratcliffe-Bailey; Catesby-Shepherd; Bellmour-Barnes; Earl of Derby-Thompson; Lord Hastings-West; Alicia-Mrs Lefevre (1st appearance in town); Jane Shore-Mrs Massey.

Afterpiece Title: The Irish Widow

Performance Comment: Sir Patrick O'Neale-Bailey; Whittle-Shepherd; Kecksy-Benson; Bates-Wallace; Thomas-Massey; Widow Brady (with the original Epilogue Song)-Mrs Massey.

Song: Entertainments of singing-Mrs Mapples;, particularly the favourite song of The Soldier tir'd of war's alarms-Mrs Mapples

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Lewis; Aimwell-Wroughton; Gibbet-Booth; Boniface-Dunstall; Foigard-Fox; Sir Charles Freeman-Robson; Sullen-Clarke; Scrub-Quick; Dorinda-Mrs Lessingham; Cherry-Miss Brown; Lady Bountiful-Mrs Poussin; Mrs Sullen-Mrs Barry (1st appearance in that character at this theatre).

Afterpiece Title: Mother Shipton

Related Works
Related Work: Mother Shipton Author(s): George Colman, the elder
Event Comment: By Command of Their Majesties. Tickets and Places for the Boxes to be taken of Fosbrook at the Stage Door of the Theatre, at Half a Guinea each. Pit 5s. 1st Gallery 3s. 6d. 2nd Gallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season. Mrs Farrell's cantata is identified in London Chronicle, 9 Mar.]

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Dryden's Ode

Song: Between: As there are very few songs in Acis and Galatea that can be adapted for Mrs Farrell's voice, she will sing a cantata The rosy morn with crimson dye=-Mrs Farrell

Music: End Part I: concerto on the organ-Stanley; End Part II: concerto on the violin-probably Linley Jun

Event Comment: Boxes 10s. 6d. Pit 4s. 1st Gallery 3s. 2nd Gallery 2s. Places for the Boxes to be taken of Sarjant (only) at the Stage Door. Books of the Oratorio to be had at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season. The Account-Book notes that the director of the oratorios this season was James Hook.

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Sacred Canons

Performance Comment: A Select Collection, by the most eminent ancient and modern composers; Principal Vocal Parts-Vernon, Meredith, Mrs Wrighten, Mr Weichsel; to conclude with Non Nobis Domine-.

Music: End Part I: concerto on the German flute-Florio; End of Part III: concerto on the piano forte-Miss Weichsel; concerto on the hautboy-LeBrun; concerto on the violin-Master Weichsel

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17771008, but Tom-Lee Lewes (1st appearance in that character); Indiana-Mrs Barry (1st appearance in that character at this theatre).

Afterpiece Title: Mother Shipton

Related Works
Related Work: Mother Shipton Author(s): George Colman, the elder

Song: As17771008

Event Comment: Benefit for Macklin. Daily Advertiser, 24 Mar.: Tickets to be had of Macklin, Tavistock-Row, Covent-Garden. [Mrs Bulkley's 1st appearance as Portia was at this theatre, 1 Jan. 1768.] Receipts: #212 8s. (132.1; tickets: 80.7) (charge: #64 10s.)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: End III: La Soiree a@la@Mode, as17771103; End IV: As17780309

Event Comment: By Authority [of the Lord Chamberlain]. Benefit for West. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had of West, No. 4, Stanhope-street, Clare-market. [Authors of Prologue and Address unknown.

Performances

Mainpiece Title: King Richard Iii

Performance Comment: King Richard-A Gentleman (1st appearance on any stage [unidentified]); King Henry-Lucas; Duke of Buckingham-Thompson; Prince of Wales-Master Benson (1st appearance on any stage); Duke of York-Master Kenny; Norfolk-Massey; Oxford-Stevens; Lord Stanley-Painter; Blunt-Bell; Ratcliff-Kenny; Catesby-Bailey; Tressel-Mills; Lieutenant-Newton; Lord Mayor-Bowles; Tirrell-Edwards; Richmond-A Gentleman (1st appearance on any stage [unidentified]); Lady Anne-Mrs Lefevre; Duchess of York-Mrs Leister; Queen Elizabeth-Mrs Robinson (from the Theatre Royal at Bath); An occasional Prologue (written by a Gentleman eminent in the Republic of Letters [unidentified])-West.
Cast
Role: Lieutenant Actor: Newton

Afterpiece Title: The Deuce is in Him

Performance Comment: Colonel Tamper (with the original Prologue)-West; Major Belford-Newton; Prattle-Smith; Emily-Mrs Lefevre; Bell-Mrs Robinson; Mademoiselle Florival-Mrs West.
Cast
Role: Major Belford Actor: Newton
Related Works
Related Work: The Deuce is in Him Author(s): George Colman, the elder

Song: A variety of Entertainments of Singing, particularly The Soldier tir'd-a Lady [unidentified]

Entertainment: Monologue. End: an occasional Address-Master Benson

Event Comment: Benefit for Mrs Mattocks. [As afterpiece Genest, VI, 25, lists The Romp, "1st time," with partial cast. In an advance notice of Mrs Mattocks' benefit in Public Advertiser, 20 Mar., the farce advertised for 28 Mar. is The Romp, "1st time," with full cast; this appears to have been Genest's source. But in the same newspaper for 25, 26, 27 Mar. the farce advertised is Three Weeks after Marriage. The Romp was 1st acted at the Capel Street Theatre, Dublin, 23 Jan. 1771, and in London at the hay, 12 Nov. 1781. See also dl, 21 Nov. 1785.] Public Advertiser, 17 Mar.: Tickets to be had of Mrs Mattocks at her house in Covent Garden. Receipts: #160 9s. (101.19; tickets: 58.10) (charge: #64 10s.)

Performances

Mainpiece Title: Percy

Afterpiece Title: Three Weeks after Marriage

Dance: After Epilogue: All in the Downs; or, Farewell to Deal, as17780309but _Besford, Mrs White

Event Comment: Benefit for Miss Younge. Mainpiece: With the grand Triumphal Entryv. [Public Advertiser, I Apr., identifies the Epilogue as an alteration by Garrick of his epilogue to Alfred.] Afterpiece [1st time; CO 2, by J Hough]: The Music composed by William? Bates. Tickets delivered for The Brothers will be taken. Books of the Performances to be had at the Theatre. Public Advertiser, 7 Mar.: Tickets to be had of Miss Younge at Thelwall's, Silk Mercer, King-street, Covent Garden. Receipts: #285 13s. 6d. (141.9.0; 11.15.0; 0.2.6; tickets: 132.7.0) (charge: #76 19s. 6d.)

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Performance Comment: Alexander-Smith; Cassander-Palmer; Lysimachus-Hurst; Hephestian-Davies; Polyperchon-Chambers; Thessalus-Wright; Perdiccas-Chaplin; Eumenes-Norris; Aristander-Wrighten; Slave-R. Palmer; Clytus-Bensley; Roxana-Miss Younge; Parisatis-Miss Hopkins; Sisigambis-Mrs Johnston; Statira-Mrs Yates; A favorite Epilogue (written by D. Garrick, Esq.) with alterations spoken-Miss Younge.
Cast
Role: Thessalus Actor: Wright

Afterpiece Title: Second Thought is Best

Event Comment: Benefit for Lewis. Mainpiece: Not acted these 6 years. Public Advertiser, 17 Mar.: Tickets to be had of Lewis at his house in Broad court, Bow-street, Covent Garden. Receipts: #194 16s. (143.9; tickets: 51.7) (charge: #66 13s.

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Performance Comment: Biron (1st time)-Lewis; Count Baldwin-Clarke; Carlos-Whitfield; Belford-L'Estrange; Sampson-Dunstall; Friend-Smith; Pedro-Bates; Child-Miss Francis; Villeroy (1st time)-Wroughton; Nurse-Mrs Poussin; Isabella-Mrs Barry (1st appearance in that character at this theatre).
Related Works
Related Work: The Fatal Marriage Author(s): Thomas Southerne
Related Work: The Fatal Marriage; or, The Innocent Adultery Author(s): Thomas Southerne

Afterpiece Title: True-Blue

Afterpiece Title: The Apprentice

Cast
Role: The Apprentice Actor: Lewis

Dance: 2nd piece: Aldridge. [This was danced, as here assigned, in all subsequent performances.

Song: III: Epithalamium-; the vocal parts-Robson, Miss Dayes

Event Comment: [The Account-Book notes that the theatre received #25 on each of the 11 Oratorio nights.

Performances

Mainpiece Title: The Prodigal Son; Acis And Galatea

Music: As17780313

Event Comment: Benefit for Mrs Robinson. Morning Chronicle, 6 Apr.: Tickets to be had of Mrs Robinson, at Parviso's, No. 114, Long acre. Afterpiece [1st time; CO 2, by Mary Robinson. Larpent MS 447; not published]: The Music chiefly compiled. Tickets delivered for King Lear will be taken. Books of the Performances to be had at the Theatre. Receipts: #153 17s. 6d. (57.8.0; 21.3.6; 0.10.0: tickets: 74.16.0) (charge: #78 11s. 6d.)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Lucky Escape

Performance Comment: [Principal Characters by Vernon, Waldron, Dodd, Miss Collett, Mrs Wrighten. Cast from Songs (Printed for the Author [1778]): Edwin-Vernon; Sir Toby Stedfast-Waldron; Venture-Dodd; Maria-Miss Collett; Letitia-Mrs Wrighten.

Song: As17780331