SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in Goodmans Fields"/1) | (@(roleclean,performerclean) "New Theatre in Goodmans Fields")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 5062 matches on Event Comments, 2735 matches on Performance Title, 1866 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Miss DeCamp. Afterpiece: By permission of the Proprietor of the Theatre-Royal Covent-Garden. Times, 17 Aug.: Tickets to be had of Miss DeCamp, No. 14, Tottenham-court-road, near Bedford-square

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Poor Soldier

Song: In II: Stevens's glee, Sigh no more Ladies-D'Arcy, Linton, Miss Griffiths, Mrs Edward

Event Comment: [For Johnston as Hamlet see cg, 28 Apr. Mr Johnston was from the Dublin theatre.

Performances

Mainpiece Title: The Purse

Afterpiece Title: Hamlet; Prince of Denmark

Afterpiece Title: Cross Purposes

Performances

Mainpiece Title: The Mountaineers

Performance Comment: As17980717 but Bulcazin Muley-Egerton (1st appearance [at this theatre]).at this theatre]).

Afterpiece Title: The Agreeable Surprise

Performances

Mainpiece Title: She Stoops To Conquer

Performance Comment: Hardcastle-Munden; Young Marlow-Mansel (from the Theatre Royal Dublin; 1st appearance on this stage); Hastings-Whitfield; Sir Charles Marlow-Powel; Diggory-Simmons; Slang-Rees; Landlord-Thompson; Jeremy-Farley; Roger-Abbot; Tony Lumpkin-Knight (1st appearance in that character); Mrs Hardcastle-Mrs Davenport; Miss Neville-Miss Mansel; Maid-Miss Leserve; Miss Hardcastle-Mrs Gibbs.

Afterpiece Title: The Farmer

Performances

Mainpiece Title: A Cure For The Heart Ache

Performance Comment: Young Rapid-Lewis; Vortex-Waddy; Charles Stanley-Pope; Old Rapid-Munden; Frank Oatland-Emery (from the Theatre Royal York; 1st appearance on this stage); Sir Hubert Stanley-Murray; Heartley-Hull; Bronze-Farley; Farmer Oatland-Thompson; Landlord-Whitmore; Ellen-Miss Mansel; Jessy Oatland-Mrs Gibbs; Miss Vortex-Mrs Litchfield.

Afterpiece Title: The Miser

Performances

Mainpiece Title: Inkle And Yarico

Performance Comment: Inkle-Johnstone; Sir Christopher Curry (1st time)-Munden; Campley-Townsend; Mate-Clarke; Medium-Powel; Planters-Davenport, Thompson, Abbot; Sailors-Linton, Street, Whitmore; Trudge-Fawcett; Wowski-Mrs Martyr; Narcissa-Mrs Iliff; Patty-Mrs Gibbs; Yarico-Miss Mitchell (from the Theatre Royal Bath; 1st appearance on this stage). 1st appearance on this stage).

Afterpiece Title: Lovers' Quarrels

Event Comment: Mainpiece: The Musick composed by Kelly. Afterpiece: By permission of the Proprietor of the Theatre Royal Hay-Market. Receipts: #428 5s. (330.17; 95.18; 1.10)

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Children in the Wood

Performances

Mainpiece Title: The Road To Ruin

Performance Comment: Goldfinch-Lewis; Silky-Emery; Harry Dornton-Holman; Dornton-Munden; Milford-Clarke; Sulky-Davenport; Smith-Powel; Hosier-Waddy; Marker-Farley; Jacob-Rees; Sheriff's Officer-Thompson; Tradesmen-Lee, Street, Abbot, Whitmore, Coombs; Sophia-Mrs Mills (from the Theatre Royal York; 1st appearance on this stage); Jenny-Mrs Norton; Mrs Ledger-Mrs Platt; Milliner-Miss Leserve; Mantua@maker-Mrs Blurton; Mrs Warren-Mrs Mattocks.

Afterpiece Title: The Spoil'd Child

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Robin Hood

Performance Comment: Robin Hood-Townsend; Little John-Munden; Ruttekin-Fawcett; Allen o'Dale-Gray; Bowman-Street; Fitzherbert- Powel; Scarlet-Farley; Edwin-Hill (from the Theatre Royal, Bath; 1st appearacne on this stage); Clorinda-Mrs Martyr; Annette-Miss Sims; Angelina-Miss Mitchell.

Song: End IV: The Funeral Procession of Juliet and a Solemn Dirge-; Vocal Parts-Johnstone, Incledon, Townsend, Linton, Blurton, Street, Gray, Lee, Little, Sawyer, Tett, Dyke, Miss Mitchell, Miss Wheatley, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Mrs Martyr

Performances

Mainpiece Title: The Beaux Stratagem

Performance Comment: Aimwell-Middleton (late of the Theatre Royal Covent Garden; 1st appearance on this stage); Archer-Barrymore; Sullen-Wathen; Sir Charles Freeman-Trueman; Foigard-Caulfield; Gibbet-R. Palmer; Hounslow-Maddocks; Bagshot-Webb; Bonniface-Aickin; Scrub-Biggs; Lady Bountiful-Mrs Sparks; Dorinda-Miss DeCamp; Mrs Sullen-Miss Biggs; Gipsey-Miss Tidswell; Cherry-Miss Mellon.

Afterpiece Title: Blue-Beard

Event Comment: Afterpiece [1st time; MD 2, by Andrew Franklin. Larpent MS 1224; not published; synopsis of plot in Universal Magazine, Oct. 1798, pp. 275-76]: The Overture and Musick composed by Florio. Books of the Songs to be had at the Theatre. Account-Book, 8 July 1799: Paid Florio for the Outlaws #20. Receipts: #258 5s. 6d. (163.10.0; 92.16.6; 1.19.0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Outlaws

Event Comment: Lover's Vows. In Consequence of the Approbation which the above Play has received from the Town, various Translations, or pretended Translations of the work from which it was taken, have been offered for publication to some eminent Booksellers, who honourably declining such purchase, have given Information to the Manager of the attempted Imposition. The Public are therefore respectfully acquainted that the Play, as now performing at this Theatre, was rewritten from a literal Translation, sold to the Proprietor by an Agent of the German Author, and has been adapted to the English Stage by considerable Alterations in Plot & Incidents. The Piece will not be published till the 20th Night of its representation, when it will be submitted to the Reader, with the Name of Mrs Inchbald prefixed to the Publication. Receipts: #432 18s. 6d. (426.4.6; 6.14.0)

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Spoil'd Child

Performances

Mainpiece Title: The Wonder

Performance Comment: Don Lopez-Aickin; Don Felix-Powell (from the Theatre Royal Norwich; 1st appearance on this stage); Frederick-Caulfield; Don Pedro-Suett; Col. Briton-Barrymore; Gibby-Sparks; Lissardo-King; Alguazile-Maddocks; Vasques-Trueman; Soldier-Wentworth; Servant-Webb; Donna Violante-Miss Biggs; Donna Isabella-Miss DeCamp; Inis-Miss Mellon; Flora-Miss Pope.

Afterpiece Title: The Liar

Event Comment: Afterpiece [1st time; M. INT 1, by Thomas John Dibdin. Prologue by Richard Cumberland (see text)]: The Overture and Music composed by Attwood, with some favorite Selections from the Works of Dibdin and Mazzinghi. Books of the Songs, including a descriptive Sketch of the Ballet, to be had at the Theatre. Morning Herald, 5 Nov. 1798: This Day is published The Mouth of the Nile (1s.). Receipts: #309 3s. 6d. (303.0.6; 6.3.0)

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Mouth of the Nile

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Highland Reel

Performance Comment: M'Gilpin-Emery (1st appearance in that character); Shelty-Munden; Sandy-Incledon; Charley-Townsend; Croudy-Davenport; Serjeant Jack-Clarke; Capt. Dash-Claremont; Laird of Col-Whitmore; Laird of Raasay-Thompson; Benin-Simmons; Jenny-Miss Walcup; Moggy-Mrs Chapman (from the Theatre Royal, Dublin; 1st appearance on this stage). 1st appearance on this stage).
Event Comment: [Miss Brown is identified by MS annotation on Kemble playbill. "Notwithstanding the bills...[she acted] the summer before last, on the boards of the Richmond theatre" (Monthly Mirror, Nov. 1798, p. 308). In afterpiece the playbill retains Mrs Roffey as Nelly, but she "who usually performed the part of the Servant Maid, [was] suddenly taken ill; her substitute [was] Miss Tidswell" (Morning Herald, 12 Nov.).] Account-Book: Received of Hammersley & Co., lent to pay the Company #500; paid Lowndes, printer, #10; Chorus #6; Rablus, tallow candles, #10. Receipts: #203 12s. (126.3.6; 76.7.6; 1.1.0)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: No Song No Supper

Event Comment: [Archer's 1st appearance at this theatre was on 13 Dec. 1797.] Receipts: #156 14s. (107.10.6; 48.14.0; 0.9.6)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Children in the Wood

Event Comment: [Cory was from the Manchester theatre.] Receipts: #281 5s. (169.19.6; 107.18.6; 3.7.0)

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Captive of Spilburg

Dance: As17981114

Event Comment: 2nd piece: Never [previously] acted at this Theatre. Receipts: #176 3s. (166.10; 9.13)

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Tobacconist

Afterpiece Title: The Mouth of the Nile

Event Comment: [Miss Molini is identified by MS annotation on Kemble playbill. She had 1st appeared at this theatre on 17 Feb. 1798.] Receipts: #194 7s. 6d. (133.4.6; 58.6.0; 2.17.0)

Performances

Mainpiece Title: The Stranger

Afterpiece Title: The Spoil'd Child

Music: As17980915

Dance: As17980915

Event Comment: Mainpiece: By Permission of the Proprietor of the Theatre Royal, Hay-Market. Receipts: #168 13s. (97.0.6; 69.9.6; 2.3.0)

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Apprentice

Song: Vocal Parts-Danby, Wentworth, Brown, Tett, Denman, Atkins, [J.] Fisher, Aylmer, Gallot, Peck, Walker, Willoughby, Phillimore, Evans, Fisher, Caulfield Jun., Ms Arne, Ms Roffey, Ms Wentworth, Ms Jackson, Ms Maddocks, Ms Menage, Ms Menage Jun., Ms Chippendale, Ms Gawdry, Ms Butler, Ms Benson, Ms Bowyer, Ms Jacobs, Ms Coates

Event Comment: "Mr T. has performed in the Norwich Company. [He] did not appear to us to possess a single requisite for the profession of an actor...We observed that the characters of Lenox and Rosse were doubled [i.e. combined]-a resource, at all times, disreputable to the theatre and to the manager" (Monthly Mirror, Dec. 1798, pp. 369-70). Receipts: #299 15s. 6d. (293.8.6; 6.7.0)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Albert and Adelaide

Dance: As17981211

Song: Mainpiece: Vocal Parts-Incledon, Johnstone, Townsend, Hill, Linton, Blurton, Street, Gray, Little, Lee, Sawyer, Tett, Dyke, Mrs Chapman, Miss Mitchell, Miss Wheatley, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Mrs Martyr

Event Comment: Afterpiece: By permission of the Proprietor of the Theatre Royal, Hay-market. Receipts: #162 13s. 6d. (84.17.0; 75.19.6; 1.17.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Son-in-Law

Ballet: End: The Scotch Ghost. As17981206

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Rosina

Performance Comment: Belville (with Old Towler)-Incledon; Captain Belville-Hill (Their 1st appearance in those characters); Rustic-Clarke; Irish Haymaker-Rees; William-Townsend; Phoebe-Mrs Martyr; Dorcas-Mrs Davenport; Rosina-Mrs Atkins; with The Nightingale-Mrs Atkins (from the Theatre Royal, Bath; 1st appearance on this stage). 1st appearance on this stage).
Event Comment: The Subscribers are most respectfully intreated to observe that in consequence of the frequent abuses practised in their names, it has become absolutely requisite to recur to the original custom of requiring the Subscribers themselves to produce their Tickets at the Doors, and the Public are intreated to observe that in future particular Ladies resorting to the Pit of the Opera will be required to give their names and places of residence at the Doors, as they go in, in order to ascertain and finally exclude improper Company from that part of the Theatre

Performances

Mainpiece Title: Medonte

Dance: As17981226