SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in the Hay Market"/1) | (@(roleclean,performerclean) "New Theatre in the Hay Market")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5014 matches on Event Comments, 2829 matches on Performance Title, 1764 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: A Bold Stroke for a Wife

Cast
Role: Obadiah Prim Actor: Wathen

Afterpiece Title: New Hay at the Old Market

Related Works
Related Work: New Hay at the Old Market Author(s): George Colman, the younger

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: Peeping Tom

Cast
Role: Mayor of Coventry Actor: Wathen

Afterpiece Title: New Hay at the Old Market

Related Works
Related Work: New Hay at the Old Market Author(s): George Colman, the younger

Afterpiece Title: The Children in the Wood

Event Comment: The Three and the Deuce [advertised on playbill of 29 Aug.] is unavoidably postponed till Wednesday next

Performances

Mainpiece Title: Zorinski

Afterpiece Title: New Hay at the Old Market

Cast
Role: Mayor of Coventry Actor: Wathen
Related Works
Related Work: New Hay at the Old Market Author(s): George Colman, the younger

Afterpiece Title: The Prisoner at Large

Performances

Mainpiece Title: Love And Money

Afterpiece Title: Zorinski

Cast
Role: Mayor of Coventry Actor: Wathen

Afterpiece Title: New Hay at the Old Market

Cast
Role: Mayor of Coventry Actor: Wathen
Related Works
Related Work: New Hay at the Old Market Author(s): George Colman, the younger

Performances

Mainpiece Title: Love And Money

Afterpiece Title: The Three and the Deuce

Afterpiece Title: New Hay at the Old Market

Cast
Role: Mayor of Coventry Actor: Wathen
Related Works
Related Work: New Hay at the Old Market Author(s): George Colman, the younger

Performances

Mainpiece Title: Love And Money

Afterpiece Title: The Three and the Deuce

Afterpiece Title: New Hay at the Old Market

Cast
Role: Mayor of Coventry Actor: Wathen
Related Works
Related Work: New Hay at the Old Market Author(s): George Colman, the younger

Performances

Mainpiece Title: Love And Money

Afterpiece Title: The Three and the Deuce

Afterpiece Title: New Hay at the Old Market

Related Works
Related Work: New Hay at the Old Market Author(s): George Colman, the younger
Event Comment: The last Night of the Company's performing this Season

Performances

Mainpiece Title: Love And Money

Afterpiece Title: The Three and the Deuce

Afterpiece Title: New Hay at the Old Market

Cast
Role: Mayor of Coventry Actor: Wathen
Related Works
Related Work: New Hay at the Old Market Author(s): George Colman, the younger

Performances

Mainpiece Title: Love And Money

Afterpiece Title: Three and the Deuce

Afterpiece Title: New Hay at the Old Market

Related Works
Related Work: New Hay at the Old Market Author(s): George Colman, the younger
Event Comment: By Permission of the Lord Chamberlain. Benefit for the Author. Play [1st time; T 5]: Written by the Rev. [Thomas] Stratford. The Doors to be opened at 6:00. To begin at 7:00. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Tickets to be had of Dr Stratford, No. 5, Cecil-street, Strand, and of Fosbrook at the Theatre. Dr Stratford, in the overflowing of a grateful heart, is happy indeed in returning thanks to the Ladies and Gentlemen who, with equal benignity and humanity, have so generously exerted themselves in bringing forward his tragedy of Russel. Above the mean manoeuvres that have been practised by persons he had the least reason to expect such a conduct from, and which have detained him almost three years in London, at a ruinous expense, he went with a party of his friends, on Wednesday last, to the Hay-market, in support of the other Lord Russel, penned by superior genius. As he never injured an individual, he trusts every intention to defeat the success of his play will be disappointed by a generous London audience who, he still presumes to hope, will be actuated by the same noble spirit and principle that first induced the Lady and Gentleman to undertake so arduous a task as appearing on a public theatre. As many parts of the play will be expunged and altered, he begs leave to mention that it cannot be again represented till Wednesday next, when the characters of Lord Howard and Hubert will be performed by two other Gentlemen, who have generously undertaken their parts, and an entire new address will be spoken by the Gentleman who performs Lord Russel, wrote by himself. "The performers ... rendered the Doctor's Tragedy one of the most laughable farces at which we were ever present. [It] has much Calimanco in it, and where we could hear a sentence compleat (which was seldom indeed) it abounded with Fustian" (Public Advertiser, 21 Aug.)

Performances

Mainpiece Title: Lord Russel

Performance Comment: Characters are as follows: King Charles II, James Duke of York, Earl of Bedford, Lord Russel, Algernon Sidney, Lord Howard, Sir George Jefferies, Father Peters, Hubert, Lieutenant of the Tower; Lady Russel. Which are kindly undertaken to be represented by Ladies and Gentlemen, who never performed on any Stage. [Cast from text (no pub. [c. 1794]): King Charles II-Capt. Harriett (of the Navy); James Duke of York-Hyanson (a Yorkshire Attorney, Brother to Mrs McNally); Earl of Bedford-Laurence [sic] (Father to the celebrated Painter); Lord Russel-Horne (of the Temple); Algernon Sidney-another Laurence (not the Painter); Lord Howard of Eserick-Supple; Sir George Jefferies-A Young Lawyer of the Temple; Father Peters-Major Sykes; Hubert, Preceptor to Lord Russel-Henry Lucas, Esq. (Son of the late celebrated Dr Lucas) (who also wrote and spoke the Prologue); Kirk, Lieutenant of the Tower-Elliot; Lady Russel-Mrs Batiere (who also wrote and spoke the Epilogue).] Before the Play an occasional Address, written and to be spoken in Character, by a Gentleman who performs a principal Part [Lucas]. A Prologue, written by the Author [speaker unknown]. An Epilogue, written and to be spoken by the Lady who performs the Character of Lady Russel [Mrs Batiere]. No afterpiece performed on this night, or on 25, 27, 28 Aug . Before the Play an occasional Address, written and to be spoken in Character, by a Gentleman who performs a principal Part [Lucas]. A Prologue, written by the Author [speaker unknown]. An Epilogue, written and to be spoken by the Lady who performs the Character of Lady Russel [Mrs Batiere]. No afterpiece performed on this night, or on 25, 27, 28 Aug .
Related Works
Related Work: Lord Russel Author(s): William Hayley
Event Comment: Benefit for Mme Banti. A Grand Serious Opera (1st time in this country [1st performed at Vienna, 1767]), accompanied with Chorusses and Dances. The music entirely by Gluck. With entirely new Scenes, Dresses and Decorations. Books of the Opera now to be had at the Office of the Theatre, and at Beckett, Bookseller, Pall Mall. Morning Chronicle, 28 Apr.: To be performed exactly in the same manner as it was represented at Paris, under the direction of Gluck himself. Tickets to be had of Mme Banti, No. 3, Hay-market. Bartolozzi having presented Mme Banti, for her night, with a Ticket designed on purpose and engraved by himself, she proposes to give one of the engravings along with each Box and Pit Tickets, separately from the Ticket which will be admitted at the door. The Doors to be opened at 6:00. To begin at 7:15 [see 20 June]

Performances

Mainpiece Title: Alceste; Or, Il Tronfo Dell' Amor Conjugale

Dance: End Opera: Paul et Virginie, as17950411o other ballet listed]

Event Comment: Benefit for Bannister Jun. 1st piece [1st time; MF 2. Larpent MS 1210; not published]: Written by Charles? Dibdin, Founded on his Popular Novel under that Title, and enriched with a Selection of his most recent and favourite Songs. Do conclude with a new Finale by Dibdin. The Overture by Dibdin. "[It is a] wretched inanity; without interest, without humour, without character, original only in its dullness and unmatchable absurdity" (Monthly Mirror, May 1798, p. 306). 2nd piece: Compressed into Three Acts. 3rd piece: By permission of the Proprietor of the Theatre Royal Hay-Market. Morning Herald, 18 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford-square. Receipts: #511 13s. 6d. (251.7.6; 68.7.0; 1.13.0; tickets: 190.6.0) (charge: #212 19s.)

Performances

Mainpiece Title: Hannah Hewit; Or, The Female Crusoe

Performance Comment: Walmsley-Bannister Jun; Captain Wattle and Miss Roe-Bannister Jun; The Country Club-Bannister Jun; The Advantage of Toping-Bannister Jun.; Captain Higgins-Dignum; The Sailor's Journal-Dignum; Lovely Nan-Dignum; Buntline-Suett; Toll de Roll-Suett; Cudgo-Wathen; Kickaraboo-Wathen; Binns-Trueman; Hewit-Holland; Hannah Hewit-Miss DeCamp; The Complaint-Miss DeCamp; Virtue-Miss DeCamp; Anna-Miss Leak; True Glory-Miss Leak; Mrs Binns-Miss Heard.

Afterpiece Title: The Inconstant

Afterpiece Title: The Son-in-Law

Song: End I 1st piece: The Sailor's Consolation- made into a Song and Chorus

Event Comment: Boxes 6s. Second Price 3s. Pit 3s. 6d. Second Price 2s. Gallery 2s. Second Price 1s. Upper Gallery 1s. Second Price 6d. No Money to be returned. Places for the Boxes to be taken of Fosbrook at the office in Russel Street. The Doors t be opened at 5:30. To begin at 6:30 [see 4 Dec.]. Printed by C. Lowndes next the Stage-door. The Public are respectfully informed that the Entrances to the Pit are now removed from Bridges Street to Russel Street and Wooburn Street. In Wooburn Street the Lower Saloon is opened for the accomodation of the Frequenters of the Pit, previous to Opening the office Doors of admission. Many complaints having been made by the Frequenters of this Theatre respecting the application of the Box and office keepers and other Servants of the Theatre for Benefit Tickets, Christmas Boxes, &c., the Public are respectfully informed that a full compensation being made by the Proprzetors to all the said Persons in lieu of all such emoluments, no Benefit, Gift, or Perquistite will in future be permitted to the servants of this Theatre on any pretence whatever. [On Kemble playbill Kemble has written, "See June 14th and 15th for the Benefit of the Boxkeepers, and the perpetuating of this Ruse, if it is one at all."] Afterpiece: By permission of the Proprietor of the Theatre Royal, Hay-Market. Receipts: #324 8s. 6d. (227.19.0; 94.13.6; 1.16.0)

Performances

Mainpiece Title: The School For Scandal

Performance Comment: Sir Peter Teazle-King; Sir Oliver Surface-Aickin; Sir Benjamin Backbite-R. Palmer; Joseph Surface-Palmer; Charles Surface-Wroughton; Crabtree-Suett; Careless-C. Kemble; Snake-Wathen; Rowley-Packer; Moses-Wewitzer; Trip-Trueman; Lady Teazle-Mrs Jordan; Lady Sneerwell-Mrs Goodall; Mrs Candour-Miss Pope; Maria-Miss Miller.
Cast
Role: Snake Actor: Wathen

Afterpiece Title: The Children in the Wood

Song: In III: a song-Dignum

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: With a new Prologue-the Lion from the Opera in the Hay-Market; and a new Epilogue-a young Child who play'd the part of the Child in Caius Marius.
Event Comment: Benefit for Vestris Sen. Tickets to be had of Vestris, No. 2, Hay-market. 2nd ballet: A new Historical Dance [in 3 acts]. The Music entirely new, composed by VanEsch. With new Dresses, Machinery, and Decorations. [Morning Chronicle, 15 Apr., printed a letter from Vestris complaining that the manage had not fulfilled his promises as regards the scenery. Vestris outlines what he had planned, and concludes with a description of the "3rd and last act, the Olympus descending, which shall fill the whole stage with clouds, and a Glory in which one shall see Jupiter with his whole Celestial Court; Hercules shall appear there mounting in the Olympus to receive his Apotheosis; the Ballet shall be concluded by a general acclamation of joy and admiration of all the people assembled in the place."

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End I: Divertisement, as17910326

Ballet: End II: La Mort d' Hercule, and his Apotheosis. Hercule-Vestris Sen. [For other parts see17910412]

Performance Comment: Hercule-Vestris Sen. [For other parts see17910412] .For other parts see17910412] .
Event Comment: Benefit for Mrs Waldron. Mainpiece: Written by the celebrated General Burgoyne (Tam Marti quam Mercurio), and performed near Forty Nights last season at the Theatre-Royal, Drury-Lane, with unprecedented Applause. 2nd piece: Written by O'Keeffe, set to music by Shield, and performed with unceasing Applause at the Theatre-Royal in the Hay-Market

Performances

Mainpiece Title: The Heiress

Performance Comment: Ld. Gayville-The Young Gentleman who performed Jaffier on Wednesday last [Gibbons]; Clifford-Yatesmore; Sir Clement Flint-Sadler; Blandish-Wilson; Chignon-Benson; Prompt-Simpson; Mr Rightly-Smith; Chairman-Wright; Servants-Watts, Meadows, Johnston; Alscrip-Waldron; Miss Alscrip-Mrs Waldron; Miss Alton-Miss Phillips; Mrs Blandish-Mrs Clarke; Mrs Sagely-Mrs Johnston; Tiffany-Miss Williams; Lady Emily-The Young Lady who performed Belvidera on Wednesday last [Miss Fenton]. Prologue [spoken by Gibbons]. Epilogue [spoken by Miss Fenton] .Miss Fenton]. Prologue [spoken by Gibbons]. Epilogue [spoken by Miss Fenton] .
Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: Peeping Tom of Coventry

Afterpiece Title: Robinson Crusoe; or, Harlequin Friday

Song: End of Act I of mainpiece Sweet Poll of Plymouth by Master Muffett of Hammersmith (1st appearance in public); In Act II an incidental song, accompanied by the pedal harp, by Miss Phillips; End of mainpiece Let Fame sound the Trumpet, as sung by Johnstone in Fontainbleau, by a Young Gentleman (1st appearance)

Monologue: 1786 07 10 End of last song Parents and Children, as 28 June

Event Comment: Mainpiece: For the first time here (by permission of the Manager of the Theatre Royal, Hay Market). [Author of Prologue unknown.] Paid Messrs Hammersley & Co.'s Trust Account for Renters, Theatre Rent, Patent Rent, Taxes, Insurance, and other certain Charges for 12 nights Paid each night #100: #1,200. Receipts: #235 9s. 6d. (174.9.0; 59.12.0; 1.8.6)

Performances

Mainpiece Title: The Three And The Deuse [sic]

Performance Comment: Justice Touchit-Suett; Mr Milford-Packer; Pertinax Single-Bannister Jun.!; Peregrine Single-Bannister Jun.[!!; Percival Singel-Bannister Jun.[!!!; Freeman-Bannister; MacFloggan-Moody; Frank-Wathen; Humphrey Grizzle-Russell; Renard-Caulfield; Peace Officers-Phillimore, Maddocks, Webb; Emily-Mrs Gibbs; Phebe-Miss Leak; Taffline-Mrs Bland; Prologue-Wathen.
Cast
Role: Frank Actor: Wathen
Role: Prologue Actor: Wathen.

Afterpiece Title: Lodoiska

Event Comment: 2nd piece: By permission of the Proprietor of the Theatre Royal Hay-Market. 3rd piece: The Musick composed, and selected from Cherubini, Kreutzer, and Andreozzi, by Storace. An Accurate Edition of Lodoiska to be had in the Theatre. Receipts: #302 6s. 6d. (186.13.6; 109.17.6; 5.15.6)

Performances

Mainpiece Title: The Purse; Or, Benevolent Tar

Performance Comment: The Baron-Packer; Edmund-Dignum; Theodore-Trueman; Will Steady-Wathen; Page-Miss Menage; Sally-Mrs Bland.
Cast
Role: The Baron Actor: Packer
Role: Theodore Actor: Trueman
Role: Will Steady Actor: Wathen

Afterpiece Title: The Children in the Wood

Afterpiece Title: Lodoiska

Performance Comment: Polanders. Prince Lupauski-Aickin; Count Floreski-Kelly; Baron Lovinski-Palmer; Varbel-Suett; Adolphus-Caulfield; Gustavus-Trueman; Pages-Master Welsh, Master Gregson; Princess Lodoiska-Mrs Crouch; Captives-Ms Roffey, Ms Maddocks, Ms Arne, Ms Jackson, Ms Wentworth, Ms Menage; Tartars. Kera Khan-Barrymore; Ithorak-Dignum; Khor-Sedgwick; Japhis-Bannister; Kajah-Campbell; Tamuri-Male; Camazin-Grimaldi; The Horde-Wentworth, Maddocks, Welsh, Evans, Annereau.

Ballet: The Scotch Ghost. As17970105

Event Comment: Mainpiece: Never [previously] performed at this Theatre; By permission of the Proprietor of the Theatre Royal, Hay-Market. Receipts: #115 17s. 6d. (65.2.0; 47.17.0; 2.18.6)

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Captive of Spilburg

Dance: As17981114

Event Comment: Benefit for Sga Rachele Dorta. Boxes to be had by applying to No. 80, near the Opera-house, Hay-market. Tickets, half a guinea each, to be had of Sga Rachele Dorta, No. 72, west side of the Hay-market

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840513; End of Opera Le Deserteur, as17840608

Event Comment: Mainpiece: a new Farce of Two Acts. [Author not known. Apparently not printed.]Afterpiece: (by a Company of Singers just imported) A new Musical Burlesque of two Acts, in a Grand Oratorio. [By Henry Carey.] The Musical Connoisseurs are desir'd do take Notice, that the Company keeps up strictly to the Italian Taste, the Notes being full of Grandeur and Harmony, and the Words full of low Nonsense; and as a further Indication of his Attachment, it is so contriv'd, that two powerful Parties are already form'd to support the two beautiful Rivals, Mauxalinda and Margeria; but which of them will carry their Point, Time alone must determine. It will be deem'd a lasting Obligation to any Chronologer, in what University soever presiding, if he will communicate the precise Century Moore of Moore-Hall liv'd in, so that the Hero may be dress'd in Character; but if the Recherche should prove too laborious, it is resolv'd he shall come as near the Figure of the Divine Farinello as possible. N.B. The Dragon was intended to have charm'd the City at Stationer's Hall; but from a Punctilio very common to Singers, he insisted on exerting his Musical Faculty at the Hay-Market. Admission: 5s., 3s., 2s. 7 p.m

Performances

Mainpiece Title: The Lordly Husband

Afterpiece Title: The Dragon of Wantley

Performance Comment: Dragon-Sig Furioso (his other Name to be conceal'd..
Event Comment: A New Opera. With Dances and other Decorations entirely new. Pit and Boxes to be put together; and no person to be admitted without Tickets, which will be deliver'd this Day at the Office in the Hay-Market, at Half a Guinea each. Gallery 5s. By His Majesty's Command, No Person to be admitted behind the Scenes. The Gallery to be open'd at Four o'clock, Pit and Boxes at Five. To begin at Six o'clock. [Customary notice will not be included again. A pasticcio; music by Hasse, Lampugnani, Brivio, and Rinaldo da Capua; librettist--Apostolo Zeno. See Burney, History of Music, IV, 447.

Performances

Mainpiece Title: Gianguir

Dance: Barbara Campanini (Horace Walpole's Correspondence with Sir Horace Mann, I, 191)

Event Comment: Benefit for Mme Rose. Tickets to be had of Mme Rose, No. 8, Hay-Market. 2nd ballet: 1st time; composed by Didelot in the Erotic Style. The Music entirely new, by Mazzinghi. With new Dresses [by Sestini], Scenery [by Greenwood], and Decorations

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: L'Heureux Retour, as17970401; Minuet de la Cour-Mme Rose, Didelot

Ballet: End Opera: Sapho et Phaon. Cast from synopsis (A. Dulau, 1797): Adonis-Miss Menage; L'Amour-Master Menage; Zephyre-Gentili; Vulcain-Fialon; Phaon-Didelot; Alcee-Simpson; Nemesis-Simpson [i.e. doubled]; Le Feu-Gentili [i.e. doubled]; L'Hypocrisie-Fialon [i.e. doubled]; Sapho-Mme Rose; Damophile-Mme Hilligsberg; Venus-Mlle Parisot

Event Comment: Benefit Carey. With some Additional Songs proper to the Characters, which will be printed, and given Gratis to all Persons at their Entrance. [A Tragedy of half an act entitled Did You Ever See The Like? was advertised as an afterpiece for this day 1n Fog's, 28 Nov.] Daily Post, 3 Dec.: Our Friend Harry Carey having this Night a Benefit...the Powers of Music, Painting, and Poetry, assemble in his Behalf, he being an Admirer of the three Sister Arts: The Body of Musicians meet in the Hay-market, from whence they march in great Order, preceded by a magnificent moving Organ, in Form of a Pageant, accompany'd by all Kinds of Musical Instruments ever in Use, from Tubal Cain to this Day: A great Multitude of Booksellers, Authors and Printers, form themselves into a Body at Temple-Bar, from whence of Printers Devils, with their proper Implements: Here the two Bodies of Music and Poetry are joined by the Brothers of the Pencil, where taking a Glass of Refreshment at the Bedford-Arms, they make a solemn Procession to the Theatre, amidst an innumerable Croud of Spectators

Performances

Mainpiece Title: Greenwich Park

Song: A Dialogue of Mr Henry Purcell-Mrs Carey, Miss Raftor; A Cantata of Mr Carey's-Miss Raftor

Dance: Essex, Lally, Rainton, Mrs Walter, Miss Robinson, Miss Brett

Event Comment: Benefit John Richter. 7 P.M. Daily Advertiser, 9 March: Yesterday the Company of Comedians in the Hay-Market took Possession of Drury Lane Theatre

Performances

Mainpiece Title: Concert