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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "New Theatre in Goodman\'s Fields"/1) | (@(roleclean,performerclean) "New Theatre in Goodman\'s Fields")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8573 results for: Keyword - New Theatre in Goodman's-Fields
We found 5063 matches on Event Comments, 2736 matches on Performance Title, 1866 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

3151
30 April 1747 @ Drury Lane Theatre

Event Comment: Benefit Mrs Mills. Mainpiece: By Particular Desire. [Letter in the General Advertiser in appreciation of the elegant fireworks displayed at the New Wells, Goodman's Fields, this evening.

Performances

Mainpiece Title: Julius Caesar

Afterpiece Title: The Suspicious Husband Criticised

Song: I: Cantata-Sullivan; IV: Lowe

Dance: II: Comic Dance-Mechel, Mlle Mechel; V: Comic Dance, as17470410

3152
27 February 1749 @ New Wells, Lemon Street

Event Comment: At the New Wells, Lemon St., Goodman's Field. One night only. Benefit for L. Hallam...will be presented a Comedy. Boxes and Stage 3s. Pit and First Gallery 2s. Upper Gallery 1s. To begin at six o'clock

Performances

Mainpiece Title: The Committee

Afterpiece Title: Flora or Hob in the Well

3153
06 August 1751 @ New Wells, Lemon Street

Event Comment: A concert, &c. At the New Wells, Lemon St., Goodman Fields. The First Gallery will be made into Boxes, &c. To begin at 6 p.m. Benefit for Goodfellow

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Hob in the Well

3154
05 September 1751 @ New Wells, Lemon Street

Event Comment: Benefit for Mrs Hallam. At the New Wells, Lemon St., Goodman's Fields. For one Night only. A Concert &c. By Desire of Several Persons of Distinction. Boxes 3s. Pit or Gallery 2s. (London Daily Advertiser)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Anatomist

3155
18 March 1756 @ New Wells, Goodman's Fields

Event Comment: At the New Wells, Goodman's Fields. Mr Cibber will deliver two Dissertations on Theatrical Subjects: with a Prefatory Address to the Anti-Gallicans, for the Benefit of Mr Hallam. None to be admitted but by Tickets at 1s. 6d. each, which entitles each Person to a pint of Wine. Places in the boxes may be had of Mr Hallam at 2s. each, Wine, etc. To begin at 6:30 p.m. N.B. As I have been lame for some Time, I hope my friends will excuse my not waiting on them. W. Hallam

Performances

Mainpiece Title: Lecture

3156
09 November 1742 @ James Street

Event Comment: A notice had appeared announcing for this date a performance of Love Makes a Man, with Clodio-$Peterson, Cholerick-$Paget, and the rest of the parts by members of Giffard's Goodman's Fields Company (now of course at Lincoln's Inn Fields) and the Lying Valet, for the benefit of Paget, who states, in the notice, that he is out of work. The performance was not given, but see 25 Nov., by which date Paget was resting in Fleet prison

Performances

Mainpiece Title: None

3157
18 June 1733 @ Goodman's Fields

Event Comment: DDaily Advertiser, 22 June: On Monday last died Mr William Bullock, one of the Comedians of Goodman's-Fields, and Master of a Coffeehouse in that Neighborhood

Performances

3158
18 June 1736 @ Lincoln's Inn Fields

Event Comment: By the Company of Comedians from Goodman's Fields. Taken from the French of Mons Voltaire. [By Aaron Hill.] Admission: 4s., 2s. 6d., 1s. 6d., 1s. 7 P.M

Performances

Mainpiece Title: Alzira Or The Americans

Dance: By Vallois and Mrs Bullock

3159
21 April 1740 @ Covent Garden

Event Comment: Benefit Mrs Hallam. At the particular Desire of several Ladies of Quality. Mainpiece: Written by Shakespear. [Tickets at Hallam's House, Leman Street, Goodman's Fields.] Afterpiece: As 18 March

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Parting Lovers

Music: As17400101, but Vocal Parts-_Roberts

3160
02 December 1741 @ Goodman's Fields

Event Comment: Benefit Garrick, who perform'd King Richard. Pit and Boxes 4s. Gallery 1s. 6d. Tickets to be had at Garrick's Lodgings in Mansfield Street, Goodman's Fields, Bedford's, Tom's, Carey's, and Fleece Tavern. The Stage will be built after the Manner of an Amphitheatre, where Servants will be allow'd to keep Places, and likewise in the First Boxes, but not in the Pit, who are desire'd to be at the House by Three o'clock

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Lying Valet

3161
18 March 1742 @ Goodman's Fields

Event Comment: Benefit Garrick. The Stage will be tubn'd into an Amphitheatre, where Servants will be allow'd to keep Places. Tickets 4s., 2s. 6d., 1s. 6d., but be had at Tom's Coffee-House, Cornhill; and at Mrs Garrick's in Mansfield St., Goodman's Fields

Performances

Mainpiece Title: King Lear

Afterpiece Title: The School Boy

Dance: TThe Leek, as17420224

3162
19 April 1742 @ Goodman's Fields

Event Comment: Benefit Mrs Yates and Miss Medina. Tickets at Yates's, No. 6, near the Playhouse in Ayliff St., Goodman's Fields. Garrick to Peter Garrick: Mr Littleton...said I was only born to act what Shakespear writ--Little, Pineapples, pp. 30-31

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Lying Valet

Song: Miss Medina

Dance: David and Winifred apShenkin

3163
12 March 1745 @ Goodman's Fields

Event Comment: At the particular Desire of several Persons of Distinction. Benefit Dance. Boxes 3s., Pit and First Gallery 2s. Upper Gallery 1s. The Late Wells in Goodman's Fields. Tickets to be had at Mr. Dance's Lodgings, at Mr Boteler's in Fenchurch St.; and at Mr Goodfellow's at Mrs Simpson's, in Church Lane, near the Wells. Particular care will be taken to keep the House warm

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: The Devil to Pay

3164
21 March 1745 @ Goodman's Fields

Event Comment: Benefit Townly. Tickets at Midwood's a cheesemonger in Lemon St, Goodman's Fields. Tickets 2s. 6d., 2s., 1s

Performances

Mainpiece Title: Othello

Afterpiece Title: The Mock Doctor

3165
19 April 1745 @ Goodman's Fields

Event Comment: LLate Wells in Goodman's Fields. Never acted but once

Performances

Mainpiece Title: The Modern Wife

3166
28 October 1745 @ Goodman's Fields

Event Comment: The Late Wells, the bottom of Lemon St., Goodman's Fields. A Concert of Vocal and Instrumental Musick. Divided into two Parts. The Concert to conclude with the Chorus of Long Live the King. Boxes 2s. 6d. Pit or First Gallery 1s. 6d. Upper Gallery 1s. Between the two Parts of the Concert will be exhibited Gratis, and not acted these 50 years, an Historical Play...written by the celebrated Mr Lee. And founded on Facts which happened in France, in the Reign of Queen Elizabeth. Shewing the unparalleled Dissimulations, Imprecations, and Perjuries of Charles the 9th of France, the Queen Mother, and Cardinal Lorrain, to draw the Hugonot Party into their snares, by which means the Death of the Queen Navarre was effected by Poison, and most of the Protestant Princes of the Blood destroyed. Chastillon, the famous Admiral of France, with his Wife, Children, Commanders, and Followers, all put to Death, with the King's Consent, bx the cruel and Revengeful Duke of Guise, and his Adherents. After which the Massacre becoming general over the Kingdom, near near 100,000 Protestants were destroyed in the most barbarous and inhuman manner. The Concert will begin every Evening Positively at Six of the Clock, and the Whole be concluded by Half an Hour after Nine, the Wdlls being appointed (after the Entertainment is over) for the Main Guard of the Militia of the Tower Hamlets

Performances

Mainpiece Title: Massacre At Paris

Afterpiece Title: The Devil to Pay

Song: Blogg, Barlow, Waters, Mrs Phillips, Mrs Williamson, Mrs Cushing

Dance: the two Mhe two Masters, Miss Granier

3167
09 January 1746 @ Drury Lane Theatre

Event Comment: Last night Mr Goodfellow played the part of King Richard the Third, at the tr/dl with uncommon applause. It is remarkable that this is the second King Richard that has greatly suceeded from Goodman's Fields

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: Damon and Phillida

Cast
Role: concluding with New Country Dance Actor: .

3168
20 January 1746 @ Goodman's Fields

Event Comment: Benefit a Widow in Distress. Prices 2s. 6d., 2s., 1s. Tickets at Mrs Huddy's, Fleece Tavern, corner of Ayliffe St., Goodman's Fields

Performances

Mainpiece Title: A Woman Is A Riddle

Afterpiece Title: The Lying Valet

3169
27 October 1746 @ Goodman's Fields

Event Comment: At the Late Wells, at the bottom of Lemon St., Goodman's Fields, a Concert, etc. The House is alter'd in a more Theatrical Manner, is made warm, and Front Boxes made at the upper end of the Pit. We shall perform every Night. Boxes 2s. 6d. Pit and First Gallery 1s. 6d. Upper Gallery 1s. 6 p.m

Performances

Mainpiece Title: The Revenge

Afterpiece Title: The Lying Valet

Dance: II: Peasant Dance-Master Morgan, Miss Baker; III: Scotch Dance-Mr Miles, Mrs Miles; IV: Tambourine-Master Morgan, Miss Baker; V: Drunken Peasant-Miles

3170
29 January 1747 @ Goodman's Fields

Event Comment: Benefit Richard Starkey, late of Goodman's Fields Wells, now a Prisoner in the Fleet, and having not the Opportunity to wait on his Friends

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Lying Valet

Dance: As17461124; Hornpipe-Williams

3171
June 1672 @ Lincoln's Inn Fields

Event Comment: The King's Company. This is another in the series of plays acted entirely by actresses and probably Performed in the early summer of 1672. The Prologue and Epilogue are in Covent Garden Drollery, 1672. Langbaine (English Dramatick Poets, p. 313): This play was reviv'd at the Old Theatre, in little Lincolns-Inn-fields, and acted all by Women, a new Prologue and Epilogue being spoken by Mrs Marshall in Man's Cloaths, which Reader may find printed in Covent-Garden Drollery, 80, pag. 3. &c

Performances

Mainpiece Title: The Parsons Wedding

3172
05 March 1700 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. The date of the first performance is not known, but Lucyle Hook, James Brydges Drops in at the Theatre, Huntington Library Bulletin, VIII (1945), 309, speculates that James Brydges' attendance at lif this day may have been prompted by his seeing this new play, as he stayed longer than he often did at a theatrical performance. The comedy was certainly acted before 12 March 1699@1700. James Brydges, Diary: I went to ye play in Lincolns inn fields, where I met Sr G. Coply, who set me down after it was ended (Huntington MS St 26). Downes, Roscius Anglicanus, p. 45: The Way of the World, a Comdey wrote by Mr Congreve, twas curiously Acted; Madam Bracegirdle performance her Part so exactly and just, gain'd the Applause of Court and City; but being too Keen a Satyr, had not the Success the Company Expected

Performances

Mainpiece Title: The Way Of The World

3173
16 March 1723 @ Drury Lane Theatre

Event Comment: Afterpiece: A new Burlesque Entertainment of Dancing. Weekly Journal or Saturday's Post, 30 March: The Managers of Drury-lane Theatre observing how successful Lincoln's-Inn-Fields has been in several Entertainments, in which the Character of a Harlequin has the principal Part, were resolv'd to cut them out, and therefore prepared...Blind Man's Bluff, to be perform'd by no less than eight Harlequins; for, in their Way of Reasoning, eight Harlequins must divert much better than one; the Thing was so ridiculous there was no Musick to be heard but Hissing. [For an essay on the improvement of the stage, see Weekly Journal or Saturday's Post, 16 March.

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Blind Mans Bluff

3174
02 April 1789 @ Drury Lane Theatre

Event Comment: Benefit for Palmer. A new and accurate edition of Isabella to be had at the Theatre. [In mainpiece the playbill retains Kemble as Biron, but he being ill on Thursday night, an apology was made for Whitfield's assumption of Biron, on the ground of his having studied the character on two hour's notice" (Diary, 6 Apr.) Public Advertiser, 28 Mar.: Tickets to be had of Palmer, No. 3, London Road, St. George's Fields. Receipts: #274 6s. 6d. (117.4.0; 15.5.6; 3.1.0; tickets: 138.16.0) (charge: #123 13s. 6d.)

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Minor

Song: As17881028, but Vocal Parts-Mrs _Forster, Dignum

3175
15 April 1789 @ Covent Garden

Event Comment: By Command of Her Majesty. [This was the first time that members of the royal family had appeared in public since the beginning of the King's illness (his first attack of insanity) in November 1788. See also 21, 24 Apr.] The drop curtain with the King's arms on it shown when the front curtain first rose was the "original curtain exhibited on the opening of Lincoln's Inn Fields theatre [in 1714]...It has lain by in the scene-room of Covent-Garden theatre nearly seventy years, but was rescued from oblivion, retouched, and the appropriate ornaments added for the occasion" (Public Advertiser, 16 Apr.). On the Queen's entrance "the house called for God save the King, and the theatre being prepared, the song was immediately sung by Bannister, Johnstone, and Darley, the house joining in the chorus. It was encored...At the end of the play [it] was again called for, and again sung twice. At the end of the pantomime it was again called for; and the theatre not sending forward the performers, the audience cheerfully sung it for themselves; and having sung, they encored themselves; so that altogether it was sung six times in the course of the evening. Her Majesty had a bandeau of black velvet, on which were set in diamonds the words 'Long live the king.' The princesses had bandeaus of white satin, and 'Long live the king' in gold" (Universal Magazine, Apr. 1789, p. 218). Receipts: #388 16s. 6d. (385.12.0; 3.4.6)

Performances

Mainpiece Title: He Woud Be A Soldier

Afterpiece Title: Aladin