SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Nell Gwin"/1) | (@(roleclean,performerclean) "Nell Gwin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 279 matches on Performance Comments, 78 matches on Event Comments, 28 matches on Performance Title, 4 matches on Roles/Actors, and 0 matches on Author.

Performances

Mainpiece Title: Ignoramus; Or, The Academical Lawyer

Performance Comment: MS in Library of Duke of Westminster: Theodorus-Lilliston?; Antonius-Smyth; Ignoramus-Underhill; Dulman-Williams; Pecus-Will Peer?; Musaeus-R. Nokes; Torcal-Norris; Rosabella-Mrs? Jennings; Surda-Mrs Margaret Rutter?; Trico-Medbourne?; Banacar-Crosby; Cupes-Sandford; Polla-Mrs Norris; Cola-R. James? Nokes; Pyropus-Angell; Dorothea-Mrs Brown; Vince-Boy; Nell-Pegg; Richardus?-Revet; Prologue to the King-Alexander Read. Translated from George Ruggle's Ignoramus.
Cast
Role: Nell Actor: Pegg
Event Comment: The King's Company. Pepys, Diary: And myself to the King's playhouse, which troubles me since, and hath cost me a forfeit of 10s., which I have paid, and there did see a good part of The English Monsieur, which is a mighty pretty play, very witty and pleasant. And the women do very well; but, above all, little Nelly, tha I am mightily pleased with the play, and much with the House, more than ever I expected, the women doing better than ever I expected, and very fine women

Performances

Mainpiece Title: The English Monsieur

Performance Comment: Lady Wealthy?-Nell Gwyn.
Cast
Role: Lady Wealthy? Actor: Nell Gwyn.
Event Comment: The King's Company. Pepys, Diary: My wife and I and Sir W. Pen to the King's playhouse, and there saw The Mayden Queene, which, though I have often seen, yet pleases me infinitely, it being impossible, I think, ever to have the Queen's part, which is very good and passionate, and Florimel's part, which is the most comicall that ever was made for woman, ever done better than they two are by young Marshall and Nelly

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen

Performance Comment: See16660200, but Queen of Sicily-Mrs Marshall; Florimell-Nell Gwyn.
Cast
Role: Florimell Actor: Nell Gwyn.

Performances

Mainpiece Title: All Mistaken; Or, The Mad Couple

Performance Comment: Pepys, 28 Dec. 1667, refers to Philidor-Hart; Mirida-Nell Gwyn. The edition of 1672, the first one known, lists no prologue, no epilogue, no actors' names.
Event Comment: The King's Company, This performance is on the L. C. lists 5@139, p. 129, and 5@12, p. 17. The latter states: The King here. See also Nicoll, Restoration Drama, p. 344. Elkanah Settle's Prologue to his revision of Philaster (1695): @The good old Play Philaster ne're can fail@But we Young Actors, how shall we prevail?@Philaster and Bellario, let me tell ye,@For these Bold Parts we have no Hart, no Nelly;@Those Darlings of the Stage, that charm'd you there.

Performances

Mainpiece Title: Philaster; Or, Love Lies A Bleeding

Performance Comment: Philaster-Hart?; Bellario-Nell Gwyn.
Cast
Role: Bellario Actor: Nell Gwyn.
Event Comment: The King's Company. Pepys, Diary: With my wife and girle to the King's house, and there saw The Mad Couple, which is but an ordinary play; but only Nell's and Hart's mad parts are most excellently done, but especially her's: which makes it a miracle to me to think how ill she do any serious part, as the other day [26 Dec.], just like a fool or changeling; and, in a mad part, do beyond all imitation almost. It pleased us mightily to see the natural affection of a poor woman, the mother of one of the children brought on the stage: the child crying, she by force got upon the stage, and took up her child and carried it away off of the stage from Hart. Many fine faces here today

Performances

Mainpiece Title: All Mistaken; Or, The Mad Couple

Performances

Mainpiece Title: The Virgin Martyr

Performance Comment: Dorothea?-Rebecca Marshall; Angelo?-Nell Gwyn?.
Cast
Role: Angelo? Actor: Nell Gwyn?.
Event Comment: The Duke's Company. Sometime in September Nell Gwyn attended this play, but the document listing her attendance is mutilated and the exact date is lost. See William VanLennep, Nell Gwyn's Playgoing at the King's Expence, Harvard Library Bulletin, IV (1950), 406

Performances

Mainpiece Title: Love And Honour

Event Comment: The Duke's Company. Nell Gwyn attended this play on three occasions in September or October. See VanLennep, Nell Gwyn's Playgoing, p. 406

Performances

Mainpiece Title: The Tempest

Event Comment: The Duke's Company. Nell Gwyn attended a performance of this play in September or October. See VanLennep, Nell Gwyn's Playgoing, p. 406

Performances

Mainpiece Title: The Citizen Turned Gentleman

Event Comment: The Duke's Company. A performance of this play was attended by Nell Gwyn, but the date is uncertain. See VanLennep, Nell Gwyn's Playgoing, p. 406

Performances

Mainpiece Title: The Unfortunate Lovers

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 406. There is no certainty that this performance is the premiere, but the fact that it was entered in the Stationers' Register, 29 Nov. 1674, suggests that it was probably first produced in the autumn

Performances

Mainpiece Title: The Siege Of Constantinople

Event Comment: The Duke's Company. This performance was attended by Nell Gwyn. See VanLennep, Nell Gwyn's Playgoing, p. 406

Performances

Mainpiece Title: The Tempest

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 406. There is no indication as to whether this is the premiere; the play was not licensed for publication until 27 Nov. 1676. Preface to Settle's Ibrahim (licensed 4 May 1676): Having a Play, call'd the Triumphant Widow, given him [Thomas Shadwell] to bring into the Duke's Playhouse, he spitefully foists in a Scene of his own into the Play, and makes a silly Heroick Poet in it, speak the very words he had heard me say, and made reflexions on some of the very Lines he had so senselessly prated on before in his Notes [to The Empress of Morocco]

Performances

Mainpiece Title: The Triumphant Widow; Or, The Medley Of Humours

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216: K: & Q:. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 406. BM Add. Mss. 27, 962v, f. 312 (a transcript of a newsletter by Salvetti), 14 Dec. 1674 (translation): On last Wednesday all the royal family were present at the theatre to hear the tragedy of Hamlet, which, for their greater entertainment, was adorned and embellished with very curious dances between the acts. [I am indebted to Professor George Hilton Jones, Kansas State University, for this item.

Performances

Mainpiece Title: Hamlet

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 406

Performances

Mainpiece Title: Love And Revenge

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended. See VanLennep, Nell Gwyn's Playgoing, p. 406

Performances

Mainpiece Title: The Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The Duke's Company. This performance, the premiere, is on the L. C. list, 5@141, p. 216: first Acting. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p406. The title page states: The English Opera; or The Vocal Musick in Psyche, with the Instrumental Therein Intermix'd...By Matthew Lock. Preface: All the Instrumental Musick (which is not mingled with the Vocal) was Composed by that Great Master, Seignior Gio. Baptista Draghi, Master of the Italian Musick to the King. The Dances were made by the most famous Master of France, Monsieur St.Andree. The Scenes were Painted by the Ingenious Artist, Mr Stephenson. In those things that concern the Ornament or Decoration of the Play, the great industry and care of Mr Betterton ought to be remember'd, at whose desire I wrote upon this Subject. Roger North Upon Music: I am sure the musick in the Psyche was composed by Mr M. Lock, of whom wee may say, as the Greeks sayd of Cleomenes, that he was ultimus Heroum. This masque is also in print, and begins 'Great Psyche,' &c. and the book containing the whole musick of that entertainment is not unworthy of a place in a vertuoso's cabanet (ed. John Wilson [1959], pp. 306-7). Preface to Settle's Ibrahim (licensed 4 May 1676): I have often heard the Players cursing at their oversight in laying out so much on so disliked a play [Psyche]; and swearing that they thought they had lost more by making choice of such an Opera: writer than they had gained by all his Comedies; considering how much more they might have expected, had such an Entertainment had that scence in it, that it deserved: and that for the future they expect the Tempest, which cost not one Third of Psyche, will be in request when the other is forgotten. Downes (Roscius Anglicanus, pp. 35-36): In February 1672. The long expected Opera of Psyche, came forth in all her Ornaments; new Scenes, new Machines, new Cloaths, new French Dances: This Opera was Splendidly set out, especially in Scenes; the Charge of which amounted to above 800l. It had a Continuance of Performance about 8 Days together it prov'd very Beneficial to the Company; yet the Tempest got them more Money

Performances

Mainpiece Title: Psyche

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 406

Performances

Mainpiece Title: Psyche

Event Comment: The Duke's Company. Nell Gwyn attended this play. See VanLennep, Nell Gwyn's Playgoing, p. 407, where VanLennep speculates that it might have been John Crowne's The Country Wit, which is not otherwise known to be acted until 10 Jan. 1675@6. It should be noted that this performance falls on a Friday in Lent

Performances

Mainpiece Title: Ye Country Knight

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, 407. This day may well have been the premiere; the play was not licensed until 5 July 1675

Performances

Mainpiece Title: The Woman Turned Bully

Event Comment: [The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407. There is no certainty that this performance is the premiere, btt an additional known performance on 15 June suggests that early June probably saw the initial run. The music for two songs, Thou joy of all hearts and When you dispense your influence, both set by Dr William Turner, is in Choice Ayres and Songs, Second Book, 1679. Preface, Edition of 1676: I have no reason to complain of the success of this Play, since it pleased those, whom, of all the World, I would please most: Nor was the Town unkind to it....[There] being no Act in it, which cost me above Five days writing: and the last Two (the Play-house having great occasion for a Play) were both written in Four Days. Downes (Roscius Anglicanus, p. 37): The Libertine and Virtuoso: Both Wrote by Mr Shadwell; they were both very well Acted, and got the Company great Reputation. The Libertine perform'd by Mr Betterton Crown'd the Play

Performances

Mainpiece Title: The Libertine

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 407

Performances

Mainpiece Title: The Libertine

Event Comment: The Duke's Company. Nell Gwyn attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 407

Performances

Mainpiece Title: The Conquest Of China By The Tartars

Event Comment: The Duke's Company. Nell Gwyn attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 407

Performances

Mainpiece Title: Herod And Mariamne