SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in Goodmans Fields"/1) | (@(roleclean,performerclean) "New Theatre in Goodmans Fields")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5062 matches on Event Comments, 2735 matches on Performance Title, 1866 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Written by Dryden. Places for boxes to be taken of Mr Page at the stage door of the theatre. 6 p.m

Performances

Mainpiece Title: Don Sebastian, King Of Portugal

Event Comment: Mainpiece: By Command of their Royal Highnesses the Prince of Wales and Princess of Wales. This day is Publish'd The Case of Mrs Clive Submitted to the Publick. [This is Mrs Clive's 22-page complaint against the 'opression' of the managers of both patent theatres, who, it seems, formed a cartel to drive down actors' salaries, and caused by Mrs Clive's unemployment. She was dropped from Covent Garden without due notice and not for cause. She was not applied to by the Manager of Drury Lane, although he knew her to be unemployed, because he still owed her #160 12s. Her case seemed doubly hard to her since she had equipped herself with a fine wardrobe for theatrical use, had acted diligently in main and afterpiece, often on the same night to the prejudice of her health; had been at great expense in Masters for singing, for which article alone the managers now give #6 a week." Concludes by pleading for publick support of her Case. She returned to cg to play Lappet in the Miser, 30 Nov. She states that the published list of salaries in the London Daily Post of 15 Oct. 1734 is incorrect.

Performances

Mainpiece Title: Macbeth

Dance: LLe Gondalier, as17441010; Scotch Dance-Villeneuve, Mrs Delagarde

Event Comment: [P$Peter Promptwell writes a letter (Daily Gazetteer) commenting on William Hint's two letters. (See 13, 20, 23 Oct. He discourses on the history of the English stage, emphasizing that theatres were better directed heretofore than they are at present.

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: Columbine Courtezan

Event Comment: nnounced as 1 Nov., but 5 p.m. Cibber's continuance of performances brought the following response]: In Pursuance of my Promise that I would do nothing against your Theatre, or you, without first giving you Notice, I do hereby acquaint you, that I am obliged to proceed against you, and that I shall, with another of his Majesty's Justices of the Peace, stop all your Theatrical Performances, of which take Notice.-Thomas de Veil, 8 Nov. Cibber, A Serio-Comic Apology, p. 18

Performances

Mainpiece Title: Cymbeline

Event Comment: Benefit Mills. A Concert both Serious and Comic; Consisting of the most favourite Airs, taken from the most favourite Operas and Oratorios, by the best Masters. Boxes 5s. Pit 3s. Gallery 2s. 6 p.m. To the Publick. Gentlemen and Ladies: I humbly beg Pardon for troubling you in this Manner, but being Unfortunately excluded (I don't know for what Reason) from both the Theatres, and consequently deprived of getting my Living by my Profession, the Favour of your Company at a Concert which I take for my Benefit on Tuesday the 11th instant, at the Little House in the Haymarket, will be a very great Obligation to Your most faithful and devoted humble Servant, William Mills. Tickets to be had of Mr Mills at his House in Nassau St., near Soho. Note: After the Concert will be perform'd (gratis) a Comedy call'd The Careless Husband

Performances

Mainpiece Title: The Careless Husband

Song: Lowe, Miss Edwards

Event Comment: Benefit Mrs Charke. 6 p.m. 5s., 3s., 2s., will be presented a Concert, etc. [In the bill for 21 Feb. it is announced as: By Permission...will be reviv'd an Historical Play, not acted these sixty years.] Tickets and Places to be had of Mr Meredith, at the Theatre. [Puffs in the Daily Advertiser announce their pleasure that Mrs Charke is actually going to play a woman's role. A rehearsal was held on 1 March.

Performances

Mainpiece Title: Pope John Viii

Performances

Mainpiece Title: Macbeth

Performance Comment: Lady Macbeth-Mrs Carlisle (Hogan, Shakespear in the Theatre, p. 295).

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: I Henry Iv

Performance Comment: Falstaff-Dance (Hogan, Shakespear in the Theatre, p. 173).

Afterpiece Title: The Lying Valet

Event Comment: Benefit of the Author, it being the eighth night only of acting, but the night from the first Representation, because of the interruption of Mrs Woffington's Benefit. Tickets to be had of G. Strahan, in Cornhill; J. Davidson in the Poultry; A. Millar in the Strand; R. Dodsley in Pall Mall, and of Mr Hobson at the Theatre, where places may be taken on the stage.-Daily Advertiser

Performances

Mainpiece Title: Tancred And Sigismunda

Event Comment: Benefit Cooke. Mainpiece: At the Particular Desire of several Ladies of Quality. Tickets of Page at the stage door of the theatre in Bow St.

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Mock Doctor

Dance: I: Serious Dance-Cooke; II: Cooke, LaLauze, Picq; III: Le Gondalier-Cooke; V: a Ball Dance call'd the Louvre-; concluding with: a Minuet-Cooke, Mrs Delagarde

Song: IV: Beard

Event Comment: Benefit Leviez, Desse, and Powell (Deputy Treasurer). [The latter was probably John Powell, who later ingratiated himself with Lord Holland, became an accountant in the office of Paymaster General of His Majesties Forces and in 1783 was accused with Mr Bembridge of concealing a large sum in Accounts chargeable to Lord Holland, 1757-65. He committed suicide 26 May 1783, under the stress of the investigation, and the verdict of death as a result of Lunacy was issued. See account in Gentlemen's Magazine (1783) pp. 454, 539, 613. He is there described as having been a Teller in Drury Lane Theatre, a person who acts as a check upon the door keepers of the playhouse, by counting the number of people in the house, which he does from a small box, conveniently situated for that purpose.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Anatomist

Dance: I: Sga Bettini; III: Muilment

Song: II: Gentle Shepherd-Mrs Arne; IV: Mrs Arne

Event Comment: Benefit Stoppelaer, for the Entertainment of the Grand Master, and the rest of the Brethren of the Ancient and Honourable Society of Free and Accepted Masons. The Brethren are desired to meet at the Shakespeare's Head Tavern next the theatre, at Five o'clock, in order to attend the Grand Master

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Damon and Phillida

Song: The Songs in Masonry-Leveridge, Stoppelaer, Bencraft

Dance: Cooke, Sga Campioni

Event Comment: 6 p. p.m. Last Time of Acting. No latter account will be taken. Prices Boxes 2s. 6d. Pit 2s. Gallery 1s. [The troupe will re-open the theatre on 20 May and present pantomimes all summer.

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Necromancer

Event Comment: Written by Shakespear. Places for the boxes to be taken of Mr Page at the stage door of the theatre. To begin exactly at six o'clock

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Event Comment: GGeneral Advertiser, 28 Sept.: We hear that Mr Lacy, Master of his Majesty's company of Comedians at D.L. has applied for leave to raise 200 men in defence of his Majesty's person and government, in which the whole company of players are willing to engage. [See 7 Oct.] On Saturday Night the Audience at the Theatre Royal in Drury Lane were agreeably surpris'd by the Gentlemen belonging to that House performing the Anthem of God Save our Noble King. The Universal Applause it met with being encored with repeated Huzzas suffciently denoted in how just an abhorrence they hold the arbitrary schemes of our invidious enemies and detest the despotic attempts of Papal Power. [See also Daily Advertiser, 30 Sept. The newspapers at this time run a three phrase slogan in bold face type vertically in the margins: No Pretender. No Popery. No Slavery, accompanied by two more phrases staring boldly from the bottom margin: No Wooden Shoes! No Arbitrary Power!]

Performances

Mainpiece Title: The Alchemist

Song: I: Lowe; IV: Colin and Phebe-Lowe, Mrs Arne; God Save our Noble King by Arne-Mrs Cibber, Beard, Reinhold (Deutsch, Handel, p. 623)

Dance: II: Grand Serious Dance-; V: Grand Comic Dance, as17450926

Event Comment: There will be no play 'till tomorrow on account of one to be performed this evening at the other theatre; the receipt of which is to be subscribed to the Veteran Scheme at the Guildhall. We hear Mrs Cibber is soon to perform the part of Polly, three nights at cg, and the Proprietor has agreed to lend his house, free of all charges; and we hear the company will contribute their pay on those days, that the performance may be entirely charge-free; the receipts of each night to be subscribed to the Veteran's scheme at Guildhall

Performances

Event Comment: Yesterday Mr Rich paid into the Chamberlain's Office at Guildhall, the sum of #602 7s. to the Veteran's scheme, being the three night's receipts arising from the Beggar's Opera, performed at cg: And he thinks it incumbent on him in justice to the several persons interested in the Said theatre, to declare, that when the above scheme was by him proposed, they all most generously subscrib'd their demands for these three nights in order to enlarge the sums to be rais'd for the above purpose.-General Advertiser. [The Gentlemen's Magazine, Dec. 1745, states the idea of this gift was proposed by Mrs Cibber, and that the tallow chandlers also gave the candles.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Orpheus and Eurydice

Event Comment: [Covering all three columns of the front page of the Daily Advertiser is a letter defending the opera as an institution. The writer states that suggestions were made to close the theatres during the Jacobite Rebellion, that the cost of presenting operas during a season is #14,000, that about #2,000 of this is carried out of the country by the singers.

Performances

Event Comment: Died, after a lingering illness, Mr Robert Turbutt, belonging to the Theatre Royal in Drury Lane, and Master of the Swan Tavern in Smithfield, a facetious and agreeable companion, greatly and justly esteem'd by all that knew him for his Sincerity where he profess'd a friendship.--General Advertiser, 27 Feb

Performances

Event Comment: Not Acted these Eight Years [see 24 April 1741]. Benefit Cibber, Jr. Tickets and places of Hobson at the Stage door. Tickets ddliver'd out for All's Well at Covent Garden theatre will be taken to the above mentioned play this night. [Mrs Clive's Prologue recommended the cause of Liberty to the Ladies of Great Britain. Cibber had pleaded in his advance advertisement on 5 April in the General Advertiser.] As I have in justice to my creditors assigned over so much of my salary as reduces the remainder to a very small pittance, I very much depend on the encouragement and indulgence of the town at my Benefit. [On the day of the benefit he inserted in the General Advertiser a long, double column address to the Publick puffing his Benefit, and scotching a rumor industriously and invidiously spread that he came to Drury Lane only to impede Mrs Cibber in her performance there. In this he washes in public the linen of his domestic affairs at some length, professing his virtue, forbearance, and generosity, and Mrs Cibber's unfairness and ingratitude, citing her salary as about #700 per year, not a penny of which would she afford for his relief from creditors, or to bail him out of the Fleet prison where he languished six months. He alleges that she was instrumental in forming a cartel between the rival theatrical managers with precluded his employment by either house, and that she refused to act a benefit for him when he was in debtor's prison.

Performances

Mainpiece Title: The Lady's Last Stake; Or, The Wife's Resentment

Afterpiece Title: Three Hours after Marriage

Song: I: Cantata-Lowe; III: Scotch Dialogue, as17460310 V: My Faith and Truth, as17460104

Dance: IV: Italian Peasants, as17460206; III: Scotch Dialogue, as17460310

Event Comment: Benefit Mrs Mills. Mainpiece at the desire of several Ladies of Quality. [For Mrs Woffington in this role, see 12 Dec. and 18 Feb. 1747.] Tickets to be had of Mrs Mills at her Lodgings at Mr Long's in Bow Street, and at the stage Door of the Theatre

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Intriguing Chambermaid

Song: II: Bibby; IV: Colin and Phebe-Bibby, Miss Edwards

Dance: III: Italian Peasants, as17460206

Event Comment: Afterpiece An Historical Dramatic Piece of on act (taken from Shakespear) with a representation of the Trials of the Lords for High Treason, in the Reign of King Henry V. The Characters dress'd in the Habits of the times. With proper Scenes and Decorations. On account of the Extraordinary Scenery, &c, and to prevent any interruption in the performance, it's desired no persons will take it ill that they cannot admitted behind the Scenes.--General Advertiser. [This adaption most certainly occasioned by the trial, which began in Westminster Hall on 28 July of Lord Kilmarnock, Lord Cromarty, and Lord Balmerino for participation in the Rebellion of '45! (Hogan, Shakespeare in the Theatre, p. 199).] An Historical Dramatic Piece of one act, taken from Shakespear, will be perform'd, after a play, at Drury Lane; it will be a Representation of the trials of Lord Cambridge, Lord Scroopv, &c for High Treason, in the reign of King Henry the Fifth. The Characters are to [be] dress'd in rich antique Habits of the times.--Daily Advertiser, 31 July. Last night the Dramatick Piece call'd The Conspiracy Discover'd; or French Policy Defeated, with a representation of the Trials of the Lords for High Treason, was acted at dl, with great applause, and will be performed again tomorrow night at the desire of several persons of Distinction.--General Advertiser, 5 Aug

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Conspiracy Discovered; or, French Policy Defeated

Event Comment: Mainpiece: Written by Shakespear. Boxes 5s. Pit 3s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Hobson at the Stage Door of the Theatre. By Reason of the many inconveniences that have arose by Gentlemen's being admitted behind the scenes, 'tis hoped it won't be taken amiss, that no money will be taken there

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Anatomist; or, the Sham Doctor

Song: IV: Lowe; V: Mrs Clive

Event Comment: Boxes 5s. Pit 3s. Fist Gallery 2s. Upper Gallery 1s. No money to be taken behind the scenes. Places for the Boxes to be taken of Mr Page at the stage door of the theatre. To begin exactly at Six o'clock. [Balance brought over from Day Book F, #411 os. 7d. This balance actually represents a deficit from which the night's receipts are subtracted to indicate the reduction of it. But first, from the night's receipts, were subtracted #37 9s. 10d., an amount which seems to represent standing nightly costs for music, light, heat, taxes, &c.] Receipts: #115 8s

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Lying Valet

Event Comment: Benefit Perry. A Concert, etc. [repeated in all notices of this theatre.] Prices 3s., 2s., 1s. 6 p.m

Performances

Mainpiece Title: Othello

Afterpiece Title: The King and the Miller of Mansfield