SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in the Hay Market"/1) | (@(roleclean,performerclean) "New Theatre in the Hay Market")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5014 matches on Event Comments, 2829 matches on Performance Title, 1764 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (only) at the Stage-Door. [Customary footnote for subsequent bills. Only significant variations will be noted further. The Westminster Magazine this month (p. 557) remarked upon Woodward's Prologue, "in part a parody on the celebrated speech of Cato in Addison's Tragedy....He informed the audience that they had assembled their Theatrical troops against the approaching winter; and that their leaders had met in council to consider the best method of supporting their campaign; but as their forces were numerous and strong, he hoped the town would not refuse them sufficient subsidies especially...as their Gods must aat, and without money could not even raise a Devil."] Receipts: #184 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot (with the Address to the Town)-Woodward; Sir George-Mattocks; Charles-Wroughton; Sir Francis-Shuter; Sir Jealous-Dunstall; Whisper-Hamilton; Scentwell-Miss Pearce; Isabinda-Miss Valois; Patch-Mrs Pitt; Miranda-Mrs Baker; With a New Occasional Prologue (Never spoken before)-Woodward (playbill); Miranda-Miss Macklin (Public Advertiser).

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Performances

Mainpiece Title: King Henry Viii

Performance Comment: King Henry-Moody (from Drury Lane); Wolsey-Bensley; Norfolk-Davis; Suffolk-Owenson; Surrey-Dyer; Lord Chamberlain-Lewes; Campeius-DuBellamy; Sands-Kniveton; Buckingham-Wroughton; Cranmer-Gardner; Cromwell-Hull; Gardiner-Shuter; Anne Bullen-Mrs Baker; Patience (with a Song)-Miss Twist; Queen Catherine-Mrs Hartley; In Act I, The Banquet with dancing-Fishar, Miss Twist; Act IV, the Procession from the Abbey at the Coronation of Anne Bullen-; With the New Occasional Prologue (spoken but once)-Woodward.

Afterpiece Title: The Musical Lady

Related Works
Related Work: The Musical Lady Author(s): George Colman, the elder

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: Ogleby-Kniveton; Lovewell-Mattocks; Sterling-Dunstall; Sir John-Bensley; Brush-Dyer; Canton-Quick; Flower-Younger; Miss Sterling-Mrs Gardner; Fanny-Miss Miller, first time; Betty-Miss Pearce; Chambermaid-Mrs Kniveton; Mrs Heidleberg-Mrs Green (playbill); Flower-Wignell (Public Advertiser); With the New Occasional Prologue spoken for the third time-Woodward.

Afterpiece Title: Midas

Performances

Mainpiece Title: George Barnwell

Performance Comment: Barnwell-Wroughton; Trueman-Lewes; Thorowgood-Younger; Uncle-Hull; Blunt-Cushing; Maria-Mrs Kniveton; Lucy-Mrs Green; Millwood-Mrs Mattocks; In Act I a Song-DuBellamy; With New Occasional Prologue, spoken 4th time-Woodward.

Afterpiece Title: Midas

Event Comment: [The Westminster Magazine this month continues to develop its familiar theme that the English stage is in a state of decline, proven this time by reference to the influx of new dancers, pretty maids (who cannot act), dull plays which will admit of some pageantry. Yet the author praises Garrick for acting at dl so often himself this early in the season.

Performances

Mainpiece Title: None

Performances

Mainpiece Title: King Henry Viii

Performance Comment: As17730922, but King Henry-Clarke; New Occasional Prologue-_; Campeius-_; Sands-_; Norfolk-_; Suffolk-_; Surrey-_; Lord Chamberlain-_.

Afterpiece Title: Cross Purposes

Performances

Mainpiece Title: The Busy Body

Performance Comment: As17730920, but Isabinda-Mrs Baker; Miranda-Miss Macklin; New Occasional Prologue-_.

Afterpiece Title: Comus

Related Works
Related Work: Comus Author(s): George Colman, the elder
Event Comment: Music by Sacchini and other celebrated composers. The Dances under the direction of Pitrot. With New Cloaths, Scenes and other Decorations. Pit and Boxes Half a Guinea; Gallery 5s.; Second Gallery 3s. Doors to open at 5:30. To begin at 7:00 p.m. N.B. Fierville having unfortunately sprained his ankle by a fall at the rehearsal yesterday...Mariottini, who never appeared in England before, has kindly undertaken to supply his place. The Managers beg leave to acquaint the Nobility and Gentry that Mesdames Favier having arrived from Florence, but being indisposed from the great fatigue of the journey are incapable of dancing this day

Performances

Mainpiece Title: Lucio Vero

Dance: I: Grand Comic Pantomime Ballet, call'd La Bagatelle-Bocchini, Sga Mazzoni, other principals; II: A Pastoral Dance with a Pas de Trois, de Deux-Mariottini, Bocchini, Sga Mazzoni; End Opera: A Grand Serious Ballet-; with a Grand Chaconne-Fierville

Entertainment: A Poetical Exordium-Mrs Yates [In which she proposed to intermix plays and operas this season. (Burney, II, 879, notes she could not get permission.)]

Event Comment: Mainpiece: A New Comic Opera. Music by Galuppi and other eminent composers. [N.B. Orfeo deferr'd because Pitrot injured his knee.

Performances

Mainpiece Title: Il Puntiglio Amoroso

Dance: I: La Bagatelle, as17731120; II: A Grand Pastoral Dance, as17731120; End Opera: A Grand Serious Ballet with Grand Chaconne-Mariottini, Bocchini, Sga Mazzoni, Mlle Mimi Faviere

Event Comment: The New Comedy, The School for Wives, (which was to have been performed this evening) oblig'd to be deferred till tomorrow. Reddish hoarse. Paid tallow chandler's 3rd bill #44 19s. 11d.; Mr Smeltzer for men's cloaths #5; J. Stevens on note #3 3s. (Treasurer's Book). [In the bill for the first planned performance of Twelfth Night this season (namely for 4 Dec.) Antonio was to be done by Fawcett; Sir Toby by Love; and the Clown by Davies.] Receipts: #122 6s. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Performance Comment: Orsino-Jefferson; Antonio-Davies; Fabian-Waldron; Maria-Mrs Hopkins; Sir Toby-Palmer; Malvolio-King; Sir Andrew-Dodd; Sebastian-Cautherly; Clown (with Original Epilogue song)-Vernon; Viola-Miss Younge; Maria-Mrs Hopkins; Olivia (with Song)-Mrs Abington (playbill).
Cast
Role: Sebastian Actor: Cautherly

Afterpiece Title: The Genii

Event Comment: Mainpiece: A New Tragedy, acted but once. [See 1 May. N.B. The Account Book states that the bill was altered to The Busy Body and Golden Pippin.] Receipts: #116 8s. (Account Book)

Performances

Mainpiece Title: King Henry Ii; Or, The Fall Of Rosamond

Afterpiece Title: The Commissary

Event Comment: The New Tragedy of King Henry II, is still oblig'd to be deferr'd on account of Indisposition of Mrs Hartley. Receipts: #133 19s. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin Dr Faustus

Event Comment: The Entertainment of The Harlequin Dr Faustus, will be laid aside after tomorrow, on account of the preparation for the New Entertainment. Paid Mrs Day (habit maker) #2 12s. 6d., and Rowson for swords &c. #2 7s. 6d. Receipts: #184 14s. (Account Book)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Pantomime will be laid aside after this Night on Account of the preparation for the New entertainment. Receipts: #169 7s. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Mainpiece: By Desire. The eighth night of the New Pantomime of the Sylphs will be on Thursday. Gave Porters of the several Inns of Court their Christmas Box #3 12s. 6d. Paid John Corker and Joseph Stephenson each 10s. as per certificate from Sir John Fielding (Account Book). Receipts: #183 15s. (Account Book)

Performances

Mainpiece Title: The West Indian

Event Comment: A new Comic Opera never acted before. The Music by M. Gasman

Performances

Mainpiece Title: La Contessina

Dance: I: La Bagatelle, as17731120; II: Le Provencal-Mariottini, Sga Mazzoni

Ballet: End Opera: Orfeo e Eurydice. As17731130

Event Comment: To the writer of the letter signed Hotspur in the Morning Chronicle 13 Jan. 1774; Sir: I solemnly disavow myself the writer of any anonymous letter in this or any other Newspaper relative to the School for Wives and as to the villainous accusation respecting any personal insult offered me at Liverpool I pronounce it to be a notorious lie. I now call on you to stand forth with your name and your proofs or the world will be convinc'd you are an infamous malignant assassin. Thursday Nt. Jan. 13 1774. James Reddish (Winston MS 10, from Dr Burney News Cuttings). Receipts: #255 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Anatomist

Event Comment: Mrs Abington having sprain'd her leg, the new Comedy Ye School for Wives oblig'd to be deferr'd (Winston MS 10). Paid properties 13s. 6d.; Housekeeper's Bill #9 8s. 6d. Receipts: #254 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The King and Miller of Mansfield

Event Comment: Paid Mackmillen (shoemaker) #21 17s.; Simpson for new Music for 1773 as per Bill #10 10s.; Connelly (woolen draper) #8 10s. Receipts: #172 13s. (Account Book)

Performances

Mainpiece Title: The Inconstant

Dance: III: A Dance, as17731014

Event Comment: Mainpiece: A New Comedy (never performed) [by George Colman]. Paid Miller for performing 11 nights in The Sylphs #2 15s. Paid Mr Anderson for 2 suits of women's cloaths #21 (Account Book). [The mainpiece received a scourging review in the Westminster Magazine for Feb. 1774. Gibbon attended, "We dined at the Shakespeare and went in a body to support it....Though we got a verdict for our client his cause was but a bad one. It is a very confused miscellany of several plays and tales" (John Hampden@Journal, p. 18).] Receipts: #258 3s. (Account Book)

Performances

Mainpiece Title: The Man Of Business

Related Works
Related Work: The Man of Business Author(s): George Colman, the elder

Afterpiece Title: The Chaplet

Event Comment: The New Comedy, The Man of Business is still deferr'd on account of Woodward's Illness. Paid Pattinson (tallow chandler) #49 13s. Paid Cooper (printer) #42 8s. (Account Book). Receipts: #202 2s

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Sylphs

Event Comment: Paid properties, 3 weeks, #1 5s. 6d. Housekeeper's Bill ditto, #4 13s. 4d.; Mr Loutherbourg on acct #41 13s. 4d. Receipts: #203 18s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The School For Wives

Performance Comment: As17740205, but with "Two New Scenes." The Principal Characters listed now as-King, Reddish, Moody, W. Palmer, Ackman, Griffiths, Brereton, Mrs Hopkins, Miss Jarratt, Weston, Palmer, Bransby, Wright, Miss Young, Baddeley, Miss Platt, Mrs Millidge, Mrs Abington.

Afterpiece Title: The Genii

Event Comment: Mainpiece: [a tragedy by Alexander Dow]: Never acted before. New Scenes, Dresses and Decorations. This Play was receiv'd with very great Applause Mrs Barry Play'd finely & the Scenes were applauded (Hopkins Diary). Rec'd Stopages #4 12s. 6d. Paid 4 days salary list #348 14s. 8d. Mr King's extra salary #2 (Treasurer's Book). Receipts: #238 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Sethona

Afterpiece Title: The Mayor of Garratt

Event Comment: Paid Housekeeper's Bill #6 7s. 2d. (Treasurer's Book). [The Public Advertiser carried a two-column account of Sethona, telling the story of the play act by act. It concluded: Such is the Story of this new Tragedy which was received with universal Applause by a crowded and brilliant Audience and seems to bid fair to become a Stock Play. The Parts were judiciously cast, and the Performers did great Justice to their respective Characters. Perhaps Mrs Barry never appeared in a greater or more amiable Point of View than on Saturday Night. In short her Performance beggared Description; and it is impossible to form an adequate Idea of her Merit in Sethona without seeing her. Mr Barry was also very great in the Old Hermit, and exhibited as pathetic and as chaste a piece of acting as we remember to have seen. The Dresses, Decorations and Scenery of this Play are much superior to those of any modern Tragedy; they do ample Justice to the Author, and likewise do Honour to the Taste and Spirit of the Manager, who seems to have spared no Expence to furnish a splendid and rational Entertainment. The Scene of the Temple of Osiris, and the View of the Egyptian Catacombsv were particularly admired, and are worthy of the Brush of Mr Loutherbourg. The Prologue is a very classical Performance, and was well delivered by Mr Reddish, notwithstanding the noise and the frequent Interruption usual on these occasions. The Epilogue in the character of an Egyptian Fortune Teller was admirably spoken by Mrs Barry, and had an amazing effect. It contains some excellent Strokes of Satire on the Times and a rich vein of Humour which is finely sustained throughout. From several Circumstances we should suppose this Epilogue to be the Production of our English Roscius and it seems to be one of his best."] Receipts: #226 15s. (Treasurer's Book)

Performances

Mainpiece Title: Sethona

Afterpiece Title: The Note of Hand

Cast
Role: Rivers Actor: Cautherly
Event Comment: Last time but one of performing the New Tragedy before the Benefits. Rec'd stopages #4 12s. 6d. Paid 4 days salary list #348 14s. 6d.; Mr King's extra salary #2. Receipts: #216 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Sethona

Afterpiece Title: The Note of Hand

Cast
Role: Rivers Actor: Cautherly