SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Native de Barselona Di Cala Qualificatta"/1) | (@(roleclean,performerclean) "Native de Barselona Di Cala Qualificatta")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1199 matches on Performance Title, 492 matches on Performance Comments, 195 matches on Event Comments, 168 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: A Word For Nature

Afterpiece Title: The Captive of Spilburg

Dance: a Dance, as17981114, but _Male, W. _Banks, Johnston; +New Hornpipe, as17981114

Performances

Mainpiece Title: A Word For Nature

Afterpiece Title: The Captive of Spilburg

Dance: As17981205

Performances

Mainpiece Title: Medonte

Dance: End I: Peggy's Love-Didelot, Laborie, Mme Rose, Mme Laborie, Mlle J. Hilligsberg, Mme Hilligsberg; End Opera: Ariadne et Bacchus- [Performers not listed]

Performances

Mainpiece Title: Medonte

Dance: I: Peggy's Love- [see17981208]; End Opera: Ariadne et Bacchus, as17981208

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Captive of Spilburg

Dance: As17981205

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Captive of Spilburg

Dance: As17981205

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Captive of Spilburg

Dance: As17981205

Performances

Mainpiece Title: Medonte

Performances

Mainpiece Title: Medonte

Dance: As17981226

Performances

Mainpiece Title: Medonte

Dance: As17981211

Performances

Mainpiece Title: Nina

Dance: As18000322

Performances

Mainpiece Title: Nina

Dance: As18000429

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

Event Comment: Benefit Penkethman, Note, The Subscribers are desir'd not to bring their Tickets this Day, his Friends having promis'd to make this a Jubilee Day to him, and fill the House at the full Price, Mr Penkethman being at a greater Charge than ordinary. For the Entertainment of Madam la Signiora Fount, Signiora, Espagnola, Native d'Barcellone di cale Quallificatta, who will, in a particular Manner, hounour Mr Penkethman...by appearing in her own Country Habit. The Boxes opened to the Pit at 2s. 6d. At five o'clock, by reason of thelength of the Entertainments, and that the Gentry may return to London before 'tis Dark

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Dance: Whimsical Dance between a Miller, his Wife, and a Town Miss-; Chest Dance, after the Italian Manner, between Scaramouch, Punchanello, Coachman, and Cookmaid-; French Peasant and his Wife-; Ladder Dance-a famous Master; Scaramouch-LeSac; Dance by a Flemming in Wooden Shoes-; Dance by a Switzer-; Night Scene of Scaramouch, Harlequin, Cooper, Wife, and others-

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Death of Captain Cook

Performance Comment: Cast from text (T. Cadell, 1789), and Parke, I, 115: Terreeobo-Blurton; Pareea-Byrne; Koah-Delpini; Captain Cook-Cranfield; His Lieutenant-Evatt; Priest-Darley; Lieutenant of the Marines-Ratchford; Emai-Miss Francis. Part I. A Nuptial Procession, with the Performance of the Marriage Ceremony according to the Custom observed at O'Whyee. The Manner of Combat between two Natives. Part II. The Arrival of the Resolution. The Disembarkation of the English, with the Ceremonies observed at entering into a Treaty of Peace with the Natives. A Preparation for a Human Sacrifice. The Assassination of Captain Cook. Part III. A Representation of the Naval and Military Honours observed on erecting a Pile to the Memory of Capt. Cook, by the Officers of the Resolution. The Ceremony performed on the same Occasion, according to the Manner of the Natives of O'Whyee. To conclude with a Representation of a Burning Mountain.

Song: As17890914, but Vocal Parts-Lee, W. _Thompson, Miss +MacGeorge, Mrs +Lefevre

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Two Strings to Your Bow

Afterpiece Title: A Divertisement

Dance: As17901123

Performances

Mainpiece Title: The Death Of Captain Cook

Performance Comment: Part I. A Nuptial Procession-; with the Performance of the Marriage Ceremony- according to the Custom observed at O'Whyee; Combat between two Natives-; Part II. The Arrival of the Resolutionv. The Disembarkation of the English-; with Ceremonies observed at a Treaty of Peace with the Natives-; Preparation for Human Sacrifice-; Assassination of Captain Cook-; Part III. A Representation of Naval and Military Honoursv erecting a Pile to Memory of Captain Cook, by Officers of Resolution. The Ceremony-; same occasion, according to Natives of O'Whyee. Conclude a representation of a Burning Mountain-.
Cast
Role: Combat between two Natives Actor:

Afterpiece Title: The Pharo Table

Afterpiece Title: Aladin

Performances

Mainpiece Title: The German Hotel

Afterpiece Title: Annette and Lubin

Afterpiece Title: The Death of Captain Cook

Performance Comment: As17901106 PART I. A Nuptial Procession, with the Performance of the Marriage Ceremony, according to the Custom observed at O'Whyee. The Manner of a Combat between two Natives. PART II. The Arrival of the Resolution. The Disembarkation of the English, with the Ceremonies observed at entering into a Treaty of Peace with the Natives. A Preparation for a Human Sacrifice. The Assassination of Captain Cook. PART III. A Representation of the Naval and Military Honour, observed on erecting a Pile to the Memory of Captain Cook by the Officers of the Resolution. The Ceremony performed on the same occasion, according to the Manner of the Natives of O'Whyee. To conclude with a Representation of a Burning Mountain.

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Governor; or, The Creolian Insurrection

Performance Comment: European Officer-Byrn; Henriquez (the Governor)-Follett; Insurgent Chief-Farley; Blacks, Creolians-Holland, Platt, Ratchford, King, Jackson, Blurton; Creolian Insurgents-Rayner, Wilde, Allen, Powers, Gaurion; Spanish Officers-Evatt, Lee, Rowson, Coombs; Natives of the Island-Jones, Richardson, Dodimear [the playbill erroneously calls each one of the Natives 'Miss'; see17930316 Notaries-Hill, Smith; The Grandchild-Master Menage; Creolian Girl-Miss Smith; Creolian Women-Mrs Ratchford, Mrs Bayzand; Black Women-Mrs Watts, Miss Francis, Mrs Crowe, Mrs Cranfield; Donna Juliana (Daughter to the Governor)-Mme Rossi.

Performances

Mainpiece Title: The German Hotel

Afterpiece Title: Annette and Lubin

Afterpiece Title: The Death of Captain Cook

Performance Comment: As17931106 PART I. A Nuptial Procession, with the Performance of the Marriage Ceremony, according to the Custom observed at O'Whyee. The Manner of a Combat between two Natives. PART II. The Arrival of the Resolution. The Disembarkation of the English, with the Ceremonies observed at entering into a Treaty of Peace with the Natives. A Preparation for a Human Sacrifice. The Assassination of Captain Cook. PART III. A Representation of the Naval and Military Honour, observed on erecting a Pile to the Memory of Captain Cook by the Officers of the Resolution. The Ceremony performed on the same occasion, according to the Manner of the Natives of O'Whyee. To conclude with a Representation of a Burning Mountain.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mock Doctor

Dance: SSt. Giles' Jig-Lilliputian; Highland Dance-Native of Scotland; Je ne scai quoy-D'Vallois, Mrs Walter

Performance Comment: Giles' Jig
-Lilliputian; Highland Dance-Native of Scotland; Je ne scai quoy-D'Vallois, Mrs Walter.

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Barry; Capulet-Sparks; Montague-Bridgwater; Escalus-Gibson; Benvolio-Usher; Paris-Anderson; Lady Capulet-Mrs Barrington; Friar Lawrence-Ridout; Gregory-Bennett; Sampson-Collins; Abram-Dunstall; Balthazar-White; Mercutio-Dyer; Tibalt-Cushing; Nurse-Mrs Pitt; Juliet-aYoung Gentlewoman (who never appeared on any stage before); [With a Masquerade Dance- [proper to the play; [and an Additional Scene introduced representing the Funeral Procession of Juliet-; [which will be accompanied with a Solemn Dirge-; the vocal parts-Lowe, Howard, Legg, Baker, Roberts, Mrs Lampe, Miss Young, Mrs Chambers; [With an Occasional Prologue-Barry.*c1753 10 10 cg A Prologue by Barry to introduce a young gentlewoman in Juliet (Miss Nossiter) who never appear'd upon any stage. Great Applause. The Prologue about Mrs Cibber's Leaving Rich (Cross). Romeo was perform'd by Barry and Juliet by Miss Nossiter, being the first time of her appearing on any theatre. The delicacy of her figure, and her gracefull distress, obtained for her the warmest applause; and as she grew more animated in the progress, she frequently alarmed the audience with the most striking attitudes. If this young actress studies the management of her voice, and attains a more simple elocution--she will prove a shining ornament to the stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct.). [The Occasional Prologue was printed in the Public Advertiser, 20 Nov.: @Who could have thought that Juliet could e'er prove@False to her Romeo, faithless to her Love?@She Mrs Cibber? on whose voice the raptured audience hung,@Caught with th'angelic music of her tongue;@Whose native tenderness so oft has charm'd;@Whose grief afflicted, and whose Rage alarm'd,@Deaf to her vows, and to her Romeo's calls,@Has fled alas from our Verona's walls!@In such a plight what cou'd poor Romeo do?@Why, Faith, like modern lovers, seek anew;@And happy shall I think me in my Choice,@If 'tis approv'd of by the public voice.@ Twenty three more lines present the qualifications for Miss Nossiter to play the part, and plead for an encouraging round of applause for her.] and as she grew more animated in the progress, she frequently alarmed the audience with the most striking attitudes. If this young actress studies the management of her voice, and attains a more simple elocution--she will prove a shining ornament to the stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct.). [The Occasional Prologue was printed in the Public Advertiser, 20 Nov.: @Who could have thought that Juliet could e'er prove@False to her Romeo, faithless to her Love?@She Mrs Cibber? on whose voice the raptured audience hung,@Caught with th'angelic music of her tongue;@Whose native tenderness so oft has charm'd;@Whose grief afflicted, and whose Rage alarm'd,@Deaf to her vows, and to her Romeo's calls,@Has fled alas from our Verona's walls!@In such a plight what cou'd poor Romeo do?@Why, Faith, like modern lovers, seek anew;@And happy shall I think me in my Choice,@If 'tis approv'd of by the public voice.@ Twenty three more lines present the qualifications for Miss Nossiter to play the part, and plead for an encouraging round of applause for her.]

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: A Fete, scene I

Performance Comment: A Forest. The Death of the Stag (singers not listed). Overture by Dr Arne. Hunting song, Give round the word, by Doyle. Foresters' Dance, scene II. The Cave of Echo. The Vauxhall Echo Catch, They say there is an echo here, by Davits, Robson, J. Wilson, Doyle, scene m. Mount Ida. Venus and the Grace, to whom she complains for the loss of her son [She that will but now discover}. Venus-Mrs Morton, scene IV. A Hall. Four and twenty fidlers all on a row, as17820423 scene V. A Camp. For Freedom and his Native Land, by Mrs Kennedy; the music by Hook; the words by Hull. SCENE VI. The Cavern of Despair. Mad Tom, by Reinhold; the music by Purcell. SCENE VII. A Palace and a Banquet. Honest Friends and jovial Souls (singers not listed). To conclude with a Chorus and Dance. Attendant Genius-Miss Langrish .

Afterpiece Title: The What d'ye Call It

Performances

Mainpiece Title: L'allegro Ed Il Penseroso [, Part I Only]; Grand Selection 0

Afterpiece Title: Acis and Galatea

Afterpiece Title: A New Grand Selection

Performance Comment: The undaunted Britons-Dignum (Atterbury); Fairest Isles-Miss Leak, Chorus [King Arthur, by Purcell]; Gentle Airs-Harrison; accompanied on the violoncello-Mason [Athalia]; From rosy bowers-Miss Poole (Purcell); The praise of Bacchus, Bacchus ever fair and Young-Welsh [Alexander's Feast]; Concerto on the violin-Janiewicz; Dear is my little native vale-Mrs Harrison (Sir W. Parsons); The Maid of the Rock-Master Welsh [Dignum]; Together let us range the fields-Mr and Mrs Harrison (Solomon, by Boyce); God save Great George our King (with new accompaniments by Dr Arnold)-Full Chorus.

Song: In 1st piece: Sweet bird-Mrs Ferguson (her 1st performance); accompanied on the violin-Shaw; End 2nd piece: an Italian Scena-Mrs Ferguson

Performances

Mainpiece Title: Grand Selection 0

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Ariadne)-; Wake son of Odin-Leete (Stevens); What boots it where thy soldier-Miss Leak; Dear is my little native vale-Master Welsh; When Britain from her sea@girt shore-Dignum, Clark, Letee; Britain's best bulwarks-Chorus; Softly rise-Harrison; accompanied on the bassoon-Holmes (Solomon, by Boyce); Se ti perdo-Miss Poole; Tune your harps-Mrs Harrison (Esther); When all the air shall ring-Miss Poole, Miss Leak (Dr Arne); God save the King-Chorus.

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3