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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in the Hay Market"/1) | (@(roleclean,performerclean) "New Theatre in the Hay Market")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8519 results for: Keyword - New Theatre in the Hay-Market
We found 5014 matches on Event Comments, 2829 matches on Performance Title, 1764 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

7226
23 March 1737 @ Covent Garden

Event Comment: By their Royal Highnesses' Command. A new Oratorio, [Text by Morrell. Music by Handel. Prince and Princess of Wales present.

Performances

Mainpiece Title: Il Trionfo Del Tempo E Della Verita

Music: WithConcertos on the Organ-and other Instruments

7227
26 March 1737 @ King's Theatre

Event Comment: Afterpiece: A new comic Interlude. [Music by Domenico Sani.

Performances

Mainpiece Title: Demetrius

Afterpiece Title: The Impresario

Performance Comment: Edition of 1737 states the performers were Signora Anna Maria Faini (who presumably sang Dorina), Antonio Lottini (who presumably sang Nibbio).

7228
12 April 1737 @ King's Theatre

Event Comment: A New Opera. [Music by Frances Veracini.

Performances

Mainpiece Title: Titus

7229
13 April 1737 @ Covent Garden

Event Comment: A New Opera. [Text by Giovanni Alberto Ristori. Music arranged by Handel. Apparently not published.

Performances

Mainpiece Title: Dido

7230
14 April 1737 @ York Buildings

Event Comment: LLondon Daily Post and General Advertiser, 17 March: This is to inform the Publick, that the new Tragi-Comedy, intitled The Free-Thinker; or, The Fox uncas'd, which was last Summer rehearsed and was to have been play'd at [lif], but by Mr Rich's letting that House to Mr Giffard, for that Season, was prevented, will be acted on the 14th of April next [at yb], by Mr Hallam's Company of Comedians. The Play is writ much in the same Stile and Manner of George Barnwell....The Author hopes that the Generous and Judicious will encourage the Performance, tho' the Company of Players are not dropt down from the Clouds, nor does the Play libel the Government. [No further announcement of the performance has been noted before 28 April.

Performances

7231
22 April 1737 @ Lincoln's Inn Fields

Event Comment: Afterpiece: A Rehearsal of a New Ballad-Opera, burlesqued [By Richard Baker]

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Madhouse

Performance Comment: Edition of 1737 lists no cast. The Prologue-as it was first intended for the Little House in the Haymarket.; Epilogue-Penkethman , leading in an Ass.
Cast
Role: The Prologue Actor: as it was first intended for the Little House in the Haymarket.

7232
25 April 1737 @ Haymarket Theatre

Event Comment: Benefit Hatchett. Third Piece: an additional Addition of a new entertaining Scene. In which the whole Art and Mystery of Free-Masonry is delineated, by the Admission of a Lady. At 6:30 p.m. Tickets for Mrs Haywood's benefit taken this day

Performances

Mainpiece Title: The Historical Register

Afterpiece Title: Eurydice Hiss'd

Afterpiece Title: The Female Free Mason

7233
25 April 1737 @ King's Theatre

Event Comment: DDaily Advertiser, 26 April: Signior Rolli's new Opera Call'd Sabrina, was rehears'd Yesterday Morning in Mr Heidegger's Apartments, to a numerous and very splendid Audience of Ladies and Gentlemen. The Signora Antonia Maria Marchesini, lately arriv'd from Italy, perform'd in it with universal Approbation

Performances

Mainpiece Title: Sabrina

7234
26 April 1737 @ King's Theatre

Event Comment: A new Opera. [Text by Paul Rolli.] Daily Advertiser, 26 April: The Signora Marchesini's Songs are distributed after such a judicious Manner by the ingenious Author, so as to rise gradually upon the Audience in each Act

Performances

Mainpiece Title: Sabrina

7235
28 April 1737 @ York Buildings

Event Comment: LLondon Daily Post and General Advertiser, 28 April: This is to inform the Publick, That the new Tragi-Comedy, entitled, The Free Thinker, or the Fox Uncased, which was to have been play'd on this Day, is oblig'd to be again deferr'd till Friday Se'nnight, being the 6th of May, when it will certainly be play'd [in yb], Pen. Aubin. [See also 14 April.

Performances

7236
03 May 1737 @ Haymarket Theatre

Event Comment: Benefit Mrs Charke. Mainpiece: A new Ballad Opera. Written in Honour of the Gentlemen of the Navy. [Author not known. Apparently not published.] Afterpiece: Written by the Author of Pasquin

Performances

Mainpiece Title: The Sailor's Opera; Or, An Example Of Justice To Present And Future Times

Afterpiece Title: The Historical Register

Music: With aPreamble on the Kettle@Drums-Mr Job Baker; who will accompany several Songs in the Opera-

7237
17 May 1737 @ Drury Lane Theatre

Event Comment: Afterpiece: A new Farce [By T. Cooke]

Performances

Mainpiece Title: Cato

Afterpiece Title: The Eunuch; or, The Darby Captain

7238
18 May 1737 @ Covent Garden

Event Comment: A new Opera. [Text by A. Salvi. Music by Handel.] By His Majesty's Command, [Their Majesties expect to attend.

Performances

Mainpiece Title: Berenice

7239
21 May 1737 @ King's Theatre

Event Comment: Afterpiece: a new Comic Interlude. [Apparently not published. Composer not known.

Performances

Mainpiece Title: Sabrina

Afterpiece Title: Le Bourgeois Gentilhomme

7240
24 May 1737 @ King's Theatre

Event Comment: A new Opera. [Composed by Egidio Duni Nepolitano.] 7 p.m

Performances

Mainpiece Title: Demofoonte

7241
25 May 1737 @ Drury Lane Theatre

Event Comment: Benefit Robinson, Wright, Hobson. Mainpiece: Taken from the French of Moliere. [Tickets for Gillibrand, Fulwood, Lee also taken.

Performances

Mainpiece Title: The Mother-in-law

Performance Comment: As17361112, but Agnes-Miss Wright, the first time of her appearing on the stage.
Cast
Role: Agnes Actor: Miss Wright, the first time of her appearing on the stage.

Afterpiece Title: The Mock Doctor

Performance Comment: As17370423 A new Prologue, Epilogue to the Farce, -Miss Wright.

Dance: I: English Maggot-Villeneuve, Mrs Walter; II: Russian Sailor-Denoyer's@Prentice; III: Two Pierrots-Livier, Villeneuve; IV: Punch's Dance, as17370519; V: Wooden Shoe Dance-Livier, Villeneuve

7242
30 August 1737 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by the late Mr Congreve. Egerton 2320: Berry, Oats & Shepard discharg'd much noise in ye Pit for ye restoring of Oats. Griffin at Rotterdam, Jack Ray did his part. Milward's [?] a good one--the first night of Beard's playing--his success great. Receipts: #115. [For performances at the Fairs, see season of 1736-1737.] Daily Advertiser, 22 Aug.: The House [dl] is neatly decorated, and a very large Lobby prepar'd for the Servants that keep Places, with two Fire Places, Seats, near the Boxes, where a Person is to attend to call them, whe wanted by their Masters or Ladies. There is also a new Passage to the Pit, which will make it much more convenient for the Audience

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

7243
01 September 1737 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by the late Mr Otway. At Common Prices. 6 p.m. N.B. There is a new Passage to the Pit.,. also a large Lobby for the Servants that keep Places. Receipts: #65. Egerton 2320: ye first night of Mr Right's appearance. Cato given out, but cou'd not be play'd, Mrs Cibber not being ready in Maria we cou'd play no Play but the Orphan Mrs Thurmond having left us

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Performance Comment: Orphan-Mrs Cibber; Castalio-Milward; Polydore-Mills; Chamont-Quin; Chaplain-Turbutt; Page-Miss Cole; Serina-Miss Holliday; Florella-Mrs Brett; Acasto-Wright, the first time of his appearance on that stage.
Cast
Role: Acasto Actor: Wright, the first time of his appearance on that stage.

Afterpiece Title: The Devil to Pay

Performance Comment: Sir John-Beard, the second time of his appearing on that stage in any speaking character; Lady Loverule-Mrs Pritchard; Jobson-Harper; Nell-Mrs Clive.
Cast
Role: Sir John Actor: Beard, the second time of his appearing on that stage in any speaking character
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

7244
29 October 1737 @ King's Theatre

Event Comment: A New Opera. [Text by Salvi. Altered by Rolli.] Pit and Boxes together at half a guinea each. Gallery 5s. 6 p.m. [Their Majesties present.

Performances

Mainpiece Title: Arsaces

7245
19 November 1737 @ Drury Lane Theatre

Event Comment: Afterpiece: By Desire. With New Habits, Scenes, Machines, and other Decorations

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Afterpiece Title: The Burgomaster Trick'd

Performance Comment: All the Characters by Lilliputians. Burgomaster-Master Ferg; Harlequin-Master Holman; Boor Servant-Master Hamilton Jr; Scaramouch-Master Brooks Jr; Colombine-Miss Wright; Country Lads and Lasses, Tabor, and Pipe-Master Hamilton Sr, Master Brooks Sr, Master Harper, Master Case, Miss Cole, Miss Morrison, Miss Edwards; with The Shepherd's Mount-all the Characters (likewise performed by Lilliputians).
Cast
Role: with The Shepherd's Mount Actor: all the Characters
Related Works
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): Lewis Theobald

7246
26 January 1738 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Written by Shakespear. Afterpiece: a new Dramatick Piece: Intermix'd with Songs in Character. [By James Miller.

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Coffee House

Dance: V: Ballet, as17380120

7247
28 January 1738 @ King's Theatre

Event Comment: A New Opera. [Music by Giovanni Battist Pescetti.

Performances

Mainpiece Title: La Conquista Del Vello D'oro

7248
21 February 1738 @ Drury Lane Theatre

Event Comment: DDaily Advertiser, 22 Feb.: Since my distant Relation Tomo Chachi was pleas'd, through your Means, to give his Reason for the Town's Condemnation of the Two first licensed Dramatick Performances since the new Act,-I desire to have his Opinion concerning the Fate of the Third-call'd Art and Nature:-I presume he cannot assign for Cause what he did before, for that this Piece did not receive the Indulgence of being heard at all....Adomo Tomo

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The King and the Miller of Mansfield

Dance: I: Grand Ballet-Muilment, Mrs Walter; III: Drunken Peasant-Philips; V: Polonese-Haughton, Mrs Walter

7249
23 February 1738 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Written by the late Mr Otway. Afterpiece: A new Dramatick Piece of One Act: Being the Sequel to the King and the Miller of Mansfield. [By Robert Dodsley.

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Sir John Cockle at Court

Dance: V: Ballet-Denoyer, Haughton, Miss Thompson

7250
25 February 1738 @ King's Theatre

Event Comment: A new Opera. [Text possibly by Zeno. Music, a Handel pasticcio.

Performances

Mainpiece Title: Alessandro Severo