SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in Goodmans Fields"/1) | (@(roleclean,performerclean) "New Theatre in Goodmans Fields")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5062 matches on Event Comments, 2735 matches on Performance Title, 1866 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: A Medley Concert

Performance Comment: Country Lass-Miss Valois; What's That To You? a Scots song,-Lauder; Oration-Miss Midnight; The Taylors-Master Settree, Miss Twist; Comic Lectures-Mr Cibber; Kitty or the Female Phaeton-Miss Gaudry; Cuckow Overture-; A new Scots Dance,with the Scots Measure,-Froment, Mme Dulisse; Singing-Sadler; Auction-Cibber; Italian Air-Signora Mimicotti; Dutch Peasant-Miss Valois; Marine Boys Marching to Portsmouth-; Hornpipe-Morris, Miss Durham; Comic Epilogueriding on an Ass-Miss Midnight; Voluntary on Cymbalo-Noel; Handel's Water Musick-; with Preamble on Kettle Drums-Woodbridge; Louvre, Minuet-Froment, Mme Dulisse.
Related Works
Related Work: The Triumphant Widow; or, The Medley of Humours Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: Harlequin's Frolic

Performances

Mainpiece Title: A Medley Concert

Performance Comment: Dutch Skipper-Master Settree; Singing-Miss Gaudry; Concerto by Handel-; Italian Peasants-Joly, Mlle Dulisse; Dorus and Cleora , a new Cantata set to Musick by Mr Bryan,-Kear , his first time on any stage; Les Tailleurs-Master Settree, Miss Twist; The Slack Wire-Miss Isabella Wilkinson; Marines Going to Portsmouth-; Irish Landlord-Jolly, Settree, Mme Dulisse; Rule Britannia-Kear.
Related Works
Related Work: The Triumphant Widow; or, The Medley of Humours Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: Harlequin's Frolic

Performances

Mainpiece Title: A Medley Concert

Performance Comment: See17571017, but The Guittard, a song by Mr Arne,-Mrs Hooper; a new dance, Le Matelotte-Joly; Italian Peasants-_; School of Anacreon-Kear; Chaste Diana-Mrs Hooper; Phoebus sinketh in the West-Kear.
Related Works
Related Work: The Triumphant Widow; or, The Medley of Humours Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: Harlequin's Frolic

Event Comment: The pant: was hiss'd & Dull (Cross). Afterpiece: with new Scenes and Decorations, not acted these 4 years [see 15 Oct. 1753]. Receipts: #160 (Cross)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Ranger

Event Comment: MMr Woodward was taken ill, & Mr Yates his part of Lucio, & Mr Rooker did the Harl: (all well) a Disturbance was design'd by the officers occasion'd by a new Scene (which no Effect) about a Captain being in Leading strings, but we left it out & all was Quiet (Cross). Receipts: #80 (Cross)

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Harlequin Ranger

Event Comment: [The new scenes and Decorations which continue to be noted for the afterpiece will not be recorded here further.] Receipts: #110 (Cross)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Harlequin Ranger

Event Comment: [For Cross' comment, see dl.] Receipts: #203 8s. 6d. Paid Barry one third of the surplus of this night's receipt over and above #80 allow'd for the charges:-#41 2s. 10s. Paid Lambert (Scene Painter) 3 month's salary to 16 Nov. last:-#25 (Account Book). [Lee, who seems to have entered earlier on a percentage-of-Box-Receipts: basis for his salary, received only one-third of receipts above a house charge of #100.] The Tragedy of King Lear was presented on this stage; King Lear by Mr Barry, and Cordelia by Mrs Bellamy; The latter was received with universal satisfaction; but on the former's appearance, after a thundering Peal of Applause, a few misguided persons made it necessary for Mr Barry to inform the audience that it ever had been his study to contribute his utmost to the entertainment of the town, and that all reports of his having been exorbitant in his demands were injurious and totally groundless. Upon this he was desired with one general acclamation to proceed in the play. The disturbers of the public were ordered to be silent or to be turned out of the house; and this great actor proved, by the improvement he has made in this character, that excellent as he is, he is still capable of reaching new strokes of perfection; and in the conclusion of the play the applause he met with was the tribute of hearts gratefully agitated through the whole performance with a variety of passions thrown into a ferment by powers most wonderfully suited to tenderness and compassion (London Chronicle, 3-6 Dec.)

Performances

Mainpiece Title: King Lear And His Three Daughters

Afterpiece Title: The Virgin Unmask'd

Dance: JJovial Coopers, as17571107

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Englishman Returned from Paris

Ballet: By Sga Gallini (who never appear'd on that stage before) and Miss Hilliard, in a Pantomime Ballet call'dThe Judgment of Paris. Paris-Gallini; Mercury-Leppie; Juno-Miss Viviez; Pallas-Mrs Granier; Venus-Miss Hilliard

Dance: nd a Comic Ballet call'd theSicilian Peasants-Gallini, Miss Hilliard. With New Habits and proper Decorations

Performance Comment: With New Habits and proper Decorations.
Event Comment: Afterpiece: An Entertainment in Grotesque Characters, not acted these 4 years.[See 2 Dec. 1754.] The Scenes, Habits and Decorations entirely new. Receipts: #190 (Cross)

Performances

Mainpiece Title: Merope

Afterpiece Title: Queen Mab

Event Comment: By Authority. With new Scenes, Dresses and Decorations

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discovered

Afterpiece Title: Numps's Courtship

Dance: As17580112

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Lee; Johnson-a Gentleman, his 1st appearance; Smith-Sparks; With Occasional Decorations, viz: A Dance of State-; Grand Battle of Horse and Foot-; A New Prologue on the Birthday of the King of Prussia-Lee.

Afterpiece Title: Lethe

Dance: FFingalian Dance, as17571013

Event Comment: Mainpiece: By Particular Desire. New Scene in Knights; or, Foote's Fresh Tea, published at 6d. Printed for J. Wilkie behind the Chapter House in St Paul's Churchyard. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Fatal Marriage

Afterpiece Title: The Male Coquette

Dance: IV: The Italian Peasants, as17571004

Event Comment: The New Tragedy is deferr'd on account of Mrs Cibber's illness. Receipts: #80 (Cross)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Queen Mab

Event Comment: As Mrs Cibber is not quite recover'd of her illness, the new Tragedy of Agis is deferred for a day or two longer. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: Queen Mab

Event Comment: Written by Mr Hume. Author of Douglas. Went off wth. great Applause (Cross). A New Tragedy. The Music composed by Dr Boyce. As this is the 1st night of representation, and much depends upon keeping the scenes clear, 'tis hoped no gentleman will be offended that he cannot be admitted upon the stage or into the orchestra. [See Theatrical Review, 1757 and Beginning of 1758 for contemporary comment on source, and at act-by-act progress of play. Judicial but appreciative. Finds some rant and bombast, as well as inconsistency, in Lysander 's characterization: "If...not...known that the author of Agis is the same to whom we are indebted for Douglas, one would not have suspected those two tragedies to have sprung from the same pen...Agis inspires us with admonition; Douglas speaks forcibly to our softer feelings. In Douglas he has shown himself perfect master of nature and the human heart: in Agis of contrivance in point of plot and incidents. What a masterpiece may not we expect from such talents when united in one tragedy!"] Receipts: #200 (Cross)

Performances

Mainpiece Title: Agis

Event Comment: With New Additions and Alterations

Performances

Mainpiece Title: Belshazzar

Event Comment: With new Additions and Alterations

Performances

Mainpiece Title: Israel In Egypt

Event Comment: With new Additions and Alterations

Performances

Mainpiece Title: Jeptha

Event Comment: With New Additions and Alterations. [On 1 March (Baker, Diary, p. 106) went to Handel's and heard the rehearsal by "Frasi, Miss Young als [alias], Miss Scott, Cassandra Frederick, Beard, Champness, Baildon."

Performances

Mainpiece Title: Judas Maccabaeus

Event Comment: Receipts: #124 7s. 6d. Barry's 1!3 of surplus came to #14 15s. 10d. [Three new Renters came in: James Partridge, Abraham Langford, William Williams at 1 share each] (Account Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Cheats of Scapin

Dance: SSicilian Peasants, as17571217

Event Comment: Benefit for Mrs Bellamy. Mainpiece: By Particular Desire. Tickets delivered for The Humorous Lieutenant will be taken. Receipts: #113 5s. Charges #63. Income from Tickets #152 5s. (boxes 339; pit 364; gallery 129). Profit to Mrs Bellamy #202 10s. [Her daily salary was #2 2s.; on this night she cleared more than 4 months' wages at 24 acting days per month.] Two New Renters came in: Solomon Paul Juliot and Francis Wilson at 1 share each. Rec'd of Benj. Read for 6 Box tickets for the 2nd inst. #1 10s. (Account Book)

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Afterpiece Title: The Englishman Returned from Paris

Dance: As17571217

Ballet: TThe Judgment of Paris. As17571217

Event Comment: Benefit for Sparks. Receipts: #83 2s. 6d. plus Tickets #184 12s. (boxes 335; pit 551; gallery 182). Advanced Mrs Bellamy on her salary #105. Two new Renters came in at 1 share each: Sir Thomas Robinson and Robert Hassell (Account Book). Mr Smith takes this earliest opportunity to return thanks the Ladies and Gentlemen who honoured him with their presence at his Benefit on Tuesday Night, and is very sorry for any interruption that might happen in the performance. The indulgence of his friends that night far exceeded his most sanguine exceptations; otherwise he should have provided proper accomodations for them on the stage (Public Advertiser). [See Theatrical Review, 1757 and Beginning of 1758, for contemporary comment on mainpiece: "It is not paying it a very great, much less an underserved compliment to give it the preference over all the dramatic pieces that have been presented at either house these six or seven years...Tears were the first praises I gave it...no play except Lear ever make such a strong constant impression on my feelings."

Performances

Mainpiece Title: Douglas

Afterpiece Title: Lethe

Dance: SSicilian Peasants, as17571217

Event Comment: Benefit for Mossop. Mainpiece: By Particular Desire. Farce wrote by Mr Murphy. Went off Indiff (Cross). [It was sent to Licenser one year before, 16 March 1757 (Larpent MS 131).] Garrick first announced for Ghost [Hamlet] which he afterwards declined having new part in the farce. Part of Pit into Boxes. Amphitheatre on stage (Winston MS 9). Receipts: #280 (Cross)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Upholsterer

Event Comment: With the change of a new Duet

Performances

Mainpiece Title: Issipile

Event Comment: Receipts:#66 4s. 6d. Hutchison Mure came in as a New Renter for 2 shares, and Mary Mure for 1 share commencing this night (Account Book)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Harlequin Sorcerer

Dance: NewComic Dance, as17580417