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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in Goodmans Fields"/1) | (@(roleclean,performerclean) "New Theatre in Goodmans Fields")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8571 results for: Keyword - New Theatre in Goodman's-Fields
We found 5062 matches on Event Comments, 2735 matches on Performance Title, 1866 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

7276
12 February 1737 @ King's Theatre

Event Comment: A New Opera. [Music by Giovanni Battist Pescetti.

Performances

Mainpiece Title: Demetrius

Afterpiece Title: Il Giocatore

7277
16 February 1737 @ Covent Garden

Event Comment: A New Opera. [Alteration of libretto by N. Beregani. Music by Handel.

Performances

Mainpiece Title: Justin

7278
19 February 1737 @ King's Theatre

Event Comment: Afterpiece: A new comic Interlude. [Music by Giuseppe Maria Orlandini.

Performances

Mainpiece Title: Demetrius

Afterpiece Title: Grullo and Moschetta

7279
08 March 1737 @ Lincoln's Inn Fields

Event Comment: EEgmont, Diary, II, 364: I went to the new play called 'King Charles the First,' acted with approbation at [lif]. The Characters are as the historians represent them, the language good and the sentiments fine, but the players are bad, he who represented General Fairfax and Cromwell excepted

Performances

Mainpiece Title: King Charles The First; An Historical Play [charles I]

7280
08 March 1737 @ Haymarket Theatre

Event Comment: DDaily Advertiser, 8 March: We hear that the Great Mogul has acceeded to the Treaty of the Hay-Market, which causes various Speculations. Our best Advices assure us, that the Town will be entertain'd there Tomorrow, by a Gentleman who never wrote for the Stage, with a new Performance call'd a Rehearsal of Kings: which will be immediately succeeded by a Dramatick Piece call'd The Historical Register, for the Year 1736, written by the Author of Pasquin. We hear this has given great Alarm to all the Pantomimical Houses in London, Southwark, Rag Fair, &c

Performances

7281
17 March 1737 @ Haymarket Theatre

Event Comment: Benefit the Author. Afterpiece: A New Farce of one Act. [Author not known. Apparently not published.

Performances

Mainpiece Title: A Rehearsal Of Kings

Afterpiece Title: Sir Peevy Pet

7282
23 March 1737 @ Covent Garden

Event Comment: By their Royal Highnesses' Command. A new Oratorio, [Text by Morrell. Music by Handel. Prince and Princess of Wales present.

Performances

Mainpiece Title: Il Trionfo Del Tempo E Della Verita

Music: WithConcertos on the Organ-and other Instruments

7283
26 March 1737 @ King's Theatre

Event Comment: Afterpiece: A new comic Interlude. [Music by Domenico Sani.

Performances

Mainpiece Title: Demetrius

Afterpiece Title: The Impresario

7284
12 April 1737 @ King's Theatre

Event Comment: A New Opera. [Music by Frances Veracini.

Performances

Mainpiece Title: Titus

7285
13 April 1737 @ Covent Garden

Event Comment: A New Opera. [Text by Giovanni Alberto Ristori. Music arranged by Handel. Apparently not published.

Performances

Mainpiece Title: Dido

7286
14 April 1737 @ York Buildings

Event Comment: LLondon Daily Post and General Advertiser, 17 March: This is to inform the Publick, that the new Tragi-Comedy, intitled The Free-Thinker; or, The Fox uncas'd, which was last Summer rehearsed and was to have been play'd at [lif], but by Mr Rich's letting that House to Mr Giffard, for that Season, was prevented, will be acted on the 14th of April next [at yb], by Mr Hallam's Company of Comedians. The Play is writ much in the same Stile and Manner of George Barnwell....The Author hopes that the Generous and Judicious will encourage the Performance, tho' the Company of Players are not dropt down from the Clouds, nor does the Play libel the Government. [No further announcement of the performance has been noted before 28 April.

Performances

7287
22 April 1737 @ Lincoln's Inn Fields

Event Comment: Afterpiece: A Rehearsal of a New Ballad-Opera, burlesqued [By Richard Baker]

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Madhouse

7288
25 April 1737 @ Haymarket Theatre

Event Comment: Benefit Hatchett. Third Piece: an additional Addition of a new entertaining Scene. In which the whole Art and Mystery of Free-Masonry is delineated, by the Admission of a Lady. At 6:30 p.m. Tickets for Mrs Haywood's benefit taken this day

Performances

Mainpiece Title: The Historical Register

Afterpiece Title: Eurydice Hiss'd

Afterpiece Title: The Female Free Mason

7289
25 April 1737 @ King's Theatre

Event Comment: DDaily Advertiser, 26 April: Signior Rolli's new Opera Call'd Sabrina, was rehears'd Yesterday Morning in Mr Heidegger's Apartments, to a numerous and very splendid Audience of Ladies and Gentlemen. The Signora Antonia Maria Marchesini, lately arriv'd from Italy, perform'd in it with universal Approbation

Performances

Mainpiece Title: Sabrina

7290
26 April 1737 @ King's Theatre

Event Comment: A new Opera. [Text by Paul Rolli.] Daily Advertiser, 26 April: The Signora Marchesini's Songs are distributed after such a judicious Manner by the ingenious Author, so as to rise gradually upon the Audience in each Act

Performances

Mainpiece Title: Sabrina

7291
28 April 1737 @ York Buildings

Event Comment: LLondon Daily Post and General Advertiser, 28 April: This is to inform the Publick, That the new Tragi-Comedy, entitled, The Free Thinker, or the Fox Uncased, which was to have been play'd on this Day, is oblig'd to be again deferr'd till Friday Se'nnight, being the 6th of May, when it will certainly be play'd [in yb], Pen. Aubin. [See also 14 April.

Performances

7292
03 May 1737 @ Haymarket Theatre

Event Comment: Benefit Mrs Charke. Mainpiece: A new Ballad Opera. Written in Honour of the Gentlemen of the Navy. [Author not known. Apparently not published.] Afterpiece: Written by the Author of Pasquin

Performances

Mainpiece Title: The Sailor's Opera; Or, An Example Of Justice To Present And Future Times

Afterpiece Title: The Historical Register

Music: With aPreamble on the Kettle@Drums-Mr Job Baker; who will accompany several Songs in the Opera-

7293
17 May 1737 @ Drury Lane Theatre

Event Comment: Afterpiece: A new Farce [By T. Cooke]

Performances

Mainpiece Title: Cato

Afterpiece Title: The Eunuch; or, The Darby Captain

7294
18 May 1737 @ Covent Garden

Event Comment: A new Opera. [Text by A. Salvi. Music by Handel.] By His Majesty's Command, [Their Majesties expect to attend.

Performances

Mainpiece Title: Berenice

7295
21 May 1737 @ King's Theatre

Event Comment: Afterpiece: a new Comic Interlude. [Apparently not published. Composer not known.

Performances

Mainpiece Title: Sabrina

Afterpiece Title: Le Bourgeois Gentilhomme

7296
24 May 1737 @ King's Theatre

Event Comment: A new Opera. [Composed by Egidio Duni Nepolitano.] 7 p.m

Performances

Mainpiece Title: Demofoonte

7297
25 May 1737 @ Drury Lane Theatre

Performances

Mainpiece Title: The Mother-in-law

Afterpiece Title: The Mock Doctor

Performance Comment: As17370423 A new Prologue, Epilogue to the Farce, -Miss Wright.

Dance: I: English Maggot-Villeneuve, Mrs Walter; II: Russian Sailor-Denoyer's@Prentice; III: Two Pierrots-Livier, Villeneuve; IV: Punch's Dance, as17370519; V: Wooden Shoe Dance-Livier, Villeneuve

7298
30 August 1737 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by the late Mr Congreve. Egerton 2320: Berry, Oats & Shepard discharg'd much noise in ye Pit for ye restoring of Oats. Griffin at Rotterdam, Jack Ray did his part. Milward's [?] a good one--the first night of Beard's playing--his success great. Receipts: #115. [For performances at the Fairs, see season of 1736-1737.] Daily Advertiser, 22 Aug.: The House [dl] is neatly decorated, and a very large Lobby prepar'd for the Servants that keep Places, with two Fire Places, Seats, near the Boxes, where a Person is to attend to call them, whe wanted by their Masters or Ladies. There is also a new Passage to the Pit, which will make it much more convenient for the Audience

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Devil to Pay

7299
01 September 1737 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by the late Mr Otway. At Common Prices. 6 p.m. N.B. There is a new Passage to the Pit.,. also a large Lobby for the Servants that keep Places. Receipts: #65. Egerton 2320: ye first night of Mr Right's appearance. Cato given out, but cou'd not be play'd, Mrs Cibber not being ready in Maria we cou'd play no Play but the Orphan Mrs Thurmond having left us

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: The Devil to Pay

7300
29 October 1737 @ King's Theatre

Event Comment: A New Opera. [Text by Salvi. Altered by Rolli.] Pit and Boxes together at half a guinea each. Gallery 5s. 6 p.m. [Their Majesties present.

Performances

Mainpiece Title: Arsaces