SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in the Hay Market"/1) | (@(roleclean,performerclean) "New Theatre in the Hay Market")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5014 matches on Event Comments, 2829 matches on Performance Title, 1764 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [For Cross' comment, see dl.] Receipts: #203 8s. 6d. Paid Barry one third of the surplus of this night's receipt over and above #80 allow'd for the charges:-#41 2s. 10s. Paid Lambert (Scene Painter) 3 month's salary to 16 Nov. last:-#25 (Account Book). [Lee, who seems to have entered earlier on a percentage-of-Box-Receipts: basis for his salary, received only one-third of receipts above a house charge of #100.] The Tragedy of King Lear was presented on this stage; King Lear by Mr Barry, and Cordelia by Mrs Bellamy; The latter was received with universal satisfaction; but on the former's appearance, after a thundering Peal of Applause, a few misguided persons made it necessary for Mr Barry to inform the audience that it ever had been his study to contribute his utmost to the entertainment of the town, and that all reports of his having been exorbitant in his demands were injurious and totally groundless. Upon this he was desired with one general acclamation to proceed in the play. The disturbers of the public were ordered to be silent or to be turned out of the house; and this great actor proved, by the improvement he has made in this character, that excellent as he is, he is still capable of reaching new strokes of perfection; and in the conclusion of the play the applause he met with was the tribute of hearts gratefully agitated through the whole performance with a variety of passions thrown into a ferment by powers most wonderfully suited to tenderness and compassion (London Chronicle, 3-6 Dec.)

Performances

Mainpiece Title: King Lear And His Three Daughters

Afterpiece Title: The Virgin Unmask'd

Dance: JJovial Coopers, as17571107

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Englishman Returned from Paris

Cast
Role: McRuthen Actor: Shuter

Ballet: By Sga Gallini (who never appear'd on that stage before) and Miss Hilliard, in a Pantomime Ballet call'dThe Judgment of Paris. Paris-Gallini; Mercury-Leppie; Juno-Miss Viviez; Pallas-Mrs Granier; Venus-Miss Hilliard

Dance: nd a Comic Ballet call'd theSicilian Peasants-Gallini, Miss Hilliard. With New Habits and proper Decorations

Performance Comment: With New Habits and proper Decorations.
Event Comment: Afterpiece: An Entertainment in Grotesque Characters, not acted these 4 years.[See 2 Dec. 1754.] The Scenes, Habits and Decorations entirely new. Receipts: #190 (Cross)

Performances

Mainpiece Title: Merope

Afterpiece Title: Queen Mab

Event Comment: By Authority. With new Scenes, Dresses and Decorations

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discovered

Performance Comment: Jaffier-Young Gentleman, first on any stage; Pierre-Davis, second on that stage; Priuli-Marshall; Duke-Clarke; Eliot-Pittard; Spinosa-Blakey; Theodore-Cotshall; Bedamar-Adcock; Renault-Cibber; Belvidera-Mrs Adcock, first time in that part on that stage.
Cast
Role: Theodore Actor: Cotshall

Afterpiece Title: Numps's Courtship

Dance: As17580112

Event Comment: Tickets to be had of Lee at the Golden Ball in Bow St., Covent Garden. N.B. On Account of the Horses, &c. there will be no building on the stage. Receipts: Benefit for Lee. #117 9s. plus income from tickets, #91 9s. (boxes 82; pit 345; gallery 192) (Account Book)

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Lee; Johnson-a Gentleman, his 1st appearance; Smith-Sparks; With Occasional Decorations, viz: A Dance of State-; Grand Battle of Horse and Foot-; A New Prologue on the Birthday of the King of Prussia-Lee.
Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Afterpiece Title: Lethe

Performance Comment: As17571021, but Frenchman-the Gentleman who performs Johnson.

Dance: FFingalian Dance, as17571013

Event Comment: Mainpiece: By Particular Desire. New Scene in Knights; or, Foote's Fresh Tea, published at 6d. Printed for J. Wilkie behind the Chapter House in St Paul's Churchyard. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Fatal Marriage

Related Works
Related Work: The Fatal Marriage Author(s): Thomas Southerne
Related Work: The Fatal Marriage; or, The Innocent Adultery Author(s): Thomas Southerne

Afterpiece Title: The Male Coquette

Dance: IV: The Italian Peasants, as17571004

Event Comment: The New Tragedy is deferr'd on account of Mrs Cibber's illness. Receipts: #80 (Cross)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Queen Mab

Event Comment: As Mrs Cibber is not quite recover'd of her illness, the new Tragedy of Agis is deferred for a day or two longer. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: Queen Mab

Event Comment: Written by Mr Hume. Author of Douglas. Went off wth. great Applause (Cross). A New Tragedy. The Music composed by Dr Boyce. As this is the 1st night of representation, and much depends upon keeping the scenes clear, 'tis hoped no gentleman will be offended that he cannot be admitted upon the stage or into the orchestra. [See Theatrical Review, 1757 and Beginning of 1758 for contemporary comment on source, and at act-by-act progress of play. Judicial but appreciative. Finds some rant and bombast, as well as inconsistency, in Lysander 's characterization: "If...not...known that the author of Agis is the same to whom we are indebted for Douglas, one would not have suspected those two tragedies to have sprung from the same pen...Agis inspires us with admonition; Douglas speaks forcibly to our softer feelings. In Douglas he has shown himself perfect master of nature and the human heart: in Agis of contrivance in point of plot and incidents. What a masterpiece may not we expect from such talents when united in one tragedy!"] Receipts: #200 (Cross)

Performances

Mainpiece Title: Agis

Performance Comment: Actors only listed, but Vocal Parts-Beard, Champness, Vernon, Mrs Vernon, Miss Young; but edition of 1758 lists: Agis-Mossop; Lysander-Garrick; Amphares-Havard; Rhesus-Holland; Euxus-Davies; Agesistrata-Mrs Pritchard; Sandane-Mrs Yates; Euanthe-Mrs Cibber; Prologue-Garrick; Epilogue-Mrs Pritchard.
Cast
Role: Euanthe Actor: Mrs Cibber
Event Comment: With New Additions and Alterations

Performances

Mainpiece Title: Belshazzar

Performance Comment: Larpent MS lists parts: Belshazzar, Daniel, Cyrus, Gobryas (An Assyrian Noble revolted to Cyrus), Nitocris (Mother to Belshazzar), Arioch (a Babylonian Lord), Chorus of Babylonians , Jews , Medes , and Persians . [Deutsch, Handel, p. 794, lists: Belshazzar-Beard; Nitocris-Signora Frasi; Cyrus-Miss Young [Mrs Scott]; Daniel-Miss Frederick; Gobrias-Champness.
Event Comment: With new Additions and Alterations

Performances

Mainpiece Title: Israel In Egypt

Event Comment: With new Additions and Alterations

Performances

Mainpiece Title: Jeptha

Event Comment: With New Additions and Alterations. [On 1 March (Baker, Diary, p. 106) went to Handel's and heard the rehearsal by "Frasi, Miss Young als [alias], Miss Scott, Cassandra Frederick, Beard, Champness, Baildon."

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Deutsch, Handel, p. 795, lists Judas Maccabaeus-Beard; Simon-Champness; Eupolemus-Baildon , and speculates as to the rest of the cast.
Event Comment: Receipts: #124 7s. 6d. Barry's 1!3 of surplus came to #14 15s. 10d. [Three new Renters came in: James Partridge, Abraham Langford, William Williams at 1 share each] (Account Book)

Performances

Mainpiece Title: Macbeth

Performance Comment: As17571210, but The Vocal parts-_Roberts, Mrs _Vincent; The Dances-_Desse.

Afterpiece Title: The Cheats of Scapin

Dance: SSicilian Peasants, as17571217

Event Comment: Benefit for Mrs Bellamy. Mainpiece: By Particular Desire. Tickets delivered for The Humorous Lieutenant will be taken. Receipts: #113 5s. Charges #63. Income from Tickets #152 5s. (boxes 339; pit 364; gallery 129). Profit to Mrs Bellamy #202 10s. [Her daily salary was #2 2s.; on this night she cleared more than 4 months' wages at 24 acting days per month.] Two New Renters came in: Solomon Paul Juliot and Francis Wilson at 1 share each. Rec'd of Benj. Read for 6 Box tickets for the 2nd inst. #1 10s. (Account Book)

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

Afterpiece Title: The Englishman Returned from Paris

Performance Comment: See17571214, but Buck-Foote, 1st time in three years; Lucinda-Mrs Bellamy; Crab-Sparks; McRuthen-Shuter; Occasional Prologue-Foote.
Cast
Role: McRuthen Actor: Shuter

Dance: As17571217

Ballet: TThe Judgment of Paris. As17571217

Event Comment: Benefit for Sparks. Receipts: #83 2s. 6d. plus Tickets #184 12s. (boxes 335; pit 551; gallery 182). Advanced Mrs Bellamy on her salary #105. Two new Renters came in at 1 share each: Sir Thomas Robinson and Robert Hassell (Account Book). Mr Smith takes this earliest opportunity to return thanks the Ladies and Gentlemen who honoured him with their presence at his Benefit on Tuesday Night, and is very sorry for any interruption that might happen in the performance. The indulgence of his friends that night far exceeded his most sanguine exceptations; otherwise he should have provided proper accomodations for them on the stage (Public Advertiser). [See Theatrical Review, 1757 and Beginning of 1758, for contemporary comment on mainpiece: "It is not paying it a very great, much less an underserved compliment to give it the preference over all the dramatic pieces that have been presented at either house these six or seven years...Tears were the first praises I gave it...no play except Lear ever make such a strong constant impression on my feelings."

Performances

Mainpiece Title: Douglas

Afterpiece Title: Lethe

Dance: SSicilian Peasants, as17571217

Event Comment: Benefit for Mossop. Mainpiece: By Particular Desire. Farce wrote by Mr Murphy. Went off Indiff (Cross). [It was sent to Licenser one year before, 16 March 1757 (Larpent MS 131).] Garrick first announced for Ghost [Hamlet] which he afterwards declined having new part in the farce. Part of Pit into Boxes. Amphitheatre on stage (Winston MS 9). Receipts: #280 (Cross)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Upholsterer

Event Comment: With the change of a new Duet

Performances

Mainpiece Title: Issipile

Event Comment: Receipts:#66 4s. 6d. Hutchison Mure came in as a New Renter for 2 shares, and Mary Mure for 1 share commencing this night (Account Book)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Harlequin Sorcerer

Dance: NewComic Dance, as17580417

Event Comment: Benefit for Miss Hillyard. Receipts: #46 17s. Charges: #63. Deficiency cover'd by tickets, #105 9s. (boxes 170; pit 279; gallery 211). Rec'd from John Rich, #100, being part of the sum paid to Mr Finny on account of the New Building (Account Book)

Performances

Afterpiece Title: The Knights

Related Works
Related Work: The Fairy Prince, with the Installation of the Knights of the Garter Author(s): George Colman, the elder

Dance: II: Prussian Sailors-Master Settree, Miss Twist (Scholars to Mr Settree); III: Comic Dance-Master Settree, Miss Twist; IV: Roast Beef of Old England or The Antigallican-Leppie, Miss Hilliard; V: A Grotesque Minuet-Leppie, Miss Hilliard

Event Comment: With the New Song and Duet. To begin at half an hour after Six precisely

Performances

Mainpiece Title: Solimano

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: TheFrenchified Lady

Performance Comment: As17580311 but Rhodophil-Usher; Palamede-Vernon; Doralice-Miss Barton; Philotis-Miss Minors; New Epilogue-_; To conclude with a Minuet-Miss Pritchard, Noverre.

Dance: TThe Italian Peasants, as17571004

Event Comment: PPublic Advertiser: The Uncommon Applause of the new Entertainment...has excited the curiosity of a great many of the Nobility and Gentry that had never seen Marybone before. Sga Seratina and Mr Reinhold have distinguished themselves surprisingly; and though this Entertainment is performed in the English Language, clearly proves, that it is in the Power of an Englishman, to excel even the Italians in that kind of performance; Sga Seratina (though an Italian) expresses the English Dialect with all the Graces, and proper Expressions, which that kind of performance requires. [Books of the performance to be had at the Bar 6d. each.

Performances

Mainpiece Title: La Serva Padrona

Event Comment: [Not listed in Public Advertiser, but notice of continuation at admission price of 1s. is given.] Before the performance Sga Seratina and Mr Reinhold and others will sing several new songs

Performances

Mainpiece Title: La Serva Padrona

Event Comment: At Yates@Shuter Booth. [The Daily Advertiser notes: "the pleasure Mr Shuter gives to every Audience by an unwearied Display of that masterly Genius...and notwithstanding his laboring thro' so many Drolls daily with uncommon Spirit, yet his executing the London Cries at the end of Interlude, and each time new to the hearers."

Performances

Mainpiece Title: The Woman Turn'd Bully