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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in the Haymarket"/1) | (@(roleclean,performerclean) "New Theatre in the Haymarket")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8350 results for: Keyword - New Theatre in the Haymarket
We found 4951 matches on Event Comments, 2716 matches on Performance Title, 1711 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

2801
08 October 1782 @ Covent Garden

Performances

Mainpiece Title: Which Is The Man

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Afterpiece Title: Tom Thumb

Dance: End of mainpiece a new Dance (composed by Harris) Pastoral Sports by Harris, Second, Mrs Ratchford, Miss Matthews

Related Works
Related Work: The Tragedy of King Richard II Author(s): Lewis Theobald

2802
05 November 1782 @ King's Theatre

Performances

Mainpiece Title: Il Convito

Dance: As17821102 throughout, but the New Divertisement is here entitled (but on no other occasion) La Bergire Constante

2803
09 November 1782 @ King's Theatre

Performances

Mainpiece Title: Il Convito

Dance: End of Act I New Divertisement, as17821102, but omitted: Zuchelli, Sga Sala, and added: Passacaille by Lepicq; End of Opera Apelles and Campaspe, as17821102

2804
29 November 1782 @ Covent Garden

Performances

Mainpiece Title: The Discovery

Performance Comment: Sir Anthony Branville-Henderson; Lord Medway-Aickin; Colonel Medway-Wroughton; Servants-Helme, Ledger; Sir Harry Flutter-Lewis; Mrs Richley [in subsequent bills called Mrs Knightly]-Mrs Mattocks; Lady Medway-Mrs Hopkins (of DL); Miss Richley-Miss Satchell; Louisa-Miss Morris; Lady Flutter-Mrs Abington (1st appearance at this Theatre). End of Act I an Occasional Address spoken by Mrs Abington .

Afterpiece Title: St

Dance: End of mainpiece a new Dance, Diversion a-la-Mode, by Harris, Burn [i.e. Byrne], Miss Matthews, in which The Devonshire Minuet by Harris and Miss Matthews

Performance Comment: e. Byrne], Miss Matthews, in which The Devonshire Minuet by Harris and Miss Matthews .

2805
30 November 1782 @ King's Theatre

Event Comment: [Me Rossi was from the Opera, Naples.] "Her very first step proclaimed her a perfect mistress in the art of pantomime. Her dress was a manteau a la reine, lately imported by our travelling milliners. The body, bones and trimming are puce, the sleeves and lower part of the garment a white gawze. Her partner, Lepicq, dressed in the same uniform, discovered such profusion of talents, if we may be allowed the expression, as 'beggar all praise'" (Public Advertiser, 3 Dec)

Performances

Mainpiece Title: Medonte

Dance: End of Act I Apelles and Campaspe, as17821102; End of Opera New Divertisement, as17821102, but Sga Crespi in place of Sga Sala, and added: Pas de Deux by Lepicq and Mme Rossi (1st appearance in this country)

2806
10 December 1782 @ King's Theatre

Event Comment: By Command of Their Majesties

Performances

Mainpiece Title: Il Convito

Dance: End of Act I Apelles and Campaspe, as17821102; End of Act II New Divertisement, as17821130, and added: a second Pas de Deux by Master Laborie and Miss Simonet (their 1st appearance)

2807
17 December 1782 @ King's Theatre

Event Comment: [In the 1st ballet the playbill lists Mme Rossi, but she did not dance. As the 2nd ballet the playbill announces Il Ratto delle Sabine, but Mme Rossi was ill, which "rendered a verbal apology unavoidable. 'Mme Rossi was in hopes that her wish to court your favour would enable her to overcome her illness, but it has been as sudden as it is now alarming. She has just been let blood. The manager therefore intreats your indulgence, and that you will accept of Apelles and Campaspe instead of the Grand Ballet, which cannot possibly be performed.' . . . Henry performed the part of Alexander with the greatest propriety" (Public Advertiser, 19 Dec.).]

Performances

Mainpiece Title: Il Convito

Dance: End of Act I New Divertisement, probably as17821119; End of Open Apelles and Campaspe, probably as17821102, but added: Henry

2808
28 December 1782 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I Apelles and Campaspe, as17821102; End of Opera New Divertisement, as17821102, with Passacaille, as17821109

2809
31 December 1782 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I New Divertisement, as17821102, but Sga Crespi in place of Sga Sala; End of Opera Il Ratio delle Sabine, as17821212

2810
25 January 1783 @ King's Theatre

Event Comment: [The playbill retains Sga Pollone, but she did not sing. Public Advertiser, 27 Jan.: The Indisposition of Sga Pollone prevented the performance of Il Convito [originally announced for performance on this present night]. For Sga Salpietro, see 13 Feb.]

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I New Divertisement, as17821130, but omitted: Mlle Theodore; End of Act II Le Tuteur Trompe, as17830111, but omitted: Mlle Theodore, Pas de Basque

2811
28 January 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Convito

Dance: End of Act I New Divertisement, as17830125; End of Act II Le Tuteur Trompe, as17830111, but omitted: Pas de Basque

2812
04 February 1783 @ King's Theatre

Performances

Mainpiece Title: Il Convito

Dance: End of Act I New Divertisement, as17821130; End of Act II Le Tuteur Trompe, as17830128

2813
18 February 1783 @ King's Theatre

Event Comment: A Serious Opera in 3 acts, acted but once last Season [on 25 May 1782]; the music by Bertoni

Performances

Mainpiece Title: Ifigenia In Aulide

Performance Comment: Principal Characters by Pacchierotti, Scovelli, Bartolini, Schinotti; Sga Gherardi, Sga Morigi. [Libretto (H. Reynell, 1782) lists the parts: Achille, Agamennone, Ulisse, Arcade; Elisena, Ifigenia.] hathi.

Dance: End of Act II New Divertisement (performers not listed, but see17821130), in which a Pas de Deux by Simonet, &c.; End of Act III Les Epouses Persones, as17830215

Cast
Role: Slaves Actor: Sga Crespi, Mlle Theodore
Related Works
Related Work: The Test of Love Author(s): John Edwin, the younger

2814
04 March 1783 @ King's Theatre

Performances

Mainpiece Title: Zemira And Azor

Dance: End of Act I New Divertisement, as17830218; End of Act II Le Tuteur Trompe, as17830128

Cast
Role: Slaves Actor: Sga Crespi, Mlle Theodore

2815
06 March 1783 @ King's Theatre

Event Comment: Benefit for Pacchierotti. Opera: Not acted these 3 years. Tickets, half a guinea each, to be had of Pacchierotti, No. 8, Great Marybone-street

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II New Divertistment, as17821130, but added: Mme Simonet; End of Act III Le Tuteur Trompe, as17830128

Song: Opera: With a new set of Airs, and an additional Scene, with a song from the celebrated Sarti, by Pacchierotti

Monologue: 1783 03 06 End of Opera an Address in English to the Audience, with a song from Handel, by Pacchierotti

2816
11 March 1783 @ King's Theatre

Performances

Mainpiece Title: Zemira And Azor

Dance: End of Act II New Divertisement, as17821130; End of Act III Les Epouses Persanes, as17830215, but added: Degville Sen

2817
01 April 1783 @ Covent Garden

Event Comment: Benefit for Henderson. [In afterpiece the playbill retains Mrs Webb as Glumdalca, but on the Kemble playbill a MS annotation substitutes Miss Platt.] Receipts: #280 12s. (154/1; tickets: 126/11) (charge: #105). [Henderson sold 439 tickets in boxes, 74 in pit, 57 in gallery.]

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Tom Thumb

Dance: As17821231

2818
05 April 1783 @ King's Theatre

Performances

Mainpiece Title: Zemira And Azor

Dance: End of Act II New Divertisement, as17821130; End of Act III Il Riposo del Campo, as17830322athi

2819
12 April 1783 @ King's Theatre

Performances

Mainpiece Title: I Vecchi Burlati

Dance: End of Act I New Divertisement, as17821130, but omitted: Slingsby; End of Act II 11 Riposo del Campo, as17830313but Degville Jun. in place of Slingsby

2820
26 April 1783 @ King's Theatre

Performances

Mainpiece Title: Il Convito

Dance: End of Act I New Divertisement, as17830327End of Act II Le Teteur Trompe, as17830128, with Sequedilla and Fandango, as17830410

2821
09 May 1783 @ Covent Garden

Performances

Mainpiece Title: The Pilgrim

Performance Comment: Pedro-Lewis; Rodorigo-Aickin; Curio-Davies; Siberto-Mahon; Old Pilgrim-Fearon; Master of the Mad-house-Webb; Alphonso-Wilson; Mad Welshman-Edwin; Mad Tailor-Quick; Mad Scholar-Whitfield; Mad Parson-Booth; Mad Englishman (with a song)-Bannister; Mad Bess (with a song)-Mrs Martyr; Juletta-Mrs Wilson; Fool-Miss Stuart; Alinda-Mrs Robinson .
Cast
Role: Master of the Mad Actor: house-Webb

Afterpiece Title: Tristram Shandy

Dance: In Act III of mainpiece a new Ballet in Demi-character (composed by Mons Lunatiq) La Tarantula; or, The Merry Bedlamites, with a grand Pas de Deux, to conclude with a Fandango in the Spanish stile (performers not listed)

Song: In Act iv of mainpiece The Pigeon, as17830507

Monologue: 1783 05 09 End of mainpiece Joe Haynes's Epilogue spoken by Wilson, riding on an Ass

2822
16 May 1783 @ Covent Garden

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Comus

Performance Comment: Comus-Mattocks; Spirit-Thompson; Brothers-W. Bates, Helme; Bacchanals-Reinhold, Davies, Brett; The Lady (with Sweet Echo, accompanied on the hautboy by Sharp)-Mrs Bannister; Pastoral Nymph and Sabrina-Miss Morris; Principal Bacchant and Euphrosyne-Mrs Martyr (1st appearance in that character) .
Cast
Role: Brothers Actor: W. Bates, Helme
Role: The Lady Actor: Mrs Bannister
Related Works
Related Work: Comus Author(s): George Colman, the elder

Song: End of Act II of mainpiece Tally Ho!; In afterpiece The Huntsman's sweet Hallo!, both by Mrs Martyr

Performance Comment: ; In afterpiece The Huntsman's sweet Hallo!, both by Mrs Martyr .

2823
28 June 1783 @ King's Theatre

Event Comment: The last Time of performing this Season

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act I II Riposo del Campo, as17830603 with a Pas Seul, as17830531; End of Act II Le Tuteur Trompe, as17830614 End of Act III The famous new ballet The Four Nations, performed but twice at the Pantheon [on 17 and 24 June, when it was announced as composed by Lepicq, "representing four different Nations: Mme Simonet the French, Slingsby and Mlle Theodore the English, Zuchelli and Sga Crespi the African, Lepicq and Mme Rossi the Cosaque-Polonois, with several Pas de Deux, each of them suited to the National Characters"]

2824
17 September 1783 @ Haymarket Theatre

Event Comment: By Permission [of the Lord Chamberlain]. 1st piece [1st time; c 5, author unknown. Authors and speakers of Prologue and Epilogue unknown]. 2nd piece [1st time; m.int i, author unknown]. 3rd piece [1st time; f 2, by Walley Chamberlain Oulton, altered from The Letter Writers, by Henry Fielding. MSS of none of these pieces in Larpent; none of them published]. The Doors to be opened at 5:30. To begin at 6:30

Performances

Mainpiece Title: Cheapside; Or, All In The City

Performance Comment: Principal Characters by Benson, Johnson (from the Theatre Royal, Dublin), Pressly, Robson, Bailey (from the Theatre Royal, York), Jacobs (from the Theatre Royal, Edinburgh); Miss Hemet, Miss Dudley, Miss Dancer, Mrs Hyam. Cast not known. With a new Prologue and Epilogue .

Afterpiece Title: The Sailor's Sheet Anchor

Afterpiece Title: A New Way to Keep a Wife at Home

Dance: In 2nd piece The Merry Sailors and The Wapping Landlady (perfomers not listed for either dance)

Monologue: 1783 09 17 End of Act III of 1st piece The Farmer's Blunder by Kenrick

2825
26 September 1783 @ Covent Garden

Event Comment: She Wou'd and She Wou'd Not [announced on playbill of 24 Sept.] is obliged to be deferred on account of the Indisposition of a Principal Performer [Lewis (Public Advertiser, 27 Sept.)]. Receipts: #178 2s. 6d. (174/2/0; 4/0/6)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Tom Thumb