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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in Goodmans Fields"/1) | (@(roleclean,performerclean) "New Theatre in Goodmans Fields")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8571 results for: Keyword - New Theatre in Goodman's-Fields
We found 5062 matches on Event Comments, 2735 matches on Performance Title, 1866 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

5026
13 November 1789 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; BO 2, by the Hon. John St.John. Prologue by the author (see text)]: With new Scenes, Dresses and Decorations. The Overture, new Songs and Accompaniments by Shaw. The Scenes by Greenwood. Receipts: #172 16s. (117.11.0; 53.9.6; 1.15.6)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The Island of St

5027
24 February 1790 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection [of Sacred Music 0; Messiah

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Occasional Oratorio)-; Shall I in Mamre's Fertile plain-Sale; For all these Mercies-Chorus (Joshua); This new Creation-; Vain your Triumph-Miss Poole (Israel in Egypt); When his loud Voice-Chorus (Jephtha); Total Eclipse-Harrison; O first created beam-Chorus (Samson); Where e'er you walk-Miss Poole (Semele); He gave them Hailstones-Chorus (Israel in Egypt).
Cast
Role: This new Creation Actor:

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the Piano Forte-Clementi

5028
03 March 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: A Grand Selection From The Works Of handel 0; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: As17900224, but a new concerto on the piano forte-the celebrated Dussack [i.e. Dussek]; Concerto violin-_.
Cast
Role: a new concerto on the piano forte Actor: the celebrated Dussack

Afterpiece Title: Grand Selection 3

5029
05 March 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea; Messiah

Afterpiece Title: A Grand Selection

Performance Comment: Break his Bands of Sleep asunder-Chorus (Alexander's Feast); What sweeter than the new blown Rose-Miss Hagley [World: Sga Storace], Kelly (Joseph); The Soldier tir'd of War's Alarms-Mrs Crouch (Artaxerxes, by Dr Arne); Shake the Dome-Chorus (Solomon); Dove sei amato bene-Sga Storace (Rodelinda); The good we wish for, Thy glorious deeds-Reinhold (Samson); Worthy is the Lamb-Grand Chorus (The Messiah).
Cast
Role: What sweeter than the new blown Rose Actor: Miss Hagley

Music: End II oratorio: concerto on the violoncello-Mason

5030
11 October 1790 @ Drury Lane Theatre

Event Comment: Mainpiece: With Additions [by John Philip Kemble] from Dryden. The Musick by Purcell and Dr Arne, with the new Airs and Chorusses by the late Linley Jun. Afterpiece: 30th [recte 29th] time [i.e. in continuation of the reckoning for the previous season]. The Overture, new Songs and Accompaniments by Shaw. Receipts: #199 18s. 6d. (157.10.0; 40.8.0; 2.0.6)

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Afterpiece Title: The Island of St

Song: Mainpiece: Vocal Parts-Kelly, Dignum, Sedgwick, Danby, Mrs Edwards, Miss Hagley, Mrs Crouch; III: a Chorus of Furies-; V: the Masque of Neptune and Amphitrite. Neptune-Sedgwick, Amphitrite Mrs Edwards

5031
15 October 1790 @ Covent Garden

Performances

Mainpiece Title: Fontainbleau; Or, Our Way In France

Performance Comment: Lackland-Lewis; LePoche-Quick; Squire Tally@ho (1st time)-Blanchard; Sir John Bull-Wilson; Lord Winlove (1st time)-Incledon; Col. Epaulette-Marshall; with a new song (1st time)-Marshall; Henry-Johnstone; Celia-Mrs Martyr; Rosa-Mrs Mountain; Lady Bull-Mrs Webb; Mrs Casey (1st time)-Mrs Cross; Nannette-Miss Stuart; Miss Dolly Bull-Mrs Mattocks.
Cast
Role: with a new song Actor: Marshall

Afterpiece Title: Lovers' Quarrels

5032
02 November 1790 @ Covent Garden

Performances

Mainpiece Title: Fontainbleau

Performance Comment: As17901015, but Rosa-Mrs Warrell; new song-_.
Cast
Role: with a new song Actor: Marshall

Afterpiece Title: Lovers' Quarrels

5033
11 November 1790 @ Covent Garden

Performances

Mainpiece Title: The German Hotel

Performance Comment: Principal Characters by Quick, Holman, Aickin, Farren, Blanchard, Wilson, Bernard, Mrs Mattocks, Mrs Pope Cast from text (G. G. J. and J. Robinson, 1790): Count Werling-Quick; Dorville-Holman; Count Kolberg-Aickin; Baron Thorck-Farren; Henry-Blanchard; Rummer-Wilson; William-Bernard; Stephen-Cross; Servant-Evatt; Messenger-Farley; Adelaide-Mrs Mattocks; Mrs Dorville-Mrs Pope; A New Prelude-Ryder, Davies, Bernard; Cast from text: McCarnock-Ryder; +Williams-Davies; +Frankly-Bernard; +Epilogue-Ryder, Mrs Mattocks.
Cast
Role: A New Prelude Actor: Ryder, Davies, Bernard

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

5034
17 November 1790 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Miles Peter Andrews and Frederick Reynolds; based on Le Dissipateur; ou, L'Honnete Friponne, by Philippe Nericault, dit Destouches. Prologue by the Duke of Leeds; Epilogue by Miles Peter Andrews (see text)]: With new Scenes, Dresses and Decorations. The Scenery designed and executed by Greenwood. Gazetteer, 18 Nov.: At the rehearsal of the new comedy on Tuesday the Duke of Leeds, Major Scott, Mr Angerstein [the banker] and Mr Boswell were in the boxes. Mr Boswell said an epigrammatic thought had struck him...and he brought the following Impromptu into life: Andrews, your play is safe enough; For noble Leeds endures it; Boswell and Scott are pledged to puff, And Angerstein ensures it. World, 13 Dec. 1790: To-morrow will be published Better Late than Never (1s. 6d.). Receipts: #240 14s. (206.7; 32.6; 2.1)

Performances

Mainpiece Title: Better Late Than Never

Afterpiece Title: Don Juan

Dance: As17901026

5035
01 January 1791 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Text 1st published (unauthorized), Dublin, 1792]: The Scenes entirely new, designed and executed by Greenwood. With new Dresses and Decorations. The Musick composed principally by Storace, with a few Pieces selected from [Una Cosa Rara, by] Martini [i.e. Martin y Soler], Salieri, and Paisiello. "The Siege of Belgrade is a very pleasing vehicle for the music, which in a modern opera is all that is expected from the poet" (Universal Magazine, Jan. 1791, p. 66). "The battle between Palmer and Kelly ought to be shortened. It is almost as ludicrous as that between Don Whiskerandos and Beefeater, in Mr Puff's Tragedy [in The Critic]" (Gazetteer, 4 Jan. 1791). Account-Book, 24 May 1791: Paid Cobb for Copyright of Siege of Belgrade of #210. Receipts: #267 9s. 6d. (242.0.0; 23.9.6; 2.0.0)

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: The Deuce is in Him

5036
19 March 1791 @ Pantheon, Oxford Street

Event Comment: By Command of Their Majesties. 2nd Ballet: With entire new Scenes, Dresses, Machinery, &c. [Synopsis of action (H. Reynell, 1791); music by Mazzinghi.] "The machinery in this Ballet is highly deserving of praise. Calypso's Grottov, which is formed by the wings and a flat scene rising suddenly from the earth, had a surprising effect. The Mechanism by which this change is produced, we apprehend, is wholly new in this country" (Morning Post, 21 Mar.)

Performances

Mainpiece Title: La Bella Pescatrice

Dance: End I: Divertisement, as17910217; End II: a Grand Heroic Ballet in 3 acts (1st time), Telemachus in the Island of Calypso (composed by D'Auberval)-Didelot, D'Egville, Mlle Theodore, Mlle Gervaise Troche, Mlle Deligny, Mlle L. Simonet, Mlle R. Simonet, Mlle Menage. For assignment of parts see17910322

5037
01 April 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea 0; Grand Selection 0

Afterpiece Title: Acis and Galatea 1

Afterpiece Title: Acis and Galatea 2

Afterpiece Title: PART III

Performance Comment: A Grand Selection. Tyrants would in impious throngs-Mrs Crouch; Tyrants ye in vain conspire-Chorus (Athalia); Sin not O King-Miss Broadhurst (Saul); Thrice happy the Monarch-Bellamy [Alexander Balus]; What's sweeter than the new blown rose-Miss Hagley, Dignum (Joseph); Shake the dome and pierce the Sky-Chorus (Solomon); Mad Bess-Mrs Crouch (Purcell); I sing the produce of the vine, 'Tis mighty wine inspires us-Reinhold (Ottone); The Trumpet's loud clangor-Kelly, Chorus (Dryden's Ode); Da forte morir sapro-Miss Davies (Sarti); I'll proclaim the wondrous story-Spence, a Young Lady (1st appearance) (Esther); Worthy is the Lamb-Grand Chorus (The Messiah).
Cast
Role: What's sweeter than the new blown rose Actor: Miss Hagley, Dignum

Music: As17910323

5038
14 April 1791 @ Pantheon, Oxford Street

Event Comment: Benefit for Mme Mara. A new Grand Serious Opera, composed by Sarti. Under the direction of Mazzinghi. With new Scenes, Dresses, and Decorations. Tickets, half a guinea each, to be had of Mme Mara, No. 25, Queen Ann-street, East

Performances

Mainpiece Title: Idalide

Dance: End I: Amphion et Thalie, as17910409nd Opera: Telemachus in the Island of Calypso [See17910322

Song: additional Songs-Mme Mara; accompanied by the Pedal Harp-

5039
05 May 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Performance Comment: As17901124, but The new Epilogue-Miss Farren.
Cast
Role: The new Epilogue Actor: Miss Farren.

Afterpiece Title: The Island of St

Song: As17901124, but Vocal Parts-Mrs Bland

5040
06 May 1791 @ Covent Garden

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Midas

Afterpiece Title: The Dreamer Awake; or, The Pugilist Matched

Performance Comment: Prolix-Bernard [recte Wilson]; Sir David Drowsy-Munden; Bob Sparwell-Bernard; Lexicon-Marshall; Ormond-Macready; John-Rock; Standfast-Blanchard; Lady Drowsy-Mrs Webb; Jenny-Miss Stuart; Emma-Miss Chapman; New Prologue-Bernard (see text).
Cast
Role: New Prologue Actor: Bernard

Song: End I 1st piece: Say Bonny Lass: Highland Lad-Mrs Martyr, Highland Lassie- Mrs Mountain; End I 3rd piece: The Musical Courtship-Incledon, Mrs Martyr

5041
10 May 1791 @ Covent Garden

Performances

Mainpiece Title: National Prejudice

Performance Comment: [Principal Characters-Lewis, Quick, Holman, Farren, Blanchard, Davies, Macready, C.] Powell, Mrs Mattocks, Mrs Wells, Miss Chapman, Mrs Harlowe, Mrs Davenett, Mrs Pope. [Cast from European Magazine, May 1791, p. 389, and Larpent MS: Sir Paul Flippant-Lewis; Mr Tudor-Quick; Egerton-Holman; Frank Tudor-Farren; William-Blanchard; Marquis Luzan-Davies; Sir Frederick O'Neil-Macready; Henry Tudor-[C.] Powell; Florizet-Mrs Mattocks; Miss Clerimont-Mrs Wells; Lucy Tudor-Miss Chapman; Emma Tudor-Mrs Harlowe; Madame Detour-Mrs Davenett; Harriet Clerimont-Mrs Pope; [New Prologue-Harley.
Cast
Role: New Prologue Actor: Harley.

Afterpiece Title: The Poor Soldier

Entertainment: Imitations End II: (for that Night only some) Comic Imitations-Mrs Wells; End: instead of an Epilogue, some Tragic Imitations-Mrs Wells

5042
04 June 1791 @ King's Theatre

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Performance Comment: Songs, Catch, and Vocal Parts As17910602 but a new Sextette by Federici-.
Cast
Role: Vocal Parts As17910602 but a new Sextette b Actor: .

Dance: End I: Divertissement, as17910523

Ballet: End II: L'Amadriade. As17910507, but in which The Devonshire Minuet-Vestris Sen., Mlle Hilligsberg

5043
20 June 1791 @ Haymarket Theatre

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: King Henry the Fourth [Part I]

Performance Comment: King Henry-Williamson; Prince of Wales-Palmer Jun. (1st appearance on the stage); Lancaster-Bland; Worcester-Aickin; Northumberland-Chapman; Hotspur-Bensley; Douglas-Evatt; Sir Richard Vernon-Davies; Westmoreland-Usher; Sir Walter Blunt-Iliff; Sir John Falstaff-Palmer; Poins-R. Palmer; Gadshill-Ledger; Peto-Farley; Bardolph-Rock; Carriers-Wewitzer, Burton; Francis-Barrett; Lady Percy-Mrs Cuyler; Hostess-Mrs Webb; New Occasional Prologue-Palmer.
Cast
Role: New Occasional Prologue Actor: Palmer.

Dance: End II: Triple Hornpipe, as17910617

5044
03 May 1792 @ Drury Lane at King's Theatre

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: The Sultan

Performance Comment: As17911114, but Ismene: With a new Song-Mrs Bland.
Cast
Role: With a new Song Actor: Mrs Bland.

Dance: As17911210

5045
10 May 1792 @ Covent Garden

Event Comment: Benefit for Munden. Mainpiece [1st time; CO 3, by Thomas Hurlstone. Text (J. Debrett [1792]) gives cast for season of 1792-93. Poetical Sketch by John Wolcot (Morning Herald, 11 May)]: With new Scenery, Dresses, and other Decorations. The Overture and Music entirely new, composed by Carter. Morning Herald, 13 Apr.: Tickets to be had of Munden, No. 15, Catherine-street. Ibid, 1 Dec. 1792: This Day is published Just in Time (1s. 6d.). Receipts: #415 3s. (126.4.6; 4.9.6; tickets: 284.9.0) (charge: #105)

Performances

Mainpiece Title: Just In Time

Afterpiece Title: The Deaf Lover

Dance: In: Dance incidental to the piece,-Byrne, Mlle St.Amand

Entertainment: Monologue End: (by way of Epilogue) Poetical Sketch, Jemmy Jumps in the Dumps; or, A Sunday Lounge in Hyde Park-Munden

5046
01 December 1792 @ Covent Garden

Event Comment: Mainpiece [1st time; MD 5, by Thomas Morton. Prologue by William Thomas Fitzgerald. Epilogue by Miles Peter Andrews (see text)]: The Scenes, principally new, designed and painted by Richards, Hodgins, Pugh, Walmsley, and assistants. With entire new Dresses and Decorations. "The management of the earthquake in which the Temple of the Sun is destroyed was a very fine piece of stage mechanism; the effect of which was considerably heightened by the improved performance of the Bold Thunder, and that also of his Electrical Harbinger. The gradations and cadences of the first were superior to anything of the kind we remember within the walls of the theatre...The scene of the rising sun was uncommonly dingy" (Public Advertiser, 3 Dec.). "Mr Morton in full for Columbus #214 10s. 6d." [MS annotation on BM playbill, 26 Dec. 1792 (cg, Vol. VIII)]. Morning Herald, 14 Dec. 1792: This day at noon will be published Columbus (1s. 6d.). Receipts: #301 8s

Performances

Mainpiece Title: Columbus; Or, A World Discovered

Afterpiece Title: Love in a Camp

5047
01 January 1793 @ Covent Garden

Performances

Mainpiece Title: Columbus

Afterpiece Title: Harlequin's Museum

Performance Comment: As17921231, but Paddy Rooney O'Gaffey With a new Song-Rock; God save the King-_Spofforth.
Cast
Role: Paddy Rooney O'Gaffey With a new Song Actor: Rock

Dance: As17921226

5048
05 February 1793 @ King's Theatre

Event Comment: A new Grand Serious Opera. With Grand Chorusses, new Dresses, Scenery and Decorations. The Music composed by Paisiello. Under the direction of Pederici. [Bruni was from the Opera, Milan.

Performances

Mainpiece Title: I Giuochi D'agrigento

Dance: End I: Divertisement, as17930126; End II: Les Epoux du Tempe-Mlle Hilligsberg, Mlle Millerd, Favre Gardel, Nivelon, Gentili (1st appearance in this country)

5049
25 February 1793 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Catherine? Cuthbertson. Authors of Prologue and Epilogue unknown. Larpent MS 969; not published]: With new Dresses and Decorations. "The [new] piece possessing nothing like a plot, and being perfectly uninteresting, was much disapproved of...Palmer contributed to its bad reception by being absent when he was most wanted on the stage, and occasioning thereby an aukward chasm, which put the audience out of humour. He was otherwise highly reprehensible for his imperfections in his part" (Public Advertiser, 26 Feb.). Receipts: #375 16s. 6d. (342.13.6; 31.7.0; 1.16.0)

Performances

Mainpiece Title: At king's Anna

Afterpiece Title: The Deaf Lover

5050
08 March 1793 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Afterpiece Title: Grand Selection 1

Performance Comment: O the pleasures of the plains-Chorus [Acis and Galatea]; When storms the proud-Reynolds; O Judah-Chorus [Athalia]; Here amid-Miss Sharp [Alexander Balus]; What's sweeter than the new blown rose-Mrs Crouch, Kelly [Joseph]; Your harps and cymbals sound-Chorus [Solomon]; Why doth the God of Israel sleep-Incledon [Samson]; I know that my redeemer liveth-Mme Dussek [The Messiah]; Kings shall be thy nursing fathers-Grand Chorus [Coronation Anthems].Coronation Anthems].
Cast
Role: What's sweeter than the new blown rose Actor: Mrs Crouch, Kelly

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3