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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "N Haym"/1) | (@(roleclean,performerclean) "N Haym")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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198 results for: Keyword - N. Haym
We found 93 matches on Event Comments, 58 matches on Performance Comments, 36 matches on Author, 16 matches on Performance Title, and 0 matches on Roles/Actors.

126
21 October 1742 @ Covent Garden

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Old Man Taught Wisdom

Dance: TThe Happy Lovers, as17421006; La Villageoise, as17421006

127
12 May 1747 @ Covent Garden

Performances

Mainpiece Title: The Committee

Afterpiece Title: Phebe

Dance: The English Boy, English Girl

128
23 October 1747 @ Drury Lane Theatre

Event Comment: PPrince &c. (Cross). Lost on Wednesday Night the 21st Instant at Drury Lane Playhouse. A Steel and Gold Sword, with a Silver Gripe, the maker's name Fleaureau. Whoever has taken it up, and will bring it to Mr Fleaureau, Swordcutler in the Haymarket, shall have a Guinea and a half reward, and no Questions asked. N. B.: No greater reward will be offered (General Advertiser). Receipts: #190 (Cross); #176 5s. (Powel)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Virgin Unmask'd

Dance: DDance-Cooke

129
06 November 1747 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Virgin Unmask'd

130
10 March 1749 @ Haymarket Theatre

Performances

Mainpiece Title: None

131
16 May 1749 @ Drury Lane Theatre

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Intriguing Chambermaid

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

132
16 January 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Harlequin Ranger

133
27 November 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Queen Mab

Dance: TThe Hungarian Peasants, as17521125, but A Dutch Dance-_; Comic Dance, as17521125

134
22 November 1755 @ Covent Garden

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Afterpiece Title: Damon and Phillida

Dance: As17551114

135
23 March 1756 @ Covent Garden

Performances

Mainpiece Title: Ulysses

Afterpiece Title: The Frenchified Lady Never in Paris

Dance: FFingalian Dance, as17551126

Music: EEllen a Roon on the German Flute-a young Gentlewoman (from Ireland)

136
02 October 1760 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin Ranger

137
13 October 1760 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Harlequin's Invasion

138
16 October 1760 @ Covent Garden

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: Harlequin Skeleton

Dance: As17601013

139
31 October 1763 @ Drury Lane Theatre

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Witches

140
04 June 1768 @ Covent Garden

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Midas

Dance: III: The Highland Reel, as17680307

141
07 October 1776 @ China Hall, Lower Road, Rotherhithe

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Afterpiece Title: Marriage a la Mode [i

Song: II: the grand chorus, See the conquering Hero comes-; Between Acts: Singing, as17760925

Entertainment: Monologue.The Painter's Art-[from Taste, by Samuel Foote]; Lady Pentweazle-Master Russell

142
17 July 1779 @ Haymarket Theatre

Performances

Mainpiece Title: A Widow And No Widow

Afterpiece Title: Midas

Dance: As17790610

143
15 July 1780 @ Haymarket Theatre

Performances

Mainpiece Title: A Widow And No Widow

Afterpiece Title: Fire and Water

144
16 March 1782 @ Covent Garden

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: The Positive Man

145
11 April 1782 @ King's Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I an entirely new Ballet, composed by Noverre, Adela of Pontbieu (the subject taken from the History of ancient Chivalry), by Gardel, Mme Simonet, Nivelon, Mlle Theodore, Simonet, Sga Crespi, Mlle Baccelli; End of Opera Medea and Jason, as originally composed by Noverre, by Gardel, Mme Simonet, Nivelon, Simonet, Mlle Theodore, Mlle Baccelli

146
29 January 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: The School For Vanity

Afterpiece Title: The Gentle Shepherd

147
11 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

148
25 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a new ballet, composed for the occasion by D'Auberval, Pygmalion (taken from the Mono-drama of that name by Jean-Jacques Rousseau, with the original music composed by that very celebrated writer; the story founded on the fabulous account of Pygmalion animating his statue) by Lepicq, Vcstris (Jun.], Mme Rossi, Mme Theodore; End of Opera will be revived Le Tuteur Trompe (composed by Lepicq) in which the following new dances: A new Pas de Deux by Lepicq and Mme Rossi, the latter in the character of Niaise; a Pas Seul by Mme Theodore; a Pas de Troit by Lepicq, Mme Rossi, Zuchelli; an entirely new Pas de Deux by Vestris [Jun.] and Mme Theodore; a Pas Seul by Slingsby; a Pas Seul, entirely new, by Vestris [Jun.]; to conclude with the Sequdilla and Fandango by Lepicq and Mme Rossi. N. B. In the same ballet will be introduced a Minuet, composed by Barthelemon for the Prince of Wales, and an Allemande in the French stile, both by Lepicq and Mme Rossi

149
24 April 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Deaf Lover

Dance: As17840311athi

150
28 March 1787 @ Red-Lion Inn, Lordship Road, Stoke Newington

Performances

Mainpiece Title: Barbarossa; Or, The Freedom Of Algiers

Afterpiece Title: Thomasand Sally

Song: End: Ma chere amie-Wilson

Entertainment: Monologue. A favorite Prologue-Marriot