SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in Goodmans Fields"/1) | (@(roleclean,performerclean) "New Theatre in Goodmans Fields")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5062 matches on Event Comments, 2735 matches on Performance Title, 1866 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Among the principal instrumental performers are G. Ashley, leader of the band; C. Ashley, W. Parke, Boyce, R. Ashley, Parkinson, Woodham, Jenkinson, Bridgtower, the Munros, Purney, the Cantelos, Taylor, Lavenu, M'Intosh, Gwilliam, Nix, Cobham, Leffler, Betts, Piele, Flack, Dressler, Cornish, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Archer, Ware, Wood, G. Jones, Moorehead, Slezak, Francis, Jackson, Beale, Skillern, Abbot, &c. Organ-J. Ashley. The Band and Chorusses will be numerous and complete; and assisted by the trombones and double drums used at Handel's Commemoration at Westminster Abbey [in 1784]. The whole under the direction of Ashley, Sen. Places for the Boxes to be had of Brandon at the Stage Door. The Doors to be opened at 6:00. To begin at 7:00 [same throughout oratorio season]. Half Price will be taken at the end of the second part. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Books of the Performance (with the imprimatur of E. Macleish) to be had at the theatre, price 6d

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Mr Oakly-Powell; Major Oakly-Dowton; Charles Oakly-Mansel (from cg, by permission of the Proprietor); Russet-Aickin; Sir Harry Beagle-R. Palmer; Lord Trinket-Russel; Captain O'Cutter-Caulfield; Paris-Maddocks; Mrs Oakly-Miss Edmead (from the Theatre Royal Norwich; 1st appearance on this stage); Lady Freelove-Mrs Walcot; Harriet-Miss Stuart; Toilette-Miss Tidswell; Chambermaid-Mrs Coates.

Afterpiece Title: Feudal Times

Event Comment: A Translation [by Conrad Ludger] of Kotzebue's Reconciliation, having been advertised as the Play now performing at this Theatre, the Public are respectfully informed that the Genuine Copy of The Birth Day (which is materially altered from the above) will not published till next Season. 3rd piece: The Overture and Music by Reeve. The Ballet composed by Farley. [For synopsis of scenes see 16 Mar. 1797.] Receipts: #239 3s. 6d. (234.17.6; 4.6.0)

Performances

Mainpiece Title: A Divertisement

Afterpiece Title: The Birth Day

Afterpiece Title: Raymond and Agnes; or, The Castle of Lindenbergh

Dance: In: As17990316

Event Comment: By Permission of the Lord Chamberlain. Benefit for an Infant Orphan Family. Tickets to be had at No. 17, Tufton-street, Westminster; of Appleby, Hosier, Parliament-street; Mrs Cleaver, Cannon-row, Parliament-street; Newcomb, Confectioner, Bridge-street, Westminster; Taylor, Linen-draper, Whitehall; Thomas, Butcher, Charing-cross; Medhurst, Pastry Cook, Russel-court, Drury-lane; Rice, at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Irishman in London

Entertainment: End: Her much admired Imitations-Mrs Sumbel

Event Comment: Benefit for Barrymore and Wathen. 3rd piece: By permission of the Proprietor of the Theatre Royal, Hay-Market. Morning Chronicle, 8 Apr.: Tickets to be had of Barrymore, No. 20, Judd-place, Somers Town; of Wathen, No. 2, Frith-street, Soho. Receipts: #640 5s. 6d. (181.1.0; 53.7.0; 0.3.0; odd money: 14.17.0; tickets: 390.17.6) (charge: #212 6s.)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Village Lawyer

Event Comment: Benefit for Mme Hilligsberg. Tickets to be had of Mme Hilligsberg, No. 43, Gerrard-street, Soho. 1st ballet: 1st time; composed by D'Egville; music by Bossi. 2nd ballet: 1st time at this theatre; composed by D'Auberval, and under the direction of D'Egville. [In all subsequent performances billed as La Fille Mal Gardee.

Performances

Mainpiece Title: Il Matrimonio Segreto

Dance: End I: Hylas et Temire-; End: Honi Soit qui mal y Pense; ou, La Fille Mal Gardee=-[see dl, 8 May]; Minuet of Four-Mme Rose, Didelot, Laborie, Mme Hilligsberg

Performances

Mainpiece Title: The Inconstant

Performance Comment: Old Mirable-Aickin; Young Mirable-Talbot (from the Theatre Royal Dublin; 1st appearance on this stage); Captain Duretete-Bannister Jun.; Dugard-Trueman; Petit-R. Palmer; Bravoes-Maddocks, Wentworth, Webb, Sparks; Oriana-Miss Biggs; Bizarre-Mrs Jordan; Lamorce-Miss Tidswell.

Afterpiece Title: The Deserter

Entertainment: Vaudeville. In II afterpiece: Military Manoeuvres, as17990425; The Dead March, as17990425; Shooting a Deserter, as17990425

Performances

Mainpiece Title: The Belle's Stratagem

Performance Comment: As17990209, but Hardy-Quick (1st and only appearance at this theatre); Lady Touchwood (1st time; with Listen to the voice of Love)-Miss Leak.

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Miser

Song: In IV 1st piece: Masquerade Scene-; Orphan Bess the Beggar Girl (the Musick by Hook)-; End 1st piece: A Musical Address (accompanied on the harp by Weippert, the Musick by Dr Arnold)-Miss Leak; In 2nd piece: The Country Club-Bannister Jun

Event Comment: Benefit for Miss Waters. Afterpiece: By permission of the Proprietors of the Theatre-Royal, Drury Lane. Morning Chronicle, 3 May: Tickets to be had of Miss Waters, No. 43, Conduit-street, Hanover-square. Receipts: #461 0s. 6d. (172.11.0; 5.1.0; tickets: 283.8.6)

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: No Song No Supper

Song: End II: a song [Rosalie (Monthly Mirror, Aug. 1799, p. 109)]-Miss Waters; End III: The Death of Admiral Benbow-Incledon; End IV: a favorite duet-Incledon, Miss Waters; End: Old Towler-Incledon

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: The Vanguard

Afterpiece Title: The Virgin Unmask'd

Performance Comment: Blister-Emery; Coupee-Betterton; Quaver-Clarke; Goodwill-Thompson; Thomas-Claremont; Lucy-Mrs Jordan (from the Theatre Royal, Drury-Lane, who has with the greatest kindness consented to perform).

Song: End II: The Storm-Incledon (written by G. A. Stevens); Black Ey'd Susan-Incledon; Sally in our Alley-Incledon

Entertainment: Monologue End: An Occasional Address-H. Johnston; Imitations-Rees

Event Comment: [Extra night] Benefit for the General Lying-In Hospital, Bayswater, Under the Patronage of Her Majesty. Tickets to be had at the Hospital; of Longman and Wilkinson, Cheapside; Broderip andCo., Haymarket; and of Brandon at the Theatre, where Places for the Boxes may be taken. Many of the Re-Renters have generously relinquished their Privilege upon this Night. [Faulkner had acted at dl on 21 Dec. 1796, and Mrs Johnstone at cg on 4 Jan. 1798.] Receipts: none listed

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Jew and the Doctor

Song: End II: Hope told a flattering tale-Mrs Ferguson; accompanied on the Pedal Harp-Weippert

Music: End I: Grand Sonata on the Piano Forte, as17990515; End IV: Lesson of Nicolai, as17990515

Entertainment: Monologues Before: [Collins' Ode on the Passions-Master Parker; End III: The Birth Day Ode [by Henry James Pye, 1st performed at St. James's Palace, 4 June, the birthday of George III]-Master Parker; End: Imitations-Mrs Sumbel (late $Mrs Wells)

Event Comment: On account of the multitude of applications for Places to see Pizarro, the Theatre will be continued open a few Nights longer than was proposed. Receipts: #375 10s. (335.13; 39.2; 0.15)

Performances

Mainpiece Title: Pizarro

Afterpiece Title: The Apprentice

Song: As17990529

Event Comment: Afterpiece: By permission of the Proprietor of the Theatre-Royal, Covent-Garden

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Jew and the Doctor

Entertainment: Monologue As17990622

Performances

Mainpiece Title: The Road To Ruin

Performance Comment: Goldfinch-Fawcett; Silky-Suett; Harry Dornton-Holman (1st appearance on this stage); Milford-Clarke; Sulky-Davenport; Mr Smith-Abbot; Hosier-Waddy; Tradesmen-J. Palmer, Usher; Sheriff's Officer-Ledger; Jacob-Chippendale; Old Dornton-Gardner (from the Theatre Royal, York; 1st appearance in London); Sophia-Mrs Gibbs; Jenny-Mrs Norton; Mrs Ledger-Mrs Hale; Mrs Warren-Mrs Mattocks.

Afterpiece Title: Fortune's Frolick

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: No Song No Supper

Performance Comment: As17981002, but Crop-Trueman; Frederick-Caulfield; Robin-Wathen; Margaretta-Miss Griffiths (By permission of the Proprietor of the Theatre Royal, Hay-Market; 1st appearance on this stage); Nelly-_.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Liar

Performance Comment: As17981020, but Old Wilding-Davies (by permission of the Proprietor of the Theatre Royal, Hay-Market); 2nd Servant-Ryder; Miss Grantham-Miss Heard; Miss Godfrey-Miss Wentworth.

Dance: As17981129

Event Comment: [For Story see 28 June, 1 and 24 July.] 1st piece: The Overture and Musick by Dr Arnold. Books of the Songs to be had at the Theatre. [2nd piece in place of All in Good Humour, advertised on playbill of 15 July.

Performances

Mainpiece Title: False And True

Afterpiece Title: Blue Devils

Afterpiece Title: The Castle of Sorrento

Event Comment: Benefit for Suett. [Faulkner's 1st appearance at this theatre was on 9 Feb. 1797.] Morning Chronicle, 20 Aug.: Tickets to be had of Suett, No. 21, King-street, Bloomsbury-square

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: The Shipwreck

Song: End: Jack and his Charming Fanny (composed by Suett)-Trueman

Event Comment: [Mrs Dibdin was from the Rochester theatre.] Receipts: #263 19s. 6d. (256.4.6; 7.15.0)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Farm House

Dance: In III: Hornpipe in Fetters-Platt

Entertainment: Monologue As17990916

Event Comment: [Miss Campbell was from the Newcastle theatre.] Receipts: #276 4s. 6d. (174.12.6; 100.12.0; 1.0.0)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Lying Valet

Event Comment: "...Richard III, which I saw performed at Drury-lane theatre at the beginning of the present season...The dresses of the characters which here make their appearance are in the usual half-and-half mode, made up from portraits of Charles I's reign, and from unrestrained fancy. Richard's habit, indeed, shews a faint hint, at the costume of his day; but how modernized! A fancy cap and feather,with a milliner's white-ribband rose, sewed thereon. A deep ruff, of that make not known until the reign of James I From the neck depends a ribband With the George: this decoration never seen in paintings till about the fashions of the abovementioned monarch's court. On his legs and feet, white silk stockings, white shoes, and red roses. These latter ornaments unknown before Elizabeth or James I's modes of dress prevailed; at any rate, they should have been white ones to have accorded with the party-badge in his cap." Writer signing himself "An Artist and an Antiquary" in Gentleman's Magazine, Apr. 1800, p. 319. Receipts: #225 16s. 6d. (178.3.6; 47.12.0; 0.1.0)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Embarkation

Event Comment: An accurate Edition of the [mainpiece] to be had in the Theatre. "The Prince, we observed, wore the regimentals of an English officer, and the star of a knight of the Bath or Garter. We know not well how this can be thought the costume of either Messina or Arragon" (Monthly Mirror, Oct. 1799, p. 237). Receipts: #252 16s. (151.11; 100.11; 0.14)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: No Song No Supper

Song: In II: Masquerade-;, and Stevens' Glee, Sigh no more Ladies-Dignum, Danby, Evans, Danby Jun., Miss Wentworth, Miss Menage

Event Comment: In II The Grand Triumphal Entry of Alexander into Babylonv. In IV a Grand Banquetv. [Macartney was from the Theatre Royal, Dublin.] Receipts: #222 18s. (218.2; 4.16)

Performances

Mainpiece Title: The Rival Queens; Or, Alexander The Great

Afterpiece Title: The Naval Pillar

Dance: As17991007

Song: In afterpiece: As17991011

Event Comment: The Naval Pillar [advertised on playbill of 14 Oct., is] obliged, on account of Incledon's severe Hoarseness, to be postponed till Next Week. Afterpiece: By permission of the Proprietors of Drury Lane Theatre. Receipts: #263 4s. 6d. (253.3.6; 10.1.0)

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Spoil'd Child

Event Comment: [Tomkins, who had 1st appeared at this theatre on 1 May 1799, is identified by MS annotation on Kemble playbill.] Receipts: #178 17s. (117.9; 60.1; 1.7)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Katharine and Petruchio