SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Native dBarcellone di cale Quallificatta"/1) | (@(roleclean,performerclean) "Native dBarcellone di cale Quallificatta")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 207 matches on Performance Title, 64 matches on Performance Comments, 34 matches on Event Comments, 11 matches on Author, and 0 matches on Roles/Actors.
Event Comment: 2nd ballet: 1st time; composed by Barre; the Music by Bossi. "Mme Hilligsberg, who possesses the first rank among the dancers of London, is a woman of distinguished merit: she succeeds with peculiar happiness in sportive and jocose expressions, and she is bewitchingly graceful as a Welch or Scotch country girl. Her figure is very handsome; but her arms are somewhat long and thin. The third dancer is Mme Laborie; she possesses an agreeable figure, much animation and native gracefulness. She might become a first-rate dancer [if] she did not trust too much to her natural talents, and bestowed more attention on the art" (Goede, 265). "Les Deux Jumelles, ou la Meprise, pouvoient tres bien faire le sujet d'unjoli divertissement; mais pour un grand ballet, il a fallu y appeller le secours des dieux, & faire descendre ce que nous appelons une gloire de nuages qui se developpent assez mal: c'est la faute du machiniste ou du charpentier. D'ailleurs, cette gloire ne sert a rien, puisque l'Amour vient dans un assez mauvais cabriolet, pousse par des hommes qu'on voit un peu trop distinctement, & s'en retourne de meme a reculons. Nous avons vu souvent le char de l'Amour aller en avant; mais il est rare qu'on le voie reculer, & cette meme gloire eprouve autant de difficulte pour remonter qu'elle en avout eue pour descendre, laissant le spectateur tres convaincu de son inutilite" (Anthony LeTexier, L'Ami des Meres, 1799, I, 192-93). The subscribers are most respectfully intreated to be careful to whom they give their Tickets, as many improper persons have lately presented themselves for admission into the Theatre with those Tickets; and the subscribers are requested to observe that, in future, persons of this description will be conducted directly to the identical Boxes to which such Tickets belong, instead of being admitted into any other part of the Theatre. And the public are intreated to understand that neither Ladies in Undress Hats or Bonnets, nor Gentlemen in Boots will be admitted into the Pit of the Opera

Performances

Mainpiece Title: Ines De Castro

Dance: End I: Peggy's Love, as17981211; End Opera: Les Deux Jumelles; ou, La Meprise-["The pas de deux of Didelot and Rose was particulary admired, and Madames Laborie and Hilligsberg, who appeared as the Twin Sisters, were most happily successful" (Morning Chronicle, 30 Jan.)]

Performances

Mainpiece Title: Lovers Vows

Afterpiece Title: The Death of Captain Cook

Performance Comment: As17991021, but in Natives; Islanders-_Dyke, Lewiss; omitted from +English: Lieutenant of Marines-_.

Afterpiece Title: The Naval Pillar

Dance: In 3rd piece: As17991007

Song: In 3rd piece: As17991011

Performances

Mainpiece Title: Concert

Music: Miss Cecilia Young sings: Falsa Imagine. Scherza il nochiero. Assanni del pensier. Welcome Mars. Mr Topham sings: Tu di pieta mi spogli. Transporting Charmer. Ghosts of every occupation

Entertainment: After the Concert Topham gives exhibitions of his great strength

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Fall of Phaeton

Song: the first time of her performance on that theatre, viz.the first time of her performance on that theatre, viz. In III: An Italian Song beinging Di Lor Mio-Miss Cecilia Young; III: Torna mi Vegbeggiar-Miss Cecelia Young both from the Opera of Alcina

Performances

Mainpiece Title: An Entertainment Of Music

Performances

Mainpiece Title: Lo Studente A La Moda

Dance: Entertainment-[unspecified]

Performances

Mainpiece Title: The Mistake

Afterpiece Title: Every Woman in Her Humour

Dance: TThe Cow Keepers, as17600313

Performances

Mainpiece Title: Arianna E Teseo

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Arianna E Teseo

Performances

Mainpiece Title: La Famigilia In Scompiglio

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Wedding Ring

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: The Hotel or The Double Valet

Performances

Mainpiece Title: Demofoonte

Dance: End of Act II Le Riveil du Bonheur, as17840203; End of Opera he Cocq du Village, as17840302athi

Performances

Mainpiece Title:

Performances

Mainpiece Title: Issipile

Dance: End of Act I New Divertissement, as17840424; End of Opera Le Tuteur Trompe, as17840325athi

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I an entirely new Ballet, L'Amour Soldat, in which a new Minuet and Gavot by Mlle Dorival and Lepicq, and in the second part of the ballet a Pas de Deux [Trois?] by Mlle Dorival in Man's Cloaths, Lepicq, Mme Rossi; End of Opera Don Juan; or, The Libertine Destroyed [performers not listed; this was perhaps another version of Il Convitato di Pietra(see17850312

Performances

Mainpiece Title: I Rivali Delusi

Dance: Preceding the Opera an entire new Ballet, composed by Lepicq, the subject taken from a much admired French Opera, Les Amours d'Ete [performers not listed, but Public Advertiser, 16 Apr. makes mention of Lepicq and Mme Rossi]; End of Act I Robin Gray, with the Scotch Reels [performers not listed, but see17850421]; End of Opera Il Convitato di Pietra [performers not listed, but see17850312 in which a Minuet by Lepicq and Mme Rossi

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Quaker

Song: In Act II a song in character by Mrs Crouch. [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: La Vendemmia

Dance: As17890404

Performances

Mainpiece Title: La Generosita Dalessandro

Dance: As17900601

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Two Strings to Your Bow

Afterpiece Title: A Divertisement

Dance: As17901123

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: The Cave of Trophonius

Performances

Mainpiece Title: A Grand Selection 0 Composed By g

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: A Grand Selection 0principally From The Works Of handel Redemption 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3