SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in the Hay Market"/1) | (@(roleclean,performerclean) "New Theatre in the Hay Market")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 5014 matches on Event Comments, 2829 matches on Performance Title, 1764 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mrs Egerton smart figure not much of the Gentlewoman tho, appear'd in Lady Townly (Hopkins Diary). From the Theatre Royal, Dublin (MacMillan). Lady Townly, Mrs Egerton, first time (Cross Diary)

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Performance Comment: Lord Townly-Reddish; Manly-Packer; John Moody-Burton; Myrtilla-Miss Platt; Lady Townly-Mrs Egerton, from the Theatre Royal in Dublin; Count Basset-Dodd; Sir Francis Wronghead-Love; Squire Richard-W. Palmer; Lady Grace-Mrs W. Barry; Miss Jenny-Miss Radley; Lady Wronghead-Mrs Hopkins; Mrs Motherly-Mrs Cross; Trusty-Mrs Johnston.

Afterpiece Title: The Elopement

Event Comment: [This was Mrs Hitchcock's 1st appearance in London. Miss Farren was from the Manchester theatre. Miss Twist is identified in playbill of 14 July.] Because of Foote's acting scarcely anything but his own plays "a relaxation of discipline has been fallen into at the Haymarket... The audience last night, however, were not less surprized than pleased at the very regular manner in which the Comedy and the Burletta were exhibited. All the business of the stage perfect, all the little parts smoothly given, and the whole rather superior than inferior to a performance at either of the Winter Theatres" (Morning Chronicle, 10 June)

Performances

Mainpiece Title: She Stoops To Conquer

Performance Comment: Young Marlow-Palmer; Hastings (with a song)-DuBellamy; Sir Charles Marlow-Fearon; Diggory-Massey; Landlord-Griffiths; Tony Lumpkin-Jackson; Hardcastle-Edwin; Miss Neville-Mrs Hitchcock [from the Theatre Royal, Bath (on playbill of 6 June)]; Mrs Hardcastle-Mrs Gardner; Betty-Mrs Poussin; Miss Hardcastle-Miss Farren (1st appearance in London).

Afterpiece Title: Midas

Event Comment: By Permission of the Lord Chamberlain. Benefit for Digges. Mainpiece: Never acted here. [Barry had acted King Lear at this theatre on 15 July 1767, and Ross on 18 June 1770.] Afterpiece: Altered into 3 acts

Performances

Mainpiece Title: King Lear

Performance Comment: King Lear-Digges; Bastard-West; Kent-Gardner; Gloster-Mitchell; Gentleman Usher-Blissett; Albany-Taylor; Burgundy-Turner; Cornwall-Davis; Edgar-Dimond (from the Theatre-Royal, Bath); Goneril-Mrs Lefevre; Regan-Mrs West; Cordelia-Mrs Massey.
Cast
Role: Theatre Actor: Royal, Bath

Afterpiece Title: The Gentle Shepherd

Music: Afterpiece: With the Scots Musick incidental to the Piece-

Event Comment: By Permission of the Lord Chamberlain. Benefit for Harricks and Williams. Mainpiece: The Characters to be dressed in the Habits of the Times. [Author and speaker of Address not known.] Tickets delivered for The Wonder will be taken. The Doors to be opened at 5:00. To begin at 6:15. Tickets to be had and Places taken of Rice, at the Theatre

Performances

Mainpiece Title: Richard Iii

Performance Comment: Richard-Harricks (from the Theatre Royal, York); Henry-Hunter; Buckingham-Thompson; Tressel-Cross; Lord Stanley-Stannard; Catesby-Powell; Lieutenant-Kenrick; Norfolk-Farrell; Prince Edward-Miss Beaufield; Duke of York-Miss Barnard; Richmond-Brown (from the Theatre Royal, Edinburgh); Lady Anne-A Young Lady [unidentified]; Duchess of York-Mrs Barnard; Queen-Mrs Lefevre. Preceding the Play an Occasional Address .

Afterpiece Title: The Irish Widow

Monologue: 1783 12 15 End of Act I of afterpiece The Farmer's Blunder by Kenrick

Event Comment: Benefit for Leoni. [Master Braham's 1st appearance was at this theatre on 21 Apr. 1787 (also on the night of Leoni's benefit), when he sang two songs.] Public Advertiser, 17 May: Tickets to be had of Leoni, No. 1, Well Close-square. Receipts: #123 17s. 6d. (89.14.6; 3.13.0; tickets: 30.10.0)

Performances

Mainpiece Title: The Duenna

Cast
Role: Father Paul Actor: Booth
Role: The Duenna Actor: Mrs Webb

Afterpiece Title: Poor Vulcan

Performance Comment: As17880412, but Joe-Master Braham (Pupil to Leoni; 1st appearance at this Theatre [i.e. in a speaking part]). 1st appearance at this Theatre [i.e. in a speaking part]).
Event Comment: Mainpiece: In I a Masquerade Scene incident to the Play. [This was included in all subsequent performances.] No Money to be returned. Places for the Boxes to be taken of Brandon at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 2 Nov.]. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] Receipts: #255 6s. (253.11.6; 1.14.6)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Holman (1st appearance at this theatre these 2 years); Capulet-Powel; Benvolio-Davies; Friar Lawrence-Hull; Paris-Macready; Tibalt-Cubitt; Prince-Gardner; Peter-C. Powell; Mercutio-Lewis; Lady Capulet-Mrs Platt; Nurse-Mrs Pitt; Juliet-Mrs Achmet (from the Theatre Royal Crow Street, Dublin]; 1st appearance on this stage).; 1st appearance on this stage).

Afterpiece Title: The Farmer

Song: End IV: Juliet's Funeral Procession-; With Dirge-; Vocal Parts-Bannister, Johnstone, Cubitt, Darley, Rock, Letteney, Reeve, W. Thompson, Mrs Mountain, Miss Stuart, Mrs Davenett, Mrs Watts, Mrs Gray, Miss Rowson, Miss Francis, Mrs Masters, Mrs Powell, Mrs Byrne, Mrs Martyr

Related Works
Related Work: Zelma; or, The Will o' th' Wisp Author(s): William Hayley
Event Comment: No Money to be returned. Books of the Performance to be had at the Theatre. Places for the Boxes to be taken of Fosbrook, at the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened a 5:30. To begin at 6:30 [same throughout oratorio season]. [Master Clement was from the Imperial Opera House, Vienna.

Performances

Mainpiece Title: A Grand Selection 0 From The Works Of Handel

Performance Comment: Principal Vocal Parts-Spence (1st appearance in public), Dignum, Bellamy Jun. (1st appearance), Miss Broadhurst (1st appearance in Oratorios), Miss Hagley, Miss Cecilia Davies, detta Inglesina (1st appearance in Oratorios); Conductor-Linley; 1st Violin-Shaw; Part I Overture-(Ariadne); He smote all the First@born of Egypt-Chorus (Israel in Egypt); Honour and Arms-Bellamy (Samson); No more shall Edom's Sons-Miss Hagley (Israel in Babylon); Hear us O Lord-Chorus (Judas Maccabeaus); O magnify the Lord-Miss Broadhurst (Chandos Anthems); Total Eclipse-Spence; O first created Beam-Chorus; Let the bright Seraphim-Miss Cecilia Davies (Samson); Zadok the Priest-Chorus (Coronation Anthems).

Afterpiece Title: Grand Selection 2

Performance Comment: Part II Ye sons of Israel-Chorus (Joshua); Tear such as tender Fathers shed-Bellamy (Deborah); O had I Jubal's Lyre-Miss Broadhurst (Joshua); There beneath a lowly shade-Dignum (Alexander Balus); Concerto Violin-Master Clement (1st appearance at this theatre); +Fallen is the Foe-Chorus (Judas Maccabaeus); Why does the God of Israel sleep?-Spence (Samson); O Liberty!-Miss Cecilia Davies (Judas Maccabaeus); accompanied violoncello-Mason; The many rend the skies-Chorus (Alexander's Feast).

Afterpiece Title: Grand Selection 3

Performance Comment: Part III Fifth Grand Concerto-; Is not the King most mighty, On the Charmer fondly gazing-Miss Hagley [Dr Arnold]; For unto us a Child is born-Chorus (The Messiah); Every Day will I give thanks-Miss Broadhurst (Chandos Anthems); Jehovah crown'd-Bellamy; He comes-Chorus (Esther); Prophetic Raptures-Miss Cecilia Davies (Joseph); O come let us worship-Spence (Coronation Anthems); Hallelujah for the Lord God Omnipotent reigneth-Grand Chorus (The Messiah).
Event Comment: Mainpiece: Never acted at this Theatre. [Under his real name, Snow, Hargrave had 1st appeared at this theatre on 7 Oct. 1791. In mainpiece the playbill assigns Sadi to Knight, but "The part of Sadi, which [Knight] was prevented from appearing in by indisposition, was undertaken by Townsend, who acquitted himself very ably" (Morning Herald, 8 Oct.). Townsend's part as a Muleteer was probably omitted.] Receipts: #128 11s. (125.16; 2.15)

Performances

Mainpiece Title: The Mountaineers

Performance Comment: Octavian-Hargrave (from the Theatre Royal Dublin; 1st appearance); Kilmallock-Johnstone; Lope Tocho-Quick; Sadi-Townsend; Virolet-Middleton; Bulcazin Muley-Macready; Muleteers-Bowden, Townsend?, Haymes; Goatherds-Powel, Simmons, Thompson; Roque-Davenport; Ganem-Toms; Pacha-Farley; Ali Beg-Abbot; Agnes-Mrs Clendining; Floranthe-Miss Mansel; Zorayda-Miss Wallis; Musical Characters-Linton, Blurton, Street, Gray, Abbot, Little, Lee, Sawyer, Tett, Kenrick, J. Linton, Thomas, Oddwell, Cooke, Everett, Philipps, Mrs Mountain, Mrs Gilbert, Mrs Lloyd, Mrs Follett, Mrs Castelle, Mrs Masters, Mrs Blurton, Mrs Norton, Mrs Watts, Miss Leserve, Miss Walcup, Mrs Henley, Miss Owen, Miss Logan, Mrs Martyr.
Cast
Role: Goatherds Actor: Powel, Simmons, Thompson
Role: Floranthe Actor: Miss Mansel
Related Works
Related Work: The Mountaineers Author(s): George Colman, the younger

Afterpiece Title: Netley Abbey

Performance Comment: Capt. Oakland-Incledon; Oakland-Munden; Gunnel-Fawcett; Jeffery-Townsend; Sterling-Powel; M'Scrape-Johnstone; Ellen Woodbine-Mrs Mountain; Lucy Oakland-Mrs Follett; Catherine-Mrs Martyr.
Cast
Role: Catherine Actor: Mrs Martyr.
Event Comment: Benefit for Miss Wallis. 2nd piece: By Permission of the Proprietors of Drury Lane Theatre, and for that night only; with additional Songs [Sga Storace had sung in the oratorios at this theatre in the 1789 season.] True Briton, 13 Apr.: Tickets to be had of Miss Wallis, Gower-street. Receipts: #376 9s. 6d. (192.15.6; 2.16.0; tickets: 180.18.0)

Performances

Mainpiece Title: The Guardian

Afterpiece Title: No Song No Supper

Performance Comment: Robin (1st time)-Fawcett; Crop (1st time)-Townsend; Endless (1st time)-Simmons; William-Haymes; Louisa-Mrs Clendining; Dorothy-Mrs Martyr; Nelly-Mrs Castelle; Margaretta (by permission of the Proprietor of the Opera House)-Sga Storace (1st and only appearance at that Theatre); Lullaby-Sga Storace.

Afterpiece Title: The Comedy of Errors

Song: In 3rd piece: as17970107

Event Comment: [Miss Andrews' 1st appearance on the stage was at dl on 13 May 1796.] The Publick is respectfully informed that, in consequence of the Benefit advertised for To-morrow, at the Theatre-Royal in Covent Garden, no Entertainments will be given here on that night; it being the wish of the Proprietor of this Theatre to promote, by any means in his power, the success of the above charitable purpose

Performances

Mainpiece Title: Tit For Tat

Related Works
Related Work: Tit for Tat Author(s): George Colman, the elder

Afterpiece Title: The Agreeable Surprise

Performance Comment: Lingo-Fawcett; Sir Felix Friendly-Hollingsworth (of dl); Compton-Bannister; Eugene-Davies; Chicane-Usher; Thomas-Waldron Jun.; John-Lyons; Cudden-Chippendale; Stump-Ledger; Laura-Miss Andrews (1st appearance on any stage [recte at this theatre]); Mrs Cheshire-Mrs Davenport; Fringe-Mrs Harlowe; Cowslip-Mrs Gibbs (1st appearance in that character).

Afterpiece Title: Katharine and Petruchio

Performance Comment: Petruchio-Palmer; Baptista-Usher; Hortensio-Trueman; Biondello-R. Palmer; Musick Master-Palmer Jun.; Taylor-Waldron Jun.; Pedro-Ledger; Gregory-Lyons; Nathaniel-Abbot; Peter-Chippendale; Grumio-Wathen; Bianca-Mrs Jones; Curtis-Mrs Booth; Katharine-Mrs Gibbs.
Cast
Role: Grumio Actor: Wathen
Event Comment: [Extra night] Benefit for General Lying-In Hospital, Bays-water. Under Patronage of Her Majesty. The Proprietor of Theatre has liberally given Use of House on the above Occasion [i.e. he levied no charge]. The Orchestra under direction of Mountain. Principal Oboe by W. Parke. The Curtain to rise exactly at 7:00. Tickets to be had of Mess. Longman and Broderip [music publishers, No. 13, Haymarket]; at Hospital, Bayswater; and of Brandon at Theatre. Receipts: none listed

Performances

Mainpiece Title: The Farmer

Afterpiece Title: The Child of Nature

Performance Comment: Alberto (by permission of the Drury Lane Proprietors)-Aickin; Marquis Almanza-Wilkinson (1st appearance on this stage); Count Valentia-Clarke; Seville-Hull; Granada-Evans; Peasant-Thompson; Servant-Abbot; Duke Murcia-Meredith (1st appearance on this stage); Amanthis-Mrs Jordan (of Drury Lane, who has liberally consented to come forward in behalf of the Charity; by the kind Permission of the Proprietor of that Theatre); Marchioness Merida-Mrs Litchfield.

Dance: End 1st piece: Peggy's Love- in which, by permission of the Proprietor of the Opera House, who has generously allowed Principal Dancers and Whole Corps de Ballet to appear, the following Ladies and Gentlemen will exert their well known Abilities:Laborie, Didelot, Mme Laborie, Mme Hilligsberg; End 2nd piece: La Vengeance d'Amour, in which the Pas de Quatre de Panurge-Laborie, Didelot, Mme Laborie, Mme Hilligsberg

Event Comment: 2nd piece [1st time; D 3, by Henry Neuman, based on Der Opfertod, by August Friedrich Ferdinand von Kotzebue. Text (R. Phillips, 1799) assigns no parts]. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice, at the Theatre. The Theatre, since the last Season, has been newly Decorated. [Beginning with 19 June the playbill: Printed by T. Woodfall, Drury Lane; on 4 Sept.: No. 104, Drury Lane.] Morning Chronicle, 27 June 1799: This Day is published Family Distress (2s.). Gentleman's Magazine, May 1800, pp. 406-8, prints a letter from "J. B." in which strong exception is taken to Kotzebue in general, and this play in particular. "Theatrical entertainments have an extensive influence upon the manners of Society. When well regulated, and the pieces for representation well selected both as to matter and manner, they may be esteemed friendly to morality, and improvers of public taste. But what shall we say when both these ends are disregarded; when moral virtue is banished from the scene, and purity of taste is destroyed by affected language and pantomimical decorations? Improvements in almost every art and science have been within a few years, rapid and important. But that is not the case with the stage; nor can it be, while Kotzebue and his friends usurp the venerable boards of Shakespeare." The writer then, in sarcastic terms, outlines the plot of Family Distress. [Pope and Miss Chapman were both from cg.

Performances

Mainpiece Title: Peeping Tom

Performance Comment: Peeping Tom (with The Little Farthing Rushlight)-Fawcett; Mayor-Davenport; Crazy-Suett; Harold-Davies; Emma-Mrs Edward; Mayoress-Mrs Hale; Godiva-Mrs Cuyler; Maud-Mrs Harlowe.

Afterpiece Title: Family Distress

Performance Comment: Characters by Pope (1st appearance on this stage), Swendall (from the Theatre Royal, Edinburgh; 1st appearance on this stage), Palmer, Master Tokely, Davies, Davenport, J. Palmer, Waldron, Abbot, Lyons, H. Johnston, Mrs Davenport, Miss Leserve, Miss Chapman (1st appearance on this stage). Cast from European Magazine, June 1799, p. 404: Robert Maxwell-Pope; Harrington-Swendall; Landlord-Palmer; Harry-Master Tokely; Flood-Davies; John Hartopp-Davenport; Dempster-J. Palmer; Jew-Waldron; Dumfries-Abbot; Servant-Lyons; Walwyn-H. Johnston; Old Blind Lady-Mrs Davenport; Jane-Miss Leserve; Arabella-Miss Chapman.

Afterpiece Title: The Village Lawyer

Performance Comment: Scout-Fawcett; Snarl-Suett; Sheepface-Wathen; Charles-Trueman; Justice Mittimus-Usher; Kate-Mrs Edward; Mrs Scout-Mrs Davenport.
Cast
Role: Sheepface Actor: Wathen
Event Comment: Benefit for C. Kemble. Mainpiece: By permission of the Proprietors of the Theatre Royal, Drury Lane. Morning Chronicle, 8 Aug.: Tickets to be had of C. Kemble, No. 126, Great Russel-street, Bloomsbury

Performances

Mainpiece Title: The School For Scandal

Performance Comment: Sir Peter Teazle-King (of the Theatre-Royal, Drury-Lane; for that night only); Sir Oliver Surface-Davenport; Sir Benjamin Backbite-Palmer; Joseph Surface-Barrymore; Charles Surface-C. Kemble; Crabtree-Suett; Careless-J. Palmer; Rowley-Waldron; Moses-Wathen; Snake-Caulfield; Trip-Farley; Lady Teazle-Miss DeCamp; Mrs Candour-Mrs Davenport; Lady Sneerwell-Miss Chapman; Maria-Mrs Mountain.
Cast
Role: of the Theatre Actor: Royal, Drury-Lane
Role: Moses Actor: Wathen

Afterpiece Title: Obi

Song: III: a song-Trueman

Event Comment: The King's Company. The date of the first performance is not known, but its listing in the Term Catalogues, November 1681, suggests late October as a likely latest date for its premiere. If Mithridates was acted in mid-October at the opening of Drury Lane, Sir Barnaby Whigg may well be the first new play offered by the King's Company in the autumn. A Song in Act I, Blow Boreas Blow, with music apparently by Henry Purcell, is in A Third Collection of New Songs...Words by Mr D'Urfey, 1685, and in Dramatic Works of Henry Purcell, Purcell Society, III (1917), xiv-xv

Performances

Mainpiece Title: Sir Barnaby Whigg; Or, No Wit Like A Womans

Performance Comment: Edition of 1681: Prologue-; Wilding-Clark; Townly-Goodman; Sir Wal. Wiseacre-Jermaine; Capt. Porpuss-Griffin; Sir Barn. Whigg-Powell; Benedick-Perin; Swift-Cosh; Gratiana-Mrs Corbet; Livia-Mrs Cook; Millicent-Mrs Moyle; Winifred-Mrs Percival; Epilogue-a New Actress.
Cast
Role: Epilogue Actor: a New Actress.

Performances

Mainpiece Title: Oroonoko

Performance Comment: A New Vacation Epilogue-Mr Pinkeman.
Related Works
Related Work: Oroonoko Author(s): Thomas Southerne
Related Work: The Royal Slave Author(s): Thomas Southerne

Music: New Musick set to Flutes ; and to be perform'd-Mr Banister, Mr Banister's Son; and some of Mr Weldon's new Songs- perform'd in his last Consort

Dance: Mrs Campion; Vaulting on the Horse-

Event Comment: At the Desire of several of the Inhabitants of Cripplegate Parish, This present Tuesday, and no more, at the Castle Tavern without Cripplegate. Price 1s. 6d. or 1s. At 6 p.m

Performances

Mainpiece Title: Aesop

Afterpiece Title: Scene of% The Spanish Fryar

Song: New Song-Tony Aston in the Habit of a Fryar; other new comical songs-made this year at Tunbridge Wells

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: As17241218, but Carlos-Wilks; With the Prologue, Epilogue that was spoken last Monday-Miss Robinson Jr.

Music: Select Pieces-

Song: As17250508

Dance: new Passacaile-Miss Robinson; A new Comic Dance-Miss Robinson, Young Rainton

Performances

Mainpiece Title: Love's Last Shift

Dance: new Grand Spanish Dance-Dupre, Pelling, Newhouse, Lanyon, Dupre Jr, Mrs Bullock, Mrs Wall, Mrs Ogden, Mrs Anderson; Shepherd and Shepherdess-Young LeSac, Miss Latour; French Sailor-Salle, Mlle Salle; A new Grand Chacone-Dupre, Lally, Pelling, Dupre Jr, Mrs Bullock, Mrs Wall, Mrs Ogden, Mrs Anderson; A Grand Comic Dance between Two Scaramouches Three Harlequins and Two Punches-

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Cheats of Harlequin; or, The Farmer Outwitted

Dance: new Turkish Dance-Burney, Mrs Walter; A new Pierrot Dance-Burney, Rainton

Performances

Mainpiece Title: King Henry The Eighth

Cast
Role: Queen Katherine Actor: Mrs Porter

Afterpiece Title: The Lovers Opera

Dance: new Comic Dance-Rainton, Mrs Walter; Sultana-Miss Robinson; The last new Grand Dance-Essex, Lally, Rainton, Thurmond, Boval, Haughton, Mrs Walter, Mrs Delorme, Miss Williams; Dutchman and Dutchwoman-Roger, Rainton

Event Comment: With new Scenes and Clothes. The House is entirely new fitted up, made more commodious and warm, and the Play will punctually beghn at Six o'Clock

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Performance Comment: Barnwell-Giffard; Thorowgood-Rosco; Uncle-Huddy; Trueman-Bardin; Blunt-Havard; Millwood-Mrs Roberts, from dl, the first Time of her Appearing on this Stage; Maria-Mrs Giffard; Lucy-Mrs Palmer; With a new Prologue to the Town-Giffard; Epilogue-Mrs Giffard.
Event Comment: Benefit Mrs Stevens. Second Piece: a New Pantonimical Something. Third Piece: The Practice of a new Serious Scene to be Introduc'd. Shewing the various and hazardous Adventures he met with to get his Wife Joan; particularly, his last memorable Battle and Victory over a great and monstrous Pig, by which she was to be devour'd chain'd to a Rock. 7 p.m

Performances

Mainpiece Title: The Author's Farce

Afterpiece Title: Monstrum Horrendum; or, The Practice of a Modern Comic Entertainment

Performance Comment: Harlequin-Mons Quelqu'n, being the first Time of his Appearing and the last he will appear on any Stage; Colombine-Miss Price.

Afterpiece Title: Punchanello's Encounter with the Pig

Performance Comment: With a New Prologue after the Italian Manner-.

Dance: DDutch Skipper-Davenport, Miss Price

Event Comment: Ijmdon Daily Post and General Advertiser, 27 March: We hear . . . that to perfect the Performance, Mr Handel designs to introduce, to-morrow Night (in the Oratorio of Deborah) a large new Organ, which is remarkable for its Variety of curious Stops; being a new Invention, and a great Improvement of that Instrument

Performances

Mainpiece Title: Deborah

Performance Comment: Cast not listed, but Dean, Handel's Dramatic Oratorios, p. 238, conjectures: Deborah-Signora Strada; Barak-Carestini; Jael-Miss Cecilia Young; Priest of Baal-Hussey, with Reinhold and Beard possibly singing also. With a new Concerto on the Organ;..

Afterpiece Title: the two Concertos in the Oratorio of Esther

Event Comment: RRev. T. Newton to David Garrick, 18 Jan.: I was almost angry with you, to see your name last week in the bills for Costar Pearmain. I am not fond of your acting such parts as Fondlewife, or even Clodio, nor should be of the Lying Valet, if it was not of your own writing. You who are equal to the greatest parts, strangely demean yourself in acting any thing that is low and little; and not only I, but really all who admire you and Wish you well, that is all who know you, are grieved and wonder at it. If I was an actor surely I would rather wish to be a Raphael than a Hogarth; or if I was a poet, I would choose infinitely rather to be a Milton than Hudibras.--Boaden, Private Correspondence of Garrick, I, 5-6. [Morning Herald 28 June 1787 suggests that Yates was Winifred apShenkin.

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: As17420101, but Costar Pearmain-Garrick, being the first Time of has appearing in that Character.

Afterpiece Title: The Lying Valet

Dance: new comic Dance call'd The Welchman's Triumph or the Death of the Wild Goat-David and Winifred apShenkin, M Granier, Osbeldiston, Mrs Bullock, Mrs Vallois The Character new dressed

Event Comment: A Grand Concert. 6 p.m. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d. Afterwards will be given Gratis...Daily Advertiser, 20 Jan.: Last Night the Musical Entertainment call'd The Queen of Spain, was receiv'd by a numerous Audience with great Approbation. The Artificial Scene hereafter will be omitted, it not being connected with the rest, not any way answering what was promised by the Projector who offered it. Music by J. F. Lampe; words by James Ayres

Performances

Mainpiece Title: The Queen Of Spain; Or, Fairinelli At Madrid

Music: A new Sonata, in four parts, by Lampe-

Song: New Song The Shepherd's Invitation-Sullivan; A new Song To Sylvia-Miss Young