SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in the Hay Market"/1) | (@(roleclean,performerclean) "New Theatre in the Hay Market")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5014 matches on Event Comments, 2829 matches on Performance Title, 1764 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for the Miss Hopkins'. Afterpiece [1st time; CO 2 (?), by Thomas Holcroft. Not in Larpent MS; not published]: The Music [by William Shield (European Magazine, Jan. 1782, p.59)] entirely new. Public Advertiser, 15 Apr. Tickets to be had of the Miss Hopkins', No. 7, Little Russel-street, Covent Garden. Receipts: #129 8s. 6d. (61.15.0; 24.5.6; 0.1.0; tickets: 43.7.0) (charge: #66 11s. 6d.)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Crisis; or, Love and Fear

Dance: As17780109

Event Comment: A Comic Opera [1st time; COM 3, by Antonio Andrei]. The Music entirely new by Sacchini

Performances

Mainpiece Title: L'amore Soldato

Dance: As17780331nd I: Masquerade Dance; End II: La Surprize de Daphnis et Cephise; End Opera: La Serenade Interrompuee.

Ballet: End II: La Surprize de Daphnis et Cephise. As17780331

Event Comment: Benefit for the New General Lying-in-Hospital, in Store-street, Tottenham-Court-Road. Tickets delivered for Venice Preserv'd will be taken. Receipts: #149 1s. 6d. (66.4.6; tickets: 82.17.0) (charge: #115)

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Cast
Role: Thessalus Actor: Thompson

Afterpiece Title: True-Blue

Cast
Role: The Apprentice Actor: Lewis

Afterpiece Title: Comus

Cast
Role: Brothers Actor: Whitfield, Robson
Role: The Lady Actor: Mrs Jackson
Related Works
Related Work: Comus Author(s): George Colman, the elder
Event Comment: Mainpiece: Not acted these 150 years [acted 31 Jan. 1723]. Written by Beaumont and Fletcher [with alterations by George Colman elder. Prologue by David Garrick (Poetical Works, II, 354)]. The Musick by Purcell. New Scenes, Dresses and Decorations. Public Advertiser, 30 July 1778: This Afternoon at five is published Bonduca (1s.)

Performances

Mainpiece Title: Bonduca

Related Works
Related Work: Bonduca Author(s): George Colman, the elder

Afterpiece Title: The Portrait

Related Works
Related Work: The Portrait Author(s): George Colman, the elder
Event Comment: [Afterpiece in place of A New Pantomimical Piece (never performed), A Bartholomew-tide Entertainment; or, A Trip to Chatham. This was laid aside, and seemingly, never acted.

Performances

Mainpiece Title: The Spanish Barber

Related Works
Related Work: The Spanish Barber; or, The Fruitless Precaution Author(s): George Colman, the elder

Afterpiece Title: Midas

Dance: As17780624

Event Comment: Mainpiece: With alterations [by Richard Brinsley Sheridan]. The new comedy of The Fathers [announced on playbill of 27 Nov.] is obliged to be deferred on account of the Indisposition of a principal Performer. Receipts: #123 6s. 6d. (89.14.0; 32.19.0; 0.13.6)

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Camp

Related Works
Related Work: First Faults Author(s): Maria Theresa De Camp
Event Comment: Mainpiece [1st time; C 5]: By the celebrated Henry Fielding; and never yet performed or published. With new Scenes, Dresses, &c. [and incidental music by Michael Arne. Prologue by David Garrick. Epilogue by the same (see text)]. Public Advertiser, 12 Dec. 1778: This Day is published The Fathers (1s. 6d.). "This play was written by Mr Henry Fielding, some years before his death. Mr Garrick saw it at that time. Mr Fielding gave the only fair copy he had of it to his friend Sir Charles Williams, of whose judgment he entertained a high opinion. Sir Charles soon after went abroad, and the comedy was mislaid. Mr. Fielding communicated this circumstance to his family on his death-bed; and enquiry was made for it, but without effect. At length Mr Thomas? Johnes, Member for Cardigan, looking over Sir Charles's books, found a comedy in manuscript, which he read, and, approving, had it transcribed and sent to Mr Garrick for his opinion, who, like Archimedes, cried out, 'This is the lost sheep! This is Mr Henry Fielding's play!' Mr Garrick communicating it to Mr Johnes, Mr Johnes immediately sent the original manuscript, which was in Mr Fielding's hand-writing, to the family, with his best wishes for its success, promising to assist it to the utmost of his power" (Gentleman's Magazine, Dec. 1778, p.586). See also, for corroboration of the above and for other details, Wilbur L. Cross, The History of Henry Fielding, 1918, III, 99-104. Receipts: #210 11s. 6d. (186.6.0; 23.19.6; 0.6.0)

Performances

Mainpiece Title: The Fathers; Or, The Good Natur'd Man

Performance Comment: Principal Characters by King, Dodd, Bensley, Parsons, Baddeley, Whitfield, Webster, Mrs Baddeley, Mrs Hopkins, Miss Younge. [Cast from text (T. Cadell, 1778): Sir George Boncour-King; Young Kennel-Dodd; Mr Boncour-Bensley; Old Valence-Parsons; Old Kennel-Baddeley; Young Valence-Whitfield; Young Boncour-Webster; Miss Valence-Mrs Baddeley; Mrs Boncour-Mrs Hopkins; Miss Boncour-Miss Younge; Prologue-King; Epilogue-Miss Younge. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Irish Widow

Dance: As17780919

Event Comment: Mainpiece [1st time; T 5, ascribed to-Johnstone. Authors of Prologue and Epilogue unknown]: With New Scenes and Dresses. Public Advertiser, 1 Jan. 1779: This Day is published Buthred (1s. 6d.)

Performances

Mainpiece Title: Buthred

Performance Comment: Principal Characters by Wroughton, Clarke, Farren, Peile, L'Estrange, Thompson, Aickin, Miss Platt, Mrs Hartley (1st appearance this season). [Cast from text (F. Newbery, 1779): Buthred-Wroughton; Morcar-Clarke; Elwin-Farren; Elbert-Peile; Ivar-L'Estrange; Randolph-Thompson (in text unassigned); Osbrighte-Aickin; Ela-Miss Platt; Rena-Mrs Hartley; Prologue-Hull; Epilogue-Mrs Bulkley. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Cross Purposes

Event Comment: The new Tragedy [Buthred, announced on playbill of 11 Dec.] is obliged to be deferred on account of Wroughton's Hoarseness

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: Mat o' the Mint Actor: Baker

Afterpiece Title: The Englishman in Paris

Dance: III: a Hornpipe-Miss Besford; Afterpiece: a Minuet-Dagueville, Mrs Mattocks

Event Comment: [Mainpiece in place of Merope, announced on playbill of 4 Jan. "We played last night Much Ado about Nothing, and had an apology to make for the change of three principal parts. About twelve o'clock Mr Henderson sent word he was not able to play. We got Mr Lewis from Covent Garden, who supplied the part of Benedick. Soon after Mr Parsons sent word he could not play. Mr Moody supplied the part of Dogberry; and about four in the afternoon Mr Vernon sent word he could not play. Mr Mattocks supplied his part of Balthazar...In the middle of the first act, a message was brought me that Mr Lamash (who was to play the part of Borachio) was not come to the House. I had nobody there that could go on for it, so I was obliged to cut his scenes in the first and second acts entirely out, and got Mr Wrighten to go on for the remainder of the part. At length we got the play over without the audience finding it out. We had a very bad house. Mr Parsons is not able to play in The School for Scandal to-morrow night; do not yet know how we shall be able to settle that" (Garrick, Private Correspondence, II, 328-29: Hopkins, prompter,in letter to Garrick, 6 Jan. 1779. He does not state who took Wrighten's place as the Sexton.).] On account of the sudden Illness of a Principal Performer, the new Pantomime [The Wonders of Derbyshire, announced on playbill of 4 Jan.] is obliged to be deferred till Friday. Receipts: #74 11s. (48.19; 25.10; 0.2)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Irish Widow

Dance: As17780919

Event Comment: Mainpiece: Written by the Author of Braganza [1st time; T 5, by Robert Jephson. Prologue and Epilogue by the author (see text)]. With new Scenes and Dresses. Public Advertiser, 15 Feb. 1779: This Day is published The Law of Lombardy (1s. 6d.). Receipts: #221 (196.19.0; 23.13.6; 0.7.6)

Performances

Mainpiece Title: The Law Of Lombardy

Performance Comment: Principal Characters by Smith, Bensley, Farren, Packer, Hurst, Wright, Chambers, Wrighten, Fawcett, Philimore, Burghall, Henderson, Mrs Robinson, Miss Younge. [Cast from text (T. Evans, 1779, and London Magazine, Feb. 1779, 73): Paladore-Smith; King-Bensley; Lucio-Farren; Rinaldo-Packer; Ascanio-Hurst; Shepherd-Wright; Senator-Chambers; Foresters-Wrighten, Fawcett; Squire to Paladore-Philimore; Officer-Burghall; Bireno-Henderson; Alinda-Mrs Robinson; Princess-Miss Younge; Prologue-Farren; Epilogue-Miss Younge. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: High Life below Stairs

Event Comment: [Mainpiece in place of A Trip to Scarborough, announced on playbill of 9 Mar.] 2nd piece [1st time; M. INT I, by Richard Brinsley Sheridan]: With a new Scene invented and designed by DeLoutherbourg for the occasion. [Music composed by Thomas Linley Sen. Miss Wright is identified on playbill of 24 May; and see 19 Feb.] Public Advertiser, 27 Mar. 1779: This Afternoon at Four is published A Monody (1s. 6d.). Afterpiece: Not acted these 3 years. Receipts: #213 10s. 6d. (180.18.0; 32.6.0; 0.6.6). "Some of the verses [of the Monody] were responded [to] by the principal vocalists, accompanied by the band, who occupied an orchestra built on the stage, as at the oratorios. The whole of the performers [were] requested to appear in black clothes" (Parke, I, 17)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: A Monody

Performance Comment: [on the Death of Garrick] Mrs Yates; With Vocal and Instrumental Music. Principal Vocal Parts-Webster, Gaudry, A Young Lady [Miss Wright], Mrs Wrighten.Miss Wright], Mrs Wrighten.

Afterpiece Title: Polly Honeycomb

Related Works
Related Work: Polly Honeycomb Author(s): George Colman, the elder
Event Comment: Ode [1st time]: The Music principally composed by Barthelemon

Performances

Mainpiece Title: A Miscellaneous Act

Performance Comment: Overture-, composed by Barthelemon; new cantata, A Sea Storm, composed by Barthelemon,-Mrs Barthelemon; Under sweet Friendship's Name-Vernon; Canon-Barthelemon; Concerto on the hautboy-Sharp; Song, composed by Dr Arne,-Mrs Wrighten; Concerto on the flute-DeCamp; Italian Rondeau-Mrs Barthelemon; Variation of Lovely Nancy, as done in Italy,-Barthelemon; Concerto on the violin-Barthelemon.

Afterpiece Title: Victory, an Ode Inscribed to Admiral Keppel; Messiah

Event Comment: Benefit for Dodd. Afterpiece: With Alterations. Not acted these 50 years [acted 31 Dec. 1739]. Public Advertiser, 6 Mar.: Tickets to be had of Dodd at his house, New Ormond-street. Receipts: #272 4s. 6d. (117.4.0; 13.19.0; 2.1.6; tickets: 139.0.0) (charge: #66 15s.)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Britons, Strike Home

Performance Comment: ; or, The Sailor's Rehearsal. Principal Characters-Vernon, Aickin, Bannister, Baddeley, Wrighten, Burton, Norris. [Edition of 1739 lists the parts: Captain Briton, Lieutanant Meanwell, Sir John Freehold, Export, Dapperwit, Foremost, Bowsprit, Father Dominique, Capstern, Starboard, Helmaloe, Don Jack, Don Uric, Kitty.]Edition of 1739 lists the parts: Captain Briton, Lieutanant Meanwell, Sir John Freehold, Export, Dapperwit, Foremost, Bowsprit, Father Dominique, Capstern, Starboard, Helmaloe, Don Jack, Don Uric, Kitty.]
Event Comment: Benefit for Wilson. Mainpiece: Not acted these 3 years. 3rd piece: Written by D. Garrick, Esq., with Additions. 4th piece [1st time; MF 2, by Charles Stuart]: The Overture and Music chiefly new, by Gehot, and Shield, who composed the music to The Flitch of Bacon. Public Advertiser, 3 Apr.: Tickets to be had of Wilson, No. 2, Henrietta-street, Covent Garden. Ibid, 29 Apr. 1779: This Day is published The Cobler of Castlebury (1s.)

Performances

Mainpiece Title: Illumination

Afterpiece Title: The Funeral; or, Grief a-la-Mode

Afterpiece Title: The Farmer's Return from London

Afterpiece Title: The Cobler of Castlebury

Event Comment: Benefit for Whitfield and Mrs Morton. Public Advertiser, 17 Apr.: Tickets to be had of Whitfield, No. 14, New Crown Court, Russel Street, Covent Garden; of Mrs Morton, No. 15, same address

Performances

Mainpiece Title: Illumination

Afterpiece Title: The Comedy of Errors

Afterpiece Title: True-Blue

Afterpiece Title: The Invasion

Dance: 3rd piece: As17790405; End IV: Hornpipe-Master Davies (scholar to Hurst; 1st appearance in public)

Song: In III: song in character-Mrs Morton

Event Comment: Benefit for Harwood, Thompson & Miss Wright [who had 1st appeared as a singer in the oratorios, 19 Feb.]. Public Advertiser, 3 May: Tickets to be had of Harwood at Mrs Powel's, New Nelson-street; of Thompson, No.7, Great Marlborough-street; of Miss Wright, No. 136, Drury-lane. Receipts: #267 4s. (69.5.0; 19.2.6; 0.6.6; tickets: 178.10.0) (charge: #105). The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Padlock

Song: As17790503

Entertainment: End: Imitations-Bannister Jun

Event Comment: Mainpiece: With a new Fandango Overture, and some additional Songs

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Related Works
Related Work: The Spanish Barber; or, The Fruitless Precaution Author(s): George Colman, the elder

Afterpiece Title: Man and Wife

Dance: End: Tambourine Dance-Master and Miss Byrn; End II afterpiece: As17790531

Event Comment: [The playbill of 23 July announces for performance on this night the 1st night of A Tour in Wales, "a New Dramatic Piece of Three Acts, interspersed with Songs." It appears never to have been acted. Larpent MS 484; the author is unknown.

Performances

Mainpiece Title: The Suicide

Related Works
Related Work: The Suicide Author(s): George Colman, the elder

Afterpiece Title: The Flitch of Bacon

Dance: As17790610

Event Comment: Mainpiece [1st time; T 5, by Hannah Cowley. Prologue by the author (Morning Chronicle, 9 Aug.)]: New Scenes painted by Rooker. Public Advertiser, 30 Aug. 1779: This Day is published Albina, Countess Raimond (price not listed)

Performances

Mainpiece Title: Albina, Countess Raimond

Afterpiece Title: Piety in Pattens

Cast
Role: The Squire Actor: Lamash
Event Comment: Afterpiece [1st time; B 3, by Richard Brinsley Sheridan. Prologue by the Hon. Richard Fitzpatrick (Public Advertiser, 3 Aug. 1781)]: With a Procession. [This was included in all subsequent performances. For the Sea Fight see 20 Nov.] With New Scenes, Dresses and Decorations. The Scenery designed by DeLoutherbourg, and executed under his direction. The Doors to be opened at 5:15. To begin at 6:15 [same for rest of season, except on 1 May 1780]. "The House was so crowded that there were many disturbances, one so great that Smith when he had nearly finished 'To be or not to be' was obliged to leave the Stage, and when the noise subsided, to return and begin the soliloquy again... As The Critic took up two hours and a half in performance, it must of necessity be considerably shortened" (Morning Chronicle, 1 Nov.). "The scene of the battle with the Armadav [was] executed in the most masterly manner. The Motion of the sea, the engaging of the ships, and the destruction occasioned by the fire-ships were happily contrived and accurately represented" (London Chronicle, 1 Nov.). Account-Book, 9 Nov.: Paid R. B. Sheridan on Acct. of Critic #320. Receipts: #241 19s. 6d. (222.11.0; 19.3.6; 0.5.0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Critic; or, A Tragedy Rehears'd

Performance Comment: Principal Characters by King, Dodd, Palmer, Parsons, Baddeley; Mrs Hopkins. Principal Tragedians by Moody, Farren, Aickin, Waldron, Lamash, Burton, Chaplin, Holcroft, Hurst, Wright, Wrighten, Grimaldi, Bannister Jun, Mrs Bradshaw, Mrs Davenett, Miss Pope; [Cast from text (T. Becket, 1781): Puff-King; Dangle-Dodd; Sneer-Palmer; Sir Fretful Plagiary-Parsons; Interpreter-Baddeley; Signor Pasticcio Ritornello-Delpini; Under Prompter-Philimore; Mrs Dangle-Mrs Hopkins; Italian Girls-Miss Field, Miss Abrams; [Tragedians: Lord Burleigh-Moody; Earl of Leicester-Farren; Sir Christopher Hatton-Waldron; Son-Lamash; Sir Walter Raleigh-Burton; Beefeater-Wright; Governor of Tilbury Fort-Wrighten; Don Ferolo Whiskerandos-Bannister Jun.; Master of the Horse-Kenny; Justice-Packer; Constable-Fawcett; Thames-Gaudry; Confidante-Mrs Bradshaw; Justice's Lady-Mrs Davenett [in text: Mrs Johnston]; Tilburina-Miss Pope; Nieces-Miss Collett, Miss Kirby; unassigned-Aickin, Chaplin, Holcroft, Hurst, Grimaldi; Prologue-King. [This was spoken, as here assigned, at the 1st 14 performances only (see17791124), and again on 3 and 10 Dec.]This was spoken, as here assigned, at the 1st 14 performances only (see17791124), and again on 3 and 10 Dec.]
Cast
Role: Master of the Horse Actor: Kenny
Event Comment: Mainpiece [1st time; C 5, by Elizabeth Griffith, based on Le Bourru Bienfaisant, by Carlo Goldoni. Author of Prologue unknown; Epilogue by Horace Walpole (Works, 1798, IV, 402-3)]: With new Dresses and Scenes. Receipts: #199 16s. (184.17.0: 14.11.6; 0.7.6)

Performances

Mainpiece Title: The Times

Performance Comment: [Principal Characters by King, Bensley, Brereton, Aickin, Baddeley, Lamash, Wrighten, Burton, Palmer, Miss Pope, Mrs Brereton, Miss Collett, Mrs Colles, Miss Kirby, Mrs Abington. Cast from text (Fielding and Walker et al]), 1780, and Morning Chronicle, 3 Dec.: Sir William Woodley-King; Counsellor Belford-Bensley; Mr Woodley-Brereton; Mr Bromley-Aickin; Forward-Baddeley; Sir Harry Granger-Lamash; Waters-Wrighten; James-Burton; Colonel Mountfort-Palmer; Mrs Bromley-Miss Pope; Louisa-Mrs Brereton; Spitfire-Miss Collett; Mrs Williams-Mrs Colles; Mrs Henpeck-Miss Kirby; Lady Mary Woodley-Mrs Abington; Prologue-King; [This was spoken, as here assigned, at all subsequent performances.] Epilogue-Miss Farren. [This was spoken again on 4 Dec., but omitted thereafter.]This was spoken again on 4 Dec., but omitted thereafter.]
Related Works
Related Work: Feudal Times; or, The Banquet Gallery Author(s): George Colman, the younger

Afterpiece Title: The Padlock

Event Comment: The new Operas [see 14 Dec.] which were intended for this Evening are obliged to be postponed till Tuesday

Performances

Mainpiece Title: Alessandro Nelle Indie

Dance: As17791127

Event Comment: Mainpiece: Not acted these 7 years. Receipts: #201 (196.19; 4.1)

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: Harlequin Every-where

Performance Comment: As17800110, but added: With an Entire New Scene, never introduced before.

Performances

Mainpiece Title: The Double Deception

Performance Comment: As17800126, but Fairgrove-Packer in place of Aickin; New Prologue-Mrs Robinson.
Cast
Role: New Prologue Actor: Mrs Robinson.

Afterpiece Title: Fortunatus