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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in Goodmans Fields"/1) | (@(roleclean,performerclean) "New Theatre in Goodmans Fields")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8571 results for: Keyword - New Theatre in Goodman's-Fields
We found 5062 matches on Event Comments, 2735 matches on Performance Title, 1866 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

7026
04 April 1730 @ King's Theatre

Event Comment: A New Opera. [By Zeno. Music probably by Bartholmeo Cordans.-see Deutsch, Handel, p. 254.

Performances

Mainpiece Title: Ormisda

7027
06 April 1730 @ Haymarket Theatre

Performances

Mainpiece Title: The Author's Farce

Afterpiece Title: The Cheats of Scapin

Performance Comment: Octavian-a Gentleman; Scapin-Jones; Leander-Harris; With a New Prologue, Epilogue-Miss Jones.

7028
08 April 1730 @ Haymarket Theatre

Event Comment: [By William Hatchett.] With New Habits

Performances

Mainpiece Title: The Rival Father; Or, The Death Of Achilles

7029
15 April 1730 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performance Comment: As17290922, but Gravediggers-_; 2d Gravedigger omitted; 1st Gravedigger-Leveridge (with Two New Songs in Character).

Song: End I: Mrs Wright; II: Since Times are so Bad-Leveridge, Salway; III: Mrs Chambers

Dance: IV: Nivelon

7030
20 April 1730 @ Drury Lane Theatre

Event Comment: Benefit Cibber Jr and Mrs Cibber. At the particular Desire of several Persons of Quality. Afterpiece: [By Theophilus Cibber.] A New Scotch Ballad Opera

Performances

Mainpiece Title: The Tender Husband

Afterpiece Title: Patie and Peggy; or, The Fair Foundling

Dance: Mrs Booth, Miss Robinson

7031
23 April 1730 @ Drury Lane Theatre

Event Comment: Benefit Roger, the Pierrot. At the particular Desire of several Persons of Quality. Afterpiece: A New Pantomime Entertainment. Composed by Monsieur Roger

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Diana and Acteon

7032
27 April 1730 @ Haymarket Theatre

Event Comment: Mainpiece: [By Charles Coffey.] A New Farcial Ballad Opera. Afterpiece: By Desire. Tickets delivered for the Author's Benefit will be taken

Performances

Mainpiece Title: The Female Parson; Or, Beau In The Suds

Afterpiece Title: Tom Thumb

7033
01 May 1730 @ Drury Lane Theatre

Performances

Mainpiece Title: Love For Love

Performance Comment: As17300418 but Angelica-Mrs Thurmond; Prue-Mrs Cibber; By Desire, an Entire new Prologue, Free Masons Epilogue-.

Dance: Essex, Lally, Thurmond, Roger, Haughton, Rainton, Mrs Delorme, Miss Robinson

7034
15 May 1730 @ Drury Lane Theatre

Event Comment: Benefit Surel, the Harlequin. At the particular Desire of several Persons of Quality. Afterpiece: A New Dramatick Entertainment of Dancing. Composed by Mr Surel

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Fairy Queen; or, Harlequin Turn'd Enchanter

Afterpiece Title: Concluding with the Loves of Shepherds and Shepherdesses

7035
23 June 1730 @ Haymarket Theatre

Event Comment: Never Acted before. Written by the Author of Tom Thumb [Henry Fielding]. With New Scenes and other Decorations

Performances

Mainpiece Title: Rape Upon Rape; Or, The Justice Caught In His Own Trap

7036
07 July 1730 @ Haymarket Theatre

Event Comment: Afterpiece: A new Tragedy, of one Act (Author unknown)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Jack the Giant Killer

7037
09 October 1730 @ King's Theatre

Event Comment: DDaily Journal, 9 Oct.: There are Grand Preparations making at the Opera-House in the Hay-Market by New Cloaths, Scenes, &c. And, Senesino being arrived, they will begin to perform as soon as the Court comes to St. James's

Performances

7038
10 November 1730 @ Lincoln's Inn Fields

Event Comment: A New Ballad Opera, [By George Lillo.] Receipts: #91 9s. 6d. Daily Courant, 12 Nov.: On Tuesday Night...Sylvia...was perform'd for the first Time...where there appeared a Set of People, who seem'd inclined to damn the whole Performance (if it had been in their Power)by their continual Hissing and Cat-Calls; notwithstanding which, the same was perform'd with Applause, by the general Approbation of the Pit and Boxes

Performances

Mainpiece Title: Sylvia; Or, The Country Burial

7039
13 November 1730 @ Goodman's Fields

Event Comment: With new Habits proper to the Play

Performances

Mainpiece Title: Cato

7040
21 November 1730 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Persons of Quality. Daily Journal, 21 Nov.: It is generally reported about Town, that Interest is making for a new Patent relating to the Goverment of...Drury-lane, exclusive of Mr Booth; but this wants Confirmation: Mr Booth, by all Reports, is much advanced in his Recovery

Performances

Mainpiece Title: The Lady's Last Stake

Dance: Mrs Booth

7041
23 November 1730 @ Lincoln's Inn Fields

Event Comment: All the Characters New Drest. Receipts: #131 9s. 6d

Performances

Mainpiece Title: The Conscious Lovers

Dance: Salle, Mlle Salle, being the first Time of her Appearing on the Stage since her Arrival from the Opera at Paris

7042
02 December 1730 @ Haymarket Theatre

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Performance Comment: Cleopatra-Mrs Williamson; all the Men's Parts-Gentlemen for their Diversion; With a new Prologue, Epilogue-.

Dance:

7043
11 December 1730 @ Drury Lane Theatre

Event Comment: Never Acted before. [by Charles Johnson.] With New Habits. [See Preface for an account of the noisy reception of the play, and Lord Hervey and his Friends, p. 61, for Hervey's amusing account of the first night.

Performances

Mainpiece Title: Medea

7044
16 December 1730 @ Goodman's Fields

Event Comment: Afterpiece: A new Ballad Opera of one Act. [By Thomas Gataker,]

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Jealous Clown; or, The Lucky Mistake

7045
12 January 1731 @ King's Theatre

Event Comment: A New Opera. [Text by Apostolo Zeno. Recitatives by Handel. Edition of 1731 gives no performers' names, but states: Done into English by Mr Humphreys.

Performances

Mainpiece Title: Wenceslaus

7046
13 January 1731 @ Haymarket Theatre

Event Comment: Afterpiece: A new Comic Ballad Opera of one Act. [Author unknown. Apparently not published.

Performances

Mainpiece Title: The Author's Farce

Afterpiece Title: The Jealous Taylor; or, The Intriguing Valet

7047
16 January 1731 @ Lincoln's Inn Fields

Event Comment: Receipts: #32 4s. [Universal Spectator, 16 Jan., reports that the subscription for Rich's new playhouse in Covent Garden has reached #6,000 and that James Sheppard, the architect, has completed the plans for the structure.

Performances

Mainpiece Title: Periander

7048
20 January 1731 @ Haymarket Theatre

Event Comment: A New Comedy. [By Matthew Draper.

Performances

Mainpiece Title: The Spendthrift

7049
01 February 1731 @ Goodman's Fields

Event Comment: A New Tragedy. [By James Ralph.

Performances

Mainpiece Title: The Fall Of The Earl Of Essex

7050
02 February 1731 @ King's Theatre

Event Comment: A New Opera. [Text from Metastasio. Music by Handel.] Edition of 1731: Done into English by Mr Humphreys

Performances

Mainpiece Title: Porus