Event Comment: Benefit for Shuter. No persons admitted behind the scenes

Event Comment: Benefit for Shuter

Event Comment: NNeville MS Diary: Went to ye Pit to see ye Beggar's Opera-oblig'd to stand till ye play was over-Read some parts of ye Opera which I borrowed at Davies's, before it began and between the acts. Barry is a good Macheath, but most persons who have seen him when young observe that he has not ye activity and fire he then had. He sings tolerably as does Mrs Dancer; but both are greatest in ye acting part. Mrs D. is ye best Polly I ever saw, having that sensibility which your mere singing Pollys generally want. Mrs Mahon did Lucy with great ease and propriety, and has a good deal of expression in her countenance. Thomson has a force and mellowness of voice very suitable to ye character of Lockit. I do not think Weston excels in Filch. Shuter raised vast applause by adding, after Trapes has said "done under the Surgeon's hand'--"Oh dreadful and in such weather too!" Bannister in Mat added--"Die hard"--and Palmer in Budge--"Die game--" Mrs Gardner's pretending to get drunk in Mrs Slam is new. We had at ye end of Act 2 the Fing., of Act 3 a New Hornpipe, and at ye end of ye Opera the H. Peasant by $Miss Froment, with Duke and No Duke-of which I am tired

Event Comment: Benefit for Sg Daigville & Signa Vidini. [24 April letter signed Ned Shuter dated from his Majesty's Bench of Justice, St Georges Fields: "Theatrical Memoirs giving circumstantial account of my family-Admit my father was a chairman, my mother sold oysters in winter and cucumbers in summer. I was not born in a cellar but in a two pair of stairs front room at one Mrs Merit's an eminent Chimney Sweeper, Vine Street, St Giles" (Winston MS 10). Thomas Weston's apology for the delay of his Benefit. It was owing to his distressed affairs which he had new laid open to the managers. See comment form Edinburg Evening Courant, 29 April.] Paid Renters #88 for Oratorio nights; Mr Dibdin's draft on managers #50; Master Brown 5 nights, #1 17s. 6d.; Rec'd from Messrs Smith and Stanley charges for 11 Oratorio nights at 28# per night, plus candles &c . #342 4s.; Rec'd stopages #9 16s. 6d. (Treasurer's Book). Receipts: #151 4s. Charges: #65 11s. Profits to Daigville & Sga Vidini: #85 13s. (Treasurer's Book)

Event Comment: Weston's Will. First I give and bequeath my all to Martha Weston. Lastly my scribbling to Ned Shuter &c. (Winston MS 11). Receipts: #270 6s. (Treasurer's Book)

Event Comment: [This New Comedy (by Mrs Elizabeth Griffith) seems not to have been performed this night, according to the author's Preface to her Edition of 1772. Shuter had been unattentive and absent from many rehearsals]: At length though late [in the season] a day was appointed for the representation, and on that morning Mr Shuter appeared at rehearsal, pretty much in the same state as before, and confessed himself incapable of performing his part, that night. Upon which the play was oblig'd to be further postponed, and handbills were sent about at noon, to advertise town of the disappointment....A further final day was afterwards determined on, but the audience being out of humour at their former disappointment, called Mr Shuter to account for it, on his first appearance; which threw him into such confusion, that he was not able to get the better of it, throughtout the whole performance...in the hurry of his spirits the actor not only forgot his part, the deficiency of which he endeavoured to supply with his own dialect, but also seemed to lose all idea of the character he was to perform; and made the Governor appear in a light which the author never intended: that of a mean, ridiculous buffoon. [Mrs Griffith concluded her preface by relating how her friends stood by the piece, but two or three in the gallery, when it was given out again objected and threw an apple at the chandeliers, which so perturbed the management that the play was withdrawn. She therefore published it by subscription, prefixing the names of about 440 subscribers, persons of the first quality, including James Boswell, Edmund Burke, Col. Burgoyne, the Duke of Devonshire, David Garrick, Mrs Montague, William Richardson, and a host of writers, players, and people of fashion. This list provides a pretty good roster of those who filled the boxes and part of the pit of both theatres at the time.] Paid Younger #2 2s. for the license for A Wife in the Right (Account Book). Receipts: #218 12s. (Account Book)

Event Comment: Benefit for Shuter and Miss Haughton. Tickets at stage door. [For criticism of Shuter and Miss Haughton, see Genest, IV, p. 363, from The Present State of the Stage in Great Britain and Ireland, 1753. Nineteen of the Fifty-five pages of this pamphlet defend the stage on classicial authority and moral grounds from attacks by the religious bigots, and present an ideal picture of a manager, laying under some contribution, it would seem, the character of a manager presented ten years earlier (1743) in Queries to be Answered. The author especially likes the moral of Tate's alteration of Lear. The remaining pages give a paragraph or two of criticism to the leading actors and actresses in some of their most affecting parts (sixteen pages to Drury Lane Performers, all of whom appear in the author's eye to be either "Excellent" or "Very Good.") The remaining space is devoted to the performers at Covent Garden and at the Theatre Royal in Dublin. All those spoken of fare well in the hands of this bound-to-be pleased critic. Shuter is here commended for ability to play an Old Man convincingly though he was but 22 years old, and to play at all considering his lack of education. He possesses a great fund of drollery, and bids fair to be as great in low comedy as it is possible for man to conceive.' Miss Haughton described as an actress of promise. Seems never to have got the better of a lisp, and a Newcastle manner of pronouncing the letter 'r.'] Receipts: #290 (Cross)

Event Comment: Afterpiece: A New Comedy (by Hugh Kelly] of 2 Acts never perform'd. [Written, as the author states in his Advertisement to the Edition of 1774, at the instigation of and on the inspiration of Mrs Abington. The Larpent MS 379 lists a partial cast and the lengths for each part: 10 Hector Strangeways-Shuter">Shuter; 7 Brownlow-$Bensley; 5 Ormsby-$Clarke; 6 Bussora-...; 5 +Orson-...; 6 +Pillage-$Dunstall; 1!2 Servant-...; 5 +Lady Strangeways-$Mrs Green; 7 1!2 Zelinda 1!2 Jenny-....(A Length was 42 lines of dialogue.)] [From the +Westminster Magazine, Dec: Though there is scarce anything new in the Plot, Characters, Dialogue of this piece; yet upon the whole we found it extremely entertaining. The Indian servant is well introduced to satirize the follies and vices of the metropolis; and Sir Hector and his son give us a good dish of sea terms, well served up by Messrs $Shuter and Quick."

Event Comment: Benefit for Shuter. Tickets at stage door. Receipts: #150 (Cross)

Event Comment: Benefit for Barry. [Afterpiece a Comedy in two Acts by MacNamara Morgan from Shakespeare.] Shuter did fine in the farce (Cross). Music composed by Arne. Part of Pit will be laid into the boxes, where and upon stage servants will be allowed to keep Places

Event Comment: Benefit for Ridout. No Building on Stage. [The printer of the Public Advertiser seems to have kept his form for the old notices of the cast for the mainpiece, for although changing Bayes to Shuter, with the appropriate remark about his first appearance in the character, he also lists Gentleman Usher as Shuter.

Event Comment: Benefit for furnishing the new Wards in the Middlesex Hospital. Paid Charlotte Lane for altering a cloth coat, and green corded silk waistcoat lac'd with silver for Mr Wm. Smith, 5s. 6d.; shalloos back & bod lining to coat & stiffening, 3s. (MS list in Davies, Life of Garrick II, 332). [The Occasional Prologue, written by Mr Boyce was publish'd in the Public Advertiser 19 Dec. 1755]: @And, Britons, Godlike charity is yours...@'Tis yours to silence Misry's plaintive moan@And make the grief of others all your own...@Give balm to Nature's accidental woes,@And sooth th'impovrish'd matron's pregnant throes...@ [The Epilogue, written by C. Smart, and spoken by Shuter in the character of a Man-midwife, was published in the same paper: Shuter enters with a child]: @Whoe'er begot thee has no cause to blush:@Thou'rt a brave chopping boy (child cries) nay, hush, hush, hush.@.......................@Nay if you once begin to puke and cough@Go to the nurse. Within, here, take him off.@Well Heav'n be prais'd, it is a peopling age,@Thanks to the Bar, the Army, and the Stage...

Event Comment: Benefit for New General Lying In Hospital in Store St., Tottenham Court Road. Charges #85 10s. Balance to Hospital #10 17s. 6d., plus income from tickets #116 15s. (Box 377, Pit 150). Paid Tenducci for his performance in Amintas the 21st Inst. #30 (Account Book). [Shuter's Occasional Epilogue is Larpent MS 303.] Receipts: #96 7s. 6d

Event Comment: Benefit for Shuter. By Particular Desire

Event Comment: Benefit for Shuter. Mainpiece: Not acted these 6 years. [See 29 Dec. 1769.] With the Restoration of a Captial Scene from the Original. Charges #68 19s. Profit to Shuter #130 3s., plus #68 from tickets (Box 185; Pit 145). Receipts: #199 2s. (Account Book)

Event Comment: Mainpiece: A New Comedy [by R. B. Sheridan] never perform'd. New Scenes and Dresses. [Gentleman's Magazine for Jan. states: "Tuesday 17, Was performed for the first time at Covent Garden a comedy call'd The Rivals, said to be written by Mr Sheridan. Some objections being made both to language and character, the author has thought proper to withdraw his piece for correction, and it has since been played with applause." See 18 and 28 Jan. The Westminster Magazine, Jan., remarked: "This comedy was acted so imperfectly, either from the timidity of the actors on a first night's performance, or from an improper distribution of parts, that it was generally disapproved....The author promised some alterations, which implied that he would be glad the Town would suspend judgment till a farther hearing" See 28 Jan. John Hampden quotes from Lloyd's Evening Post, 18 Jan., the Morning Chronicle and Morning Post of the same date, and the London Chronicle of 19 Jan. articles damning the casting and the imperfectness of the actors, the impudence of Shuter in particular, and the fatigue of the audience.

Event Comment: Benefit Wignell and Shuter

Event Comment: MMr Shuter taken (Cross). Receipts: #90 (Cross); #85 6s. 6d. (Powel)

Event Comment: Benefit for Shuter and Palmer. Rec'd cash #50 14s., plus #82 15s. in tickets. Paid Duke of Bedford's Steward for leases #3 13s. 6d.; Mrs Swift 1s. 6d., omitted Wednesday; Mrs Roberts #1 omitted Wednesday [Treasurer's Book). Receipts: #150 (Cross); charges, #63 (Treasurer's Book)

Event Comment: At ye end of ye play, a voice call'd out to Shuter; Perriwinkle --which he answer'd--what do you want? this set ye Audience in such a roar, that they insisted upon his giving out ye play, wch he did with great Applause, this wch wou'd have been call'd Impudence in another was look'd upon, in him, as Humour; so rising he is in opinion (Cross). Receipts: #150 (Cross)

Event Comment: [The Gentleman's Magazine, XXIV, p. 485, has an important note on Shuter's interpretation of Trim.

Event Comment: Benefit for raising money towards cloathing Friendless and Deserted Boys for the Sea. [The Prologue and Epilogue were printed in the Public Advertiser the following day. The Prologue, written by Derrick, very Patriotic and anti-Gallic. In the Epilogue, written by Mr Lockman, Secretary of the Free British Fishery, Shuter as Boatswain followed by a "considerable number of the Boys" for Britain to maintain rule of the Waves. Finances for this evening appeared in the Public Advertiser on 24 Dec.] @Cash at the House #185 4s.@Tickets 137 16s.@#323@Deductions: @Expense of Play #84@Building on stage 3 13s. 6d.@Present to Treasurer 1 1s.@Prologue 2 2s.@Total #90 16s. 6d.

Event Comment: Income from Boxes #50 17s. 6d. Bought of Shuter a crimson velvet coat and breeches White waistcoat embroidered with gold #13 13s. Receipts: #141 8s. (Winston Theatrical Record)

Event Comment: Benefit for Hull. Books of the afterpiece to be had at the Theatre. Afterpiece: Founded on the plan of the old Ballad of that name. The songs adapted to old English, Irish and Scotch tunes. [Shuter's Prologue is Larpent MS 218, wherein he enters in character of a Ballad singer, interrupting the music as the overture comes to a close. He sings snatches from some ten old ballads, stopping in the midst of each to comment on the superiority of modern circumstances which parallel those referred to in the old ballads. As the bell rings he introduces the afterpiece.