Event Comment: A new Opera [A pasticcio. See Burney, History of Music, IV, 447.]With Dances, and other Decorations entirely new. Dedication by librettist Francesco Vanneschi

Event Comment: A New Opera...With Dances and Decorations entirely new. [Libretto by Vanneschi. Music by Galuppi (Burney, History of Music, IV, 447).

Event Comment: A New Opera. With Dances and other Decorations entirely new. Pit and Boxes to be put together; and no person to be admitted without Tickets, which will be deliver'd this Day at the Office in the Hay-Market, at Half a Guinea each. Gallery 5s. By His Majesty's Command, No Person to be admitted behind the Scenes. The Gallery to be open'd at Four o'clock, Pit and Boxes at Five. To begin at Six o'clock. [Customary notice will not be included again. A pasticcio; music by Hasse, Lampugnani, Brivio, and Rinaldo da Capua; librettist--Apostolo Zeno. See Burney, History of Music, IV, 447.

Event Comment: Text-Vanneschi; Music-Galuppi (Burney). A new Opera [Description as before] but the Silver Tickets will be deliver'd to the Subscribers at the Opera-Office, where Attendance will be given from Nine to One for that Purpose. [Not entered as a new piece in the Larpent MS.]

Event Comment: A new Opera. [Not listed as a new piece in the Larpent MS.] Music by Galuppi (Burney, History of Music, IV, 450)

Event Comment: Tragedy reviv'd. As written by Shakespear. The Characters new Dress'd. [See G. W. Stone Jr., Garrick's Handling of Macbeth," pp. 609-28.] An Essay on Acting (London, 1744): In which will be Consider'd the Mimical Behaviour of a Certain Fashionable faulty Actor....A short criticism on His Acting Macbeth. [See especially first part, pp. 1-12, on Acting; second, pp. 12-27, on Garrick as Macbeth.

Event Comment: Afterpiece: A New Grotesque Pantomime Entertainment never acted before. As the least Obstruction will be detrimental to the working the Machinery, 'tis hoped no persons will take it ill, that they can't be admitted behind the scenes. The Music, Scenes, Habits, and Decorations entirely new

Event Comment: [The 1 Feb. note about nonadmission of persons behind the scenes continues to appear on all bills for nights of this afterpiece, as from now on, occurs the note: Nothing under Full Price will be taken during the time of the performance. These will not be copied out further.] We hear the new Pantomime Entertainment that was perform'd last night at Drury Lane, was receiv'd with great applause; the Scenes, Deceptions, and Decorations, all being in an entire new taste

Event Comment: We hear the new Pantomime Entertainment that was perform'd last night at Drury Lane was receiv'd with great applause, the Scenes, Deceptions, and Decorations all being in an entire new taste.--Daily Advertiser. [This "puff" worded identically with that appearing the day before in the London Daily Post and General Advertiser.

Event Comment: A New Opera [Altered by Rolli from Metastasio's Demetrio; music by Lampugnani (Nicoll, Early Eighteenth Century Drama, p. 388); not listed as a new piece in the Larpent MS.]

Event Comment: Written on a plan of Shakespear by Colley Cibber. The characters new Dress'd. With New Scenes and Decorations. No persons admitted behind the scenes

Event Comment: Tragedy never acted. By James Thomson. Characters New Dress'd. But as it is rather more fashionable to run mad about Mr Thomsons's play, I will change my theme and talk to you of Tancred. I want much to know how you like it, at this distance I would lay any wager you do not like it so well as your sister does, who certainly cannot be your sister and not have been to see it long ago. Everybody agrees that no play was ever so much improved in acting, at least since the Booths and Bettertons. That first scene expecially, where Siffredi discovers to Tancred who he is, pleased me almost beyond anything I ever saw, indeed even before I saw it, that scene was my favourite. But what do you think of the story, and what of the style?-A Series of Letters between Mrs Elizabeth Carter and Miss Catherine Talbot, I, 60 (dated strangely 2 March). [On 26 April, the Daily Post published a letter by Bellario on Tancred and Sigismunda, discussing the kind of support it received]: A very remarkable new Lord of the Treasury was proud of appearing its Foster Father, and attended at the public rehearsals; the first night of the performance this celebrated person and his friends in the Box with him (all very lately most flaming Patriots) were seen clapping their hands at the following remarkable speech: First of You All...To Quit Mistakes. [The letter also discussed political aspects of the play, then the poetry of the lines. The author heard that three hundred lines were cut out after the first performance, and was of opinion that double that amount would have been beneficial.