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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in Goodmans Fields"/1) | (@(roleclean,performerclean) "New Theatre in Goodmans Fields")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8571 results for: Keyword - New Theatre in Goodman's Fields
We found 5062 matches on Event Comments, 2735 matches on Performance Title, 1866 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

4001
14 March 1792 @ Covent Garden

Performances

Mainpiece Title: L'allegro Ed Il Pensieroso 0

Afterpiece Title: L'Allegro ed il Pensieroso 1

Afterpiece Title: L'Allegro ed il Pensieroso 2

Afterpiece Title: Grand Miscellaneous Act

Performance Comment: Overture and March (Scipio, Handel)-; The mansion of peace-Harrison (Webbe); Nightingale Chorus (Solomon, Handel)-; Not unto us-Mrs Second; accompanied on the clarionet-Mahon (Arne); Together let us range the fields-Mrs Billington, Harrison (Boyce); I rage I melt I burn, O ruddier than the cherry-Bartleman; Wretched lovers-Chorus (Acis and Galatea, Handel); The soldier tir'd-Mrs Billington (Arne); God save the King-Chorus.
Cast
Role: Together let us range the fields Actor: Mrs Billington, Harrison

4002
19 March 1792 @ Drury Lane at King's Theatre

Event Comment: Benefit for Palmer. Afterpiece [1st time; P 3, author unknown. "Founded on the Tale of Inkle & Yarico" (Kemble Mem.), by Sir Richard Steele, in The Spectator, No. II, 13 March 1710-11. Not in Larpent MS; not published]: The Music by Gluck and Martini [i.e. Martin y Soler]. Morning Herald, 9 Mar.: Tickets to be had of Palmer, No. 3, London-road, St. George's Fields. Receipts: #452 16s. (169.17; 47.13; 2.11; tickets: 232.15) (charge: #169 5s. 8d.)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The American Heroine; or, Ingratitude Punished

Dance: In afterpiece: the Dances (composed by Hamoir,)-Hamoir, Bidotti, Keys, Nicolini, Walker, Whitmill, Mrs Barrett, Mrs Bourk, Mrs Brooker, Mrs Davis, Mrs Harris, Mrs Haskey, Miss Jacobs, Miss DeCamp

4003
21 March 1792 @ Covent Garden

Performances

Mainpiece Title: L'allegro Ed Il Pensieroso 0; Grand Selection 0

Afterpiece Title: L'Allegro ed il Pensieroso 1

Afterpiece Title: L'Allegro ed il Pensieroso 2

Afterpiece Title: Grand Miscellaneous Act

Performance Comment: Overture (Ariadne)-; The mansion of peace-Harrison (Webbe); Jehovah crown'd-Hindle; He comes-Chorus (Esther, Handel); O had I Jubal's Lyre-Mrs Second (Joshua, Handel); Together let us range the fields-Mrs Billington, Harrison (Boyce); I rage I melt I burn, O ruddier than the cherry-Bartleman; Wretched lovers-Chorus (Acis and Galatea, Handel); The soldier tir'd-Mrs Billington (Arne); Let their celestial concerts-Chorus (Samson, Handel).
Cast
Role: Together let us range the fields Actor: Mrs Billington, Harrison

4004
10 April 1792 @ Drury Lane at King's Theatre

Event Comment: Benefit for Miss Pope. 1st piece: Not acted these 8 years [acted 8 Nov. 1788]. 3rd piece: To conclude as 3 Oct. 1791. Morning Herald, 24 Mar.: Tickets to be had of Miss Pope, No.62, Great Queen-street, Lincoln's Inn-fields. Receipts: #336 19s. (95.15.6; 35.7.0; 2.15.0; tickets: 203.1.6) (charge: #168 4s.)

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Court of Apollo [i

Afterpiece Title: The Critic

4005
16 April 1792 @ Haymarket Theatre

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: The Citizen

4006
30 August 1794 @ Haymarket Theatre

Event Comment: Benefit for Palmer. 1st piece: with Grand Naval Review, as 20 Aug. Morning Chronicle, 28 Aug.: Tickets to be had of Palmer, No. 59, Great Queen-street, Lincoln's Inn Fields

Performances

Mainpiece Title: Britain's Glory

Afterpiece Title: THE SURRENDER OF CALAIS

Afterpiece Title: THE CHILDREN IN THE WOOD

Monologue: 1794 08 30 End of Act I of 3rd piece Collins's Ode on the Passions by Palmer

4007
24 April 1795 @ Drury Lane Theatre

Event Comment: Benefit for Miss Pope. [Mainpiece: Epilogue by Richard Brinsley Sheridan.]Afterpiece: Not acted these 2 years. Morning Chronicle, 17 Apr.: Tickets to be had of Miss Pope, No. 9, Great Queen-street, Lincoln's-Inn-Fields. Receipts: #402 2s. (144.16.0; 76.3.6; 1.12.6; tickets: 179.10.0) (charge: #211 1s. 8d.)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Spoil'd Child

4008
05 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Miss Pope. 2nd piece: Written by David Garrick, Esq. Morning Herald, 23 Apr.: Tickets to be had of Miss Pope, No. 63, Great Queen-street, Lincoln's Inn Fields. Receipts: #367 8s. 6d. (127.15.0; 62.1.0; 9.17.6; tickets: 167.8.0; odd money: 0.7.0) (charge: #210 16s.)

Performances

Mainpiece Title: First Love

Afterpiece Title: A Much Admired Scene from Harlequin's Invasion

Afterpiece Title: The Virgin Unmask'd

Entertainment: Monologue.End: Paraphrase on Shakespeare's Seven Ages, as17960429

4009
19 April 1797 @ Covent Garden

Event Comment: Benefit for Quick. 2nd piece: In one Act. A Tragi-Comic, Pastoral, Operatical, Farcical Drama, written by the Author of The Beggar's Opera [John Gay]. True Briton, 3 Apr.: Tickets to be had of Quick, No. 30, Little Queen-street, Lincoln's Inn-Fields. Receipts: #352 0s. 6d. (140.15.6; 5.9.0; tickets: 205.16.0)

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: What d'ye Call It

Afterpiece Title: Tom Thumb

4010
12 May 1797 @ Drury Lane Theatre

Event Comment: Benefit for Miss Pope. Afterpiece: With a Sea Fightv. True Briton, 28 Apr.: Tickets to be had of Miss Pope, No. 63, Great Queen-street, Lincoln's-Inn-Fields. Receipts: #386 8s. 6d. (125.17.6; 76.1.6; 7.16.6; tickets: 176.13.0) (charge: #224 9s. 6d.)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Critic; or, A Tragedy Rehearsed

Song: V: song-Mrs Bland

Ballet: The Scotch Ghost. As17961221

4011
19 May 1797 @ Drury Lane Theatre

Event Comment: Benefit for Barrymore. Mainpiece: In IV a Masquerade Scene. Afterpiece: To conclude with a Superb Prospect of the Infernal Regions and a Rain of Fire. True Briton, 12 May: Tickets to be had of Barrymore, No. 59, Great Queen-street, Lincoln's-Inn-Fields. Receipts: #337 11s. (62.18; 72.12; 5.17; tickets: 196.4) (charge: #216 1s. 5d.)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Don Juan; or, The Libertine Destroyed

4012
11 April 1798 @ Covent Garden

Event Comment: Benefit for Quick. [MS of Exordium: Larpent MS 1204.] Times, 6 Apr.: Tickets to be had of Quick, Little Queen-street, Lincoln's Inn Fields. Receipts: #297 5s. (120.5.0; 8.11.6; tickets: 168.8.6)

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

Entertainment: Monologue. End: An Exordium-Quick[, descriptive of the Rise, Progress, and Perfection of that Species of the Antient Drama: The Roman Puppet Show. After which will be given a Specimen of the Characters: Chrononhotonthologos, Aldiborontiphoscophornio, Rigdum@Funidos, Bombardinian, Cook, Doctor, Tatlanthe, Fadladinida, Punch and Joan, who will conclude the Piece with a Modern Dance. [Most of these characters are from Chrononhotonthologos.

4013
08 May 1798 @ Covent Garden

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Quarter Deck; or, Half an Hour's Festivity

Performance Comment: In which The New Mariners-; The Mid Watch-Incledon; Queen Bess; or, The Spanish Armada-Johnstone; Great Britain still her Charter boasts-Incledon, Fawcett, Johnstone, Linton, Street, Gray.
Cast
Role: In which The New Mariners Actor:

Afterpiece Title: Botheration; or, A Ten Years Blunder

Dance: In 2nd piece: a Hornpipe (in Character)-Blurton

Song: In course Entertainment: Old Towler-Incledon; Black Ey'd Susan-Incledon; Incidental to 3rd piece: Mr O'Blarney's Description of London (Including his Remarks on St. James's, St. Giles's, St. Paul's, Debating Clubs, Squares, Gardens, The Monument, Wigs and Crops, Boarding Schools, Inns, Fields, Soldiers, Sailors, and Volunteers) in Character-Johnstone

Performance Comment: James's, St. Giles's, St. Paul's, Debating Clubs, Squares, Gardens, The Monument, Wigs and Crops, Boarding Schools, Inns, Fields, Soldiers, Sailors, and Volunteers) in Character-Johnstone.

4014
16 May 1798 @ Covent Garden

Event Comment: Benefit for Miss Betterton, 2nd piece [1st time; ENT 1]. Times, 26 Apr.: Tickets to be had of Miss Betterton, No. 47, Great Queen-street, Lincoln's Inn Fields. Receipts: #184 8s. 6d. (87.0.0; 8.17.6; tickets: 88.11.0)

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: Britons Roused

Afterpiece Title: The Follies of a Day

Dance: End 2nd piece: a Minuet-Mr and Miss Betterton

4015
24 May 1798 @ Drury Lane Theatre

Event Comment: Benefit for Miss Leak. Afterpiece: With a Sea Fight. Times, 17 May: Tickets to be had of Miss Leak, Upper Mews Gate, Castle-street, Leicester-fields. Receipts: #500 6s. 6d. (104.10.0; 74.7.6; 3.4.6; tickets: 318.4.6) (charge: #220 14s. 7d.)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Critic; or, A Tragedy Rehearsed

Dance: In II: Masquerade-; with Dancing-Mlle Parisot, Sga Bossi DelCaro

Song: In Masquerade: Sigh no more Ladies (composed by Stevens)-Sedgwick, Dignum, Mrs Bland, Miss DeCamp; End IV: Little Taffline-Mrs Bland; In course of Evening: Ally Croaker, Little Bess the Ballad Singer (composed by Dr Arnold)-Miss Leak

4016
17 September 1798 @ Covent Garden

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Holman; Ghost-Murray; Polonius-Munden; King-Waddy; Horatio-Betterton; Laertes-Whitfield; Ostrick-Farley; Rosencraus-Clarke; Marcellus-Davenport; Guildenstern-Claremont; Player King-Thompson; Lucianus-Wilde; Grave@Diggers-Powel, Rees; Ophelia-Mrs H. Johnston (1st appearence at this theatre, and 2nd in that character); Player Queen-Mrs Platt; Queen-Miss Chapman.

Afterpiece Title: Botheration; or, A Ten Years Blunder

Song: In V: a Dirge, set to music by Shield. Vocal Parts-Mrs Martyr, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Miss Wheatley, Linton, Street, Gray, Lee, Platt, Dyke, Curties; Incidental to afterpiece: Mr O'Blarney's Description of London (Including his Remarks on St. James's, The Monument, St. Paul's, Wigs and Crops, Debating Clubs, Boarding Schools, Squares, Inns, Gardens, Fields, Soldiers, Sailors, and Volunteers)-Johnstone

Performance Comment: Vocal Parts-Mrs Martyr, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Miss Wheatley, Linton, Street, Gray, Lee, Platt, Dyke, Curties; Incidental to afterpiece: Mr O'Blarney's Description of London (Including his Remarks on St. James's, The Monument, St. Paul's, Wigs and Crops, Debating Clubs, Boarding Schools, Squares, Inns, Gardens, Fields, Soldiers, Sailors, and Volunteers)-Johnstone.

4017
01 March 1799 @ Covent Garden

Performances

Mainpiece Title: Grand Selection 0 Of Music, From The Works Of handel, boyce, arne, And purcell

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Overture (Berenice)-; Together let us range the fields-Mme Mara, Incledon (Boyce's Solomon); From mighty kings-Mrs Atkins (Judas Maccabaeus); Come if you dare-Incledon, Chorus (Purcell); Oh had I Jubal's lyre-Miss Waters (Joshua); The soldier tired-Mme Mara (Arne's Artaxerxes); Fixed in his everlasting seat-Chorus (Samson).
Cast
Role: Together let us range the fields Actor: Mme Mara, Incledon

Music: End II: concerto on the violoncello-Charles Ashley

4018
05 March 1799 @ Covent Garden

Event Comment: Benefit for Mrs H. Johnston, Morning Chronicle, 21 Feb.: Tickets to be had of Mrs H. Johnston, No. 47, Great Queen-street, Lincoln's Inn Fields. Receipts: #401 15s. (255.14.6; 15.7.0; tickets: 130.13.6)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: British Fortitude

Afterpiece Title: Oscar and Malvina

Dance: II: Negro Dance-Blurton, Platt, Jackson

Song: In 3rd piece: As17990304but O ever in my bosom live-Mrs Chapman, Mrs Iliff

4019
13 March 1799 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Music, From The Works Of handel, boyce And purcell

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: The Water Music-; Together let us range the fields-Mme Mara, Incledon (Boyce's Solomon); He was eyes unto the blind-Miss Poole (Siroe); Total eclipse-Incledon; O first created beam-Chorus (Samson); Mad Bess-Mme Mara (Purcell); Gird on thy sword-Chorus (Saul).
Cast
Role: Together let us range the fields Actor: Mme Mara, Incledon

Music: As17990306

4020
17 April 1799 @ Drury Lane Theatre

Event Comment: Benefit for Miss Pope. Mainpiece: Not acted these 20 years [not acted since 15 Apr. 1777]. Morning Chronicle, 3 Apr.: Tickets to be had of Miss Pope, No. 62, Great Queen-street, Lincoln's Inn Fields. Receipts: #318 (89.7.6; 50.1.6; 0.16.6; odd money: 0.18.6; tickets: 176.16.6) (charge: #234 7s. 6d.)

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Afterpiece Title: Feudal Times

4021
05 April 1800 @ Covent Garden

Event Comment: Benefit for Lewis. 3rd piece [1st time; M. INT 1, by Thomas John Dibdin. Larpent MS 1288; not published]: Founded on a late Glorious Naval Achievement [the recapture by Capt. Edward Hamilton, on 25 Oct. 1799, of the British frigate Hermione, from the Spaniards]. The Music selected and composed by Attwood. Morning Chronicle, 1 Apr.: Tickets to be had of Lewis, No. 52, Great Queen-street, Lincoln's Inn Fields. Receipts: #361 17s. (263.2.0; 33.5.6; tickets: 65.9.6)

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: A Peep behind the Curtain; or, An Opera Rehearsal

Afterpiece Title: The Hermione; or, Valour's Triumph

4022
16 May 1800 @ Drury Lane Theatre

Event Comment: Benefit for Miss Pope. [In afterpiece the playbill assigns Floreski to Kelly, but "Trueman..acted as Kelly's substitute in the Entertainment, in the part of Count Floreski" (Dramatic Censor, II, 194). Morning Chronicle, 30 Apr.: Tickets to be had of Miss Pope, No. 63, Great Queen-street, Lincoln's Inn Fields. Receipts: #330 14s. (87.4; 60.9; 3.5; tickets: 179.16) (charge: #230 18s. 3d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Lodoiska

Song: In III: song-Dignum

4023
17 March 1674 @ Dorset Garden Theatre

Event Comment: A disturbance occurred at this theatre on this day. Newdigate newsletters (Folger Shakespeare Library), 21 March 1673@4: His Maty has also been pleased to Order ye Recorder of London to examine ye Disorders & disturbances on Tuesday last at ye Dukes Theatre by some persons in drink (John Harold Wilson, Theatre Notes, p. 79). See also CSPD, 1673-1675, p. 231

Performances

4024
21 April 1682 @ Dorset Garden Theatre

Performances

Mainpiece Title: Venice Preserv'd

Performance Comment: See16820209, but Prologue To His Royal Highness Upon His first appearance at the Duke's Theatre since his Return from Scotland. Written by Mr Dryden-Mr Smith; The Epilogue Written by Mr Otway to his Play call'd Venice Preserv'd; or a Plot Discover'd; Spoken upon his Royal Highness the Duke of York's coming to the Theatre, Friday, April 21, 1682-. The Epilogue Written by Mr Otway to his Play call'd Venice Preserv'd; or a Plot Discover'd; Spoken upon his Royal Highness the Duke of York's coming to the Theatre, Friday, April 21, 1682-.

4025
11 April 1747 @ Drury Lane Theatre

Event Comment: Afterpiece: Being the most tragical tragedy that ever was tragedized by a company of tragedians. At the Particular Desire of Several Persons of Quality (General Advertiser). [The following unsigned statement of the financial condition of the theatre on 11 April is in the Harvard Collection of Documents dealing with affairs of Drury Lane, folio MS Thr. 12. This itemizes the outstanding liabilities to the amount of #8,808 14s. including #1,275 of arrears in actors' salaries]: I told Mr- the intended purchaser that the whole would not amount to #12,000. He said if it was more it should rest on me, for that was the utmost shilling he would give. But upon strict enquiry I find it will amount to #12,808 14s. This difference is not altogether owing to an error in calculation, but has been likewise heightened by a falling off of business, nor is it possible to ascertain the debt of a theatre for a day, it is of so fluctuating a nature. Q: whether this loss ought to light upon me, who have endeavored to get a purchaser & increased the value of the Estate to the utmost of my power? Errors excepted. [James Lacy or John Powel are the most likely authors of this statement. Whatever the authority, it is clear that settlement had not yet been made for transfer of ownership. For Powel, see G. W. Stone, Jr., The Authorship of Tit for Tat," Theatre Notebook, X (1955), 22-28.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Chrononhotonthologos

Dance: Salomon, Sga Padouana